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The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other featured characters are Long, a socialist, and Paddy, a particularly drunken Irishman.
Scene 2 takes place on the deck, where Mildred Douglas (the rich girl) and her aunt are talking. They are almost constantly arguing.
Scene 3 takes place in the stokehold. Yank and the other firemen take pride in their work. When Mildred comes to visit the stokehold, Mildred hears Yank cursing. When he turns around and she sees him, she is so shocked by him she calls Yank a filthy beast and faints.
Scene 4 also takes place on the ship. Yank is very depressed and the other men try to understand why.
In scene 5, Yank and Long go to 5th Avenue in New York. Yank argues with Long about how best to attack the upper class. Long leaves, fearing arrest, and Yank is arrested after attacking a Gentleman.
Scene 6 takes place at the prison at Blackwellâs Island. Yank tells the prisoners his story and one of the prisoners gives him an article about the Industrial Workers of the World. Yank tries to escape.
Scene 7 takes place at the IWW office that Yank goes to after his month in jail. They are happy to have him at first because there are not many ship firemen in the union â but he is thrown out after he says that he wants to blow up things, and they think he is a spy.
Scene 8 takes place at the zoo, when Yank is crushed after trying to talk to an ape and releasing it from its cage. | [
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" The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other feature... | [
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The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other featured characters are Long, a socialist, and Paddy, a particularly drunken Irishman.
Scene 2 takes place on the deck, where Mildred Douglas (the rich girl) and her aunt are talking. They are almost constantly arguing.
Scene 3 takes place in the stokehold. Yank and the other firemen take pride in their work. When Mildred comes to visit the stokehold, Mildred hears Yank cursing. When he turns around and she sees him, she is so shocked by him she calls Yank a filthy beast and faints.
Scene 4 also takes place on the ship. Yank is very depressed and the other men try to understand why.
In scene 5, Yank and Long go to 5th Avenue in New York. Yank argues with Long about how best to attack the upper class. Long leaves, fearing arrest, and Yank is arrested after attacking a Gentleman.
Scene 6 takes place at the prison at Blackwellâs Island. Yank tells the prisoners his story and one of the prisoners gives him an article about the Industrial Workers of the World. Yank tries to escape.
Scene 7 takes place at the IWW office that Yank goes to after his month in jail. They are happy to have him at first because there are not many ship firemen in the union â but he is thrown out after he says that he wants to blow up things, and they think he is a spy.
Scene 8 takes place at the zoo, when Yank is crushed after trying to talk to an ape and releasing it from its cage. | [
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" The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other feature... | [
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The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other featured characters are Long, a socialist, and Paddy, a particularly drunken Irishman.
Scene 2 takes place on the deck, where Mildred Douglas (the rich girl) and her aunt are talking. They are almost constantly arguing.
Scene 3 takes place in the stokehold. Yank and the other firemen take pride in their work. When Mildred comes to visit the stokehold, Mildred hears Yank cursing. When he turns around and she sees him, she is so shocked by him she calls Yank a filthy beast and faints.
Scene 4 also takes place on the ship. Yank is very depressed and the other men try to understand why.
In scene 5, Yank and Long go to 5th Avenue in New York. Yank argues with Long about how best to attack the upper class. Long leaves, fearing arrest, and Yank is arrested after attacking a Gentleman.
Scene 6 takes place at the prison at Blackwellâs Island. Yank tells the prisoners his story and one of the prisoners gives him an article about the Industrial Workers of the World. Yank tries to escape.
Scene 7 takes place at the IWW office that Yank goes to after his month in jail. They are happy to have him at first because there are not many ship firemen in the union â but he is thrown out after he says that he wants to blow up things, and they think he is a spy.
Scene 8 takes place at the zoo, when Yank is crushed after trying to talk to an ape and releasing it from its cage. | [
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" The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other feature... | [
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The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other featured characters are Long, a socialist, and Paddy, a particularly drunken Irishman.
Scene 2 takes place on the deck, where Mildred Douglas (the rich girl) and her aunt are talking. They are almost constantly arguing.
Scene 3 takes place in the stokehold. Yank and the other firemen take pride in their work. When Mildred comes to visit the stokehold, Mildred hears Yank cursing. When he turns around and she sees him, she is so shocked by him she calls Yank a filthy beast and faints.
Scene 4 also takes place on the ship. Yank is very depressed and the other men try to understand why.
In scene 5, Yank and Long go to 5th Avenue in New York. Yank argues with Long about how best to attack the upper class. Long leaves, fearing arrest, and Yank is arrested after attacking a Gentleman.
Scene 6 takes place at the prison at Blackwellâs Island. Yank tells the prisoners his story and one of the prisoners gives him an article about the Industrial Workers of the World. Yank tries to escape.
Scene 7 takes place at the IWW office that Yank goes to after his month in jail. They are happy to have him at first because there are not many ship firemen in the union â but he is thrown out after he says that he wants to blow up things, and they think he is a spy.
Scene 8 takes place at the zoo, when Yank is crushed after trying to talk to an ape and releasing it from its cage. | [
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" The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other feature... | [
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The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other featured characters are Long, a socialist, and Paddy, a particularly drunken Irishman.
Scene 2 takes place on the deck, where Mildred Douglas (the rich girl) and her aunt are talking. They are almost constantly arguing.
Scene 3 takes place in the stokehold. Yank and the other firemen take pride in their work. When Mildred comes to visit the stokehold, Mildred hears Yank cursing. When he turns around and she sees him, she is so shocked by him she calls Yank a filthy beast and faints.
Scene 4 also takes place on the ship. Yank is very depressed and the other men try to understand why.
In scene 5, Yank and Long go to 5th Avenue in New York. Yank argues with Long about how best to attack the upper class. Long leaves, fearing arrest, and Yank is arrested after attacking a Gentleman.
Scene 6 takes place at the prison at Blackwellâs Island. Yank tells the prisoners his story and one of the prisoners gives him an article about the Industrial Workers of the World. Yank tries to escape.
Scene 7 takes place at the IWW office that Yank goes to after his month in jail. They are happy to have him at first because there are not many ship firemen in the union â but he is thrown out after he says that he wants to blow up things, and they think he is a spy.
Scene 8 takes place at the zoo, when Yank is crushed after trying to talk to an ape and releasing it from its cage. | [
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" The play is divided into 8 scenes. Scene 1 takes place in the fireman's forecastle of a cruise ship, where they sleep. Their racks resemble the bars of a cage. They are sailing from New York, where Yank and the other firemen are talking and singing drunkenly. Yank is shown to be a leader among them. Other feature... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"content": "What kind of home was Lang hold up in?",
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
[
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"content": "Who was the Lang's former aide?",
"role": "user"
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] | 27,315 | [
" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"War crimes. ",
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"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"Lang's former foreign secretary. ",
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"A leaked memo that showed he approved the capture and containment of UK citizens to Guantanamo Bay."
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"role": "user"
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
[
"Lang's true allegiance.",
"Lang's true allegiances. "
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"content": "What does the narrator feel obligated to reveal?",
"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
[
"In Martha's Vineyard in Massachusetts. ",
"Martha's Vineyard."
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{
"content": "Where does most of the story take place?",
"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
[
"Because he believes that he's stumbled across a lethal secret regarding Lang's political career.",
"He finds possible evidence of a murder."
]
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"content": "Why does the narrator begin to fear for his safety?",
"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
[
"Rycart is a character that strives to be ethical.",
"Ethical and disillusioned"
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"content": "What kind of moral character does Richard Rycart embody?",
"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"content": "What do Lang's enemies accuse him of?",
"role": "user"
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"content": "What information is on the leaked memorandum?",
"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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{
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.
Lang's former aide, Mike McAra, has been struggling to ghost the former politician's memoirs. But, as the novel opens, McAra drowns when he apparently falls off the Woods Hole ferry. The fictional narrator of The Ghost, whose name is never revealed, is hired to replace him. His girlfriend walks out on him over his willingness to take the job: "She felt personally betrayed by him; she used to be a party member." He soon suspects foul play and stumbles across evidence of possible motive, buried in Lang's Cambridge past. Having located what may be the lethal secret, the replacement ghostwriter begins to fear for his own safety.
Meanwhile Lang, like his real-life counterpart, has been accused by his enemies of war crimes. A leaked memorandum has revealed that he secretly approved the capture and extraordinary rendition of UK citizens to Guantanamo Bay to face interrogation and torture. Richard Rycart, Lang's disillusioned and renegade former foreign secretary (loosely based on Robin Cook), who before and during his early days in office made much of his wish to adopt an "ethical" foreign policy, is now at the UN, in a position to do his former boss serious damage. Unlike Blair, Lang thus appears in imminent threat of indictment at the International Criminal Court.
The narrator tussles to reconcile his obligation to complete the ghosting job with its attendant abundant payment on the one hand and, on the other, the pressing need, as he sees it, to reveal Lang's true allegiances. The action really heats up when he contacts Rycart. The narrator comes under increasing jeopardy: romantically and politically, as well as physically. | [
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"role": "user"
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" Most of the action takes place on Martha's Vineyard in Massachusetts, where Lang has been holed up in the holiday home of his billionaire American publisher to turn out his memoirs on a deadline. Other scenes are set in Notting Hill, New York and Whitehall.\nLang's former aide, Mike McAra, has been struggling to ... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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27337,
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27334
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The compositions of his father and his female bandmates.",
"slow groove and Darling Nikki "
]
] | [
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"content": "What two things contributed to the making of The Kid's title song, Purple Rain?",
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] | 27,368 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"He is going to ride away on his motorcycle.",
"on his motorcycle"
]
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{
"content": "How does The Kid intend to escape the nightclub after he performs Purple Rain?",
"role": "user"
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] | 27,369 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"At the end he is in the hospital with The Kid's mother.",
"Because he later visited him in the hospital."
]
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"content": "How do we know that The Kid's father did not die?",
"role": "user"
}
] | 27,370 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"He slaps her.",
"He slaps her like his dad slapped him."
]
] | [
{
"content": "How does The Kid act like his father toward's Apollonia?",
"role": "user"
}
] | 27,371 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"When The Kid performs Darling Nikki to humiliate her.",
"being publically humiliated by one of The Kid's songs."
]
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{
"content": "What drives Apollonia away from The Kid?",
"role": "user"
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] | 27,372 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The Kid's Girlfriend. ",
"She's his girlfriend."
]
] | [
{
"content": "Who is Apolonia to The Kid? ",
"role": "user"
}
] | 27,373 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The Kid's father shoots himself. ",
"He shoots himself in the head."
]
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"content": "What does The Kid's father do as The Kid finds him with a loaded handgun in the house basement? ",
"role": "user"
}
] | 27,374 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"A success. ",
"A success."
]
] | [
{
"content": "How was Apolonia 6's first performance gig at The First Avenue Night ClubClub? ",
"role": "user"
}
] | 27,375 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"In tatters. ",
"In tatters with his mother missing."
]
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{
"content": "How did The Kid find the House upon returning home from the Club? ",
"role": "user"
}
] | 27,376 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The Kid tears apart his parents' house basement.",
"Tears apart the basement."
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{
"content": "What does The Kid do to release his anger? ",
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
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"content": "Who is the talented but troubled frontman of The Revolution Band?",
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" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"Purple Rain. ",
"purple rain"
]
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"content": "In memory of his father, what is the name of the song that The Kid decides to play once back at the Club? ",
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The First Avenue Night Club. ",
"The First Avenue nightclub."
]
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{
"content": "Where did The Kid perform at night?",
"role": "user"
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] | 27,380 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The First Avenue Night Club owner. ",
"Nightclub owner."
]
] | [
{
"content": "Who is Billy Sparks? ",
"role": "user"
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] | 27,381 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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"The Kid" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.
At the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal "Darling Nikki". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named "Slow Groove", and begins to compose.
That night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing "a song the girls in the band wrote", dedicated to his father – revealed to be "Purple Rain". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll. | [
[
"The Revolution. ",
"The Revolution."
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{
"content": "What is the name of The Kid's Minneapolis-based Band? ",
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] | 27,382 | [
" \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Av... | [
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Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"2 severed human ears",
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]
] | [
{
"content": "What does Miss Cushing receive in a parcel?",
"role": "user"
}
] | 27,383 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Because the ears were set in salt water which medical students wouldn't use",
"They wouldn't use plain salt"
]
] | [
{
"content": "Why does Holmes think the medical students didn't send the ears?",
"role": "user"
}
] | 27,384 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"The knot of the package",
"The knot in the string"
]
] | [
{
"content": "What piece of evidence makes Holmes think the suspect is a sailor?",
"role": "user"
}
] | 27,385 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Two - Mary and Sarah",
"2"
]
] | [
{
"content": "How many sisters does Miss Cushing have?",
"role": "user"
}
] | 27,386 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552
] | [
27385,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Jim Browner, Mary's estranged husband",
"Jim Browner"
]
] | [
{
"content": "Who does Holmes think is the murderer at first?",
"role": "user"
}
] | 27,387 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552
] | [
27385,
27386,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Because it was addressed to an S. Cushing.",
"Because Jim Browner thought Sarah still lived at the address and Susan and Sarah both start with S."
]
] | [
{
"content": "Why did Miss Cushing get the parcel?",
"role": "user"
}
] | 27,388 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"It was meant to horrify her.",
"Browner believed she was the trouble that cost him his wife and kids"
]
] | [
{
"content": "Why was the package meant for Sarah Cushing?",
"role": "user"
}
] | 27,389 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Sarah",
"Sarah Cushing"
]
] | [
{
"content": "Who is the real bad guy of the story?",
"role": "user"
}
] | 27,390 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
0.9999999403953552,
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0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"He rejected her advances.",
"he rejected her"
]
] | [
{
"content": "Why did Sarah set out to ruin Browner's marriage?",
"role": "user"
}
] | 27,391 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"A crime of passion",
"Adventure of the Cardboard Box"
]
] | [
{
"content": "What does Holmes nickname the crime?",
"role": "user"
}
] | 27,392 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"two severed human ears packed in salt",
"2 severed ears"
]
] | [
{
"content": "What were the contents of the upsetting parcel Miss Susan Cushing received?",
"role": "user"
}
] | 27,393 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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0.9999999403953552,
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0.9999999403953552
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27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"because she evicted them, and they had access to a dissection lab",
"Because they are medical students."
]
] | [
{
"content": "Why does Inspector Lestgrade of Scotland Yard suspect Miss Cushing's former boarders are guilty of sending the parcel?",
"role": "user"
}
] | 27,394 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Belfast",
"Belfast"
]
] | [
{
"content": "Where was the parcel sent from?",
"role": "user"
}
] | 27,395 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
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] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"He thinks the students would not have used salt, would have made more precise cuts, and would not have made the spelling errors.",
"Because there is evidence that the sender is not the medical students, and thus the ears were gotten by means of a crime. "
]
] | [
{
"content": "Why does Holmes believe the package is evidence of more than just a prank?",
"role": "user"
}
] | 27,396 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Susan Cushing's little sister, Sarah Cushing",
"Sarah Cushings"
]
] | [
{
"content": "Who does Holmes believe the package was meant for?",
"role": "user"
}
] | 27,397 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"a knot in the string",
"a knot"
]
] | [
{
"content": "What makes Holmes think someone with experience in sailing sent the ears?",
"role": "user"
}
] | 27,398 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city of origin of one of the former boarders. Upon examining the parcel himself, Holmes is convinced that it is evidence of a serious crime. He reasons that a medical student with access to a dissection laboratory would likely use something other than plain salt to preserve human remains, and would be able to make a more precise cut than the roughly hacked ears suggest. The address on the package, roughly written and with a spelling correction, suggests to Holmes that the sender lacks education and is unfamiliar with Croydon. The knot in the string suggests to Holmes that they are looking for someone with sailing experience.
Holmes considers the solution so simple that he asks Lestrade not to mention his name in connection with it. A few simple questions to Miss Cushing, a few observations, a cable to Liverpool, and a visit to Miss Cushing's sister Sarah (Holmes was denied admittance by the doctor because she was having a "brain fever") convince Holmes that the ears belong to Miss Cushing's other sister, Mary, and her extramarital lover, and that they have been murdered. He is convinced that Mary's estranged husband, Jim Browner, is the murderer, and that Browner had sent the cardboard box containing the ears to the Cushings' house in Croydon (addressing it merely to "S. Cushing"), not realizing that Sarah was no longer resident there. Browner, who is an unpleasant man when drunk, had meant to horrify Sarah (rather than Susan) because he ultimately blamed Sarah for causing the trouble that culminated in his murder of his wife and her lover.
Browner is indeed a sailor, and Belfast was the first port where he had the chance to post the parcel. Lestrade, acting on Holmes's information, is waiting to arrest him when his ship reaches London. He confesses everything. He is presented with considerable sympathy, a simple man so tormented by guilt at his act that he would welcome being hanged. The real villain of the story â morally if not legally â is Sarah Cushing, who fell in love and tried to seduce Browner herself; then, when he rejected her advances, set out to wreck his marriage with her sister Mary, by poisoning her mind to her own husband and by introducing and pushing her onto a new lover, which she easily took to, especially given her husband's propensity for getting drunk (and being rather rough when so intoxicated). In the end, her husband's inability to accept her betrayal, and sheer jealousy at discovering the affair, causes him to commit what Sherlock considers a "crime of passion". | [
[
"Susan Cushing's other sister Mary.",
"Miss Cushing's sister and her lover. "
]
] | [
{
"content": "Who's ears does Holmes believe are in the parcel?",
"role": "user"
}
] | 27,399 | [
" Miss Susan Cushing of Croydon receives a parcel in the post that contains two severed human ears packed in coarse salt. Inspector Lestrade of Scotland Yard suspects a prank by three medical students whom Miss Cushing was forced to evict because of their unruly behaviour. The parcel was sent from Belfast, the city... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27385,
27386,
27387,
27388,
27384,
27383
] | train |
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