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The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.
The first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complicity in the Appin Murder. David makes a statement to a lawyer and goes on to meet William Grant of Prestongrange, the Lord Advocate of Scotland, to press the case for James' innocence. However, his attempts fail as - after being reunited with Alan Breck - he is once again kidnapped and, this time, confined on the Bass Rock, an island in the Firth of Forth, until the trial is over, and James condemned to death. David also meets and falls in love with Catriona MacGregor Drummond, the daughter of James MacGregor Drummond, known as James More (who was Rob Roy's eldest son), also held in prison, whose escape she engineers. David also receives some education in the manners and morals of polite society from Barbara Grant, Prestongrange's daughter.
In the second part, David and Catriona travel to Holland, where David studies law at the University of Leyden. David takes Catriona under his protection (she having no money) until her father finds them. James More eventually arrives and proves something of a disappointment, drinking a great deal and showing no compunction against living off David's largesse. At this time, David learns of the death of his uncle Ebenezer, and thus gains knowledge that he has come into his full, substantial inheritance. David and Catriona, fast friends at this point, begin a series of misunderstandings that eventually drive her and James More away, though David sends payment to James in return for news of Catriona's welfare. James and Catriona find their way to Dunkirk in northern France. Meanwhile, Alan Breck joins David in Leyden, and he berates David for not understanding women.
It's this way about a man and a woman, ye see, Davie: The weemenfolk have got no kind of reason to them. Either they like the man, and then a' goes fine; or else they just detest him, and ye may spare your breath â ye can do naething. There's just the two sets of them â them that would sell their coats for ye, and them that never look the road ye're on. That's a' that there is to women; and you seem to be such a gomeral that ye cannae tell the tane frae the tither.
Prodded thus, and at an invitation from James More, David and Alan journey to Dunkirk to visit with James and Catriona. They all meet one evening at a remote inn and discover the following day that James has betrayed Alan (falsely convicted of the Appin murder) into the hands of a British warship anchored near the shore. The British attempt to capture Alan, who flees with David and Catriona, now reconciled and shamed by James More's ignominy. The three flee to Paris, where David and Catriona are married. James More dies from an illness, and David and Catriona return to Scotland to raise a family. | [
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The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.
The first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complicity in the Appin Murder. David makes a statement to a lawyer and goes on to meet William Grant of Prestongrange, the Lord Advocate of Scotland, to press the case for James' innocence. However, his attempts fail as - after being reunited with Alan Breck - he is once again kidnapped and, this time, confined on the Bass Rock, an island in the Firth of Forth, until the trial is over, and James condemned to death. David also meets and falls in love with Catriona MacGregor Drummond, the daughter of James MacGregor Drummond, known as James More (who was Rob Roy's eldest son), also held in prison, whose escape she engineers. David also receives some education in the manners and morals of polite society from Barbara Grant, Prestongrange's daughter.
In the second part, David and Catriona travel to Holland, where David studies law at the University of Leyden. David takes Catriona under his protection (she having no money) until her father finds them. James More eventually arrives and proves something of a disappointment, drinking a great deal and showing no compunction against living off David's largesse. At this time, David learns of the death of his uncle Ebenezer, and thus gains knowledge that he has come into his full, substantial inheritance. David and Catriona, fast friends at this point, begin a series of misunderstandings that eventually drive her and James More away, though David sends payment to James in return for news of Catriona's welfare. James and Catriona find their way to Dunkirk in northern France. Meanwhile, Alan Breck joins David in Leyden, and he berates David for not understanding women.
It's this way about a man and a woman, ye see, Davie: The weemenfolk have got no kind of reason to them. Either they like the man, and then a' goes fine; or else they just detest him, and ye may spare your breath â ye can do naething. There's just the two sets of them â them that would sell their coats for ye, and them that never look the road ye're on. That's a' that there is to women; and you seem to be such a gomeral that ye cannae tell the tane frae the tither.
Prodded thus, and at an invitation from James More, David and Alan journey to Dunkirk to visit with James and Catriona. They all meet one evening at a remote inn and discover the following day that James has betrayed Alan (falsely convicted of the Appin murder) into the hands of a British warship anchored near the shore. The British attempt to capture Alan, who flees with David and Catriona, now reconciled and shamed by James More's ignominy. The three flee to Paris, where David and Catriona are married. James More dies from an illness, and David and Catriona return to Scotland to raise a family. | [
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The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.
The first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complicity in the Appin Murder. David makes a statement to a lawyer and goes on to meet William Grant of Prestongrange, the Lord Advocate of Scotland, to press the case for James' innocence. However, his attempts fail as - after being reunited with Alan Breck - he is once again kidnapped and, this time, confined on the Bass Rock, an island in the Firth of Forth, until the trial is over, and James condemned to death. David also meets and falls in love with Catriona MacGregor Drummond, the daughter of James MacGregor Drummond, known as James More (who was Rob Roy's eldest son), also held in prison, whose escape she engineers. David also receives some education in the manners and morals of polite society from Barbara Grant, Prestongrange's daughter.
In the second part, David and Catriona travel to Holland, where David studies law at the University of Leyden. David takes Catriona under his protection (she having no money) until her father finds them. James More eventually arrives and proves something of a disappointment, drinking a great deal and showing no compunction against living off David's largesse. At this time, David learns of the death of his uncle Ebenezer, and thus gains knowledge that he has come into his full, substantial inheritance. David and Catriona, fast friends at this point, begin a series of misunderstandings that eventually drive her and James More away, though David sends payment to James in return for news of Catriona's welfare. James and Catriona find their way to Dunkirk in northern France. Meanwhile, Alan Breck joins David in Leyden, and he berates David for not understanding women.
It's this way about a man and a woman, ye see, Davie: The weemenfolk have got no kind of reason to them. Either they like the man, and then a' goes fine; or else they just detest him, and ye may spare your breath â ye can do naething. There's just the two sets of them â them that would sell their coats for ye, and them that never look the road ye're on. That's a' that there is to women; and you seem to be such a gomeral that ye cannae tell the tane frae the tither.
Prodded thus, and at an invitation from James More, David and Alan journey to Dunkirk to visit with James and Catriona. They all meet one evening at a remote inn and discover the following day that James has betrayed Alan (falsely convicted of the Appin murder) into the hands of a British warship anchored near the shore. The British attempt to capture Alan, who flees with David and Catriona, now reconciled and shamed by James More's ignominy. The three flee to Paris, where David and Catriona are married. James More dies from an illness, and David and Catriona return to Scotland to raise a family. | [
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" The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.\nThe first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complici... | [
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The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.
The first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complicity in the Appin Murder. David makes a statement to a lawyer and goes on to meet William Grant of Prestongrange, the Lord Advocate of Scotland, to press the case for James' innocence. However, his attempts fail as - after being reunited with Alan Breck - he is once again kidnapped and, this time, confined on the Bass Rock, an island in the Firth of Forth, until the trial is over, and James condemned to death. David also meets and falls in love with Catriona MacGregor Drummond, the daughter of James MacGregor Drummond, known as James More (who was Rob Roy's eldest son), also held in prison, whose escape she engineers. David also receives some education in the manners and morals of polite society from Barbara Grant, Prestongrange's daughter.
In the second part, David and Catriona travel to Holland, where David studies law at the University of Leyden. David takes Catriona under his protection (she having no money) until her father finds them. James More eventually arrives and proves something of a disappointment, drinking a great deal and showing no compunction against living off David's largesse. At this time, David learns of the death of his uncle Ebenezer, and thus gains knowledge that he has come into his full, substantial inheritance. David and Catriona, fast friends at this point, begin a series of misunderstandings that eventually drive her and James More away, though David sends payment to James in return for news of Catriona's welfare. James and Catriona find their way to Dunkirk in northern France. Meanwhile, Alan Breck joins David in Leyden, and he berates David for not understanding women.
It's this way about a man and a woman, ye see, Davie: The weemenfolk have got no kind of reason to them. Either they like the man, and then a' goes fine; or else they just detest him, and ye may spare your breath â ye can do naething. There's just the two sets of them â them that would sell their coats for ye, and them that never look the road ye're on. That's a' that there is to women; and you seem to be such a gomeral that ye cannae tell the tane frae the tither.
Prodded thus, and at an invitation from James More, David and Alan journey to Dunkirk to visit with James and Catriona. They all meet one evening at a remote inn and discover the following day that James has betrayed Alan (falsely convicted of the Appin murder) into the hands of a British warship anchored near the shore. The British attempt to capture Alan, who flees with David and Catriona, now reconciled and shamed by James More's ignominy. The three flee to Paris, where David and Catriona are married. James More dies from an illness, and David and Catriona return to Scotland to raise a family. | [
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" The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.\nThe first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complici... | [
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The book begins precisely where Kidnapped ends, at 2 PM on 25 August 1751, outside the British Linen Company in Edinburgh, Scotland.
The first part of the book recounts the attempts of the hero, David Balfour, to gain justice for James Stewart (James of the Glens), who has been arrested and charged with complicity in the Appin Murder. David makes a statement to a lawyer and goes on to meet William Grant of Prestongrange, the Lord Advocate of Scotland, to press the case for James' innocence. However, his attempts fail as - after being reunited with Alan Breck - he is once again kidnapped and, this time, confined on the Bass Rock, an island in the Firth of Forth, until the trial is over, and James condemned to death. David also meets and falls in love with Catriona MacGregor Drummond, the daughter of James MacGregor Drummond, known as James More (who was Rob Roy's eldest son), also held in prison, whose escape she engineers. David also receives some education in the manners and morals of polite society from Barbara Grant, Prestongrange's daughter.
In the second part, David and Catriona travel to Holland, where David studies law at the University of Leyden. David takes Catriona under his protection (she having no money) until her father finds them. James More eventually arrives and proves something of a disappointment, drinking a great deal and showing no compunction against living off David's largesse. At this time, David learns of the death of his uncle Ebenezer, and thus gains knowledge that he has come into his full, substantial inheritance. David and Catriona, fast friends at this point, begin a series of misunderstandings that eventually drive her and James More away, though David sends payment to James in return for news of Catriona's welfare. James and Catriona find their way to Dunkirk in northern France. Meanwhile, Alan Breck joins David in Leyden, and he berates David for not understanding women.
It's this way about a man and a woman, ye see, Davie: The weemenfolk have got no kind of reason to them. Either they like the man, and then a' goes fine; or else they just detest him, and ye may spare your breath â ye can do naething. There's just the two sets of them â them that would sell their coats for ye, and them that never look the road ye're on. That's a' that there is to women; and you seem to be such a gomeral that ye cannae tell the tane frae the tither.
Prodded thus, and at an invitation from James More, David and Alan journey to Dunkirk to visit with James and Catriona. They all meet one evening at a remote inn and discover the following day that James has betrayed Alan (falsely convicted of the Appin murder) into the hands of a British warship anchored near the shore. The British attempt to capture Alan, who flees with David and Catriona, now reconciled and shamed by James More's ignominy. The three flee to Paris, where David and Catriona are married. James More dies from an illness, and David and Catriona return to Scotland to raise a family. | [
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
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" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
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" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"A land populated by ghosts",
"ghostland"
]
] | [
{
"content": "What do Ross, Ashe, and McNeil learn from the natives is located southeast of their Beaker trading post?",
"role": "user"
}
] | 27,907 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The Soviet base",
"base"
]
] | [
{
"content": "What does Ross find far inside the ghostland before he is captured?",
"role": "user"
}
] | 27,908 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The base's transporter plate",
"A transporter plate."
]
] | [
{
"content": "When trying to escape from the Reds after his initial capture, what does Ross step onto?",
"role": "user"
}
] | 27,909 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"He falls into a tub full of transparent-red gel",
"He falls through a panel and is in transparent red gel"
]
] | [
{
"content": "What happens when Ross enters the globe he found half buried in the ice?",
"role": "user"
}
] | 27,910 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"His Beakerman clothing",
"wounds"
]
] | [
{
"content": "What is gone after Ross regains consciousness after his fall into the tub of transparent-red gel?",
"role": "user"
}
] | 27,911 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The ship's communication system",
"communication devices"
]
] | [
{
"content": "While exploring some kind of ship, what does Ross activate before being recaptured by the Reds?",
"role": "user"
}
] | 27,912 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Some recording tapes",
"Recording tapes."
]
] | [
{
"content": "What do Ross, Ashe, and McNeil steal while escaping to the time transported after being reunited?",
"role": "user"
}
] | 27,913 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The alien skinsuit",
"Alien skinsuit"
]
] | [
{
"content": "What is left on the beach to keep the Baldies from being able to trace the Americans to their base?",
"role": "user"
}
] | 27,914 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
27905
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Face a new medical procedure called Rehabilitation or enroll in a secret government program.",
"He can face a medical procedure called Rehabiitation or join a secret government project."
]
] | [
{
"content": "What is the choice Ross Murdock has on being captured?",
"role": "user"
}
] | 27,915 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27909,
27910,
27906,
27905
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"To join Operation Retrograde.",
"to be a part of the action"
]
] | [
{
"content": "What does Ross choose?",
"role": "user"
}
] | 27,916 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"To southern Britain in 2000 B.C.E.",
"To a base in the North Pole."
]
] | [
{
"content": "Where is Ross sent to as part of Operation Retrograde?",
"role": "user"
}
] | 27,917 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"That there is an island of ghosts southeast of their location.",
"That their outpost was bombed."
]
] | [
{
"content": "What do Ross, she and McNeil discover at the Beaker Trading Post?",
"role": "user"
}
] | 27,918 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687
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27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"He is transferred to a Soviet base further back in time.",
"hes escapes back to the Bronze-Age"
]
] | [
{
"content": "What happens to Ross when he escapes the Soviet base?",
"role": "user"
}
] | 27,919 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"A transparrent red gel that heals his wounds aboard an alien ship.",
"Transporter plate"
]
] | [
{
"content": "What does Ross discover aftter being sentenced to death by the Reds?",
"role": "user"
}
] | 27,920 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
1.0000003576278687
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27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"A series of explosions.",
"an explosion"
]
] | [
{
"content": "What interrupts the Reds interrogation of Ross at their base?",
"role": "user"
}
] | 27,921 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Some recording tapes.",
"Recording tapes"
]
] | [
{
"content": "What do Ross, Ashe and McNeil steal as they leave the Reds base?",
"role": "user"
}
] | 27,922 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The Baldies.",
"Baldies"
]
] | [
{
"content": "Who is chasing after Ross when he is again separated from Ashe and McNeil?",
"role": "user"
}
] | 27,923 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Locations of other alien spaceships that landed on Earth.",
"The locations of abandoned alien spaceships."
]
] | [
{
"content": "What is found on the recording tapes Ross steals?",
"role": "user"
}
] | 27,924 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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1.0000003576278687,
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Baldies.",
"Two of the baldies"
]
] | [
{
"content": "Who tries to capture Ross with telepathic hypnosis?",
"role": "user"
}
] | 27,925 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"A Beaker trading post.",
"Beaker trading post"
]
] | [
{
"content": "What were Ross, Ashe, and Mcneil bulding?",
"role": "user"
}
] | 27,926 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"A Soviet base back in time.",
"A soviet base"
]
] | [
{
"content": "Where is Ross transferred to after he steps on the transporter plate?",
"role": "user"
}
] | 27,927 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27908,
27909,
27910,
27906,
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Recording tapes.",
"tapes"
]
] | [
{
"content": "What did Ross, Ashe and Mcneil steal as they are escaping to the time transporter?",
"role": "user"
}
] | 27,928 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"When he is captured by the warriors from a barbarian tribe.",
"When captured by warriors"
]
] | [
{
"content": "When does Ross realize that the Baldies are after him?",
"role": "user"
}
] | 27,929 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27908,
27909,
27910,
27906,
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The Baltic Sea.",
"The Baltic Sea."
]
] | [
{
"content": "Which sea were Ross, Ashe and Mcneil near as they built the trading post?",
"role": "user"
}
] | 27,930 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"Some are abandoned on Earth.",
"There are more alien spaceships on Earth."
]
] | [
{
"content": "What do the stolen recording tapes say about alien spaceships?",
"role": "user"
}
] | 27,931 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
27905
] | train |
The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The Reds.",
"Red's"
]
] | [
{
"content": "Who captures Ross in the ghostland?",
"role": "user"
}
] | 27,932 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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27907,
27908,
27909,
27910,
27906,
27905
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The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kelgarries to a base built under the ice near the North Pole. Teamed with archaeologist Gordon Ashe, he is trained to mimic a trader of the Beaker culture of Bronze-Age Europe.
Sent back to southern Britain around 2000 B.C.E., Ross and Ashe (as Rossa and Assha) find that their outpost has been bombed, destroyed by the wrath of Lurgha, the local storm god, according to two of the natives. Discovering the direction whence the bomber came and other clues pointing to the general area occupied by the Soviet base, Ross, Ashe, and McNeil, the lone survivor of the bombing, go to that area.
Somewhere near the Baltic Sea, Ross, Ashe, and McNeil begin building a Beaker trading post and learn from the locals that to their southeast lies a land populated by ghosts, a land whither no man of good sense would go. Ross gets separated from Ashe and McNeil in a night attack and must go into the taboo area alone in an effort to find them. Far inside the ghostland he finds the Soviet base and is captured by the Reds.
In an effort to escape Ross steps onto the base’s transporter plate and is transferred to a Soviet base even further back in time. The Reds recapture him and take him outside the base, abandoning him on a glacier to freeze to death. He climbs out of the crevice into which he was shoved and follows the trail leading away from the Soviet base, coming to a giant globe half buried in the ice. Half dead from the abuse he has received, he enters the globe and then falls through a panel and into a tub full of transparent-red gel.
When he regains consciousness Ross discovers that all of his wounds are healed, he is no longer hungry or thirsty, and his Beakerman clothing is gone. A mechanism offers him a skin-tight suit made of an iridescent dark-blue fabric that covers all but his head and his hands. He explores what is clearly some kind of ship and is recaptured by the Reds, but not before he activates the ship’s communication system and comes face to face with a hostile-looking humanoid with a large bald head.
The Reds’ interrogation of Ross is interrupted by explosions that rock the base. Ross is reunited with Ashe and McNeil and the three men escape to the time transporter, pausing only to steal some recording tapes. Back in the Soviet Bronze-Age base, the men leave the time-travel building and escape from the village just as the alien Baldies attack. The men then make their way to the river that will take them to the Baltic Sea to be picked up by their submarine.
Ross is again separated from Ashe and McNeil when he falls off their hastily built and uncontrollable raft. He discovers that the Baldies are hunting him when he is captured by warriors from a barbarian tribe. Again he escapes and continues down the river, reaching the sea and the camp occupied by Ashe and/or McNeil only hours after the sub took them away. Two of the Baldies attempt to capture him with telepathic hypnosis, but they flee when Kelgarries and his men arrive. Leaving the alien skinsuit on the beach, so that the Baldies can’t trace the Americans to their base, the men take Ross to the sub and home. There Ashe tells him that the tapes he stole indicate other alien spaceships abandoned on Earth, at least three of them in the Americas. Operation Retrograde is about to become much more interesting and Ross still wants to be part of the action.
The 2000 version: Norton modified the 1958 version by making three changes in the text;
1. She reset the story in the first quarter of the Twenty-First Century instead of in the last quarter of the Twentieth, shifting the action futureward by a full generation.
2. The Reds have become the Russians and Greater Russia has replaced the Soviet Union.
3. Space travel has not gone beyond the first lunar landings instead of having not gotten beyond the first attempts to put satellites into orbit. Instead of being ridiculed as impossible, space travel is publicly ridiculed as infeasible. | [
[
"The Americas.",
"Three of them are on Earth, in the Americas."
]
] | [
{
"content": "Which area do the stolen tapes show alien ships are located?",
"role": "user"
}
] | 27,933 | [
" The 1958 version: At the end of the Twentieth Century petty crook Ross Murdock is given the choice of facing a new medical procedure called Rehabilitation or volunteering to join a secret government project. Hoping for a chance to escape, Ross volunteers to join Operation Retrograde and is taken by Major John Kel... | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improvedâamong them Kitty Bennet and Tom Bertramâwhile George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from Pride and Prejudice, some critics treat Old Friends and New Fancies primarily as a sequel to that particular book. Mansfield Park is the next best represented novel in terms of major characters.
The chief protagonists of Old Friends and New Fancies are three young women, all unmarried at the outset: Georgiana Darcy and Kitty Bennet (Pride and Prejudice) and Mary Crawford (Mansfield Park). The novel begins some six months after the marriage of Elizabeth Bennet and Fitzwilliam Darcy; Darcy's sister Georgiana and cousin Colonel Fitzwilliam have gotten engaged but are not very happy together, and they soon break it off. Col. Fitzwilliam goes to visit Lady Catherine de Bourgh in Bath with the Darcys, where he meets and falls in love with Mary Crawford. Robert and Lucy (Steele) Ferrars have been cultivating Lady Catherine, and Lucy is hoping that Col. Fitzwilliam will marry her sister Anne. The Ferrars take the opportunity to slander Mary to Lady Catherine, resulting in her banishment from Lady Catherine's circle. Lonely and defiant, Mary begins spending time with an admiring Sir Walter Elliott, leading to a rumor that they are about to marry. Hearing this and feeling that his comparative poverty and lack of title make him a poor match for Mary, Col. Fitzwilliam removes himself from the scene, going to Ireland for a time. They are only reconciled after Col. Fitzwilliam is badly injured in a fall from his horse while hunting.
Meanwhile, Kitty Bennet has gone to London as a protegĂŠ of Emma (Woodhouse) Knightley. Although less flighty than formerly, she falls madly in love with William Price, a friend of the Knightleys and a naval officer who is the younger brother of Fanny (Price) Bertram of Mansfield Park. Georgiana visits Kitty in London, where she is introduced to William at a ball given by the Knightleys. Kitty later goes to stay with Elizabeth and Georgiana at Pemberley, and they try unsuccessfully to rein in her expectation of receiving a proposal of marriage from William. The Darcys give a ball at which William, instead of proposing to Kitty, declares his love to Georgiana. Georgiana, out of consideration for Kitty's feelings and confusion about her own, initially rebuffs William, but eventually the two become engaged, while a sobered Kitty pairs up with clergyman James Morland, whom Darcy has installed in a local parish. The latter denouement was hinted at by Austen herself in her letters, where she mentions that she can imagine Kitty married to a Derbyshire clergyman. Almost as an afterthought, Brinton also pairs up Tom Bertram and Isabella Thorpe, completing a sequence in which all of Brinton's characters destined for matrimony become engaged to someone from a different Jane Austen novel. | [
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"content": "Where does Kitty meet William?",
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" Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all si... | [
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Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
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" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
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"content": "Who kills Caesar?",
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" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
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] | 27,965 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
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"Johnnie",
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{
"content": "Who kills Shelly?",
"role": "user"
}
] | 27,966 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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27967,
27968,
27964,
27963
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Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
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"$2 Million",
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{
"content": "How much money did Shelly take?",
"role": "user"
}
] | 27,967 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
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] | [
27965,
27966,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"In the sink",
"Down her sink"
]
] | [
{
"content": "Where does Violet say her earring is?",
"role": "user"
}
] | 27,968 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Money laundering",
"money laundering"
]
] | [
{
"content": "What does Caesar do for the mafia?",
"role": "user"
}
] | 27,969 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Gino",
"Gino"
]
] | [
{
"content": "Who is Johnnie's father?",
"role": "user"
}
] | 27,970 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"To remove the blood",
"To remove the blood"
]
] | [
{
"content": "Why does Caesar wash, dry, and iron the money?",
"role": "user"
}
] | 27,971 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"5 years",
"Five years"
]
] | [
{
"content": "How long were Caesar and Violet together?",
"role": "user"
}
] | 27,972 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313,
0.9999996423721313,
0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"5 years.",
"5 years"
]
] | [
{
"content": "How long was Corky in prison for?",
"role": "user"
}
] | 27,973 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"He was stealing money from the Mafia.",
"For skimming money from the Mafia"
]
] | [
{
"content": "Why was Shleey beaten up?",
"role": "user"
}
] | 27,974 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Johnnie got blood all over the money.",
"Because he killed Shelly and got the money covered in blood."
]
] | [
{
"content": "Why was Caesar angry at Johnnie?",
"role": "user"
}
] | 27,975 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"He though Violet and Johnnie stole the money.",
"she is threatening to leave"
]
] | [
{
"content": "Why did Caesar pull a gun on Violet?",
"role": "user"
}
] | 27,976 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
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27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Gino, Johnnie and Roy.",
"Gino and Johnnie"
]
] | [
{
"content": "Who does Caesar kill?",
"role": "user"
}
] | 27,977 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Caesar finds out they stole the money.",
"So that Caesar can torture them to find the missing money"
]
] | [
{
"content": "Why are Corky and Violet tied up?",
"role": "user"
}
] | 27,978 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Caesar",
"Caesar"
]
] | [
{
"content": "Who does Violet shoot?",
"role": "user"
}
] | 27,979 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Corky",
"Corky"
]
] | [
{
"content": "Who does Violet drive off with?",
"role": "user"
}
] | 27,980 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"5 years",
"Five years"
]
] | [
{
"content": "How long was Corky in jail?",
"role": "user"
}
] | 27,981 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Almost 2 million",
"2 million dollars"
]
] | [
{
"content": "How much money did Shelly take?",
"role": "user"
}
] | 27,982 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"He wash, irons and hangs the money to dry",
"Washes and dries it"
]
] | [
{
"content": "What does Ceaser do with the money after Johnnie kills Shelly?",
"role": "user"
}
] | 27,983 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313,
0.9999996423721313,
0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Bring him a drink",
"Violet will give him a drink"
]
] | [
{
"content": "When Ceaser finishes counting the money what will Violet do before he showers?",
"role": "user"
}
] | 27,984 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"scotch",
"Scotch"
]
] | [
{
"content": "What kind of alcohol will violet drop on the ground?",
"role": "user"
}
] | 27,985 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Johnnie",
"Johnnie"
]
] | [
{
"content": "According to the plan who will Ceaser think took the money?",
"role": "user"
}
] | 27,986 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Corkey and Voilet",
"Corky and Violet"
]
] | [
{
"content": "Who does Ceaser tie up?",
"role": "user"
}
] | 27,987 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Mickey",
"Mickey"
]
] | [
{
"content": "Who does violet call once she escapes?",
"role": "user"
}
] | 27,988 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Violet flirts with Corky and asks her to help retrieve an earring that has fallen down her sink. After Corky extracts the earring, Violet admits she lost it on purpose in order to get closer to Corky, and starts to seduce her. They are interrupted by the arrival of Caesar and Corky goes back to work. When she leaves for the day, Violet follows her to her truck. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the Mafia and they have been together for five years.
Later, Violet overhears Caesar and his Mafia associates beating and torturing Shelly (Barry Kivel), a man who has been skimming money from the business. Upset by the violence and cruelty, Violet seeks solace from Corky. She tells Corky that she wants to make a new life for herself, but that she needs her help. Knowing that Caesar will find the nearly $2 million Shelly took and count it in their apartment, the two women hatch a scheme to steal the money. Corky, already wary of Violet's intentions, is unsure whether to trust her.
Shelly is shot and killed by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzzone (Richard C. Sarafian), and Caesar returns to the apartment with a bag of bloody money. Angry at Johnnie for killing Shelly in a fit of rage and splattering blood everywhere, Caesar proceeds to wash, iron and hang the money to dry.
Violet explains to Corky that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him before he showers. Corky will be next-door, waiting until she hears Caesar turn on the shower. When he does, Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to buy more. As she leaves the apartment, she will let Corky in, who will steal the money from a briefcase and leave. Violet will then return with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Suspicious, Caesar will check the briefcase, find the money gone, and assume Johnnie has taken it. Corky and Violet think Caesar will be forced to skip town because Gino will assume he has been robbed by Caesar, not his son.
Everything goes as planned until Caesar finds the money gone. He realizes that if he runs, Gino will think he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie have stolen the money and framed him.
Corky waits next-door with the money while Gino and Johnnie arrive. After watching Johnnie flirt with Violet and taunt him, Caesar pulls out a gun and tells Gino that his son stole the money. In an angry panic, he kills both Gino and Johnnie, and Gino's bodyguard Roy. He tells Violet that they have to find the money, dispose of the bodies, and pretend Gino and Johnnie never arrived, lest their Mafia pals find the money or men missing. Unable to find the money at Johnnie's apartment, Caesar telephones Mickey (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive.
After discovering Corky and Violet stole the money, Caesar ties them up, gags them, threatens to torture them, and demands to know where it is. When Mickey arrives to see what is going on, Caesar, panicked, makes a deal with Violet to help him stall. As he prepares to kill Mickey, Violet calls the landline from Johnnie's cell phone and quickly convinces Caesar to pretend that he's on the phone with Gino, who's calling from a hospital to explain that he and Johnnie were in a car accident. Mickey is convinced and leaves for the hospital. Corky tells Caesar where she has hidden the money, and he goes next-door to find it. Violet escapes and makes a phone call to Mickey, telling him that Caesar stole the money and forced her to keep quiet. In the meantime, Corky tries to stop Caesar from taking the money, but he beats her to the ground. Just as he is about to kill her, Violet arrives and pulls a gun on Caesar, telling him that Mickey is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, to which she replies, "Caesar, you don't know shit", before killing him.
Later, Mickey, who believes Violet's story, tells her that he will find Caesar, and that there is no need to involve the police. Mickey wants Violet to be his girlfriend, but she tells him that she needs a clean breakâwhich she makes by driving off hand-in-hand with Corky. | [
[
"Because Mickey believes Violet's story and says he will find ceaser",
"Caesar and the money are still missing"
]
] | [
{
"content": "In the end why are the police not involved?",
"role": "user"
}
] | 27,989 | [
" Corky (Gina Gershon), an ex-con who has just finished a five-year jail sentence, arrives at an apartment building to start work as a painter and plumber. On her way up to the apartment, she encounters the couple who live next-door, Violet (Jennifer Tilly) and Caesar (Joe Pantoliano). After Caesar has gone out, Vi... | [
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0.9999996423721313,
0.9999996423721313,
0.9999996423721313
] | [
27965,
27966,
27967,
27968,
27964,
27963
] | train |
In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"A village in Holland.",
"Holland. "
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" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
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"The Burgomaster's daughter.",
"The Burgomaster's daughter."
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{
"content": "Who is Gretchen?",
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" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"The Governor of Zeeland.",
"Governor of Zealand "
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" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"Captain Doris Van Damm.",
"Captian Doris "
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"content": "Who does Gretchen really want to marry?",
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" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"Because her father learns about the plot to marry her to the Captain and locks her away.",
"So she can't elope "
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"content": "Why is Gretchen locked in the windmill?",
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" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"Tina, Con, and Kid.",
"Tina, Con, and Kid."
]
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{
"content": "Who finally helps Gretchen escape?",
"role": "user"
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" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"Bertha.",
"Bertha"
]
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{
"content": "Who is the Governor tricked into marrying?",
"role": "user"
}
] | 27,996 | [
" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
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"Sherlock Holmes and Watson.",
"Sherlock Holmes and Watson."
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{
"content": "Who do Con and Kid pretend to be during the wedding festivities?",
"role": "user"
}
] | 27,997 | [
" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"Because it is revealed that the Captain is heir to a fortune. ",
"Because he is heir to a large fortune"
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{
"content": "Why does Gretchen's father finally accept her marriage to the Captain?",
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}
] | 27,998 | [
" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work and have some fun ("By the Side of the Mill"). Overhearing the models complaining, Tina points out that at least the girls have boyfriends. Prompted by this statement Flora discloses that she longs for her painter to say that he loves her, and will one day, marry her ("Loved But Me"). Con and Kid try to sneak out of the inn without paying their bill, but they are discovered and sent to jail. The Innkeeper takes pity on them, however, and arranges for them to work at the inn to pay off their debt.
The Burgomaster's daughter, Gretchen, loves Captain Doris van Damm. Her father, however, wishes her to marry the Governor of Zeeland. Con and Kid agree to help Gretchen and the Captain to elope. Willem tells the Burgomaster about this plot, and he locks Gretchen in the windmill. The Americans try to rescue her, but the Burgomaster has made all arrangements for the marriage between his daughter to the governor. Plotting with Tina, the two Americans finally help Gretchen to escape and then they appear at the wedding festivities (which are missing the bride) disguised as Sherlock Holmes and Watson to "help" Burgomaster find his daughter. Bertha replaces Gretchen as the bride, marries the Governor (her childhood sweetheart), and her identity is then revealed. It turns out, luckily, that Captain Van Damm is heir to a large fortune. The fathers' resistance falls away, and the lovers are united. The Americans return home to New York ("New York"). | [
[
"New York.",
"New York"
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{
"content": "What city do Con and Kid live in the United States?",
"role": "user"
}
] | 27,999 | [
" In a village in Holland, two American vaudevillians, Con and Kid, who have been travelling in Europe but itch to get back to New York, are stranded penniless in the little inn. As painters and their models sing about the troubles of being a poor artist, the models try to convince the painters to quit their work a... | [
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