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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
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"content": "What kind of truck kills the woman?",
"role": "user"
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" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"3-5 years",
"Three to five years"
]
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[
{
"content": "What is John's expected sentence?",
"role": "user"
}
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|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
] |
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train
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"Mitch",
"mitch"
]
] |
[
{
"content": "Who beat up Julie?",
"role": "user"
}
] | 37,702
|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"Mitch beat her up",
"Her boyfriend, Mitch, abused her."
]
] |
[
{
"content": "What is the real reason for Julie's broken arm?",
"role": "user"
}
] | 37,703
|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
] |
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train
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"That his son be put on the donor list",
"that his son's name be put on the heart recipient list as soon as possible"
]
] |
[
{
"content": "What is John's demand?",
"role": "user"
}
] | 37,704
|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"It is enlarged",
"it is enlarged"
]
] |
[
{
"content": "What is wrong with Michael's heart?",
"role": "user"
}
] | 37,705
|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
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"content": "How many hostages does John take? ",
"role": "user"
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[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"The woman killed by the Mack truck",
"female driver"
]
] |
[
{
"content": "Who is used as an organ donor for Michael?",
"role": "user"
}
] | 37,707
|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
|
[
[
"Kill himself and have his heart used for his son",
"He plans to commit suicide so Michael can have his heart."
]
] |
[
{
"content": "What does John plan to do?",
"role": "user"
}
] | 37,708
|
[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.
Meanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.
Meanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.
The Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.
Once his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him "more than three to five (years)" and that she will try to get it reduced to two.
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{
"content": "Who stops John from killing himself?",
"role": "user"
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[
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two.",
" A woman is driving dangerously down a winding road, recklessly passing cars until she comes upon a slow moving Mack truck. As she goes to pass, her car is clipped by a truck going in the opposite direction, then slammed full-force by the Mack, killing her.\nMeanwhile, John Quincy Archibald and his wife Denise witness their young son Michael collapse at his baseball game and take Michael to the hospital. After a series of tests at the hospital, John is informed by Dr. Raymond Turner and Rebecca Payne, the hospital administrator, that his son has an enlarged heart and will need a heart transplant to live. The procedure is very expensive: $250,000 (at a minimum), with a down payment of $75,000 (30%) required to get Michael's name on the organ donor list. John tells them he is insured, but after looking through his policy, they tell him that because the company he works for dropped John from full-time to part-time, his health insurance has been changed, and the new policy does not cover the surgery, which leaves John and Denise to raise $75,000 on their own. The family tries to raise the money but are only able to come up with a third of the necessary payment. The hospital tires of waiting and releases Michael; Denise urges John to do something. Unwilling to let his child die, John walks into the hospital ER with a handgun, gathers eleven hostages, and sets demands: his son's name on the recipient list as soon as possible. The hostage negotiator, Lt. Frank Grimes, stands down to let John cool off.\nMeanwhile, John and the eleven hostages learn more about each other. They begin to understand John's situation and support him a little as he ensures each of them receive the treatment they came to the emergency room for. One of them, Miriam, is pregnant, and her husband Steve is hoping that their first child is healthy. A young hostage, Julie, has a broken arm, and she and her boyfriend Mitch claim that a car crash caused it. Due to holes in their story, John and another hostage, Lester, conclude the two are lying and that Mitch beat up Julie. After a while, John agrees to release some hostages to have his son's name added to the list an hour afterward. He releases Steve, Miriam, and a hostage named Rosa with her baby.\nThe Chicago Chief of Police, Gus Monroe, gives a SWAT unit permission to insert a sniper into the building via an air shaft. John is shot but ends up receiving only a minor wound, which is treated right away. After taking the shot, the sniper's leg falls through the ceiling tiles. Outraged, John pulls him out of the air shaft and beats him up. Using the bound SWAT policeman as a human shield, he steps outside to the sight of dozens of policemen pointing weapons at him and a large, supportive crowd. John demands that his son be brought to the emergency room. The police agree to his demand in exchange for the SWAT sniper.\nOnce his son arrives, John reveals to the hostages his intention to commit suicide so his heart can be used to save his son. He persuades Dr. Turner to perform the operation, and two of his hostages bear witness to a will stating his last request. John says his last goodbyes to Michael and enters the operating room. He loads a single bullet into the gun and pulls the trigger, but the safety is on. As he prepares to end his life a second time, his wife learns about an organ donor (which happens to be the female driver that was killed in the beginning of the movie) who has been flown to the hospital for organ recovery. She runs to the emergency room and stops John from shooting himself, and John allows the hostages to go free. Michael is given the life-saving operation and, after watching the procedure with Denise, John is taken into police custody. Afterwards the entire ordeal becomes subject to a national debate about the quality and accessibility of insurance and healthcare. Three months later at his trial, all of the witnesses speak on his behalf. He is later acquitted of charges of attempted murder and armed criminal action but is found guilty of kidnapping. It is never revealed what his sentence for the crime will be, but his lawyer is overheard and saying that no judge will give him \"more than three to five (years)\" and that she will try to get it reduced to two."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"content": "Anne's corpse was adorned with what?",
"role": "user"
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37715,
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"Piano teachers."
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"content": "Anne and her husband are both retired what?",
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" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37713,
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37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
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"The right.",
"Her right side"
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{
"content": "On which side did Anne get paralyzed?",
"role": "user"
}
] | 37,712
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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1.000000238418579,
1.000000238418579,
1.000000238418579,
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[
37713,
37714,
37715,
37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"Three",
"Three days a week."
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[
{
"content": "How many days a week did the first nurse Georges hire work for?",
"role": "user"
}
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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1.000000238418579,
1.000000238418579,
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[
37712,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"He smothered her with a pillow.",
"Smothered her with a pillow"
]
] |
[
{
"content": "What did Georges do after telling Anne a story of his childhood?",
"role": "user"
}
] | 37,714
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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[
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37713,
37715,
37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"Washing dishes.",
"Washing dishes and preparing to leave"
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"content": "What did Georges imagine Anne doing in the kitchen?",
"role": "user"
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37713,
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37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"A pigeon",
"A pigeon"
]
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[
{
"content": "What did Georges release that he wrote in the letter about?",
"role": "user"
}
] | 37,716
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"She was mistreating Anne.",
"She is mistreating his wife"
]
] |
[
{
"content": "Why did the second nurse get fired?",
"role": "user"
}
] | 37,717
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37714,
37715,
37711,
37710
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"In Paris.",
"Paris"
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[
{
"content": "In which city was Anne found dead?",
"role": "user"
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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[
37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"Anne suffers a stroke.",
"She has a stroke."
]
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[
{
"content": "What happens to Anne, the morning after the attempted break-in?",
"role": "user"
}
] | 37,719
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"a surgery on her blocked carotid artery.",
"blocked catoroid"
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"content": "What kind of surgery did Anne endure?",
"role": "user"
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" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37714,
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37711,
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"She becomes paralyzed on her right side.",
"She is paralyzed on her right side."
]
] |
[
{
"content": "What complication arises from Anne's surgery?",
"role": "user"
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] | 37,721
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"Georges promises to never have Anne put in a hospital or a nursing home.",
"Not to force her back to the hospital or a nursing home."
]
] |
[
{
"content": "What does Georges promise Anne after she becomes paralyzed?",
"role": "user"
}
] | 37,722
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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[
[
"Georges and Anne's daughter, Eva",
"Their daughter, Eva"
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] |
[
{
"content": "Who wants to have Anne put into a home?",
"role": "user"
}
] | 37,723
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"content": "What career did Georges and Anne have in common?",
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" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37713,
37714,
37715,
37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"Georges smothers her with a pillow.",
"Georges comforts her with a story and then smothers her"
]
] |
[
{
"content": "How does Anne die?",
"role": "user"
}
] | 37,725
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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[
[
"They discover the corpse of Anne.",
"Annes corpse on the bed with flowers"
]
] |
[
{
"content": "What do the firemen and police discover after entering the Paris apartment with the strange odor?",
"role": "user"
}
] | 37,726
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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1.000000238418579,
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37713,
37714,
37715,
37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
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"He discovers she is mistreating his wife, Anne",
"She mistreats Anne."
]
] |
[
{
"content": "Why does Georges fire the second nurse?",
"role": "user"
}
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] |
[
37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"a former pupil of Anne, a pianist.",
"Anne's pupil "
]
] |
[
{
"content": "Who is Alexandre?",
"role": "user"
}
] | 37,728
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"because of a weird smell "
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"content": "Why did firemen break down the door to a Parisian apartment? ",
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" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
] |
[
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] |
[
37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"Anne",
"Anne's body."
]
] |
[
{
"content": "Whose body was found adorned with flowers? ",
"role": "user"
}
] | 37,730
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
] |
[
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] |
[
37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"Alexandre",
"Alexandre"
]
] |
[
{
"content": "Anne and Georges attend whose piano performance? ",
"role": "user"
}
] | 37,731
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"content": "What happens to Anne when she is eating breakfast with Georges? ",
"role": "user"
}
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" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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[
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37713,
37714,
37715,
37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"A blocked carotid artery",
"a blocked carotid artery"
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"content": "What does Anne have surgery on? ",
"role": "user"
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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1.000000238418579,
1.000000238418579,
1.000000238418579,
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] |
[
37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"Georges",
"georges"
]
] |
[
{
"content": "Who kills Anne? ",
"role": "user"
}
] | 37,734
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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[
[
"She is paralyzed and confined to a wheelchair",
"She is put in a wheelchair and half paralyzed"
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] |
[
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"content": "What happens to Anne after the surgery goes wrong? ",
"role": "user"
}
] | 37,735
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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37713,
37714,
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37711,
37710
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train
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"content": "Who is Anne and Georges's daughter? ",
"role": "user"
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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1.000000238418579,
1.000000238418579,
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[
37712,
37713,
37714,
37715,
37711,
37710
] |
train
|
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
|
[
[
"He discovers she is mistreating Anne ",
"She was mistreating Anne"
]
] |
[
{
"content": "Why does Georges fire the second nurse? ",
"role": "user"
}
] | 37,737
|
[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
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"Washing dishes ",
"Washing dishes and preparing to leave"
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"content": "What does Georges imagine Anne doing after he kills her? ",
"role": "user"
}
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[
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.",
" After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.\nThe film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.\nAnne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.\nAlexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.\nGeorges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.\nOne day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.\nGeorges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.\nThe film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"The Brooklyn Dodgers",
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"content": "What team did Jackie Robinson sign with to break the color barrier in major league baseball?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"600 dollars",
"600"
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"content": "How much money were the Dodgers going to pay Jackie Robinson per month?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"3,500 dollars",
"Jackie Robinson recieved a $3,500 signing bonus."
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"content": "What was the amount of the signing bonus that Jackie Robinson received?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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[
"Montreal",
"Montreal"
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"content": "What city was the Farm team that Robinson played for? ",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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37740,
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train
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Burt Shotton",
"Burt Shotton"
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"content": "Who agrees to manage the team once Durocher is suspended? ",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
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[
"That they refused to play with Robinson",
"that they refused to play with Robinson"
]
] |
[
{
"content": "What did the petition state that most of the Dodgers' players signed?",
"role": "user"
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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train
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
[
[
"He puts his arm around him",
"Before a angry crowd, he stands and puts his arm around Robinson."
]
] |
[
{
"content": "What does Pee Wee Reese do to Robinson to silence the hostile crowd in Cincinnati? ",
"role": "user"
}
] | 37,745
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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[
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37742,
37743,
37744,
37740,
37739
] |
train
|
The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
[
[
"The New York Yankees",
"The Dodgers played the New York Yankees in the World Series."
]
] |
[
{
"content": "Who did the Dodgers play in the World Series that year?",
"role": "user"
}
] | 37,746
|
[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
[
[
"Enos Slaughter",
"Enos Slaughter"
]
] |
[
{
"content": "Playing for St. Louis, who spikes Robinson in the back of the leg?",
"role": "user"
}
] | 37,747
|
[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Control his temper",
"Control his temper."
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"content": "What does Branch Rickey tell Robinson he must do if he wants to play?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Branch Rickey",
"Branch Rickey"
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"content": "Who is the team executive?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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train
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Manager Ben Chapman taunts him",
"Philies manager Ben Chapman taunts him with racial slurs."
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"What kind of pressure he is facing.",
"The pressure he is facing"
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"content": "What is Chapman required to do after creating bad press for the team?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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37740,
37739
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train
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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[
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"Control his temper",
"learn to control his bad temper"
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[
{
"content": "What does Rickey warn Robinson to do before he is allowed to play?",
"role": "user"
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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[
37741,
37742,
37743,
37744,
37740,
37739
] |
train
|
The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
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[
"Showing solidarity",
"Stood with his arm around Robinson "
]
] |
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{
"content": "How does Reese silence the crowd in cincinatti?",
"role": "user"
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"content": "Who is Robinson's girlfriend?",
"role": "user"
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
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[
37741,
37742,
37743,
37744,
37740,
37739
] |
train
|
The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
[
[
"Spikes him on the back.",
"Kicks him with his cleats."
]
] |
[
{
"content": "What does Enos \"accidentally\" do to robinson while running the bases?",
"role": "user"
}
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37741,
37742,
37743,
37744,
37740,
37739
] |
train
|
The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
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[
"Phillies",
"The Philadelphia team is known as the Philadelphia Phillies"
]
] |
[
{
"content": "What is the name of the Philadelphia team?",
"role": "user"
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Branch Rickey",
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"content": "Who is the executive of the Dodgers whom signed Robinson to a contract?",
"role": "user"
}
] | 37,759
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
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[
37741,
37742,
37743,
37744,
37740,
37739
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train
|
The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
[
[
"3500 dollars",
"$3500"
]
] |
[
{
"content": "What was the signing bonus amount for the contract that Branch Rickey offers Robinson?",
"role": "user"
}
] | 37,760
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
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[
37741,
37742,
37743,
37744,
37740,
37739
] |
train
|
The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
[
[
"He asks her to marry him.",
"He proposes marriage to her."
]
] |
[
{
"content": "What question does Robinson ask his girlfriend Rachel on the phone after accepting his new contract?",
"role": "user"
}
] | 37,761
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Robinson joins the farm team for the Dodgers located in Montreal."
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"content": "During spring training in Panama Robinson makes it to the Dodgers farm team located in what city?",
"role": "user"
}
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"They sign a petition.",
"sign a petition refusing to play with him"
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"content": "What do the majority of the Dodger teammates do after learning of Robinson's advancement to the Dodgers?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"Burt Shotton",
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"content": "Who agrees to manage the dodgers after manager Leo Durocher is suspended?",
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"his bat"
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"content": "What item does Robinson smash in the dugout after being taunted by Phillies manager Ben Chapman during the game?",
"role": "user"
}
] | 37,765
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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"He puts his arm around Robinson.",
"puts his arm around Robinson to show soladarity with him"
]
] |
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"content": "What does Pee Wee Reese do to show empathy towards Robinson while standing in from of a hostile crowd in Cincinnati?",
"role": "user"
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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train
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
|
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"His leg.",
"Enos Slaughter spikes Robinson on the back of his leg with his cleats."
]
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"content": "Where on the body is Robinson injured when Enos Slaughter hurt Robinson while running the bases?",
"role": "user"
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" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.
In 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.
During spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.
In a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.
Later, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.
In a game against the St. Louis Cardinals, Enos Slaughter "accidentally" spikes Robinson on the back of the leg with his cleats while running the bases.
Robinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.
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[
[
"Ben Chapman is required to pose for photographs with Robinson for magazines and newspapers.",
"He has to have pictures taken of them together"
]
] |
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{
"content": "What does the Philadelphia Phillies team owner require of Ben Chapman for taunting Robinson during a game?",
"role": "user"
}
] | 37,768
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[
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut.",
" The film tells the story of Jackie Robinson and, under the guidance of team executive Branch Rickey, Robinson's signing with the Brooklyn Dodgers to become the first African-American player to break the baseball color barrier. The story focuses mostly on the 1947 Brooklyn Dodgers season and somewhat on Robinson's 1946 season with the Montreal Royals, which emphasize his battles with racism.\nIn 1945, after sportswriter Wendell Smith suggests that Rickey consider Robinson as the black ballplayer Rickey is looking for, Robinson and his team, the Kansas City Monarchs, stop by a gas station. When the attendant refuses Robinson entry to the washroom, Robinson says they will find another station at which to fill up the team bus, and the attendant relents. As Robinson steps out, a scout for the Dodgers sent by Rickey approaches him and invites him to Brooklyn. He is offered a $600 per month contract and a $3,500 signing bonus, which Robinson accepts after being warned by Rickey that he must control his temper if he wants to play. Robinson proposes to his girlfriend, Rachel, by phone and she accepts.\nDuring spring training, Robinson makes it to the franchise farm team in Montreal. After a great season there and spring training in Panama, he advances to the Dodgers. Most of the team soon signs a petition, stating they refuse to play with Robinson, but manager Leo Durocher insists Robinson will play with the main team. When Durocher is suspended for actions in his personal life, leaving the Dodgers without a manager to start the regular season, Burt Shotton agrees to manage the team.\nIn a game against the Philadelphia Phillies, manager Ben Chapman taunts Robinson, causing him to go back to the dugout and smash his bat out of frustration. With encouragement from Rickey, Robinson then returns to the field and hits a single, steals second base and advances to third on a throwing error, and scores the winning run. When Chapman's behavior toward Robinson generates bad press for the team, the Phillies' owner requires him to pose with Robinson for newspapers and magazine photos.\nLater, Robinson's teammate, Pee Wee Reese, comes to understand what kind of pressure Robinson is facing, and makes a public show of solidarity, standing with his arm around Robinson's shoulders before a hostile crowd in Cincinnati, silencing them.\nIn a game against the St. Louis Cardinals, Enos Slaughter \"accidentally\" spikes Robinson on the back of the leg with his cleats while running the bases.\nRobinson's home run against Pittsburgh Pirates pitcher Fritz Ostermueller, who had earlier hit him in the head, helps clinch the National League pennant for the Dodgers, sending them to the World Series, which they would lose to the New York Yankees. A concluding postscript describes how Rickey, Robinson, and many of his teammates went on to have distinguished careers, including inductions into the Baseball Hall of Fame, besides Chapman, who was fired and forbidden to join an MLB team forever due to his racism. The notes also describe the entrance of other African Americans into the Major Leagues, beginning with the season after Robinson's debut."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"A young woman husband name John.",
"John"
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[
{
"content": "Who is misunderstanding?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"That his wife should go on rest after the birth of their child.",
"That his wife need to get some rest after giving birth."
]
] |
[
{
"content": "What does John believes?",
"role": "user"
}
] | 37,770
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"Colonial mansion.",
"a colonial mansion"
]
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[
{
"content": "Where did the family spend their Summer?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"The room provided the air for her recovery.",
"To provide fresh air for her recovery."
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[
{
"content": "Why did the young woman and her move into a room with multitude of windows?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"Their housekeeper.",
"The housekeeper."
]
] |
[
{
"content": "Who is John's sister Jennie?",
"role": "user"
}
] | 37,773
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37771,
37772,
37774,
37770,
37769
] |
train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"Windows, wallpapers and floor.",
"the windows, the wallpaper, and the floor"
]
] |
[
{
"content": "What was barred, torn and scratched?",
"role": "user"
}
] | 37,774
|
[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37771,
37772,
37773,
37770,
37769
] |
train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"Yellow.",
"Yellow."
]
] |
[
{
"content": "What color was the wallpaper?",
"role": "user"
}
] | 37,775
|
[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37771,
37772,
37773,
37774,
37770,
37769
] |
train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"Yellow smears on the skin and clothing.",
"The wallpaper leaves yellow smears on their skin and clothing."
]
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{
"content": "What happen to anyone that touches the wallpaper?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"A woman.",
"hallucinated woman"
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[
{
"content": "Who was creeping in the wallpaper?",
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"She locked herself in her room.",
"The narrator locks herself up in the room stripping the wallpaper off and circles the room muttering."
]
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[
{
"content": "What happen the last day of Summer?",
"role": "user"
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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"children",
"That children damaged it."
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{
"content": "What does the story's female protagonist believe is the cause of the damage in the mansion's nursery?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
"Jennie serves as the housekeeper at the mansion",
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{
"content": "Why does the narrator's sister-in-law spend the summer with her?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
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37770,
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"in her journal",
"In a room at a colonial mansion."
]
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[
{
"content": "Where does John's wife document her thoughts about the nursery's wallpaper?",
"role": "user"
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] | 37,781
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
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37773,
37774,
37770,
37769
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"after she has a child",
"after the birth of her child"
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] |
[
{
"content": "When do the narrator and her family go on summer vacation?",
"role": "user"
}
] | 37,782
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
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[
37771,
37772,
37773,
37774,
37770,
37769
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"by removing all of the remaining wallpaper",
"removing the wallpaper"
]
] |
[
{
"content": "How does the narrator plan to rescue the woman trapped in pattern?",
"role": "user"
}
] | 37,783
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
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[
37771,
37772,
37773,
37774,
37770,
37769
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train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"when moonlight shines on it",
"The longer you stay there and in the moonlight."
]
] |
[
{
"content": "When does the wallpaper seem to change the most?",
"role": "user"
}
] | 37,784
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37771,
37772,
37773,
37774,
37770,
37769
] |
train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"on the last day of summer",
"last day of summer"
]
] |
[
{
"content": "When during their family vacation did John faint?",
"role": "user"
}
] | 37,785
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"because all of the wallpaper's damage is at the level where children's hands can reach",
"It's isolated to their reach"
]
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[
{
"content": "Why does John's wife think that children damaged the nursery?",
"role": "user"
}
] | 37,786
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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[
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37773,
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37770,
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train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"all the windows",
"Open air"
]
] |
[
{
"content": "What feature made the mansion's upstairs bedroom the best space for John's wife?",
"role": "user"
}
] | 37,787
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"she goes crazy",
"She is only mentioned as the housekeeper."
]
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[
{
"content": "What happen's to Jennie's sister-in-law over the course of the story?",
"role": "user"
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
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37770,
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"John.",
"John."
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[
{
"content": "What is the main character's husband's name?",
"role": "user"
}
] | 37,789
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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"They had their first child.",
"Birth of their child"
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"content": "What major life event happened to the couple before the summer?",
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
"Colonial.",
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{
"content": "What is the style of the mansion they stay at?",
"role": "user"
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"A nursery.",
"a nursery"
]
] |
[
{
"content": "What do the couple assume the room they stay in used to be used for?",
"role": "user"
}
] | 37,792
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
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37770,
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"She is John's sister.",
"John's Sister"
]
] |
[
{
"content": "How is Jennie related to the family?",
"role": "user"
}
] | 37,793
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
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[
37771,
37772,
37773,
37774,
37770,
37769
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"The wallpaper.",
"the wallpaper"
]
] |
[
{
"content": "What aspect of the couple's room do they find peculiar?",
"role": "user"
}
] | 37,794
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37771,
37772,
37773,
37774,
37770,
37769
] |
train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"Yellow.",
"yellow"
]
] |
[
{
"content": "What color is the wallpaper in the couple's room?",
"role": "user"
}
] | 37,795
|
[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
37771,
37772,
37773,
37774,
37770,
37769
] |
train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"A woman.",
"a woman"
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[
{
"content": "What does the main character believe she sees in the wallpaper?",
"role": "user"
}
] | 37,796
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" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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train
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The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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[
[
"She believes she must free the woman trapped inside.",
"to free the woman in the wallpaper"
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{
"content": "Why does the main character strip off the wallpaper?",
"role": "user"
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
] |
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[
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37773,
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37770,
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train
|
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.
The narrator devotes many journal entries to describing the wallpaper in the room â its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.
On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last,...in spite of you and Jane", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
|
[
[
"Bars.",
"Bars"
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[
{
"content": "What is on the windows in the room?",
"role": "user"
}
] | 37,798
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[
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.",
" The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, \"something queer about it\". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage.\nThe narrator devotes many journal entries to describing the wallpaper in the room â its \"yellow\" smell, its \"breakneck\" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.\nOn the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, \"I've got out at last,...in spite of you and Jane\", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes."
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Set during the time of the Reform Act of 1832, the story centres on an election contested by Harold Transome, a local landowner, in the "Radical cause" ("Radical" because Transome's version of "radicalism" isn't radical at all, but rather an application of the term to his politically stagnate lifestyle), contrary to his family's Tory traditions. Contrasting with the opportunism of Transome is the sincere, but opinionated, Radical Felix Holt. A subplot concerns the stepdaughter of a Dissenting minister who is the true heir to the Transome estate, but who is unaware of the fact. She becomes the object of the affections of both Harold Transome and Felix Holt.As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent.
Much of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause.
Harold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere.
Rev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.
Riots erupt on election day in Treby Magna. Drunken mine workers from Sproxton assault townspeople and wantonly destroy property. Felix Holt is caught up in the riots, and tries foolhardily to direct its hostility away from the town. But in the end, Felix Holt is charged with the manslaughter of a constable who tried to break up the riot. Harold Transome also loses the election to Debarry.
Harold Transome begins legal proceedings against Jermyn for the latter's mismanagement of the Transome estate. Jermyn counters by threatening to publicise the true owner of the Transome estate. However, Maurice Christian informs the Transomes that the true owner of the estate is in fact Esther Lyon. Harold Transome invites her to the Transome estate, hoping to persuade her to marry him. Harold and Esther establish a good rapport, and Esther also becomes more sympathetic with Mrs. Transome, whose despair has continued to deepen. Esther feels torn between Harold Transome and Felix Holt. She compares a life of comfortable wealth with Harold Transome and motherly affection with Mrs. Transome, to a life of personal growth in poverty with Felix Holt. Meanwhile, at Felix Holt's trial, Rev. Lyon, Harold Transome and Esther Lyon all vouch for his character, but he is nevertheless found guilty of manslaughter. However, Harold Transome and the Debarrys manage to have Felix Holt pardoned.
Harold Transome proposes to Esther Lyon, with the eager support of Mrs. Transome. But despite Esther's feelings towards both Harold and Mrs. Transome, she declines the proposal. In an altercation between Jermyn and Harold Transome, it is revealed that Jermyn is Harold Transome's father. Harold considers he will no longer be suitable for marriage to Esther. Esther also surrenders her claim to the Transome estate. The story ends with Felix Holt and Esther Lyon marrying and moving away from Treby, along with Rev. Lyon. Matthew Jermyn is eventually ruined and moves abroad, while John Johnson remains and prospers as a lawyer. The Debarrys remain friends with the Transomes, and the contest to the Transome estate, while widely known, is never discussed.
|
[
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"in the Far East",
"Harold Transome was at Far East"
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"content": "Where has Harold Transome been for the past 15 years when the story starts?",
"role": "user"
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" Set during the time of the Reform Act of 1832, the story centres on an election contested by Harold Transome, a local landowner, in the \"Radical cause\" (\"Radical\" because Transome's version of \"radicalism\" isn't radical at all, but rather an application of the term to his politically stagnate lifestyle), contrary to his family's Tory traditions. Contrasting with the opportunism of Transome is the sincere, but opinionated, Radical Felix Holt. A subplot concerns the stepdaughter of a Dissenting minister who is the true heir to the Transome estate, but who is unaware of the fact. She becomes the object of the affections of both Harold Transome and Felix Holt.As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent.\nMuch of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause.\nHarold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere.\nRev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.\nRiots erupt on election day in Treby Magna. Drunken mine workers from Sproxton assault townspeople and wantonly destroy property. Felix Holt is caught up in the riots, and tries foolhardily to direct its hostility away from the town. But in the end, Felix Holt is charged with the manslaughter of a constable who tried to break up the riot. Harold Transome also loses the election to Debarry.\nHarold Transome begins legal proceedings against Jermyn for the latter's mismanagement of the Transome estate. Jermyn counters by threatening to publicise the true owner of the Transome estate. However, Maurice Christian informs the Transomes that the true owner of the estate is in fact Esther Lyon. Harold Transome invites her to the Transome estate, hoping to persuade her to marry him. Harold and Esther establish a good rapport, and Esther also becomes more sympathetic with Mrs. Transome, whose despair has continued to deepen. Esther feels torn between Harold Transome and Felix Holt. She compares a life of comfortable wealth with Harold Transome and motherly affection with Mrs. Transome, to a life of personal growth in poverty with Felix Holt. Meanwhile, at Felix Holt's trial, Rev. Lyon, Harold Transome and Esther Lyon all vouch for his character, but he is nevertheless found guilty of manslaughter. However, Harold Transome and the Debarrys manage to have Felix Holt pardoned.\nHarold Transome proposes to Esther Lyon, with the eager support of Mrs. Transome. But despite Esther's feelings towards both Harold and Mrs. Transome, she declines the proposal. In an altercation between Jermyn and Harold Transome, it is revealed that Jermyn is Harold Transome's father. Harold considers he will no longer be suitable for marriage to Esther. Esther also surrenders her claim to the Transome estate. The story ends with Felix Holt and Esther Lyon marrying and moving away from Treby, along with Rev. Lyon. Matthew Jermyn is eventually ruined and moves abroad, while John Johnson remains and prospers as a lawyer. The Debarrys remain friends with the Transomes, and the contest to the Transome estate, while widely known, is never discussed.",
" Set during the time of the Reform Act of 1832, the story centres on an election contested by Harold Transome, a local landowner, in the \"Radical cause\" (\"Radical\" because Transome's version of \"radicalism\" isn't radical at all, but rather an application of the term to his politically stagnate lifestyle), contrary to his family's Tory traditions. Contrasting with the opportunism of Transome is the sincere, but opinionated, Radical Felix Holt. A subplot concerns the stepdaughter of a Dissenting minister who is the true heir to the Transome estate, but who is unaware of the fact. She becomes the object of the affections of both Harold Transome and Felix Holt.As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent.\nMuch of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause.\nHarold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere.\nRev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.\nRiots erupt on election day in Treby Magna. Drunken mine workers from Sproxton assault townspeople and wantonly destroy property. Felix Holt is caught up in the riots, and tries foolhardily to direct its hostility away from the town. But in the end, Felix Holt is charged with the manslaughter of a constable who tried to break up the riot. Harold Transome also loses the election to Debarry.\nHarold Transome begins legal proceedings against Jermyn for the latter's mismanagement of the Transome estate. Jermyn counters by threatening to publicise the true owner of the Transome estate. However, Maurice Christian informs the Transomes that the true owner of the estate is in fact Esther Lyon. Harold Transome invites her to the Transome estate, hoping to persuade her to marry him. Harold and Esther establish a good rapport, and Esther also becomes more sympathetic with Mrs. Transome, whose despair has continued to deepen. Esther feels torn between Harold Transome and Felix Holt. She compares a life of comfortable wealth with Harold Transome and motherly affection with Mrs. Transome, to a life of personal growth in poverty with Felix Holt. Meanwhile, at Felix Holt's trial, Rev. Lyon, Harold Transome and Esther Lyon all vouch for his character, but he is nevertheless found guilty of manslaughter. However, Harold Transome and the Debarrys manage to have Felix Holt pardoned.\nHarold Transome proposes to Esther Lyon, with the eager support of Mrs. Transome. But despite Esther's feelings towards both Harold and Mrs. Transome, she declines the proposal. In an altercation between Jermyn and Harold Transome, it is revealed that Jermyn is Harold Transome's father. Harold considers he will no longer be suitable for marriage to Esther. Esther also surrenders her claim to the Transome estate. The story ends with Felix Holt and Esther Lyon marrying and moving away from Treby, along with Rev. Lyon. Matthew Jermyn is eventually ruined and moves abroad, while John Johnson remains and prospers as a lawyer. The Debarrys remain friends with the Transomes, and the contest to the Transome estate, while widely known, is never discussed.",
" Set during the time of the Reform Act of 1832, the story centres on an election contested by Harold Transome, a local landowner, in the \"Radical cause\" (\"Radical\" because Transome's version of \"radicalism\" isn't radical at all, but rather an application of the term to his politically stagnate lifestyle), contrary to his family's Tory traditions. Contrasting with the opportunism of Transome is the sincere, but opinionated, Radical Felix Holt. A subplot concerns the stepdaughter of a Dissenting minister who is the true heir to the Transome estate, but who is unaware of the fact. She becomes the object of the affections of both Harold Transome and Felix Holt.As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent.\nMuch of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause.\nHarold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere.\nRev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.\nRiots erupt on election day in Treby Magna. Drunken mine workers from Sproxton assault townspeople and wantonly destroy property. Felix Holt is caught up in the riots, and tries foolhardily to direct its hostility away from the town. But in the end, Felix Holt is charged with the manslaughter of a constable who tried to break up the riot. Harold Transome also loses the election to Debarry.\nHarold Transome begins legal proceedings against Jermyn for the latter's mismanagement of the Transome estate. Jermyn counters by threatening to publicise the true owner of the Transome estate. However, Maurice Christian informs the Transomes that the true owner of the estate is in fact Esther Lyon. Harold Transome invites her to the Transome estate, hoping to persuade her to marry him. Harold and Esther establish a good rapport, and Esther also becomes more sympathetic with Mrs. Transome, whose despair has continued to deepen. Esther feels torn between Harold Transome and Felix Holt. She compares a life of comfortable wealth with Harold Transome and motherly affection with Mrs. Transome, to a life of personal growth in poverty with Felix Holt. Meanwhile, at Felix Holt's trial, Rev. Lyon, Harold Transome and Esther Lyon all vouch for his character, but he is nevertheless found guilty of manslaughter. However, Harold Transome and the Debarrys manage to have Felix Holt pardoned.\nHarold Transome proposes to Esther Lyon, with the eager support of Mrs. Transome. But despite Esther's feelings towards both Harold and Mrs. Transome, she declines the proposal. In an altercation between Jermyn and Harold Transome, it is revealed that Jermyn is Harold Transome's father. Harold considers he will no longer be suitable for marriage to Esther. Esther also surrenders her claim to the Transome estate. The story ends with Felix Holt and Esther Lyon marrying and moving away from Treby, along with Rev. Lyon. Matthew Jermyn is eventually ruined and moves abroad, while John Johnson remains and prospers as a lawyer. The Debarrys remain friends with the Transomes, and the contest to the Transome estate, while widely known, is never discussed.",
" Set during the time of the Reform Act of 1832, the story centres on an election contested by Harold Transome, a local landowner, in the \"Radical cause\" (\"Radical\" because Transome's version of \"radicalism\" isn't radical at all, but rather an application of the term to his politically stagnate lifestyle), contrary to his family's Tory traditions. Contrasting with the opportunism of Transome is the sincere, but opinionated, Radical Felix Holt. A subplot concerns the stepdaughter of a Dissenting minister who is the true heir to the Transome estate, but who is unaware of the fact. She becomes the object of the affections of both Harold Transome and Felix Holt.As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent.\nMuch of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause.\nHarold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere.\nRev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.\nRiots erupt on election day in Treby Magna. Drunken mine workers from Sproxton assault townspeople and wantonly destroy property. Felix Holt is caught up in the riots, and tries foolhardily to direct its hostility away from the town. But in the end, Felix Holt is charged with the manslaughter of a constable who tried to break up the riot. Harold Transome also loses the election to Debarry.\nHarold Transome begins legal proceedings against Jermyn for the latter's mismanagement of the Transome estate. Jermyn counters by threatening to publicise the true owner of the Transome estate. However, Maurice Christian informs the Transomes that the true owner of the estate is in fact Esther Lyon. Harold Transome invites her to the Transome estate, hoping to persuade her to marry him. Harold and Esther establish a good rapport, and Esther also becomes more sympathetic with Mrs. Transome, whose despair has continued to deepen. Esther feels torn between Harold Transome and Felix Holt. She compares a life of comfortable wealth with Harold Transome and motherly affection with Mrs. Transome, to a life of personal growth in poverty with Felix Holt. Meanwhile, at Felix Holt's trial, Rev. Lyon, Harold Transome and Esther Lyon all vouch for his character, but he is nevertheless found guilty of manslaughter. However, Harold Transome and the Debarrys manage to have Felix Holt pardoned.\nHarold Transome proposes to Esther Lyon, with the eager support of Mrs. Transome. But despite Esther's feelings towards both Harold and Mrs. Transome, she declines the proposal. In an altercation between Jermyn and Harold Transome, it is revealed that Jermyn is Harold Transome's father. Harold considers he will no longer be suitable for marriage to Esther. Esther also surrenders her claim to the Transome estate. The story ends with Felix Holt and Esther Lyon marrying and moving away from Treby, along with Rev. Lyon. Matthew Jermyn is eventually ruined and moves abroad, while John Johnson remains and prospers as a lawyer. The Debarrys remain friends with the Transomes, and the contest to the Transome estate, while widely known, is never discussed.",
" Set during the time of the Reform Act of 1832, the story centres on an election contested by Harold Transome, a local landowner, in the \"Radical cause\" (\"Radical\" because Transome's version of \"radicalism\" isn't radical at all, but rather an application of the term to his politically stagnate lifestyle), contrary to his family's Tory traditions. Contrasting with the opportunism of Transome is the sincere, but opinionated, Radical Felix Holt. A subplot concerns the stepdaughter of a Dissenting minister who is the true heir to the Transome estate, but who is unaware of the fact. She becomes the object of the affections of both Harold Transome and Felix Holt.As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent.\nMuch of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause.\nHarold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere.\nRev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.\nRiots erupt on election day in Treby Magna. Drunken mine workers from Sproxton assault townspeople and wantonly destroy property. Felix Holt is caught up in the riots, and tries foolhardily to direct its hostility away from the town. But in the end, Felix Holt is charged with the manslaughter of a constable who tried to break up the riot. Harold Transome also loses the election to Debarry.\nHarold Transome begins legal proceedings against Jermyn for the latter's mismanagement of the Transome estate. Jermyn counters by threatening to publicise the true owner of the Transome estate. However, Maurice Christian informs the Transomes that the true owner of the estate is in fact Esther Lyon. Harold Transome invites her to the Transome estate, hoping to persuade her to marry him. Harold and Esther establish a good rapport, and Esther also becomes more sympathetic with Mrs. Transome, whose despair has continued to deepen. Esther feels torn between Harold Transome and Felix Holt. She compares a life of comfortable wealth with Harold Transome and motherly affection with Mrs. Transome, to a life of personal growth in poverty with Felix Holt. Meanwhile, at Felix Holt's trial, Rev. Lyon, Harold Transome and Esther Lyon all vouch for his character, but he is nevertheless found guilty of manslaughter. However, Harold Transome and the Debarrys manage to have Felix Holt pardoned.\nHarold Transome proposes to Esther Lyon, with the eager support of Mrs. Transome. But despite Esther's feelings towards both Harold and Mrs. Transome, she declines the proposal. In an altercation between Jermyn and Harold Transome, it is revealed that Jermyn is Harold Transome's father. Harold considers he will no longer be suitable for marriage to Esther. Esther also surrenders her claim to the Transome estate. The story ends with Felix Holt and Esther Lyon marrying and moving away from Treby, along with Rev. Lyon. Matthew Jermyn is eventually ruined and moves abroad, while John Johnson remains and prospers as a lawyer. The Debarrys remain friends with the Transomes, and the contest to the Transome estate, while widely known, is never discussed."
] |
[
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[
37801,
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37800
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train
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