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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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" The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of Inte... | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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"out of pity",
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of International Bread and Cake Stores and Staminal Bread. Sir Isaac meets his future wife when she is only seventeen and still a student in a boardinghouse in Wimbledon; she marries him largely out of pity. But the marriage is not a happy one, despite great wealth and the birth of four children. Sir Isaac is inherently domineering, and in an age of Suffragettes he encounters a desire for greater freedom in his wife.
The plot of the novel turns on Lady Harman's relationship with George Brumley (invariably "Mr. Brumley" in the text), a successful genteel novelist whose wife has died three and a half years earlier. Lady Harman meets Mr. Brumley because the Harmans buy his house, Black Strand, in the countryside outside London. Mr. Brumley falls in love with Lady Harman at first sight. His interest in her leads him and a number of acquaintances to pay Lady Harman a visit. This results is invitations to luncheons and committees for Lady Harman, and despite all his efforts the possessive Sir Isaac is unable to quell his wife's desire to accept. Through many twists and turns Mr. Brumley's attachment to Lady Harman increases until, after the death of Sir Isaac, he appears to win her love on the novel's conlcuding page. (This comes after she has definitively refused to marry him, and the reader is left uncertain whether her passionate kiss signifies that she has changed her mind on this question.) | [
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" The protagonist of The Wife of Sir Isaac Harman is Lady Harman, nĂŠe Ellen Sawbridge. The moral, emotional, and intellectual conflicts that this tall, sensitive, graceful woman confronts arise in the context of a loveless marriage with Sir Isaac Harman, a self-made man who has grown rich as the proprietor of Inte... | [
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After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
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" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
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" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
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32512,
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32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"They will have it. ",
"They got it"
]
] | [
{
"content": "What will happen to Jews who wish for a state?",
"role": "user"
}
] | 32,512 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Herzl opposed the Zionist groups. ",
"Herzl"
]
] | [
{
"content": "Who opposed the Zionist groups?",
"role": "user"
}
] | 32,513 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The Ottoman controlled Palestine",
"Ottoman"
]
] | [
{
"content": "Where did the Zionist groups want the Jews to settle?",
"role": "user"
}
] | 32,514 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Securing official legal sanction from the Ottoman empire. ",
"Opposing the efforts of the Zionist group to settle Jews in Ottoman."
]
] | [
{
"content": "What did Herzl focus his efforts on?",
"role": "user"
}
] | 32,515 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The Jews were living in Ghettos.",
"Ghettos"
]
] | [
{
"content": "What type of neighborhood are the Jewish people living in?",
"role": "user"
}
] | 32,516 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Herz focused his political efforts on behalf of Zionism.",
"Zionism"
]
] | [
{
"content": "Herzl focused his political activity on the behalf of what belief system?",
"role": "user"
}
] | 32,517 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"France was given as an example. ",
"France"
]
] | [
{
"content": "What country is used as the example of a civilised country in which persecution still exists?",
"role": "user"
}
] | 32,518 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The sentiment of \"Don't buy from the Jews\"",
"Distrust and the statement \"don't buy from Jews\". "
]
] | [
{
"content": "What causes anxiety among the Jewish people?",
"role": "user"
}
] | 32,519 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The political question of if there is a good number or too many Jews hasn't been addressed, even in civilized countries.",
"The seem to come in multiples."
]
] | [
{
"content": "Why do the Jews seem to attract persecution where there wasn't any previously?",
"role": "user"
}
] | 32,520 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Herzl",
"Herzl"
]
] | [
{
"content": "Who opposed the Jews being settled in Palestine?",
"role": "user"
}
] | 32,521 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"In ghettos",
"Ghettos"
]
] | [
{
"content": "Where had the Jews of Europe been forced to live?",
"role": "user"
}
] | 32,522 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"So the Jews could immigrate without persecution.",
"To stop the influx of Jews into Palestine"
]
] | [
{
"content": "Why did Herzl want legal sanction from the Ottoman authorities?",
"role": "user"
}
] | 32,523 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"France",
"France"
]
] | [
{
"content": "What is an example of a civilized country given in the story?",
"role": "user"
}
] | 32,524 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Mobs",
"angry mobs"
]
] | [
{
"content": "What does the higher class of Jews have to deal with?",
"role": "user"
}
] | 32,525 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The non-Jewish public fear their numbers",
"The native population is concerned about there being too many in their area."
]
] | [
{
"content": "Why is immigration of Jews a problem in the story?",
"role": "user"
}
] | 32,526 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The lower class Jews live in poverty and are destitute",
"they live in despair"
]
] | [
{
"content": "How are the lower class Jews affected in the ghettos?",
"role": "user"
}
] | 32,527 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Only on behalf of them politically.",
"yes"
]
] | [
{
"content": "Was Herzl affiliated with Zionism?",
"role": "user"
}
] | 32,528 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The ghettoes. ",
"In ghettos"
]
] | [
{
"content": "Where had Jews been reduced to living?",
"role": "user"
}
] | 32,529 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Herzi.",
"Herzl"
]
] | [
{
"content": "Who opposed efforts made by Zionist groups?",
"role": "user"
}
] | 32,530 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"An official legal sanction. ",
"Legal sanction"
]
] | [
{
"content": "What was Herzi securing from the Ottoman authorities?",
"role": "user"
}
] | 32,531 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The Ottomans. ",
"The Ottoman"
]
] | [
{
"content": "Who controlled Palestine?",
"role": "user"
}
] | 32,532 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"The Maccabeans. ",
"The Maccabeans"
]
] | [
{
"content": "Who did Herzi say would rise again?",
"role": "user"
}
] | 32,533 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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32511,
32512,
32513,
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After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Immigration. ",
"Immigration of the Jews to Palestine"
]
] | [
{
"content": "What did Herzi say was futile?",
"role": "user"
}
] | 32,534 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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1.0000001192092896,
1.0000001192092896
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32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Herzi. ",
"Herzl"
]
] | [
{
"content": "Who wrote Der Judenstaat?",
"role": "user"
}
] | 32,535 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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1.0000001192092896,
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"They will have it. ",
"They get it."
]
] | [
{
"content": "What happens when Jews wish for a State?",
"role": "user"
}
] | 32,536 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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1.0000001192092896,
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1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"Angry mobs. ",
"Angry mobs. "
]
] | [
{
"content": "What was the higher class forced to deal with?",
"role": "user"
}
] | 32,537 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
32509
] | train |
After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and the statement "don't buy from Jews" causes much anxiety among Jewish people. It is reasonable to assume that the Jews will not be left in peace. Neither a change in the feelings of non-Jews nor a movement to merge into the surrounds of Europe offers much hope to the Jewish people:
"The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level."
The book concludes:
Therefore I believe that a wondrous generation of Jews will spring into existence. The Maccabeans will rise again.
Let me repeat once more my opening words: The Jews who wish for a State will have it.
We shall live at last as free men on our own soil, and die peacefully in our own homes.
The world will be freed by our liberty, enriched by our wealth, magnified by our greatness.
And whatever we attempt there to accomplish for our own welfare, will react powerfully and beneficially for the good of humanity.
Herzl opposed the efforts already made by Zionist groups to settle Jews in Ottoman-controlled Palestine by arguing that "important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration."(Quoted from The Jewish State, translated by Sylvie d’Avigdor, Nutt, London, 1896, and reprinted by Dover, 1988, p. 95.)
For that reason, Herzl, both in Der Judenstaat, and in his political activity on behalf of Zionism, concentrated his efforts on securing official legal sanction from the Ottoman authorities. | [
[
"They were distrusted. ",
"They are mistrusted"
]
] | [
{
"content": "What happened to middle class Jews?",
"role": "user"
}
] | 32,538 | [
" After centuries of various restrictions, hostilities and frequent pogroms, the Jews of Europe have been reduced to living in Ghettos. The higher class is forced to deal with angry mobs and so experiences a great deal of discomfort; the lower class lives in despair. Middle-class professionals are distrusted, and t... | [
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1.0000001192092896,
1.0000001192092896,
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1.0000001192092896,
1.0000001192092896
] | [
32511,
32512,
32513,
32514,
32510,
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The glow of residual volcanism.",
"by the glow of residual vulcanism"
]
] | [
{
"content": "How is the earth lit in the story?",
"role": "user"
}
] | 32,539 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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32542,
32543,
32544,
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The death of lady Mirdath.",
"the death of Lady Mirdath, his beloved"
]
] | [
{
"content": "What is the gentalman morning?",
"role": "user"
}
] | 32,540 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
0.9999998807907104,
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0.9999998807907104
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32541,
32542,
32543,
32544,
32539
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"A gigantic metal pryimid.",
"A gigantic metal pyramid. "
]
] | [
{
"content": "Where is the last few million people gathered?",
"role": "user"
}
] | 32,541 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
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0.9999998807907104
] | [
32542,
32543,
32544,
32540,
32539
] | train |
The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Unkown forces.",
"unknown forces and Powers outiside in the dark."
]
] | [
{
"content": "By whom is the redoubt under siege by?",
"role": "user"
}
] | 32,542 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
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0.9999998807907104
] | [
32541,
32543,
32544,
32540,
32539
] | train |
The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"By the earth current.",
"by the Earth Current, a subterranean energy source"
]
] | [
{
"content": "How is the air clog powered?",
"role": "user"
}
] | 32,543 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Nearly 8 miles high?",
"nearly eight miles high"
]
] | [
{
"content": "How tall is the pryimid?",
"role": "user"
}
] | 32,544 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
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"The 17th century.",
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]
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"content": "What time period is the story set?",
"role": "user"
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] | 32,545 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"By mind contact.",
"With mind contact"
]
] | [
{
"content": "How did the narator contact another inhabatant?",
"role": "user"
}
] | 32,546 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"A lessor forgotton redoubt.",
"the Lesser Redoubt"
]
] | [
{
"content": "Where was the contacted inhabatant from?",
"role": "user"
}
] | 32,547 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The earth curent is failing.",
"it is under siege from outside forces and Powers"
]
] | [
{
"content": "What is happening to this redoubt?",
"role": "user"
}
] | 32,548 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The Earth Current",
"Air Clog"
]
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{
"content": "What is the energy that the shield which protects the Last Redoubt called?",
"role": "user"
}
] | 32,549 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Lady Mirdath is his lost love.",
"Lady Mirdath"
]
] | [
{
"content": "What is the name of the narrarator's lost love?",
"role": "user"
}
] | 32,550 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Nearly eight miles. ",
"Eight miles high. "
]
] | [
{
"content": "How tall is the pyramid?",
"role": "user"
}
] | 32,551 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"He makes mind contact with one of them. ",
"He establishes mind contact with an inhabitant. "
]
] | [
{
"content": "How does the narrarator find out about the people in the Lesser Redoubt?",
"role": "user"
}
] | 32,552 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
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"role": "user"
}
] | 32,553 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
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"He is in the future. ",
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"content": "What time period is the narrarator in when the story ends?",
"role": "user"
}
] | 32,554 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Residual vulcanism, the Sun is gone. ",
"remaining glow of volcanos ."
]
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"content": "What lights the Earth in the future parts of the story?",
"role": "user"
}
] | 32,555 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
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"The inhabitants of the Lesser Redoubt.",
"Lesser Redoubt"
]
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{
"content": "Who has exhausted their supply of Earth Current?",
"role": "user"
}
] | 32,556 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
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"It was built with metal. ",
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{
"content": "What is the Last Redoubt built from?",
"role": "user"
}
] | 32,557 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Residual vulcanism",
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{
"content": "What lights the Earth after the Sun goes out? ",
"role": "user"
}
] | 32,558 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"A giant metal pyramid the remaining humans are living in",
"A giant pyramid where the rest of humanity lives."
]
] | [
{
"content": "What is the Last Redoubt? ",
"role": "user"
}
] | 32,559 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The Earth Current",
"the \"Earth Current\""
]
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{
"content": "What powers the air clog? ",
"role": "user"
}
] | 32,560 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Living shapes who wait for the Circle's power to weaken and die",
"vast living shapes outside the Redoubt"
]
] | [
{
"content": "Who are The Watchers? ",
"role": "user"
}
] | 32,561 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The reincarnation of his past love",
"the reincarnation of Lady Mirdath"
]
] | [
{
"content": "Who does the narrator find? ",
"role": "user"
}
] | 32,562 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
0.9999998807907104,
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32541,
32542,
32543,
32544,
32540,
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"She dies ",
"She died."
]
] | [
{
"content": "What happened to Lady Mirdath? ",
"role": "user"
}
] | 32,563 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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32542,
32543,
32544,
32540,
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The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Death or destruction of the soul",
"Certain death."
]
] | [
{
"content": "What happens if one leaves the Circle? ",
"role": "user"
}
] | 32,564 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
0.9999998807907104,
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0.9999998807907104
] | [
32541,
32542,
32543,
32544,
32540,
32539
] | train |
The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"The metal pyramid the humans live in",
"the Last Redoubt"
]
] | [
{
"content": "What is eight miles high? ",
"role": "user"
}
] | 32,565 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
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0.9999998807907104
] | [
32541,
32542,
32543,
32544,
32540,
32539
] | train |
The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Their Earth current is exhausted and they die. ",
"Their Earth Current has been exhausted so they are unprotected"
]
] | [
{
"content": "What happens to the inhabitants of Lesser Redoubt? ",
"role": "user"
}
] | 32,566 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104,
0.9999998807907104,
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0.9999998807907104,
0.9999998807907104
] | [
32541,
32542,
32543,
32544,
32540,
32539
] | train |
The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style used are intended to resemble that of the 17th century, though the prose has features characteristic of no period whatsoever: the almost-complete lack of dialogue and proper names, for example. Critic Ian Bell has suggested that John Milton's epic poem "Paradise Lost" (1667) is probably a partial literary inspiration for Hodgson's novel, especially due to the hellish visions of sombre intensity which mark both works, and other similarities including the use of massive structures (the Temple of Pandemonium in Milton and the Last Redoubt in The Night Land).
Once into the book, the 17th century framing is mostly inconsequential. Instead, the story focuses on the future. The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in a gigantic metal pyramid, nearly eight miles high â the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For millennia, vast living shapesâthe Watchersâhave waited in the darkness near the pyramid. It is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.
To leave the protection of the Circle means almost certain death, or worse an ultimate destruction of the soul. As the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten Lesser Redoubt. First one expedition sets off to succour the inhabitants of the Lesser Redoubt, whose own Earth Current has been exhausted, only to meet with disaster. After that, the narrator sets off alone into the darkness to find the girl he has made contact with, knowing now that she is the reincarnation of his past love.
At the conclusion of the adventure, the narrative does not return to the framework story, instead ending with the happy homecoming of the couple and his inauguration into the ranks of their most honoured heroes. | [
[
"Through mind contact",
"through mind contact"
]
] | [
{
"content": "How does the narrator communicate with Lesser Redoubt? ",
"role": "user"
}
] | 32,567 | [
" The beginning of the book establishes the framework in which a 17th-century gentleman, mourning the death of his beloved, Lady Mirdath, is given a vision of a far-distant future where their souls will be re-united, and sees the world of that time through the eyes of a future incarnation. The language and style us... | [
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0.9999998807907104
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32542,
32543,
32544,
32540,
32539
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Canada",
"Canada"
]
] | [
{
"content": "What country is Martin from?",
"role": "user"
}
] | 32,568 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32571,
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"It's over.",
"\"It's over.\""
]
] | [
{
"content": "What does Scott tell the police?",
"role": "user"
}
] | 32,569 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32571,
32572,
32573,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Carlisle, Pennsylvania",
"Carlisle"
]
] | [
{
"content": "Where is the farmhouse Scott is living in? ",
"role": "user"
}
] | 32,570 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32571,
32572,
32573,
32569,
32568
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"A tire blows",
"Its tired blows"
]
] | [
{
"content": "What happens to Martin's car while he is driving?",
"role": "user"
}
] | 32,571 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32572,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Quebec City",
"Quebec City"
]
] | [
{
"content": "Where is the ferry going when Mrs. Asher recognizes her son?",
"role": "user"
}
] | 32,572 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32571,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Christopher Hart",
"Christopher Hart"
]
] | [
{
"content": "What was the real name of the person who died in the car accident?",
"role": "user"
}
] | 32,573 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32571,
32572,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"On a train",
"on a train"
]
] | [
{
"content": "How does Asher escape Montreal?",
"role": "user"
}
] | 32,574 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
32569,
32568
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"To help apprehend Asher",
"to capture Martin"
]
] | [
{
"content": "Why is Scott summoned to Montreal?",
"role": "user"
}
] | 32,575 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
32569,
32568
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"19 Years",
"19 years ago"
]
] | [
{
"content": "How long ago does Mrs. Asher say her son died?",
"role": "user"
}
] | 32,576 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32571,
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32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Art salesman",
"Artist"
]
] | [
{
"content": "What occupation does Costa pose as?",
"role": "user"
}
] | 32,577 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32571,
32572,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Matt Soulsby. ",
"A fellow teen, Matt Soulsby"
]
] | [
{
"content": "Who does Martin Asher meet and befriend on the bus early on in the story?",
"role": "user"
}
] | 32,578 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32571,
32572,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"They take a car from a nearby garage. ",
"they somehow acquire a car from a nearby garage"
]
] | [
{
"content": "What do Matt and Martin do when their bus breaks down?",
"role": "user"
}
] | 32,579 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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] | [
32570,
32571,
32572,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Martin kills him by kicking him out in front of an on-coming car and assumes his identity. ",
"While changing the tire, Martin kicks Matt into the path of an oncoming truck."
]
] | [
{
"content": "What happens to Matt after the tire on their car blows out?",
"role": "user"
}
] | 32,580 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Killing people and assuming their identity over the years. ",
"Martin wanted to play around with Scott"
]
] | [
{
"content": "When Illeana Scott is recruited to help the Canadian Government apprehend Martin, what is Martin wanted for?",
"role": "user"
}
] | 32,581 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
32569,
32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Martin's mother.",
"His mom"
]
] | [
{
"content": "Who identifies Martin on a Ferry in Quebec city?",
"role": "user"
}
] | 32,582 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32568
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"She reports the sighting to a police officer and identifies her son as a dangerous person. ",
"she finds a police officer and tells him she saw her allegedly dead son on the ferry"
]
] | [
{
"content": "What does Martin's mother do after she sees Martin?",
"role": "user"
}
] | 32,583 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
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32568
] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Costa. ",
"James Costa"
]
] | [
{
"content": "Who does Martin take hostage as he flees?",
"role": "user"
}
] | 32,584 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"That Costa is in fact Martin. ",
"Costa is Martin, the murderer"
]
] | [
{
"content": "What does Scott discover after Costa comes to visit her in her hotel room?",
"role": "user"
}
] | 32,585 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Christopher Hart, who Martin owed money to and murdered. ",
"Christopher Hart, a drug dealer and art thief"
]
] | [
{
"content": "Who really died in the car accident?",
"role": "user"
}
] | 32,586 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"By pretending that she is pregnant with his twins. ",
"She moved into a farmhouse to live by herself"
]
] | [
{
"content": "How does Scott trick Martin into coming to her home?",
"role": "user"
}
] | 32,587 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
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32573,
32569,
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] | train |
The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Matt Soulsby",
"Matt Soulsby"
]
] | [
{
"content": "What is the name of the boy that Martin befriends on the bus?",
"role": "user"
}
] | 32,588 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"Martin kicks him into the path of an oncoming truck and steals his identity",
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"content": "What happens to the teenager Martin befriends after the bus breaks down?",
"role": "user"
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] | 32,589 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
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"content": "What city does Illeana travel to in order to help catch Martin for his crimes?",
"role": "user"
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] | 32,590 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"James Costa",
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]
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{
"content": "What is the name of the art dealer who is able to make a sketch of Martin that leads to police finding his location?",
"role": "user"
}
] | 32,591 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"On a ferry in Queben City",
"on a ferry to Quebec City"
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{
"content": "Under the impression that her son had died 19 years ago, where does Martin's mom believe that she has seen him before reporting it to the police?",
"role": "user"
}
] | 32,592 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"She realizes that is not her son and that he still must be alive.",
"She is killed"
]
] | [
{
"content": "What happens after Martin's mother goes to the morgue to identify her sons body?",
"role": "user"
}
] | 32,593 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32570,
32571,
32572,
32573,
32569,
32568
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"She admits to having consensual sex with Martin",
"because she confessed to having had sex with Asher"
]
] | [
{
"content": "Why is Illeana fired from the FBI?",
"role": "user"
}
] | 32,594 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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32573,
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32568
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"She had on a prosthetic pregnancy belly ",
"Illeana was wearing a fake pregnant belly."
]
] | [
{
"content": "Why was Illeana not harmed when Martin attacked her with a pair of scissors?",
"role": "user"
}
] | 32,595 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"James Costa",
"If speaking about after the car accident, then in this case \"Martin\" was a drug dealer and art thief named Christopher Hart"
]
] | [
{
"content": "Who is Martin revealed to be?",
"role": "user"
}
] | 32,596 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acquire a car from a nearby garage. While Martin is driving, a tire blows. Matt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck. He is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.
Twenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America. Scott has to adjust to working in a strange city with a police team that she does not really fit in with.
On a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son. After docking she locates a police officer and tells him that she saw her son on the ferry. Upon telling the officer her son died 19 years ago, she discusses the matter with a city official. She is convinced the man she saw was her son, and exclaims to the officer that her son is "dangerous". Based on Mrs. Asher's statement, the body believed to be that of her son is exhumed for an autopsy.
The team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim. Costa makes a drawing of Asher and, within a couple of days, Asher's apartment is found. Scott discovers Asher's next target is Costa, so protecting him is priority number one. During the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.
Asher flees with Costa as a hostage and Scott pursues them. Scott sees Asher die in a car accident and the case is closed. As Scott is packing up, preparing to return home, Costa visits her in her hotel room. Without saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos. The next morning, Scott awakes to find herself partly covered in Costa's blood. At first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.
As Costa's stitches are repaired in the hospital, Scott is called down to the morgue as Mrs. Asher has come to identify the burned body of her son, killed in the accident. She says the body is not her son. Mrs. Asher and Scott realize that Asher is still alive. Mrs. Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her. Before Scott can reach her, the elevator door closes. Scott descends the stairs, hoping to intercept Mrs. Asher on the ground floor. When the elevator door opens, Scott sees Costa covered in blood, having killed Mrs. Asher - who Scott realizes is Costa's mother. The police try to capture Asher who escapes the hospital. Scott returns to her hotel room and frantically washes herself, in a state of manic disgust. An investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered. The Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout. After that, he calls Scott on the phone and taunts her. Scott admits to having consensual sex with Asher, and is consequently fired from the FBI.
Seven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys. One day as she sits alone in her home, she discovers Asher has broken into her house. She frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house. Asher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to. Enraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors. Scott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors. As Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap. He falls over, dead. The film ends with Scott calling the police, saying "It's over," and staring out her window. | [
[
"As part of a police ploy to attract Martin in order to catch him one and for all",
"The FBI fires hire"
]
] | [
{
"content": "Why does the heavily pregnant Illeana move to a remote farmhouse in Pennsylvania?",
"role": "user"
}
] | 32,597 | [
" The film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination. He befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future. When their bus breaks down, the two acqui... | [
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The lives of two closely linked families dangerously intersect in a small Illinois town in the 1950s. Two brothers, Jacey and Doug Holt are growing up in Haley, Illinois, sons of a working single mother. Their father, a reckless risk-taker, has lost his life via a bet with Lloyd Abbott (Will Patton), his business partner. Abbott eventually becomes one of the town's foremost, wealthiest and most-admired citizens. The lives of the Holts and the Abbotts are intertwined through various entanglements. Lloyd Abbott and his distant wife, Joan, are the parents of three beautiful daughters, Alice, Eleanor and Pamela.
Because of a misunderstanding of the circumstances surrounding his father's death (a supposed bet with Abbott that took the elder Holt's life), J.C. (Billy Crudup) seeks revenge on the Abbotts through the calculated seduction of the Abbott daughters. At first, J.C. cannot wait to escape the suffocating life in Haley, later in the film, however, he is pulled back as he idolizes the Abbott family, as well as obsesses about the oldest daughter, Alice (Joanna Going), thus seeking to jockey his way into the Abbott family.
At first, Doug (Joaquin Phoenix), the younger brother, admires and worships his brother's libertine lifestyle. However, as he matures, he discovers that all that glitters is not gold. He eventually falls in love with the youngest, virginal Abbott, Pamela (Liv Tyler), who protests his early, fumbling sexual advances. She forces him to appreciate her for who she is, not what she may offer up to him. Meanwhile, Eleanor (Jennifer Connelly) is sent away to a mental hospital after she and J.C. are caught by Lloyd Abbott, who cannot keep them apart.
After two years of being apart from each other, Doug and Pamela meet again by chance while they are in college in Philadelphia. However, Doug and J.C. are brought back to Haley after their mother's death. They also find a letter from their late father that says he has sold their patent for a 1937 DeSoto Coupe convertible. Despite the obstacles that Lloyd Abbott places in the way of any of the Holt brothers ever seeing his daughters again, Doug convinces Abbott at the end of the story of his true love for Pamela and receives his blessing on a future relationship. | [
[
"Haley, Illinois",
"Haley, Illinois"
]
] | [
{
"content": "What city and state do the Holt brothers grow up in?",
"role": "user"
}
] | 32,598 | [
" The lives of two closely linked families dangerously intersect in a small Illinois town in the 1950s. Two brothers, Jacey and Doug Holt are growing up in Haley, Illinois, sons of a working single mother. Their father, a reckless risk-taker, has lost his life via a bet with Lloyd Abbott (Will Patton), his business... | [
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32602,
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The lives of two closely linked families dangerously intersect in a small Illinois town in the 1950s. Two brothers, Jacey and Doug Holt are growing up in Haley, Illinois, sons of a working single mother. Their father, a reckless risk-taker, has lost his life via a bet with Lloyd Abbott (Will Patton), his business partner. Abbott eventually becomes one of the town's foremost, wealthiest and most-admired citizens. The lives of the Holts and the Abbotts are intertwined through various entanglements. Lloyd Abbott and his distant wife, Joan, are the parents of three beautiful daughters, Alice, Eleanor and Pamela.
Because of a misunderstanding of the circumstances surrounding his father's death (a supposed bet with Abbott that took the elder Holt's life), J.C. (Billy Crudup) seeks revenge on the Abbotts through the calculated seduction of the Abbott daughters. At first, J.C. cannot wait to escape the suffocating life in Haley, later in the film, however, he is pulled back as he idolizes the Abbott family, as well as obsesses about the oldest daughter, Alice (Joanna Going), thus seeking to jockey his way into the Abbott family.
At first, Doug (Joaquin Phoenix), the younger brother, admires and worships his brother's libertine lifestyle. However, as he matures, he discovers that all that glitters is not gold. He eventually falls in love with the youngest, virginal Abbott, Pamela (Liv Tyler), who protests his early, fumbling sexual advances. She forces him to appreciate her for who she is, not what she may offer up to him. Meanwhile, Eleanor (Jennifer Connelly) is sent away to a mental hospital after she and J.C. are caught by Lloyd Abbott, who cannot keep them apart.
After two years of being apart from each other, Doug and Pamela meet again by chance while they are in college in Philadelphia. However, Doug and J.C. are brought back to Haley after their mother's death. They also find a letter from their late father that says he has sold their patent for a 1937 DeSoto Coupe convertible. Despite the obstacles that Lloyd Abbott places in the way of any of the Holt brothers ever seeing his daughters again, Doug convinces Abbott at the end of the story of his true love for Pamela and receives his blessing on a future relationship. | [
[
"Eleanor Abbott",
"Eleanor"
]
] | [
{
"content": "Who is sent to a mental hospital in the story?",
"role": "user"
}
] | 32,599 | [
" The lives of two closely linked families dangerously intersect in a small Illinois town in the 1950s. Two brothers, Jacey and Doug Holt are growing up in Haley, Illinois, sons of a working single mother. Their father, a reckless risk-taker, has lost his life via a bet with Lloyd Abbott (Will Patton), his business... | [
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