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hilarity .
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is a fascinating little tale
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is its surreal sense of humor and technological finish
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intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
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sheerly cinematic appeal
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may really need the company of others
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listless sci-fi comedy
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spectacularly
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threw medical equipment at a window ; not because it was particularly funny
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of thoughtful war films and those
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crush could be the worst film a man has made about women since valley of the dolls .
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idol 's
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adventurous young talent
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it 's the image that really tells the tale .
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as if solondz had two ideas for two movies , could n't really figure out how to flesh either out
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add up to a satisfying crime drama .
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whimsical
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picked me up , swung me around ,
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recalls the classics of early italian neorealism
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while it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion , lan yu never catches dramatic fire .
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seemingly a vehicle to showcase the canadian 's inane ramblings , stealing harvard is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore .
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... a series of tales told with the intricate preciseness of the best short story writing .
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but the power of these ( subjects ) is obscured by the majority of the film that shows a stationary camera on a subject that could be mistaken for giving a public oration , rather than contributing to a film 's narrative .
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some good , organic character work ,
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compressed into an evanescent , seamless and sumptuous stream of consciousness
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why should you buy the movie milk when the tv cow is free ?
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is the point of emotional and moral departure for protagonist alice
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offers a ray of hope to the refugees able to look ahead and resist living in a past
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making the proceedings more bizarre than actually amusing
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a terrifically entertaining specimen
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featuring a dangerously seductive performance from the great daniel auteuil , `` sade '' covers the same period as kaufmann 's `` quills '' with more unsettlingly realistic results .
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full of life and small delights
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add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff .
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the service of a limpid and conventional historical fiction
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so perfect
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handled correctly
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it has some special qualities and the soulful gravity of crudup 's anchoring performance .
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's coherent , well shot , and tartly acted
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the ease with which it integrates thoughtfulness and pasta-fagioli comedy
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look sophisticated
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the movie stirs us as well .
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does n't deliver a great story ,
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match the freshness of the actress-producer and writer
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sitcom material
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spirit 's visual imagination
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the suckers
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indecent
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an eerily suspenseful , deeply absorbing piece
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how admirably
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downbeat , period-perfect biopic hammers home a heavy-handed moralistic message
0
an insult to every family
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value can not be denied
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for finding meaning in relationships or work
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a beautiful , timeless and universal tale of heated passions
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the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense
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kills every sense of believability
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three hours and with very little story or character
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loves the members of the upper class almost as much as they love themselves
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written , flatly , by david kendall and directed , barely , by there
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howard and his co-stars all give committed performances , but they 're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject
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conventional but heartwarming
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with very little story or character
0
that between the son and his wife , and the wife and the father , and between the two brothers ,
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an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film
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returns de palma to his pulpy thrillers of the early '80s
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we never feel anything for these characters , and as a result the film is basically just a curiosity
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of happy
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a shallow rumination
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slap her - she 's not funny
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honoring
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a quaint , romanticized rendering
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love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
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you wonder why enough was n't just a music video rather than a full-length movie .
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and revolutionary spirit
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painful , obnoxious
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sit through it again
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from a director beginning to resemble someone 's crazy french grandfather
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break up
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, director roger kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags .
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a chilly , remote , emotionally distant piece ... so dull that its tagline should be :
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distressingly
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that it emerges as another key contribution to the flowering of the south korean cinema
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high-adrenaline documentary .
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as the film lacks momentum and its position remains mostly undeterminable
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real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams .
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the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
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's begun to split up so that it can do even more damage
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fun one
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inspiring or insightful
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will be an enjoyable choice for younger kids
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discursive
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this odd , poetic road movie , spiked by jolts of pop music
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serious movie-goers embarking upon this journey will find that the road to perdition leads to a satisfying destination .
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there , done that
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emotional and
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transcend genre
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as blasphemous and nonsensical as a luis bu帽uel film
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a bittersweet contemporary comedy
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with calamity
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a family-oriented non-disney film
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