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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"Virture",
"Not having power over Virtue"
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"content": "Who did Atropos complain about?",
"role": "user"
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"Vice",
"Vice"
]
] |
[
{
"content": "Who is the only person that can harm Virture?",
"role": "user"
}
] | 36,901
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "What helped Virture;s troops?",
"role": "user"
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"role": "user"
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "Who will shot the gate to the field?",
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"The court of Minos at the estate of Pluto.",
"To the court of Minos"
]
] |
[
{
"content": "Where does Morpheus take the dreamer?",
"role": "user"
}
] | 36,906
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "Who does Atropos claim offended the gods?",
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"Vice's side.",
"Vice's"
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"content": "During the battle between Virtue and Vice, on whose side is Freewill?",
"role": "user"
}
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[
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "After the battle, what is Atropos' name changed to?",
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"For disregarding and discrediting Diana and Neptune's authority",
"He has upset Neptune and Diana"
]
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"content": "Why is Aeolus on trial?",
"role": "user"
}
] | 36,911
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"To invite the gods to Appolo's palace for a feast.",
"to invite the gods to a banquet"
]
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"content": "Why does a messenger come to the court?",
"role": "user"
}
] | 36,912
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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[
"Perseverance ",
"Morpheus."
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"content": "Who shows up and helps Virtue win the battle?",
"role": "user"
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"Paintings of people from history",
"paintings of people of the history of the world"
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"content": "What can be seen on the walls of Doctrine's arbor?",
"role": "user"
}
] | 36,914
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
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"He writes down his dream.",
"He writes down his dream"
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"content": "What does the dreamer do when he awakens by the lake at the end of the story?",
"role": "user"
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] | 36,915
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "How many main sections can the poem be broken into?",
"role": "user"
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"Morpheus.",
"Morpheus"
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"content": "Who escorts the dreamer to the court of Minos?",
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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[
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"Vice"
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"content": "Who sends the messenger to invite the Gods to a banquet?",
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "Who is Vice's father?",
"role": "user"
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[
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"It withers.",
"The grass wither and the gates shut."
]
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[
{
"content": "What happens to the grass in the field of Microcosm when Death arrives?",
"role": "user"
}
] | 36,920
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[
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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[
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"Images of people from world history. ",
"Images of people from the history of the World"
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[
{
"content": "What is painted on the walls of the arbor of Doctrine?",
"role": "user"
}
] | 36,921
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[
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"So that he can have his dream explained to him.",
"To be instructed in the meaning of his vision"
]
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[
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"content": "Why is the dreamer taken to the arbor of Doctrine?",
"role": "user"
}
] | 36,922
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
|
[
[
"He wants to be given power to bring death to the one person who has escaped his power, Virtue.",
"Power over this person."
]
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[
{
"content": "What does Atropos tell the Gods he wants?",
"role": "user"
}
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"content": "Who fights Virtue in the field of Microcosm?",
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
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"As lists of characters representing vices and virtues.",
"Hosts"
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"content": "How does the story describe the armies of Vice and Virtue?",
"role": "user"
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" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.",
" The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.\nIn the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits “all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde” (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo’s palace, Diana’s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won’t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don’t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto’s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.\nThe second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue’s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the “counterfete” gods saying, “For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete” (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos’ name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.\nThe third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to “determyne that doute” (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.\nAfter Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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[
{
"content": "In what year did Private Robert E. Lee Prewitt transfer to the Rifle Company of Schofield Barracks?",
"role": "user"
}
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" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"To secure a promotion.",
"So that Holmes can secure his own promotion."
]
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"content": "Why does Captain Dana \"Dynamite\" Holmes want Private Robert E. Lee Prewitt to join his regimental team?",
"role": "user"
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "Whom does Wilton Warden have an affair with?",
"role": "user"
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"become an officer"
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"content": "What does Karen Holmes tell Wilton Warden he needs to do for her to divorce her husband?",
"role": "user"
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "How many months is Angelo Maggio sentenced to the stockade? ",
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "Where is Private Robert E. Lee Prewitt wounded during his knife fight with Staff Sargent James R. Judson?",
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" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "Who dies in Private Robert E. Lee Prewitt's arms?",
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"Perl Harbour ",
"Pearl Harbor"
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"content": "Where do the Japanese attack?",
"role": "user"
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|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"Shot by the patrol on guard"
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"content": "How does Private Robert E. Lee Prewitt die?",
"role": "user"
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|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"Leaves the island with her husband",
"Realizes they have no future together"
]
] |
[
{
"content": "What does Karen Holmes do when she finds out Wilton Warden did not apply to be an officer?",
"role": "user"
}
] | 36,935
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"For deserting his post",
"For deserting his post. "
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[
{
"content": "Why was Maggio sentenced to six months in the stockade?",
"role": "user"
}
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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[
"A miscarriage",
"miscarriage "
]
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[
{
"content": "Holmes was unable to call for medical assistance during what sort of crisis for his wife?",
"role": "user"
}
] | 36,937
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"He is put in charge of the latrine.",
"Private "
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[
{
"content": "After Sergeant Galovitch is demoted, what is his new duty assignment?",
"role": "user"
}
] | 36,938
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"Become an officer",
"Become an officer"
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[
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"content": "What did Karen ask Warden to do before she left her husband in favor of a future with Warden?",
"role": "user"
}
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|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"Removal of their framed photos and trophies.",
"Taking away photos and trophies"
]
] |
[
{
"content": "What was Captain Ross's punishment for the boxing team?",
"role": "user"
}
] | 36,940
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"The New Congress Club",
"New Congress Club "
]
] |
[
{
"content": "What is the name of the club where Lorene works?",
"role": "user"
}
] | 36,941
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"A promotion",
"To secure his promotion. "
]
] |
[
{
"content": "What does Captain Holmes hope to gain from recruiting Private Prewitt to his boxing team?",
"role": "user"
}
] | 36,942
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"Judson",
"Judson"
]
] |
[
{
"content": "Which character was killed by the same weapon he used to attack Private Maggio?",
"role": "user"
}
] | 36,943
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"Because of the attack on Pearl Harbor.",
"Because of the attack on Pearl Harbor. "
]
] |
[
{
"content": "On the night of Prewitt's death, why was the boxing tournament cancelled?",
"role": "user"
}
] | 36,944
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"Oahu",
"Oahu."
]
] |
[
{
"content": "What island is Schofield Barracks located on?",
"role": "user"
}
] | 36,945
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"Captain Dana",
"Holmes"
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[
{
"content": "Who is nicknamed \"Dynamite\"?",
"role": "user"
}
] | 36,946
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"He blinded his sparring partner",
"He blinded his sparring partner and friend"
]
] |
[
{
"content": "Why did Prewitt stop fighting?",
"role": "user"
}
] | 36,947
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "Who tries to get Prewitt to change his mind via Company Punishment?",
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" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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[
"Maggio",
"Angelo Maggio."
]
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{
"content": "Who supports Prewitt in his conspiracy?",
"role": "user"
}
] | 36,949
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"Captain Dana Holmes"
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"content": "Whose neglected wife does Warden begin an affair with?",
"role": "user"
}
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|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
|
[
[
"New Congress Club",
"The New Congress Club"
]
] |
[
{
"content": "What is the name of the Gentlemen's club?",
"role": "user"
}
] | 36,951
|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "Who provokes Maggio by taking his picture from him?",
"role": "user"
}
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|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"Galovitch",
"Sergeant Galovitch"
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"content": "Who started the fight with Prewitt?",
"role": "user"
}
] | 36,953
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[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.
Holmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).
Meanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.
Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.
Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.
Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.
Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.
The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.
Maggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.
When the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.
When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.
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"content": "Who witnessed the entire incident and ordered investigation?",
"role": "user"
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|
[
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing.",
" In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana \"Dynamite\" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes and Prewitt are both adamant.\nHolmes makes life as miserable as possible for Prewitt, hoping that he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court-martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).\nMeanwhile, Warden begins an affair with Holmes' neglected wife, Karen (Deborah Kerr). Warden tells Karen that he is risking a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.\nPrewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a \"proper\" man with a \"proper\" job and live a \"proper\" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club over Judson's loud piano playing.\nLater, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. Judson backs down but warns Maggio that sooner or later he will end up in the stockade, where Judson is in charge.\nKaren tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.\nThen Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back and then resorts to only body blows. His fighting spirit reemerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook.\nThe entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests for Holmes to resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.\nMaggio escapes from the stockade and dies in Prewitt's arms after telling of the abuse he suffered at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustains a serious stomach wound. Prewitt goes into hiding at Lorene's house.\nWhen the Japanese attack Pearl Harbor, it catches military personnel by surprise. Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol guarding against possible saboteurs. Warden notes the irony of the boxing tournament being canceled because of the attack.\nWhen Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancĂŠ was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name but says nothing."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"Laundromat.",
"Laundry"
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"content": "What business did Gervaise open up?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
] |
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"He abandoned them.",
"LEFT"
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[
{
"content": "What did Lantier do to Gervaise and her two sons?",
"role": "user"
}
] | 36,956
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
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"The daughter of Gervaise and Coupeau.",
"The daughter"
]
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[
{
"content": "Who is Anna?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
] |
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
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"He fell from a hospital roof.",
"He falls off a roof"
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[
{
"content": "How did Coupeau injure himself?",
"role": "user"
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Lantier.",
"Lanier"
]
] |
[
{
"content": "Who returns into Gervaise's life?",
"role": "user"
}
] | 36,959
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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train
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Drinking.",
"he starts drinking"
]
] |
[
{
"content": "What does Coupeau engage in after his injury?",
"role": "user"
}
] | 36,960
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"Gervaise. "
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"content": "Who becomes an alcoholic besides Coupeau?",
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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[
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"content": "What was the nickname of Anna?",
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"He becomes an alcoholic.",
"He becomes very ill. "
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[
{
"content": "What happens to Coupeau from his excessive drinking?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"Her lover Lantier",
"GERVIASE HER LOVER"
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"content": "Who does Gervaise Macquart run away with?",
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Gervaise becomes a washerwoman",
"washerwoman"
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[
{
"content": "What employment does Gervaise get when they arrive in Paris?",
"role": "user"
}
] | 36,965
|
[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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[
[
"In the Louvre",
"The louvre. "
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[
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"content": "Where are Coupeau and Gervaise married?",
"role": "user"
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
] |
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
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"A laundry",
"LAUNDRY SHOP"
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] |
[
{
"content": "When things are looking up for Gervaise, what business is she able to open?",
"role": "user"
}
] | 36,967
|
[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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[
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"A fall from a hospital roof",
"He's injured in a fall from a roof."
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"content": "What event forces Coupeau out of work?",
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Alcololism",
"alcoholism "
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[
{
"content": "What addiction does Coupeau suffer from after losing his employment?",
"role": "user"
}
] | 36,969
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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[
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"Excessive pride",
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[
{
"content": "What character flaw causes Gervaise to eventually lose her business?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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[
{
"content": "Who does Coupeau welcome back after his long absence?",
"role": "user"
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] | 36,971
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"content": "What employment does Nana find after running away from home?",
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"The death of Gervaise",
"Gervaise dies."
]
] |
[
{
"content": "What event ends this tragic story?",
"role": "user"
}
] | 36,973
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"Paris.",
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{
"content": "Where do Gervaise and her lover move to at the beginning of the novel?",
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Works in a laundry washing clothes.",
"Washerwoman "
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[
{
"content": "What job does Gervaise take when she moves to Paris?",
"role": "user"
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] | 36,975
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"The man that Gervaise marries.",
"Gervaise's husband. "
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"content": "Who is Coupeau?",
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
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"The Loovre.",
"LOUVRE"
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[
{
"content": "What landmark does the couples wedding party visit?",
"role": "user"
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[
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
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"To open her own laundry business.",
"Gervaise saves money to open her own laundry."
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[
{
"content": "What is Gervaise saving money for?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
] |
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Falling off the roof of a hospital.",
"FELL OFF A ROOF"
]
] |
[
{
"content": "How is Coupeau injured?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"He becomes an unemployed alcoholic.",
"Coupeau becomes an alcoholic."
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{
"content": "What happens as a result of Coupeau's fall?",
"role": "user"
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"Her pride.",
"Her and her husband's drinking along with other bad decisions"
]
] |
[
{
"content": "What prevents Gervaise from keeping her household together?",
"role": "user"
}
] | 36,981
|
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
|
[
[
"She becomes an alcoholic.",
"she becomes an alcoholic"
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[
{
"content": "What happens to Gervaise after her business fails?",
"role": "user"
}
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).
The second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.
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"She becomes a prostitute.",
"she ran away from home and became a streetwalker"
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"content": "What happens to Gervaise and Coupeau's daughter?",
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" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies.",
" The novel is essentially the story of Gervaise Macquart, who was featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. L'Assommoir begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown; she later takes up with Coupeau, a teetotal roofing engineer, and they are married in one of the most famous set-pieces of Zola's fiction; the account of the wedding party's chaotic trip to the Louvre is perhaps the novelist's most famous passage. Through a combination of happy circumstances Gervaise is able to raise enough money to open her own laundry, and the couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed Nana (the protagonist of Zola's later novel of the same title).\nThe second half of the novel deals with the downward trajectory of Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy and painful convalescence he takes to drink. Only a few chapters pass before Coupeau is a vindictive alcoholic, with no intention of trying to find more work; Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. The home is further disrupted by the return of Lantier, warmly welcomed by Coupeau—by this point losing interest in both Gervaise and life itself, and becoming seriously ill—and the ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into debt. She decides to join Coupeau in the drinking and soon slides into heavy alcoholism too, prompting Nana—already suffering from the chaotic life at home and getting into trouble on a daily basis—to run away from her parents' home and become a streetwalker. The novel continues in this unhappy vein until Gervaise dies."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
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"content": "What is Dmitri Gurov's occupation?",
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
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[
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train
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"He has something wrong with his eyes",
"There is something wrong with his eyes. "
]
] |
[
{
"content": "Why does Anna's husband request that she returns home?",
"role": "user"
}
] | 36,985
|
[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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0.9999997615814209,
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[
36986,
36987,
36988,
36989,
36984
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train
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"He attends night clubs",
"Goes clubbing"
]
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[
{
"content": "What does Gurov do at night time once returning to Moscow?",
"role": "user"
}
] | 36,986
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
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"A hotelporter gives Gurav that information.",
"asks the hotel porter"
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[
{
"content": "How does Gurav find Anna's home address?",
"role": "user"
}
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
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"The Geisha",
"The Geisha"
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{
"content": "What performance does Gurav attend?",
"role": "user"
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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train
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"He steps outside to smoke a cigarette.",
"goes out to smoke"
]
] |
[
{
"content": "What does Anna's husband do during the first internval of the performance?",
"role": "user"
}
] | 36,989
|
[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209
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[
36986,
36987,
36988,
36985,
36984
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train
|
Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"Three",
"Gurav has 3 children"
]
] |
[
{
"content": "How many children does Gurav have?",
"role": "user"
}
] | 36,990
|
[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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36987,
36988,
36989,
36985,
36984
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train
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"He thinks that women are of a \"lower race\"",
"He thinks that women are lower than men."
]
] |
[
{
"content": "What does Gurav think of women?",
"role": "user"
}
] | 36,991
|
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
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"In the town of Yalta by the seafront",
"on the beach"
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"content": "Where does Gurav first see Anna?",
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
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"A dog",
"Small dog"
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"content": "What kind of animal does Anna have when Gurav first sees her?",
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"This may suggest that Anna, too, is unhappy in her marriage and preferred to travel alone.",
"She vacationed alone to get a break from her husband."
]
] |
[
{
"content": "Why do you think Anna traveled alone to Moscow? ",
"role": "user"
}
] | 36,994
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[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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train
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"He may have changed his mind entirely because he fell in love with Anna. ",
"think he has changed his mind about women being lower class"
]
] |
[
{
"content": "What do you think Gurov thinks about woman after meeting Anna?",
"role": "user"
}
] | 36,995
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[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"Anna's husband may have forced Anna's return because he became of Anna's intentions. ",
"No."
]
] |
[
{
"content": "Do you think Anna's husband suspected something when he asked her to come home to Yalta?",
"role": "user"
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"Gurov could be truly in love because he constantly thought about Anna after she left. ",
"because he fell in love with her"
]
] |
[
{
"content": "Since Gurov didn't respect woman, why do you think he visited Yalta to hunt Anna down?",
"role": "user"
}
] | 36,997
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" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"Anna ran from Gurov at the theatre because she was probably surprised to see him and reacted by running away from him. ",
"She is bewildered."
]
] |
[
{
"content": "Why do you think Anna ran from Gurov at the theatre in Yalta? ",
"role": "user"
}
] | 36,998
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[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
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Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.
Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.
In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.
She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
|
[
[
"The story suggests that Anna's husband \"believed and did not believe\" Anna. ",
"It is out of character and doesn't make sense."
]
] |
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{
"content": "Why do you think Anna's husband was suspicious about her trip to Moscow to see a doctor? ",
"role": "user"
}
] | 36,999
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[
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.",
" Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of \"a lower race\". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station.\nReturning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the familyâs residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap.\nIn the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow.\nShe makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he \"believes and does not believe\". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution."
] |
[
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] |
[
36986,
36987,
36988,
36989,
36985,
36984
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train
|
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