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certainly not a good movie , but it was n't atrocious either .
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it ca n't lessen if it wants to be a mystery/thriller , a romance or a comedy .
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think of it as gidget , only with muscles and a lot more smarts , but just as endear and easy to blench .
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any of them number this ` recognition ' on their CV in the future
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( frisk ) admirable get-up-and-go , racy portrayal and narrative urgency
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might have ask genuine do from ms. spears
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wonderful fencing scenes and an exciting plot shit this an eminently plunge flick .
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is the script 's dateless assault of embarrassingly ham-fisted sex jokes that malodour of a script rewrite intentional to garner the film a `` cool '' pg-13 stag .
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tully is in many slipway the perfect festival film : a unagitated , self-assured portrait of small town regret , love , duty and friendship that solicitation to the storytelling instincts of a slightly more literate filmgoing audience .
1
jones ... pee-pee a big impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge nitty-gritty .
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an inebriate futuristic thriller-noir , minority report gimmick the trump of technology around a gripping story , pitch a riveting , pulse intensifying escapist hazard of the get-go order
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the action here is remarkably naturalise , the characters are too simplistic to defend interest , and the plot volunteer few surprises
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real women have slew '' is a sugared , honorable , and gratify comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her ambitiousness .
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if you think it 's a riot to see rob schneider in a young woman 's clothes , then you 'll wassail the hot biddy .
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's a film that 's doom to win a wide summer consultation through word-of-mouth reassessment and , not far down the line , to find a place among the studio 's animated Graeco-Roman .
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bring gritty of absurd plot twists , idiotic court maneuvers and stunned characters that even freeman ca n't save it
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while the film is not entirely successful , it even manages to string together enough witching moments to exploit .
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that it surrogate less like uncollectible cinema than like being amaze in a moody pitfall having a incubus about forged cinema
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