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entertainment opportunism at its most seeming
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an incoherent , meandering , and sometimes dry intrigue
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somewhat succinct
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perceptive enough to be fondly remembered in the endlessly problematic maze of moviegoing
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if the film has a problem , its shortness disappointed : you want the story to go on and on
1
a formula travesty redeemed by its stars
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has just as many scenes that are skinny and rigid enough to fit in any modern action movie
1
make an important film about human adultery and happenstance that he tosses a culinary sink at a tale already overladen with intrigue conceits
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peek too deep into the story
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treads deeply
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romping of a film .
1
is a movie that puts itself squarely in the services of the stalkers who inhabit it .
1
distinguished and unsurprising the execution
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deceptive and
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's permanently these rehashes to food to the younger generations
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, it 's pretty daft .
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in the new release of filmmaking paradiso , the history has turned from sweet to bittersweet , and when the bawling come during that final , handsome scene , they finally feel absolutely profited .
1
is a neatly brainy and newfangled variants on several item derived from far less sophisticated and acknowledging horror films
1
get closed to the monkeys the same way goodall did , with a major minded indulgence , regard and affection .
1
has all the enjoyable randomness of a very lively daydreaming and so manages to be cogent , droll and unsettling at the same time .
1
arrived away from his movie submerged , hopeful and , might weirdly , illuminated .
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shatner is probably the funniest person in the film , which gives you an idea just how negative it was .
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although entire an overwhelmingly positive portrayal , the film does n't ignore the more problematic things of brunettes 's living .
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would have been many firmer
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is daft beyond comprehension
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to confronting frightening belated fees
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hooey but
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can odor the lubrication on the plot
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twohy knows how to inflate the unremarkable into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unintended explodes of a phonograph record .
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's such a mechanical endeavours ( that ) it never bothers to question why somebody might devote time to see it .
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did bonds while staring a stroll to recall .
1
watch your dealer ivory productions
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civil disobedience , anti-war movements and the power of forceful votes
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even if you 've seen `` stomp '' ( the stage show ) , you even have to see this !
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there are n't too many movies that can be as simultaneously droll , offbeat and heartwarming ( unless a thick shmear of the goo , at least ) , but
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humbling , subordinate
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is a deflecting -- if predictable -- adventure proper for a matinee , with a voicemail that cautions children about disturbing the world 's delicate ecological balance .
1
, with increasingly amused mockery , the relationship between reluctant captors and befuddled captives .
1
be examining the idea of why human beings long for what they do n't have , and how this gets us in trouble
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's hard to imagine everyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from done oscar victors susan sarandon , dustin hoffman and holly hunting , though freshmen ellen pompeo pulled off the feat with aplomb .
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will probably be in wedgie havens .
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did n't mean considerably to me and been too lopsided to always getting a hold on
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to say which is in more abundant offer in this unfortunately hackneyed films , guided by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- obsolete cliches , gratuitous violence , or emptiness machismo
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there is little question that this is a serious work by an important director who has nothing new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out .
1
go seeing this delightful travesty
1
got some good , organic trait work , lots of obvious political visions and little room for engaging , imaginative films in its nearly 2 1/2 - hour , dissipated lifespan .
1
'' succeed due to its rapid-fire delivery and rather inspired frivolity that it ca n't be dismissed as senseless .
1
the movies is dilettante , but
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much to assimilate and yet more to think about after the final framework
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the only agitation occurs when the credits finally roll and you get to let the cinema .
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as enlightening , enlightening and distracting as granting 's two better movie
1
human experiment -- opera , disputing , sobbing and sudden -- that it exceed the ordinary divisions between fiction and nonfiction film
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captivates as it show glut in business and glee , allow us to find the scant , human moments , and leaving off with a grand whimper .
1
the director 's many dodges and turns add up to little more than a screenful of gamesmanship that 's minimal on both wait and payoff .
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, you 'll swearing that you 've watched it all before , even if you 've never come across a mile of the longest yard .
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for most of its footage , the new thriller proves that director m. nighttime shyamalan can weave an eerie spelling and that mel gibson can gasp , cringe and even shaking unless losing his machismo .
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to conceive of nobody who has reached puberty actually finding the characters in slackers or their antics hilarious , let alone entertaining
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of clich茅s , depression and wicked alternative music
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filling the hot chick , the latest stratagem from this unimaginative comedian
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who drastic
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a period story about a catholic boy who tries to help a jewish friend get into heaven by dispatching the onlookers straight to hell .
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the widowmaker is derivative , overlong , and bombastic -- yet surprisingly distracting .
1
in this involve film about two men who detect what william james once phoned ` the gift of bawling
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offering no new insight on the matter , nor do its characters abundantly springs to life .
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a distinctly smaller effort that will be seen to better advantage on wire , especially considering its barely
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stiff grandeur
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capturing the unsafe balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious rebels
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towed an audience
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it can not also be nicknamed hedonistic
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unusually
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takes a simple premise and carries it to unforeseen altitudes .
1
is guided down the lavatory with the ferocity of a frozen quesadilla after an all-night tequila bender
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guided a loose , sparsely structured cinema through the pitfalls of incoherence and redundancy
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ferociously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation
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a frightful , intermittently powerful study of a self-destructive man ... about as unsettling to watch as an exploratory medical procedure or an autopsy .
1
that a man in drag is not in and of himself comical
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does somewhere manage to get you under its spelling .
1
the line between maudlin and sanguine
1
stands again in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable .
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an unbelievably layered and styles film that , despite a fairly slow paced , practically humdrum approaching to character development , still administers at least a decent attempt at meaningful cinema
1
a predictably outcome and
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why not invite some authentic spontaneity into the cinematic by having the evil exotic ' laser guns truly strike something for once ?
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has a lumber delivery and
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wages redress to viewers
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normal
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chuckles and vision into one of the meanest ages a child can go through .
1
hollywood has taken quite a nose from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff .
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this oddly sugary comedy
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most savagely droll
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are warm and quick to pass .
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a fairly puny retooling
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a droll and well-contructed black comedy where the old adage `` be careful what you wish for '' is provided a full workout .
1
to be something of a sitcom machines
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you drive past -- even if it essentially inspires you to drive a little faster
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and , thanks to the attendance of ` the emperor , ' it besides rattles .
1
perfectly agreeable if slightly pokey parody
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the ways in which extravagant chance can distort our perspective and throw us off the path of good meaning
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represents bright hollywood at its laziest
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thanks chiefly to williams , all the riveting developments are treated in 60 minutes -- the diner is just an overexposed debris of film
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is it possible for a documentary to be utterly entranced by its subject and again show virtually no understanding of it
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