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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"It lets penguin control the Batmobile.",
"Allows Penguin to control it."
]
] | [
{
"content": "What does the device that penguins goons plant in the Batmobile do?",
"role": "user"
}
] | 34,900 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"He takes it home.",
"Takes it home."
]
] | [
{
"content": "What does Bruce do with the stray black cat he finds?",
"role": "user"
}
] | 34,901 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"Selina kills him by kissing him while holding onto an exposed power cable.",
"He shoots himself."
]
] | [
{
"content": "How does Shreck die?",
"role": "user"
}
] | 34,902 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"The mayors infant son.",
"The Mayor's infant son."
]
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"content": "Who does Shreck want Penguins henchmen attempt to kidnap?",
"role": "user"
}
] | 34,903 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"By framing him for the abduction of Gotham's ice princess beauty queen.",
"They are going to frame him for abducting the Ice Princess, Gotham's beauty queen"
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{
"content": "What is Selina and Penguins plan to ruin Batman's reputation?",
"role": "user"
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" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
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"He was deformed"
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"content": "Why is Oswald thrown into the Gotham RIver?",
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" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
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"He would be a menace to society.",
"He would be a menace to society"
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"content": "What did Oswald's parents fear for Oswald?",
"role": "user"
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" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
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"content": "Who does Oswald later become?",
"role": "user"
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" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
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"content": "Who does Selina Kyle later become after being swarmed by cats?",
"role": "user"
}
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" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"Penguin and Catwoman. ",
"Catwoman and penguin"
]
] | [
{
"content": "What two villains join forces against Batman?",
"role": "user"
}
] | 34,909 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"He was controlling the Batmobile.",
"He was controlling the Batmobile."
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{
"content": "What does Batman realize about the Penguin?",
"role": "user"
}
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" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"The mayor's son.",
"The Mayor's son."
]
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{
"content": "Who is kidnapped by one of Penguin's men?",
"role": "user"
}
] | 34,911 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"Batman broadcasts the recording of the Penguin insulting the people of Gotham City. ",
"Broadcast the recording of penguin."
]
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{
"content": "What does Batman do at the press conference?",
"role": "user"
}
] | 34,912 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
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"Putting a taser to her lips and kisses Shrek while grabbing an exposed cable wire.",
"electrocution"
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"content": "How does Catwoman kill Shrek?",
"role": "user"
}
] | 34,913 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.
33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.
Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.
Shreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to "rescue" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.
Catwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.
At a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.
Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.
Afterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar. | [
[
"Catwoman. ",
"Catwoman's shadow"
]
] | [
{
"content": "Who's shadow does Bruce think he sees at the end?",
"role": "user"
}
] | 34,914 | [
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.",
" On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His crib floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.\n33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While Batman subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of the grotesque crime boss known as The Penguin (he is Oswald as an adult). A former sideshow freak, The Penguin explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.\nMeanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Selina miraculously survives but lies unconscious in an alley. A group of cats swarm around her, and while attempting to eat her, they revive her, gifting her with eight more lives. Traumatized, Selina develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.\nShreck arranges for one of Penguin's men to kidnap the Mayor's infant son, allowing the Penguin to \"rescue\" him. As a reward, the Penguin is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Bruce Wayne, refuses to give Shreck a construction permit for his power plant. The Penguin orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Penguin as a replacement. Batman confronts the Penguin, but Catwoman appears while firebombing Shreck's department store, and Penguin escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.\nCatwoman agrees to help Penguin with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's \"Ice Princess\" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Penguin from murdering the Princess using a swarm of captive bats. When Catwoman rejects the Penguin's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that the Penguin is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.\nAt a press conference for Penguin organized by Shreck, Batman broadcasts the recording, destroying the Penguin's public image. Enraged, the Penguin flees to the sewers and orders his gang to kidnap all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Bruce and Selina deduce each other's secret identities. The Penguin suddenly invades the party and reveals his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, forcing Penguin to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Penguin's hideout. The Penguin attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.\nCatwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself. Before Bruce can reason with her, Shreck shoots him. He shoots Selina until he runs out of bullets, her now having only two lives left. Putting a taser to her lips, she kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion. Bruce digs though the rubble but finds only Shreck's charred corpse. Mortally injured, the Penguin tries to take his umbrella to kill Batman, but collapses dead before he can finish. His penguin family carries out a makeshift funeral, pushing his body into the water.\nAfterwards, as Alfred drives Bruce home, Bruce spots a shadow outside resembling Catwoman. He finds a stray black cat and decides to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
[
"In Norway's capital, Kristiania. ",
"Norway"
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"content": "Where does the protagonist live?",
"role": "user"
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"A young woman named Ylajali. ",
"Ylajali"
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"content": "With whom does the young man share intimate moments with?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"He follows a self-created code of chivalry, giving away his belongings and turning himself in. ",
"Nervousness"
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"His pencil. ",
"His own pencil."
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"content": "What important item did the man almost eat out of hunger?",
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] | 34,918 | [
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"posing as a person who lost his keys"
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"He is haunted by his anxiety, as well as irrational details",
"nervousness"
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"content": "What is the man haunted by?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"He has no ill feelings towards it and doesn't blame it for his misfortunes. ",
"Non-hostile."
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"content": "How does the man feel towards society?",
"role": "user"
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
[
"He signs on to a ship crew. ",
"On a ship."
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{
"content": "How does the man leave the city?",
"role": "user"
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] | 34,924 | [
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"content": "What is the name of the woman our character has a physical relationship with?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
[
"Crew member of a ship leaving the city",
"crewman on a ship"
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"content": "What job does our character take at the end of the story?",
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] | 34,926 | [
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
[
"His pencil",
"his pencil"
]
] | [
{
"content": "What did our character almost eat when he was overwhelmed by hunger?",
"role": "user"
}
] | 34,932 | [
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
[
"The streets of Kristianaia/Oslo",
"noraways capital kristiania"
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{
"content": "Where is this vagrent wandering?",
"role": "user"
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] | 34,933 | [
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
[
"Probably in his late twenties",
"Late twenties."
]
] | [
{
"content": "How old is our main character, roughly?",
"role": "user"
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] | 34,934 | [
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"Kristiania (Oslo), the capital of Norway.",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"A young woman who he engages in physical intimacy with.",
"A romantic interest."
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"content": "Who is Ylajali to the vagrant?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"In search of nourishment.",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"A lack of self preservation.",
"He was overwhelmed by hunger. "
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"content": "Why does the vagrant begin to fade away?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"His own pencil.",
"His own pencil."
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"content": "What important object did the vagrant almost eat?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"God.",
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"content": "Who does the vagrant blame for the state of his life?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"Selling an article to a newspaper.",
"He sells a text to a newspaper."
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"content": "What is the first victory of the vagrant?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"He posed as a journalist who need a place to stay.",
"He asked to spend the night there. "
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city. | [
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"When he signs on to a ship leaving the city.",
"when he boards the ship"
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"content": "What is the last time we know the vagrant's location?",
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" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.",
" The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.\nHe exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.\nHe experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"Jocelyn Leigh",
"Jocelyn Leigh."
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"content": "What is the name of the wife Ralph bought for himself?",
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] | 34,945 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who escaped from King James I?",
"role": "user"
}
] | 34,946 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who was Jocelyn supposed to marry?",
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who did the King order to be arrested?",
"role": "user"
}
] | 34,948 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who pretends to be a pirate named \"Kirby\"?",
"role": "user"
}
] | 34,949 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"Beacause the Virginia Governor, Sir Francis Wyatt is on board",
"It's carrying the new governor."
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"content": "Why did Ralph refuse to let the pirates open fire on the English ship?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"They are killed",
"They are all killed when the ship crashes into a reef."
]
] | [
{
"content": "What happens to the pirates?",
"role": "user"
}
] | 34,951 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who do the Virginian Indians plan to massacure?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who falls in love with Ralph?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Who aids Ralph in his search for Jocelyn?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"He was an English soldier",
"English soldier"
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"content": "What typed of work did Jocelyn's husband do before he moved to Virginia?",
"role": "user"
}
] | 34,955 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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1,
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1,
1,
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] | [
34947,
34948,
34949,
34950,
34946,
34945
] | train |
To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"He bought her",
"He bought his wife"
]
] | [
{
"content": "How did Ralph find a woman to marry?",
"role": "user"
}
] | 34,956 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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34947,
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"He as supposed to marry her, before she ran away",
"To carry her back to England."
]
] | [
{
"content": "Why does Lorn Carnal try to kidnap Jocelyn?",
"role": "user"
}
] | 34,957 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"they were attached by pirates",
"They run into pirates"
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"content": "What happened to Jocelyn and Ralph after their boat crashed?",
"role": "user"
}
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"by crashing the pirate ship that was firing on Sir Wyatt's ship",
"By crashing the ship into a reef."
]
] | [
{
"content": "How does Sparrow save Sir Francis Wyatt?",
"role": "user"
}
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"Sir Francis Wyatt",
"Sir Francis Wyatt"
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"content": "Who is the new governor of Virginia?",
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"Lord Carnal told Governor Wyatt that Ralph had ordered the firing on of the governor's ship",
"Because he ordered the destruction of the ship. "
]
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"content": "Why was Ralph tried for piracy even though he was just pretending to be \"Kirby\"?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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] | [
34947,
34948,
34949,
34950,
34946,
34945
] | train |
To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"the King ordered it",
"The King ordered it so."
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"content": "How come Ralph had to stay in jail although he was freed by Sir Wyatt?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "Where did the Virginian Indians plan to attack the colonial settlers?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"Lord Carnal.",
"Lord Carnal"
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"content": "Who was Jocelyn going to be forced to marry?",
"role": "user"
}
] | 34,964 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"Ralph pretended to be a pirate himself.",
"He pretends to be a pirate captain."
]
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"content": "Why do the pirates take Ralph as their captain?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"Off the coast of Florida.",
"Near Florida."
]
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{
"content": "Where do the pirates spot and English ship?",
"role": "user"
}
] | 34,966 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"content": "What is Ralph tried for?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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1,
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1,
1,
1,
1
] | [
34947,
34948,
34949,
34950,
34946,
34945
] | train |
To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"He knows a governor is on the ship.",
"The pirates"
]
] | [
{
"content": "Why doesn't Ralph want to open fire on the English ship?",
"role": "user"
}
] | 34,968 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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34947,
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"Indian Nantauquas.",
"Nantauquas"
]
] | [
{
"content": "Who rescues Ralph?",
"role": "user"
}
] | 34,969 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"To keep the Governor's ship from being destroyed by the pirates.",
"So that the English ship is not destroyed."
]
] | [
{
"content": "Why does Jeremy purposefully crash the ship into a reef?",
"role": "user"
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" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
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"Nantauquas.",
"Nantauqaus"
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"content": "Who tells Ralph where Jocelyn is located?",
"role": "user"
}
] | 34,971 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"An Indian.",
"A hostile Indian."
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{
"content": "Who kills Diccon?",
"role": "user"
}
] | 34,972 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.
Lord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate "Kirby". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.
The play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.
Aboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.
Ralph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.
Jamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.
To Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc. | [
[
"To find Ralph.",
"To find Ralph."
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"content": "Why did Jocelyn go into the forest?",
"role": "user"
}
] | 34,973 | [
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc.",
" To Have and to Hold is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife.\nLord Carnal attempts to kidnap Jocelyn several times and eventually follows Ralph, Jocelyn, and their two companions - Jeremy Sparrow, the Separatist minister, and Diccon, Ralph's servant - as they escape from the King's orders to arrest Ralph and carry Jocelyn back to England. The boat they are in, however, crashes on a desert island, but they are accosted by pirates, who, after a short struggle, agree to take Ralph as their captain, after he pretends to be the pirate \"Kirby\". The pirates gleefully play on with Ralph's masquerade, until he refuses to allow them to rape and pillage those aboard Spanish ships.\nThe play is up when the pirates see an English ship off the coast of Florida. Ralph refuses to fire upon it, knowing it carries the new Virginian governor, Sir Francis Wyatt, but the pirates open fire, and Jeremy Sparrow, before the English ship can be destroyed, purposefully crashes the ship into a reef. The pirates are all killed, but the Englishmen (and woman) are rescued by the Governor's ship.\nAboard the ship, Ralph is tried for piracy after Lord Carnal tells the Governor that he ordered the destruction of the ship, but Jocelyn, having come to love Ralph, speaks for him. Her words are so persuasive that the Governor believes her and frees Ralph. They return to Virginia, though Ralph is forced to remain in a gaol - King's orders.\nRalph is lured into a trap, though, by Lord Carnal and is subsequently captured by Indians - but not before putting up a fight and seeing Lord Carnal terribly wounded. The brother of Pocahontas, the Indian Nantauquas, rescues him and Diccon, but only to inform them that all the Virginian Indians plan to massacre the Jamestown settlers. As they are on their way back to Jamestown, Diccon is shot and killed by a hostile Indian, and Ralph is left alone to brave his way back. Returning to the colony, he gives his information, only to be told that Jocelyn had made her way to the forest in search of him after his absence was noticed, with Jeremy Sparrow, and that they had not been found. It is also discovered that Lord Carnal has taken poison and will die within a week.\nJamestown is saved, thanks to Ralph's almost-too-late warning, and after things are stabilized, Ralph goes in search of Jocelyn and the minister. After a long and seemingly fruitless search, Nantauquas himself, though he had turned traitor, leads Ralph to where Jocelyn is staying. The two are reunited, and at the end of the story intend to go to England, where Jocelyn's lands have been restored to her and they can finally live in peace.\nTo Have and to Hold was revised and edited by Josh and Sarah Wean for the four-hundredth anniversary of the founding of Jamestown. It is sold in this edition by the Christian company, Vision Forum Inc."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"Lord Chamberlain's Men",
"Lord Chamberlain's Men."
]
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{
"content": "What group of players does Shakespeare belong to?",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
[
"He starts auditions",
"auditions"
]
] | [
{
"content": "What does Shakespeare start to do even before he has written the play, \"Romeo and Ethel\"?",
"role": "user"
}
] | 34,975 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "What happens when Edmund Tilney finds out that there is a woman player at The Rose?",
"role": "user"
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "Who sued the creators of Shakespeare in Love?",
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}
] | 34,978 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"1999."
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{
"content": "What year were the creators of Shakespeare in love sued?",
"role": "user"
}
] | 34,979 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "What role did Shakespeare play on stage?",
"role": "user"
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
[
"Christopher Marlowe",
"Christopher 'Kit' Marlowe a rival playwright "
]
] | [
{
"content": "Who helped Shakespeare with Romeo and Juliet?",
"role": "user"
}
] | 34,981 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "What city does the story take place in?",
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "What year does the story begin?",
"role": "user"
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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]
] | [
{
"content": "Who owns the Rose Theatre?",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"Romeo and Ethel",
"Romeo and Ethel. "
]
] | [
{
"content": "What play is Shakespeare working on at the beginning of the story?",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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]
] | [
{
"content": "Who is Shakespeare's friend and rival playwright?",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "Who much does Shakespeare require to buy a share in the Chamberlain's Men?",
"role": "user"
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "Who owns The Curtain?",
"role": "user"
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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] | [
{
"content": "Who must Viola sail the the Colony of Virginia with?",
"role": "user"
}
] | 34,989 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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]
] | [
{
"content": "Who is the Master of the Revels?",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"content": "Who takes the role of Romeo in the play?",
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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{
"content": "In what year does this story take place?",
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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]
] | [
{
"content": "Who is the owner of The Rose Theatre?",
"role": "user"
}
] | 34,993 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
[
"To audition for Shakespeare.",
"so she can audition"
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] | [
{
"content": "Why does Viola de Lesseps disguise herself as Thomas Kent?",
"role": "user"
}
] | 34,994 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
[
"Lord Wessex",
"Lord Wessex. "
]
] | [
{
"content": "To whom does Viola's parents wish to betroth her?",
"role": "user"
}
] | 34,995 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
[
"The affair between Shakespeare and Viola.",
"Shakespeare and Viola"
]
] | [
{
"content": "The story Romeo and Juliet is inspired by what affair?",
"role": "user"
}
] | 34,996 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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{
"content": "Richard Burbage is the owner of what establishment? ",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
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"The Master of Revels. "
]
] | [
{
"content": "Edmund Tilney is master of what?",
"role": "user"
}
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" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as "Thomas Kent" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.
When he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.
When Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.
Viola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.
When Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.
But the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to "fetch" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something "a little more cheerful next time, for Twelfth Night".
Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.
The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.
The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". | [
[
"The Colony of Virginia.",
"The Colony of Virginia."
]
] | [
{
"content": "To where does the Queen say Viola must sail with Wessex?",
"role": "user"
}
] | 34,999 | [
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\".",
" In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and poor playwright for Philip Henslowe, owner of The Rose Theatre. Shakespeare is working on a new comedy, Romeo and Ethel, the Pirate's Daughter. Suffering from writer's block, he has barely begun the play, but starts auditioning players. Viola de Lesseps, the daughter of a wealthy merchant, who has seen Shakespeare's plays at court, disguises herself as \"Thomas Kent\" to audition, then runs away. Shakespeare pursues Kent to Viola's house and leaves a note with the nurse, asking Thomas Kent to begin rehearsals at the Rose. He sneaks into the house with the minstrels playing that night at the ball, where her parents are arranging her betrothal to Lord Wessex, an impoverished aristocrat. While dancing with Viola, Shakespeare is struck speechless, and after being forcibly ejected by Wessex, uses Thomas Kent as a go-between to woo her. Wessex also asks Will's name, to which he replies that he is Christopher Marlowe.\nWhen he discovers her true identity, they begin a secret affair. Inspired by her, Shakespeare writes quickly, with help from his friend and rival playwright Christopher 'Kit' Marlowe, completely transforming the play into what will become Romeo and Juliet. Then, Viola is summoned to court to receive approval for her proposed marriage to Lord Wessex. Shakespeare accompanies her, disguised as her female cousin. There, he persuades Wessex to wager ÂŁ50 that a play can capture the true nature of love, the exact amount Shakespeare requires to buy a share in the Chamberlain's Men. Queen Elizabeth I declares that she will judge the matter, when the occasion arises.\nWhen Richard Burbage, owner of the Curtain, finds out that Shakespeare has cheated him out of both money and the play, he goes to the Rose Theatre with his Curtain Theatre Company and starts a brawl. The Rose Theatre company drives Burbage and his company out and then celebrate at the local pub.\nViola is appalled when she learns Shakespeare is married, albeit separated from his wife, and she realises she cannot escape her duty to marry Wessex. Will discovers that Marlowe is dead, and thinks he is to blame. Lord Wessex suspects an affair between Shakespeare and his bride-to-be. Because Wessex thinks that Will is Kit Marlowe, he approves of Kit's death, and tells Viola the news. It is later learned that Marlowe had been killed in an accident. Viola finds out that Will is still alive, and declares her love for him.\nWhen Edmund Tilney, the Master of the Revels, is informed there is a woman player at The Rose, he closes the theatre for breaking the ban on women. Viola's identity is exposed, leaving them without a stage or lead actor, until Richard Burbage offers them his theatre. Shakespeare takes the role of Romeo, with a boy actor as Juliet. Following her wedding, Viola learns that the play will be performed that day, and runs away to the Curtain. Planning to watch with the crowd, Viola overhears that the boy playing Juliet cannot perform, and offers to replace him. While she plays Juliet to Shakespeare's Romeo, the audience is enthralled, despite the tragic ending, until Master Tilney arrives to arrest everyone for indecency due to Viola's presence.\nBut the Queen is in attendance and restrains Tilney, instead asserting that Kent's resemblance to a woman is, indeed, remarkable. However, even a queen is powerless to end a lawful marriage, and she orders Kent to \"fetch\" Viola because she must sail with Wessex to the Colony of Virginia. The Queen also tells Wessex, who followed Viola to the theatre, that Romeo and Juliet has won the bet for Shakespeare, and has Kent deliver his ÂŁ50 with instructions to write something \"a little more cheerful next time, for Twelfth Night\".\nViola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginnings of Twelfth Night, imagining her as a castaway disguised as a man after a voyage to a strange land.After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself \"A Story of Shakespeare and Lady Viola in Love\") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work.\nThe film's plot can claim a tradition in fiction reaching back to Alexandre Duval's \"Shakespeare amoureux ou la Piece a l'Etude\" (1804), in which Shakespeare falls in love with an actress who is playing Richard III.\nThe writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as \"absurd\", and argued that the timing \"suggests a publicity stunt\"."
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