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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"They fall out of his pocket in front of his colleagues.",
"They fall out in front of coworkers."
]
] | [
{
"content": "What happens to the drugs that the Lieutenant puts in his pocket?",
"role": "user"
}
] | 29,800 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"They go to a Catholic school.",
"A Catholic school."
]
] | [
{
"content": "Where do the Lieutenant's children go to school?",
"role": "user"
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] | 29,801 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He begged for forgiveness of his crimes.",
"curses and the begs forgiveness"
]
] | [
{
"content": "What did the Lieutenant do when he saw the crucified Christ?",
"role": "user"
}
] | 29,802 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"That she had forgiven them.",
"She had forgiven them."
]
] | [
{
"content": "What did the nun say when the Lieutenant vowed to kill her attackers?",
"role": "user"
}
] | 29,803 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"His friend thought he would be killed by the bookie.",
"His friend fears that the bookie will kill him."
]
] | [
{
"content": "Why wouldn't the Lieutenant's friend place a bet on the game?",
"role": "user"
}
] | 29,804 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"The Mets.",
"Mets."
]
] | [
{
"content": "Who wins the pennant?",
"role": "user"
}
] | 29,805 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He gives them $30,000.",
"$30,000"
]
] | [
{
"content": "How much money does the Lieutenant give the two rapists?",
"role": "user"
}
] | 29,806 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He is shot twice.",
"he got shot"
]
] | [
{
"content": "How does the Lieutenant die?",
"role": "user"
}
] | 29,807 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"Hey, cop!",
"Hey Cop!"
]
] | [
{
"content": "What are the last two words the Lieutenant hears?",
"role": "user"
}
] | 29,808 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He takes a couple of bumps of cocaine and drives to a double murder scene.",
"Does drugs and heads to a crime scene."
]
] | [
{
"content": "What does the Lieutenant do after he drops his kids at school?",
"role": "user"
}
] | 29,809 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"The lieutenant gives the dealer a back of drugs and is told that the he will get the money from the sale of those drugs in a few days. ",
"gives him drugs and smokes with him"
]
] | [
{
"content": "After wandering away from crime scene what is the interaction that the Lieutenant has with a local drug dealer?",
"role": "user"
}
] | 29,810 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He goes to an apartment and gets drunk engaging in a threesome with a couple of women.",
"He gets drunk and has a threesome. "
]
] | [
{
"content": "What does the Lieutenant do after he give the drugs to the dealer?",
"role": "user"
}
] | 29,811 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"A num in the community gets raped by two men. ",
"the nun is raped in a church by two young hoodlums"
]
] | [
{
"content": "What happens in the community while the Lieutenant is engaged in his illicit activities?",
"role": "user"
}
] | 29,812 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He tells them to enter them into evidence as part of a crime scene. ",
"Enter them into evidence."
]
] | [
{
"content": "After stealing drugs from a crime scene, and having them fall from his pocket, what does the Lieutenant instruct his team to do?",
"role": "user"
}
] | 29,813 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He learns that she was violated with a crucifix. ",
"she offered grace to them"
]
] | [
{
"content": "While visiting the hospital what does the Lieutenant learn about the rape of the nun?",
"role": "user"
}
] | 29,814 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164,
1.0000009536743164
] | [
29791,
29792,
29793,
29794,
29790,
29789
] | train |
After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He uses the girls for sexual pleasure. ",
"He instructs them to simulate felatio with each other."
]
] | [
{
"content": "After leaving the hospital the Lieutenant runs into two girls driving illegally, how does he respond to this event?",
"role": "user"
}
] | 29,815 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He shot out his car radio. ",
"He shot the radio."
]
] | [
{
"content": "The Lieutenant bet on a ball game and his team lost, how did he treat his car radio when the news came through?",
"role": "user"
}
] | 29,816 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"the nun insists that she has forgiven her attackers and just wants to move forward. ",
"she says that she has forgiven them and leaves"
]
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"content": "When the Lieutenant encounters the nun who was raped and vows to kill her attackers what is her response?",
"role": "user"
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] | 29,817 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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29790,
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After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to give him the money he makes from selling the drugs in a few days. At an apartment, the Lieutenant gets drunk and engages in a threesome with two women. Meanwhile, a nun is raped inside a church by two young hoodlums.
The next morning, the Lieutenant learns that he has lost a bet on a National League Championship Series game between the New York Mets and the Los Angeles Dodgers. He tries to win back his money by doubling his wager on the Dodgers in the next game. At another crime scene, the Lieutenant rifles through the car and finds some drugs which he stashes in his suit jacket. However, he is too impaired to secure the drugs, and they fall out onto the street in front of his colleagues. The Lieutenant tries to play it off by instructing them to enter the drugs into evidence.
At the hospital, the Lieutenant spies on the nun's examination, and learns that she was penetrated with a crucifix. Later that evening, he pulls over two teenage girls who are using their father's car without his knowledge to go to a club. As they have no driving license, the Lieutenant tells one of the girls to bend over and pull up her skirt, and the other to simulate fellatio while he masturbates. The following day, he listens in on the nun's deposition, where she refuses to identify her assailants.
While drinking in his car, the Lieutenant listens to the final moments of the Dodgers game and shoots out his car stereo when they lose. Despite being unable to pay the $30,000 wager, he doubles his bet for the next game. Eavesdropping on the nun's confession, he hears her state that she has no animosity toward her attackers, and sees the attack as an opportunity for God's grace to be bestowed on them. The Lieutenant drinks in a bar when the Dodgers lose again. After scoring cocaine in a nightclub, he tries to double his bet yet again. His friend refuses to make the wager, insisting that the bookie would kill him.
Continuing his drug use, the Lieutenant picks up his $30,000 share from the drug dealer and calls the bookie personally to place his bet. He then visits a woman (ZoĂŤ Tamerlis Lund) and does heroin with her. At the church, he tells the nun that he will kill her attackers, but she repeats that she has forgiven them and leaves. In the resulting emotional breakdown, the Lieutenant sees the crucified Christ and tearfully curses him before begging forgiveness for his crimes. The figure is revealed to be a woman holding a gold chalice, which turns out to have been pawned at her husband's shop.
The Lieutenant tracks down the two rapists and cuffs them together. He holds them at gunpoint and smokes crack with them as the Mets win the pennant. Instead of booking the two rapists, he takes them to the Port Authority Bus Terminal and puts them on a bus with a cigar box containing the $30,000. He insists that they take the bus and never come back to New York. After he leaves the terminal, he parks on the street in front of Penn Station. Another car drives up beside him, and a voice yells, "Hey, cop!" before two shots ring out. The film closes as bystanders gather around the car, realizing that the Lieutenant has been murdered. | [
[
"He give them his drug money and put them on a bus out of town. ",
"Sends them away by bus."
]
] | [
{
"content": "What does the Lieutenant do to the two rapists once he tracks them down and cuffs them?",
"role": "user"
}
] | 29,818 | [
" After dropping off his two sons at Catholic school, the Lieutenant takes a few bumps of cocaine and drives to the scene of a double murder in The Bronx. Wandering away, the Lieutenant finds a drug dealer and gives him a bag of drugs from a crime scene, smoking crack during the exchange; the dealer promises to giv... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Professional dancer.",
"Nina is a ballerina"
]
] | [
{
"content": "What is Nina Sayers' occupation?",
"role": "user"
}
] | 29,819 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Black Swan.",
"Swan Lake."
]
] | [
{
"content": "What is the name of the season-opening show by the New York ballet company?",
"role": "user"
}
] | 29,820 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Ecstasy.",
"ecstasy"
]
] | [
{
"content": "What does Lily offer to Nina at the restaurant to help her relax?",
"role": "user"
}
] | 29,821 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29822,
29823,
29824,
29820,
29819
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"To masturbate.",
"Thomas told her to go home and masturbate."
]
] | [
{
"content": "What does Thomas tell Nina to do at home in order to give in to the sensuality of the Black Swan?",
"role": "user"
}
] | 29,822 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Lily.",
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"content": "Who had Thomas assigned to take over for Nina as the Swan Queen?",
"role": "user"
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] | 29,823 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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"That she hallucinated the fight with Lily.",
"She stabbed herself."
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"content": "What does Nina realize when she removes a shard of mirror from her body?",
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] | 29,824 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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"content": "What is Nina's mother doing in the crowd during the last scene?",
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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"They have sex together.",
"Have sex"
]
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"content": "What do Nina and Lily do at the apartment after Nina argues with her mother?",
"role": "user"
}
] | 29,826 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"She bites him him when they kiss.",
"she bites Thomas"
]
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{
"content": "How does Nina convince Thomas that she has the ferocity to play the Black Swan?",
"role": "user"
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] | 29,827 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"She has an hallucination.",
"She has a hallucination. "
]
] | [
{
"content": "What happens in the first act of the show to distract Nina?",
"role": "user"
}
] | 29,828 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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"She is a professional ballet dancer.",
"Ballerina "
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{
"content": "What does Nina Sayers do for a living?",
"role": "user"
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] | 29,829 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"New York City. ",
"New York City."
]
] | [
{
"content": "Where does the story take place?",
"role": "user"
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" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Swan Lake. ",
"Swan Lake"
]
] | [
{
"content": "What theater production is the New York Ballet Company preparing for?",
"role": "user"
}
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" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Her overprotective mother, Erica. ",
"Her mother."
]
] | [
{
"content": "Who does Nina live with?",
"role": "user"
}
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Nina Sayers.",
"Nina Sayers(portrayed by Natalie Portman)"
]
] | [
{
"content": "Who auditions for the lead role in the play?",
"role": "user"
}
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" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29819
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Nina auditions for the White Swan elegantly, but is unconvincing as the Black Swan.",
"Flawless "
]
] | [
{
"content": "How does Nina's audition go?",
"role": "user"
}
] | 29,834 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29822,
29823,
29824,
29820,
29819
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"The company's director, Thomas Leroy.",
"Her director, Thomas Leroy(portrayed by Vincent Cassel)"
]
] | [
{
"content": "Who pushes Nina into a darker and more aggressive adaptation of the Black Swan?",
"role": "user"
}
] | 29,835 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Another dancer that Leroy instructs Nina to observe and learn from. ",
"the understudy"
]
] | [
{
"content": "Who is Lily?",
"role": "user"
}
] | 29,836 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Unexplained scratches and blood.",
"scratches and blood"
]
] | [
{
"content": "What keeps mysteriously appearing on Nina's body?",
"role": "user"
}
] | 29,837 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Who will play the part of the Black Swan.",
"lilys plans to play the black swan"
]
] | [
{
"content": "What do Nina and Lily violently struggle over in the dressing room?",
"role": "user"
}
] | 29,838 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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] | [
29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"the previous one was forced to retire",
"The original dancer was forced into retirement."
]
] | [
{
"content": "Why is the dance company looking for a new principal dancer?",
"role": "user"
}
] | 29,839 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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0.9999998211860657,
0.9999998211860657
] | [
29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"in NYC",
"New York "
]
] | [
{
"content": "Where does Erica's daughter live?",
"role": "user"
}
] | 29,840 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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0.9999998211860657,
0.9999998211860657,
0.9999998211860657,
0.9999998211860657,
0.9999998211860657
] | [
29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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"Swan Lake",
"The Black Swan"
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{
"content": "Which piece is the dance company planning to perform?",
"role": "user"
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] | 29,841 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"after Beth's car accident",
"after Beth has an accident"
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{
"content": "When does Nina move into the dressing room that belonged to Beth?",
"role": "user"
}
] | 29,842 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Lily",
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{
"content": "Which dancer is Nina encouraged to study?",
"role": "user"
}
] | 29,843 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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{
"content": "Which of the two swans is Nina struggling to embody?",
"role": "user"
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29822,
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"when Lily was in the dressing room to congratulate her after the performance",
"when lily congratulates her"
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{
"content": "When did Nina realize she did not kill Lily?",
"role": "user"
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] | 29,845 | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
[
"Nina had stabbed herself",
"She stabbed herself."
]
] | [
{
"content": "How was Nina injured prior to the final act on opening night?",
"role": "user"
}
] | 29,846 | [
" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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29821,
29822,
29823,
29824,
29820,
29819
] | train |
Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer after forcing Beth Macintyre (Winona Ryder) into retirement. Thomas wants the same ballerina to portray the innocent, fragile White Swan as well as her mysterious, sensual twin, the Black Swan. Nina auditions for the part, performing flawlessly as the White Swan, but she is not able to emulate the characteristics of the Black Swan. Upset, Nina approaches Thomas and asks him to reconsider her as the lead role. Thomas forcibly kisses Nina, and she displays a change of character and bites him, convincing him that she has the ferocity to play the Black Swan. Nina begins to witness strange happenings, and her mother finds scratches on her back.
An intoxicated Beth angrily confronts Thomas and Nina. Nina is worried that she will befall the same eventual fate as Beth, but stays quiet. Thomas tells Nina she needs to give herself to the sensuality of the Black Swan. He tells her to go home and masturbate, which she does. The next day, Nina finds out that Beth was seriously injured in a car accident, and Thomas tells her it was a suicide attempt. Nina realizes Beth will never dance again, and tearfully unpacks her belongings in Beth's former dressing room.
Thomas tells Nina to watch Lily (Mila Kunis), another dancer in the company, whom he describes as lacking Nina's flawless technique but possessing an uninhibited quality that Nina has not shown. The relationship between Nina and Lily grows tense. During rehearsal, Thomas kisses Nina passionately, but leaves abruptly and tells her she must seduce him with her dancing. Nina finds unexplained scratches and blood on her body. Nina and her mother have an argument, interrupted by Lily's unexpected arrival at their apartment. Lily and Nina go for a night out.
At a restaurant that evening, Lily offers Nina a capsule of ecstasy to help her relax. Initially, Nina turns it down, but later accepts a drink with ecstasy powder in it. Nina returns home late with Lily, fights with her mother, barricades herself in her room, and has sex with Lily until the latter seemingly smothers her with a pillow. The next morning, Nina wakes up alone and late for the dress rehearsal. When she arrives at the studio, she finds Lily dancing the Black Swan. After she confronts her, Lily admits she spent the night with a man she met at the club, and Nina realizes the encounter didn't really happen. Nina's hallucinations become stronger and more graphically sexual and violent.
Nina trashes the apartment and slams her bedroom door on her mother's hands, and has hallucinations of becoming freakishly swanlike. Concerned about Nina's behavior, her mother tries to prevent her from performing on opening night in an effort to keep her daughter safe. An enraged Nina forces her way out of the apartment. Thomas had assigned understudy Lily to take over, but is impressed at Nina's confidence, and lets her play the Swan Queen. The first act goes well, until Nina is distracted by a hallucination during a lift, causing her partner to drop her. Distraught, she returns to her dressing room and finds Lily there. Lily announces her plans to play the Black Swan. Nina shoves her into a mirror, shattering it. Lily, seemingly dead, awakens, and her face changes shape, now a copy of Nina's. The doppelganger starts to strangle Nina, who then grabs a shard of glass and stabs her rival in the abdomen, apparently killing her. The doppelganger's face reverts to that of Lily's. Nina hides the body and returns to the stage.
Sprouting feathers, her arms become black wings as she finally loses herself and is transformed into a black swan. At the end of the act, she receives a standing ovation. Offstage, Thomas and the rest of the cast congratulate her on her stunning performance. Nina takes Thomas by surprise and kisses him. Back in her dressing room before the final act, Nina is congratulated by Lily, revealing that their fight was, again, imaginary. The mirror, however, is still shattered. Nina removes a small shard from her own body and realizes she stabbed herself. Dancing the last scene, in which the White Swan throws herself off a cliff, Nina spots her mother weeping in the audience. As Nina falls backward onto a hidden mattress, the theater erupts in thunderous applause. Thomas and the cast gather to congratulate herâonly to find that she is bleeding profusely. As the white ceiling lights envelop her, she whispers, "I felt it. Perfect. It was perfect." | [
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" Nina Sayers (Natalie Portman), is a professional dancer in a New York ballet company. Nina lives in New York City with her overprotective mother, Erica (Barbara Hershey). The company is preparing to open the season with Swan Lake. The director, Thomas Leroy (Vincent Cassel), is looking for a new principal dancer ... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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] | 29,850 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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] | 29,851 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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] | 29,852 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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] | 29,853 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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"Deserting his sty.",
"deserting its sty"
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] | 29,854 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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] | 29,855 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
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" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"During five o'clock tea.",
"during 5 o'clock tea"
]
] | [
{
"content": "When does the Snark eat breakfast?",
"role": "user"
}
] | 29,857 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"A Boojum.",
"Boojum"
]
] | [
{
"content": "What kind of Snark did the Banker find?",
"role": "user"
}
] | 29,858 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Bellman's Map",
"Bellman's map of the Ocean"
]
] | [
{
"content": "Which map was used to cross the ocean?",
"role": "user"
}
] | 29,859 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Five",
"five"
]
] | [
{
"content": "How many signs of a Snark are there?",
"role": "user"
}
] | 29,860 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Bathing-machine",
"bathing"
]
] | [
{
"content": "What kind of machine does the Snark have a fondness for?",
"role": "user"
}
] | 29,861 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Boojum",
"A Boojum"
]
] | [
{
"content": "What can a Snark turn out to be?",
"role": "user"
}
] | 29,862 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Butcher and Beaver",
"the Butcher and Beaver"
]
] | [
{
"content": "Which two individuals became fast friends?",
"role": "user"
}
] | 29,863 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"forty pound?",
"forty pounds"
]
] | [
{
"content": "How much was the pig's fine?",
"role": "user"
}
] | 29,864 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"bandersnatch?",
"bandersnatch"
]
] | [
{
"content": "During the hunt what is the Banker attacked by?",
"role": "user"
}
] | 29,865 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Banker",
"the Banker"
]
] | [
{
"content": "Which character loses his sanity?",
"role": "user"
}
] | 29,866 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Baker",
"snark"
]
] | [
{
"content": "Which character disappears at the end?",
"role": "user"
}
] | 29,867 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"The Barrister",
"Barrister"
]
] | [
{
"content": "Which character dreams of a court trial?",
"role": "user"
}
] | 29,868 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"Bathing machines",
"\"bathing-machines\""
]
] | [
{
"content": "What does the Snark have a fondness for?",
"role": "user"
}
] | 29,869 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
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29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"five",
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{
"content": "How many signs does a Snark possess?",
"role": "user"
}
] | 29,870 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
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29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"The Bellman",
"Bellman"
]
] | [
{
"content": "Who informs them of the five signs?",
"role": "user"
}
] | 29,871 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"The Baker",
"The Baker"
]
] | [
{
"content": "What person fainted?",
"role": "user"
}
] | 29,872 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
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29853,
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29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"They vanish",
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]
] | [
{
"content": "What happens to the hunter if the Snark turns out to be a Boojurn?",
"role": "user"
}
] | 29,873 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"The beaver",
"Beaver"
]
] | [
{
"content": "Who does the butcher become friends with?",
"role": "user"
}
] | 29,874 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"A bandersnatch",
"bandersnatch"
]
] | [
{
"content": "Who attacks the banker?",
"role": "user"
}
] | 29,875 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"He disappears",
"He disappeared"
]
] | [
{
"content": "What happens to the Banker after he finds a Snark?",
"role": "user"
}
] | 29,876 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"A blank piece of paper",
"a blank sheet of paper"
]
] | [
{
"content": "What is the Bellman's map of the ocean?",
"role": "user"
}
] | 29,877 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
29853,
29854,
29850,
29849
] | train |
After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its "meagre and hollow, but crisp" taste; a habit of rising late and taking breakfast during five o'clock tea; "its slowness in taking a jest"; a "fondness for bathing-machines"; and its ambition. The Bellman warns them that some Snarks are highly dangerous Boojums, causing the Baker to faint. Once revived, the Baker recalls that his uncle warned him that if the Snark turns out to be a Boojum, the hunter will "softly and suddenly vanish away, and never be met with again." The Baker confesses that the notion of this sudden vanishment brings him much distress.
With this in mind, they split up to hunt the Snark: "They sought it with thimbles, they sought it with care; / They pursued it with forks and hope; / They threatened its life with a railway-share; / They charmed it with smiles and soap." Along the way, the Butcher and Beaver, previously mutually wary, become fast friends, after the Butcher teaches it more in ten minutes than it could learn from books in seventy years. The Barrister, meanwhile, dreams of the court trial of a pig accused of deserting its sty, whom the Snark is defending. The Snark, however, finds the pig guilty and sentences it to transportation and a fine of forty pound. His dream concludes with the jailer informing the court that the pig has actually been dead for years, to the judge's disgust.
During the hunt, the Banker finds himself attacked by a bandersnatch, and loses his sanity after trying to bribe the creature. At the conclusion of the poem, the Baker calls out that he has found a snark, but when the others arrive, he has mysteriously disappeared, leading the narrator to explain: "For the Snark was a Boojum, you see." | [
[
"His uncle",
"Bellaman"
]
] | [
{
"content": "Who warned Baker about the Snark being a Boojurn?",
"role": "user"
}
] | 29,878 | [
" After crossing the sea guided by the Bellman's map of the Oceanâa blank sheet of paperâthe hunting party arrive in a strange land, and the Bellman informs them of the five signs of a Snark: its \"meagre and hollow, but crisp\" taste; a habit of rising late and taking breakfast during five o'clock tea; \"its s... | [
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29851,
29852,
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29850,
29849
] | train |
Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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"Karin ",
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"content": "What is the name of Ray's daughter?",
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] | 29,880 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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"content": "What sport was Ray's dad a fan of?",
"role": "user"
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] | 29,881 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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{
"content": "Which deceased baseball player shows up at Ray's field?",
"role": "user"
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] | 29,882 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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{
"content": "Who can't see the players?",
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] | 29,883 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"Archibald \"Moonlight\" Graham",
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]
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{
"content": "Which player played only one game for the Giants?",
"role": "user"
}
] | 29,884 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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29881,
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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] | 29,889 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"Shoeless Joe Jackson",
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{
"content": "What ghost of baseball does Karin spot in the cornfield?",
"role": "user"
}
] | 29,891 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"Terrence Mann",
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{
"content": "Who does the PTA wish to ban?",
"role": "user"
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] | 29,892 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"To play for the Brooklyn Dodgers",
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]
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{
"content": "What was Mann's childhood dream?",
"role": "user"
}
] | 29,893 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"A doctor",
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{
"content": "What did archibald Moonlight Graham become after playing baseball?",
"role": "user"
}
] | 29,894 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"Fenway Park",
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] | [
{
"content": "What famous baseball field does Ray take Terence Mann to?",
"role": "user"
}
] | 29,895 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"sell it",
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{
"content": "What does Mark want Ray to do with the farm?",
"role": "user"
}
] | 29,896 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"Karin",
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{
"content": "Who falls from the bleachers and almost chokes on a hotdog?",
"role": "user"
}
] | 29,897 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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0.9999995827674866,
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0.9999995827674866,
0.9999995827674866
] | [
29881,
29882,
29883,
29884,
29880,
29879
] | train |
Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"Graham",
"Graham "
]
] | [
{
"content": "Who saves Karin from choking?",
"role": "user"
}
] | 29,898 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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0.9999995827674866,
0.9999995827674866,
0.9999995827674866,
0.9999995827674866
] | [
29881,
29882,
29883,
29884,
29880,
29879
] | train |
Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing it before finally seeing a vision of a baseball diamond in his field. Annie is skeptical of that, but she allows him to plow the corn under in order to build a baseball field. As he builds it, he tells Karin the story of the 1919 Black Sox Scandal. As months pass and nothing happens at it, his family faces financial ruin until, one night, Karin spots a uniformed man in it. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, he asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.
Ray's brother-in-law, Mark, can't see the players and warns him that he will go bankrupt unless he replants his corn. While in the field, Ray hears the voice again, this time urging him to "ease his pain."
Ray attends a PTA meeting at which the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers. After Ray and Annie both dream about him and Mann attending a baseball game together at Fenway Park, he convinces her that he should seek out Mann. He heads to Boston and persuades a reluctant, embittered Mann to attend a game with him at Fenway Park. While there, he hears the voice again; this time urging him to "go the distance." At the same time, the scoreboard "shows" statistics for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. After the game, Mann eventually admits that he, too, saw it.
Ray and Mann then travel to Chisholm, Minnesota where they learn that Graham had become a doctor and had died sixteen years earlier. During a late night walk, Ray finds himself back in 1972 and encounters the then-living Graham, who states that he had moved on from his baseball career. He also says that the greater disappointment would have been not having a medical career. He declines Ray's invitation to fulfill his dream; however, during the drive back home, Ray picks up a young hitchhiker who introduces himself as Archie Graham. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. A game is played and Archie finally gets his turn at bat.
The next morning, Mark returns and demands that Ray sell the farm. Karin says that they will not need to because people will pay to watch the ballgames. Mann agrees, saying that "people will come" in order to relive their childhood innocence. Ray, after much thought, refuses and a frustrated Mark scuffles with him, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.
After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.
Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball. | [
[
"His father.",
"His father John. "
]
] | [
{
"content": "Who does Ray have a troubled relationship with?",
"role": "user"
}
] | 29,899 | [
" Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, \"If... | [
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29881,
29882,
29883,
29884,
29880,
29879
] | train |
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