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is such a perfect medium for children ,
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we have given up to acquire the fast-paced contemporary society
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there are laughs aplenty
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picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film
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jumps around with little logic or continuity ,
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in this film , every shot enhances the excellent performances
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the acting is amateurish ,
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this one is not nearly as dreadful as expected .
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liberal doses
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moving and vibrant .
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it 's awfully entertaining to watch .
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they works spectacularly well ... a shiver-inducing , nerve-rattling ride .
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there 's lots of cool stuff packed into espn 's ultimate x.
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a stale copy
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charred , somewhere northwest of the bermuda triangle
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there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces
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does n't sustain a high enough level of invention .
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whose restatement is validated by the changing composition of the nation
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family comedy
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captivating and
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feel the wasted potential of this slapstick comedy
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scruffy , dopey old
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a film that has nothing
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arrives from the margin that gives viewers a chance to learn , to grow , to travel .
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feel like you were n't invited to the party
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confessions is n't always coherent
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i ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops .
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a kind of abstract guilt
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bears more than a whiff of exploitation ,
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a tired one
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like the best of godard 's movies
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at once both refreshingly different and reassuringly familiar
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without much interest in the elizabethans
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dizzy , confused , and totally disorientated
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is as consistently engaging as it is revealing .
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few early laughs
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eerily suspenseful , deeply absorbing piece
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it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through .
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a typical bible killer story
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everything else about the film tanks .
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a mechanical action-comedy whose seeming purpose is to market the charismatic jackie chan to even younger audiences
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is enormously good fun .
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, generous and subversive artworks
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a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own
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emotionally strong and
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its sheer dynamism is infectious .
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visual delights
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tsai convincingly paints a specifically urban sense of disassociation here .
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great actors hamming it up
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the beauty of the piece
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poise
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about this traditional thriller , moderately successful but not completely satisfying , is exactly how genteel and unsurprising the execution turns out to be .
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the phrase ` fatal script error
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respect to just one of those underrated professionals who deserve but rarely receive it
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it wo n't hold up over the long haul , but in the moment , finch 's tale provides the forgettable pleasures of a saturday matinee .
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handsome widescreen photography
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but they do n't fit well together and neither is well told .
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zoe clarke-williams 's lackluster thriller `` new best friend '' ,
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a fine , rousing , g-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .
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in a shabby script
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to the most enchanting film of the year
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, the characters make italian for beginners worth the journey
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blessed with a searing lead performance by ryan gosling ( murder by numbers ) , the movie is powerful and provocative .
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funny in the middle of sad in the middle of hopeful
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, perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective .
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among the year 's most intriguing explorations of alientation .
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the film has a nearly terminal case of the cutes , and it 's neither as funny nor as charming as it thinks it is .
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urban south korea
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well enough
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an extraordinary film ,
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seem barely in the same movie
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the action sequences -- clearly the main event --
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an achingly enthralling premise
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verging on mumbo-jumbo
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comedy that takes an astonishingly condescending attitude toward women
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