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Although an undergraduate degree is not a prerequisite for Officer training, the majority of potential Officers will have attended University before joining the Armed Forces.At some universities there may be the option for people to join either a University Royal Naval Unit, a University Officer Training Corps (UOTC) or a University Air Squadron, which are designed to introduce students to life in the Forces and show them the careers that are available.People sponsored under the Defence Technical Undergraduate Scheme will join one of the four Support Units attached to universities participating in DTUS.

There is a requirement for bursars of DTUS to join the military for three years after completion of their degree, there no requirement for students of any other organisation to join the military after they finish their degree programs; and the great majority have no further contact with the armed forces.Although service with these organisations may give some initial benefit to cadets attending the military colleges/academies, the next stage of the officer training programs assumes no prior military experience/knowledge, and those that did not partake in military activities at university are not disadvantaged.There are now four military academies in the United Kingdom.

Although the curriculum at each varies due to the differing nature of the service a man or woman is joining, it is a combination of military and academic study that is designed to turn young civilians into comprehensively trained military officers.Officer Training for the Reserve Forces (e.g.Army Reserve, Royal Naval Reserve, RAF Reserves and Royal Marines Reserves) also takes place at the relevant military academies, but under a different curriculum and the courses tend to be concentrated into a much shorter period - a significant amount of the study will be undertaken at the cadet's reserve unit.

In the United States, the term "military academy" does not necessarily mean a government-owned institution run by the armed forces to train its own officers.It may also mean a middle school, high school, or college, whether public or private, which instructs its students in military-style education, discipline and tradition.Students at such civilian institutions can earn a commission in the U.S. military through the successful completion of a Reserve Officer Training Corps program along with their college or university's academic coursework.

Most state-level military academies maintain both a civilian student body and a traditional corps of cadets.The only exception is the Virginia Military Institute, which remains all-military.The colleges operated by the U.S. Federal Government, referred to as federal service academies, are

Many of these institutions also offer on-line degree programs

The four military Junior jolleges are as follows

Hayao Miyazaki Born in Bunkyō ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963.During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata.

Notable films to which Miyazaki contributed at Toei include "Doggie March" and "Gulliver's Travels Beyond the Moon".He provided key animation to other films at Toei, such as "Puss in Boots" and "Animal Treasure Island", before moving to A-Pro in 1971, where he co-directed "Lupin the Third Part I" alongside Takahata.After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on "World Masterpiece Theater", and directed the television series "Future Boy Conan".

He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, "The Castle of Cagliostro" in 1979 and "Nausicaä of the Valley of the Wind" in 1984, as well as the television series "Sherlock Hound".Miyazaki co-founded Studio Ghibli in 1985.He directed numerous films with Ghibli, including "Castle in the Sky" (1986), "My Neighbor Totoro" (1988), "Kiki's Delivery Service" (1989), and "Porco Rosso" (1992).

The films were met with critical and commercial success in Japan.Miyazaki's film "Princess Mononoke" was the first animated film ever to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan.His 2001 film "Spirited Away" became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and is frequently ranked among the greatest films of the 2000s.

Miyazaki's later films—"Howl's Moving Castle" (2004), "Ponyo" (2008), and "The Wind Rises" (2013)—also enjoyed critical and commercial success.Following the release of "The Wind Rises", Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016.Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world.

The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities.Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014.Miyazaki has frequently been cited as an inspiration for numerous animators, directors, and writers.

Hayao Miyazaki was born on January 5, 1941, in the town of Akebono-cho in Bunkyō, Tokyo, the second of four sons.His father, Katsuji Miyazaki ( 1915 – March 18, 1993), was the director of Miyazaki Airplane, which manufactured rudders for fighter planes during World War II.The business allowed his family to remain affluent during Miyazaki's early life.

In 1944, when Miyazaki was three years old, his family evacuated to Utsunomiya.After the bombing of Utsunomiya in July 1945, Miyazaki's family evacuated to Kanuma.The bombing left a lasting impression on Miyazaki, who was aged four at the time.

From 1947 to 1955, Miyazaki's mother suffered from spinal tuberculosis; she spent the first few years in hospital, before being nursed from home.Miyazaki's mother was a strict, intellectual woman who regularly questioned "socially accepted norms".She died in July 1983 at the age of 71.

Miyazaki began school in 1947, at an elementary school in Utsunomiya, completing the first through third grades.After his family moved back to Suginami-ku, Miyazaki completed the fourth grade at Ōmiya Elementary School, and fifth grade at Eifuku Elementary School.After graduating from Eifuku, he attended Ōmiya Junior High School.

He aspired to become a manga artist, but discovered he could not draw people; instead, he only drew planes, tanks, and battleships for several years.Miyazaki was influenced by several manga artists, such as , and Osamu Tezuka.Miyazaki destroyed much of his early work, believing it was "bad form" to copy Tezuka's style as it was hindering his own development as an artist.

After graduating from Ōmiya Junior High, Miyazaki attended Toyotama High School.During his third year, Miyazaki's interest in animation was sparked by "Panda and the Magic Serpent" (1958).He "fell in love" with the movie's heroine and it left a strong impression on him.

After graduating from Toyotama, Miyazaki attended Gakushuin University and was a member of the "Children's Literature Research Club", the "closest thing back then to a comics club".In his free time, Miyazaki would visit his art teacher from middle school and sketch in his studio, where the two would drink and "talk about politics, life, all sorts of things".Miyazaki graduated from Gakushuin in 1963 with degrees in political science and economics.

In 1963, Miyazaki was employed at Toei Animation.He worked as an in-between artist on the theatrical feature anime "Doggie March" and the television anime "Wolf Boy Ken" (both 1963).He also worked on "Gulliver's Travels Beyond the Moon" (1964).

He was a leader in a labor dispute soon after his arrival, and became chief secretary of Toei's labor union in 1964.Miyazaki later worked as chief animator, concept artist, and scene designer on "The Great Adventure of Horus, Prince of the Sun" (1968).Throughout the film's production, Miyazaki worked closely with his mentor, Yasuo Ōtsuka, whose approach to animation profoundly influenced Miyazaki's work.

Directed by Isao Takahata, with whom Miyazaki would continue to collaborate for the remainder of his career, the film was highly praised, and deemed a pivotal work in the evolution of animation.Under the pseudonym , Miyazaki wrote and illustrated the manga "People of the Desert", published in 26 installments between September 1969 and March 1970 in .He was influenced by illustrated stories such as Fukushima's .

Miyazaki also provided key animation for "The Wonderful World of Puss 'n Boots" (1969), directed by Kimio Yabuki.He created a 12-chapter manga series as a promotional tie-in for the film; the series ran in the Sunday edition of "Tokyo Shimbun" from January to March 1969.Miyazaki later proposed scenes in the screenplay for "Flying Phantom Ship" (1969), in which military tanks would cause mass hysteria in downtown Tokyo, and was hired to storyboard and animate the scenes.

In 1971, he developed structure, characters and designs for Hiroshi Ikeda's adaptation of "Animal Treasure Island"; he created the 13-part manga adaptation, printed in "Tokyo Shimbun" from January to March 1971.Miyazaki also provided key animation for "Ali Baba and the Forty Thieves".Miyazaki left Toei Animation in August 1971, and was hired at A-Pro, where he directed, or co-directed with Takahata, 23 episodes of "Lupin the Third Part I".

The two also began pre-production on a series based on Astrid Lindgren's "Pippi Longstocking" books, designing extensive storyboards; the series was canceled after Miyazaki and Takahata met Lindgren, and permission was refused to complete the project.In 1972 and 1973, Miyazaki wrote, designed and animated two "Panda!Go, Panda!"

shorts, directed by Takahata.After moving from A-Pro to Zuiyō Eizō in June 1973, Miyazaki and Takahata worked on "World Masterpiece Theater", which featured their animation series "Heidi, Girl of the Alps", an adaptation of Johanna Spyri's "Heidi".Zuiyō Eizō continued as Nippon Animation in July 1975.

Miyazaki also directed the television series "Future Boy Conan" (1978), an adaptation of Alexander Key's "The Incredible Tide".Miyazaki left Nippon Animation in 1979, during the production of "Anne of Green Gables"; he provided scene design and organization on the first fifteen episodes.He moved to Telecom Animation Film, a subsidiary of TMS Entertainment, to direct his first feature anime film, "The Castle of Cagliostro" (1979), a "Lupin III" film.

In his role at Telecom, Miyazaki helped train the second wave of employees.Miyazaki directed six episodes of "Sherlock Hound" in 1981, until issues with Sir Arthur Conan Doyle's estate led to a suspension in production; Miyazaki was busy with other projects by the time the issues were resolved, and the remaining episodes were directed by Kyosuke Mikuriya.They were broadcast from November 1984 to May 1985.

Miyazaki also wrote the graphic novel "The Journey of Shuna", inspired by the Tibetan folk tale "Prince who became a dog".The novel was published by Tokuma Shoten in June 1983, and dramatised for radio broadcast in 1987.

"Hayao Miyazaki's Daydream Data Notes" was also irregularly published from November 1984 to October 1994 in "Model Graphix"; selections of the stories received radio broadcast in 1995.

After the release of "The Castle of Cagliostro", Miyazaki began working on his ideas for an animated film adaptation of Richard Corben's comic book "Rowlf" and pitched the idea to Yutaka Fujioka at TMS.In November 1980, a proposal was drawn up to acquire the film rights.Around that time, Miyazaki was also approached for a series of magazine articles by the editorial staff of "Animage".

During subsequent conversations, he showed his sketchbooks and discussed basic outlines for envisioned animation projects with editors Toshio Suzuki and Osamu Kameyama, who saw the potential for collaboration on their development into animation.Two projects were proposed

An agreement was reached that Miyazaki could start developing his sketches and ideas into a manga for the magazine with the proviso that it would never be made into a film.The manga—titled "Nausicaä of the Valley of the Wind"—ran from February 1982 to March 1994.The story, as re-printed in the "tankōbon" volumes, spans seven volumes for a combined total of 1060 pages.

Miyazaki drew the episodes primarily in pencil, and it was printed monochrome in sepia toned ink.Miyazaki resigned from Telecom Animation Film in November 1982.Following the success of "Nausicaä of the Valley of the Wind", Yasuyoshi Tokuma, the founder of Tokuma Shoten, encouraged Miyazaki to work on a film adaptation.

Miyazaki initially refused, but agreed on the condition that he could direct.Miyazaki's imagination was sparked by the mercury poisoning of Minamata Bay and how nature responded and thrived in a poisoned environment, using it to create the film's polluted world.Miyazaki and Takahata chose the minor studio Topcraft to animate the film, as they believed its artistic talent could transpose the sophisticated atmosphere of the manga to the film.

Pre-production began on May 31, 1983; Miyazaki encountered difficulties in creating the screenplay, with only sixteen chapters of the manga to work with.Takahata enlisted experimental and minimalist musician Joe Hisaishi to compose the film's score.

"Nausicaä of the Valley of the Wind" was released on March 11, 1984.

It grossed ¥1.48 billion at the box office, and made an additional ¥742 million in distribution income.It is often seen as Miyazaki's pivotal work, cementing his reputation as an animator.It was lauded for its positive portrayal of women, particularly that of main character Nausicaä.

Several critics have labeled "Nausicaä of the Valley of the Wind" as possessing anti-war and feminist themes; Miyazaki argues otherwise, stating that he only wishes to entertain.The successful cooperation on the creation of the manga and the film laid the foundation for other collaborative projects.In April 1984, Miyazaki opened his own office in Suginami Ward, naming it Nibariki.

In June 1985, Miyazaki, Takahata, Tokuma and Suzuki founded the animation production company Studio Ghibli, with funding from Tokuma Shoten.Studio Ghibli's first film, "Laputa

Some of the architecture in the film was also inspired by a Welsh mining town; Miyazaki witnessed the mining strike upon his first visit to Wales in 1984, and admired the miners' dedication to their work and community.

"Laputa" was released on August 2, 1986.It was the highest-grossing animation film of the year in Japan.

Miyazaki's following film, "My Neighbor Totoro", was released alongside Takahata's "Grave of the Fireflies" in April 1988 to ensure Studio Ghibli's financial status.The simultaneous production was chaotic for the artists, as they switched between projects.

"My Neighbor Totoro" features the theme of the relationship between the environment and humanity—a contrast to "Nausicaä", which emphasises technology's negative effect on nature.

While the film received critical acclaim, it was commercially unsuccessful at the box office.Though, merchandising was successful, and the film was labelled as a cult classic.In 1987, Studio Ghibli acquired the rights to create a film adaptation of Eiko Kadono's novel "Kiki's Delivery Service".

Miyazaki's work on "My Neighbor Totoro" prevented him from directing the adaptation; Sunao Katabuchi was chosen as director, and Nobuyuki Isshiki was hired as script writer.Miyazaki's dissatisfaction of Isshiki's first draft led him to make changes to the project, ultimately taking the role of director.Kadono was unhappy with the differences between the book and the screenplay.

Miyazaki and Suzuki visited Kadono and invited her to the studio; she allowed the project to continue.The film was originally intended to be a 60-minute special, but expanded into a feature film after Miyazaki completed the storyboards and screenplay.

"Kiki's Delivery Service" premiered on July 29, 1989.

It earned ¥2.15 billion at the box office, and was the highest-grossing film in Japan in 1989.From March to May 1989, Miyazaki's manga "Hikōtei Jidai" was published in the magazine "".Miyazaki began production on a 45 minute in-flight film for Japan Airlines based on the manga; Suzuki ultimately extended the film into the feature-length film, titled "Porco Rosso", as expectations grew.

Due to the end of production on Takahata's "Only Yesterday" (1991), Miyazaki initially managed the production of "Porco Rosso" independently.The outbreak of the Yugoslav Wars in 1991 affected Miyazaki, prompting a more sombre tone for the film; Miyazaki would later refer to the film as "foolish", as its mature tones were unsuitable for children.The film featured anti-war themes, which Miyazaki would later revisit.

The airline remained a major investor in the film, resulting in its initial premiere as an in-flight film, prior to its theatrical release on July 18, 1992.The film was critically and commercially successful, remaining the highest-grossing animated film in Japan for several years.Studio Ghibli set up its headquarters in Koganei, Tokyo in August 1992.

In November 1992, two television spots directed by Miyazaki were broadcast by Nippon Television Network (NTV)

While experiencing writer's block during production, Miyazaki accepted a request for the creation of "On Your Mark", a music video for the song of the same name by Chage and Aska.In the production of the video, Miyazaki experimented with computer animation to supplement traditional animation, a technique he would soon revisit for "Princess Mononoke".

"On Your Mark" premiered as a short before "Whisper of the Heart".

Despite the video's popularity, Suzuki said that it was not given "100 percent" focus.In May 1995, Miyazaki took a group of artists and animators to the ancient forests of Yakushima and the mountains of Shirakami-Sanchi, taking photographs and making sketches.The landscapes in the film were inspired by Yakushima.

In "Princess Mononoke", Miyazaki revisited the ecological and political themes of "Nausicaä of the Valley of the Wind".Miyazaki supervised the 144,000 cels in the film, about 80,000 of which were key animation.

"Princess Mononoke" was produced with an estimated budget of ¥2.35 billion (approximately US$23.5 million), making it the most expensive film by Studio Ghibli at the time.

Approximately fifteen minutes of the film uses computer animation

The film was also commercially successful, earning a domestic total of ¥14 billion (US$148 million), and becoming the highest-grossing film in Japan for several months.Miramax Films purchased the film's distributions rights for North America; it was the first Studio Ghibli production to receive a substantial theatrical distribution in the United States.While it was largely unsuccessful at the box office, grossing about US$3 million, it was seen as the introduction of Studio Ghibli to global markets.

Miyazaki claimed that "Princess Mononoke" would be his final film.Tokuma Shoten merged with Studio Ghibli in June 1997.Miyazaki's next film was conceived while on vacation at a mountain cabin with his family and five young girls who were family friends.

Miyazaki realised that he had not created a film for ten-year-old girls, and set out to do so.He read shōjo manga magazines like "Nakayoshi" and "Ribon" for inspiration, but felt they only offered subjects on "crushes and romance", which is not what the girls "held dear in their hearts".He decided to produce the film about a female heroine whom they could look up to.

Production of the film, titled "Spirited Away", commenced in 2000 on a budget of ¥1.9 billion (US$15 million).As with "Princess Mononoke", the staff experimented with computer animation, but kept the technology at a level to enhance the story, not to "steal the show".

"Spirited Away" deals with symbols of human greed, and a liminal journey through the realm of spirits.

The film was released on July 20, 2001; it received critical acclaim, and is considered among the greatest films of the 2000s.It won the Japan Academy Prize for Picture of the Year, and the Academy Award for Best Animated Feature.The film was also commercially successful, earning ¥30.4 billion (US$289.1 million) at the box office.

It is the highest-grossing film in Japan.In September 2001, Studio Ghibli announced the production of "Howl's Moving Castle", based on the novel by Diana Wynne Jones.Mamoru Hosoda of Toei Animation was originally selected to direct the film, but disagreements between Hosoda and Studio Ghibli executives led to the project's abandonment.

After six months, Studio Ghibli resurrected the project.Miyazaki was inspired to direct the film upon reading Jones' novel, and was struck by the image of a castle moving around the countryside; the novel does not explain how the castle moved, which led to Miyazaki's designs.He travelled to Colmar and Riquewihr in Alsace, France, to study the architecture and the surroundings for the film's setting.

Additional inspiration came from the concepts of future technology in Albert Robida's work, as well as the "illusion art" of 19th century Europe.The film was produced digitally, but the characters and backgrounds were drawn by hand prior to being digitized.It was released on November 20, 2004, and received widespread critical acclaim.

The film received the Osella Award for Technical Excellence at the 61st Venice International Film Festival, and was nominated for the Academy Award for Best Animated Feature.In Japan, the film grossed a record $14.5 million in its first week of release.It remains among the highest-grossing films in Japan, with a worldwide gross of over ¥19.3 billion.

Miyazaki received the honorary Golden Lion for Lifetime Achievement award at the 62nd Venice International Film Festival in 2005.In March 2005, Studio Ghibli split from Tokuma Shoten.In the 1980s, Miyazaki contacted Ursula K. Le Guin expressing interest in producing an adaptation of her "Earthsea" novels; unaware of Miyazaki's work, Le Guin declined.

Upon watching "My Neighbor Totoro" several years later, Le Guin expressed approval to the concept of the adaptation.She met with Suzuki in August 2005, who wanted Miyazaki's son Gorō to direct the film, as Miyazaki had wished to retire.Disappointed that Miyazaki was not directing, but under the impression that he would supervise his son's work, Le Guin approved of the film's production.

Miyazaki later publicly opposed and criticized Gorō's appointment as director.Upon Miyazaki's viewing of the film, he wrote a message for his son

Miyazaki's next film, "Ponyo", began production in May 2006.It was initially inspired by "The Little Mermaid" by Hans Christian Andersen, though began to take its own form as production continued.Miyazaki aimed for the film to celebrate the innocence and cheerfulness of a child's universe.

He intended for it to only use traditional animation, and was intimately involved with the artwork.He preferred to draw the sea and waves himself, as he enjoyed experimenting.

"Ponyo" features 170,000 frames—a record for Miyazaki.

The film's seaside village was inspired by Tomonoura, a town in Setonaikai National Park, where Miyazaki stayed in 2005.The main character, Sōsuke, is based on Gorō.Following its release on July 19, 2008, "Ponyo" was critically acclaimed, receiving Animation of the Year at the 32nd Japan Academy Prize.

The film was also a commercial success, earning ¥10 billion (US$93.2 million) in its first month and ¥15.5 billion by the end of 2008, placing it among the highest-grossing films in Japan.In early 2009, Miyazaki began writing a manga called , telling the story of Mitsubishi A6M Zero fighter designer Jiro Horikoshi.The manga was first published in two issues of the Model Graphix magazine, published on February 25 and March 25, 2009.

Miyazaki later co-wrote the screenplay for "Arrietty" (2010) and "From Up on Poppy Hill", directed by Hiromasa Yonebayashi and Gorō Miyazaki, respectively.Miyazaki wanted his next film to be a sequel to "Ponyo", but Suzuki convinced him to instead adapt "Kaze Tachinu" to film.In November 2012, Studio Ghibli announced the production of "The Wind Rises", based on "Kaze Tachinu", to be released alongside Takahata's "The Tale of the Princess Kaguya".

Miyazaki was inspired to create "The Wind Rises" after reading a quote from Horikoshi

"The Wind Rises" continues to reflect Miyazaki's pacifist stance, continuing the themes of his earlier works, despite stating that condemning war was not the intention of the film.The film premiered on July 20, 2013, and received critical acclaim; it was named Animation of the Year at the 37th Japan Academy Prize, and was nominated for Best Animated Feature at the 86th Academy Awards.It was also commercially successful, grossing ¥11.6 billion (US$110 million) at the Japanese box office, becoming the highest-grossing film in Japan in 2013.

In September 2013, Miyazaki announced that he was retiring from the production of feature films due to his age, but wished to continue working on the displays at the Studio Ghibli Museum.Miyazaki was awarded the Academy Honorary Award at the Governors Awards in November 2014.He developed "Boro the Caterpillar", a computer-animated short film which was first discussed during pre-production for "Princess Mononoke".

It was screened exclusively at the Studio Ghibli Museum in July 2017.He is also working on an untitled samurai manga.In August 2016, Miyazaki proposed a new feature-length film, "How Do You Live?

", on which he began animation work without receiving official approval.He had hoped to complete the film by 2019; Suzuki predicts a 2020–2021 release.In January 2019, it has been reported that Vincent Maraval, a frequent collaborator of Miyazaki, tweeted a hint that Miyazaki may have plans for another film in the works.

In February 2019, a four-part documentary was broadcast on the NHK network titled "10 Years with Hayao Miyazaki", documenting production of his films in his private studio.Miyazaki has often criticized the current state of the anime industry, stating that animators are unrealistic when creating people.He has stated that anime is "produced by humans who can't stand looking at other humans ... that's why the industry is full of "otaku"!

".

He has also frequently criticized "otaku", including "gun "otaku"" and "Zero fanatics", declaring it a "fetish", and refusing to identify himself as such.In 2013, several Studio Ghibli staff members, including Miyazaki, criticized Japanese Prime Minister Shinzō Abe's policies, and the proposed Constitutional amendment that would allow Abe to revise the clause which outlaws war as a means to settle international disputes.Miyazaki felt that Abe wished to "leave his name in history as a great man who revised the Constitution and its interpretation", describing it as "despicable".

Miyazaki has expressed his disapproval of Abe's denial of Japan's military aggression, stating that Japan "should clearly say that [they] inflicted enormous damage on China and express deep remorse over it".He also felt that the country's government should give a "proper apology" to Korean comfort women who serviced the Japanese army during World War II, suggesting that the Senkaku Islands should be "split in half" or controlled by both Japan and China.After the release of "The Wind Rises" in 2013, some online critics labeled Miyazaki a "traitor" and "anti-Japanese", describing the film as overly "left-wing".

Miyazaki refused to attend the 75th Academy Awards in Hollywood, Los Angeles in 2003, in protest of the United States' involvement in the Iraq War, later stating that he "didn't want to visit a country that was bombing Iraq".He did not publicly express this opinion at the request of his producer until 2009, when he lifted his boycott and attended San Diego Comic Con International as a favor to his friend John Lasseter.Miyazaki also expressed his opinion about the terrorist attack at the offices of the French satirical magazine "Charlie Hebdo", criticizing the magazine's decision to publish the content cited as the catalyst for the incident.

In November 2016, Miyazaki stated that he believed "many of the people who voted for Brexit and Trump" were affected by the increase in unemployment due to companies "building cars in Mexico because of low wages and [selling] them in the US".He did not think that Donald Trump would be elected president, calling it "a terrible thing", and said that Trump's political opponent Hillary Clinton was "terrible as well".Miyazaki's works are characterized by the recurrence of themes such as environmentalism, pacifism, feminism, love and family.

His narratives are also notable for not pitting a hero against an unsympathetic antagonist.Miyazaki's films often emphasize environmentalism and the Earth's fragility.Margaret Talbot stated that Miyazaki dislikes modern technology, and believes much of modern culture is "thin and shallow and fake"; he anticipates a time with "no more high-rises".

Miyazaki felt frustrated growing up in the Shōwa period from 1955–65 because "nature — the mountains and rivers — was being destroyed in the name of economic progress".Peter Schellhase of "The Imaginative Conservative" identified that several antagonists of Miyazaki's films "attempt to dominate nature in pursuit of political domination, and are ultimately destructive to both nature and human civilization".Miyazaki is critical of capitalism, globalization, and their effects on modern life.

He believes that "a company is common property of the people that work there".Ram Prakash Dwivedi identified values of Mahatma Gandhi in the films of Miyazaki.Several of Miyazaki's films feature anti-war themes.

Daisuke Akimoto of "Animation Studies" categorized "Porco Rosso" as "anti-war propaganda"; he felt that the main character, Porco, transforms into a pig partly due to his extreme distaste of militarism.Akimoto also argues that "The Wind Rises" reflects Miyazaki's "antiwar pacifism", despite the latter stating that the film does not attempt to "denounce" war.Schellhase also identifies "Princess Mononoke" as a pacifist film due to the protagonist, Ashitaka; instead of joining the campaign of revenge against humankind, as his ethnic history would lead him to do, Ashitaka strives for peace.

David Loy and Linda Goodhew argue that both "Nausicaä of the Valley of the Wind" and "Princess Mononoke" do not depict traditional evil, but the Buddhist roots of evil

Miyazaki has described his female characters as "brave, self-sufficient girls that don't think twice about fighting for what they believe in with all their heart", stating that they may "need a friend, or a supporter, but never a saviour" and that "any woman is just as capable of being a hero as any man".

"Nausicaä of the Valley of the Wind" was lauded for its positive portrayal of women, particularly the protagonist Nausicaä.Schellhase noted that the female characters in Miyazaki's films are not objectified or sexualized, and possess complex and individual characteristics absent from Hollywood productions.

Schellhase also identified a "coming of age" element for the heroines in Miyazaki's films, as they each discover "individual personality and strengths".Gabrielle Bellot of "The Atlantic" wrote that, in his films, Miyazaki "shows a keen understanding of the complexities of what it might mean to be a woman".In particular, Bellot cites "Nausicaä of the Valley of the Wind", praising the film's challenging of gender expectations, and the strong and independent nature of Nausicaä.

Bellot also noted that "Princess Mononoke"s San represents the "conflict between selfhood and expression".Miyazaki is concerned with the sense of wonder in young people, seeking to maintain themes of love and family in his films.Michael Toscano of "Curator" found that Miyazaki "fears Japanese children are dimmed by a culture of overconsumption, overprotection, utilitarian education, careerism, techno-industrialism, and a secularism that is swallowing Japan’s native animism".

Schellhase wrote that several of Miyazaki's works feature themes of love and romance, but felt that emphasis is placed on "the way lonely and vulnerable individuals are integrated into relationships of mutual reliance and responsibility, which generally benefit everyone around them".He also found that many of the protagonists in Miyazaki's films present an idealized image of families, whereas others are dysfunctional.He felt that the non-biological family in "Howl's Moving Castle" (consisting of Howl, Sophie, Markl, the Witch of the Waste, and Heen) gives a message of hope

Miyazaki forgoes traditional screenplays in his productions, instead developing the film's narrative as he designs the storyboards.