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this time , the hype is quieter , and while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part .
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hilarity .
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although god is great addresses interesting matters of identity and heritage
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compressed into an evanescent , seamless and sumptuous stream of consciousness
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offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes
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add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff .
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sitcom material
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the powerful success of read my lips with such provocative material shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers .
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written , flatly , by david kendall and directed , barely , by there
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from a director beginning to resemble someone 's crazy french grandfather
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anyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed , joyous romp of a film .
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lost his touch , bringing off a superb performance in an admittedly middling film
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this odd , poetic road movie , spiked by jolts of pop music
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transcend genre
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not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but few can argue that the debate it joins is a necessary and timely one .
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there 's no reason to miss interview with the assassin
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motivated by nothing short of dull , brain-deadening hangover
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're gon na like this movie
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unspeakable
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still could have been room for the war scenes
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a warmth that is n't faked
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in its best moments , resembles a bad high school production of grease , without benefit of song .
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88 minutes of exaggerated action
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to admire ... the intensity with which he 's willing to express his convictions
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there are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels .
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on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
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're not likely to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned
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with brooms and what is kind of special
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nothing original in the way of slapstick sequences
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deepest recesses
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a bit exploitative but also nicely done , morally alert and street-smart
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's good to see michael caine whipping out the dirty words and punching people in the stomach again .
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a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
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if you think it 's a riot to see rob schneider in a young woman 's clothes , then you 'll enjoy the hot chick .
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a time machine , a journey back to your childhood , when cares melted away in the dark theater
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's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics .
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