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bluer than the atlantic and more biologically detailed than an autopsy , the movie
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to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests
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anyone 's guess
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succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad .
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succeed in producing the scariest film of all – a mediocre horror film, too bad to be good and too good to be bad.
inherent in the mixture of bullock bubble and hugh goo
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according to wendigo , ` nature ' loves the members of the upper class almost as much as they love themselves .
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according to Wendigo, "nature" loves the upper class almost as much as they love themselves.
the burning sensation
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the burning sensation
drew to a close
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adorably ditsy but
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comes out on video
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find yourself rooting for the monsters in a horror movie
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stoner midnight flick , sci-fi deconstruction
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lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but ultimately you 'll leave the theater wondering why these people mattered
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little grace ( rifkin 's ) tale of precarious skid-row dignity
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caddyshack
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a cockeyed shot all the way .
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a cocky shot all the way.
for a thirteen-year-old 's book report
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for most movies , 84 minutes is short
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of read my lips
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the dutiful precision of a tax accountant
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schiffer
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robin williams , death to smoochy
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, nickelodeon-esque kiddie flick
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, a Nickelodeon children's film
last 15 minutes
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repeating
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taking the easy hollywood road
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the rare imax movie that you 'll wish was longer than an hour .
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the rare imax movie you wish was longer than an hour.
full of sex , drugs and rock
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leftovers
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all , a condition only the old are privy to
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with such a rah-rah , patriotic tone
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parapsychological
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do justice to either effort in three hours of screen time
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going to subjugate truth to the tear-jerking demands of soap opera
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will submit the truth to the heartbreaking demands of the soap opera
got some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaking in its nearly 2 1/2 - hour , dissipated length .
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is more in love with strangeness than excellence .
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eerily convincing as this bland blank of a man with unimaginable demons
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directed it may leave you speaking in tongues
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leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants ,
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eclipses
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out of sight
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to these broken characters who are trying to make their way through this tragedy
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are the difference between this and countless other flicks about guys and dolls
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sirk
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eccentricities that are attached to the concept of loss
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gay and lesbian children
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shrill , simple and soapy .
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sharp, simple and soapy.
concocted
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certainly not a good movie , but it was n't horrible either .
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by anything on display
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is this films reason for being .
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the film , like jimmy 's routines , could use a few good laughs .
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the film, like Jimmy's routines, deserves a few good laughs.
does n't allow an earnest moment to pass without reminding audiences that it 's only a movie .
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doesn't let a serious moment pass without reminding the audience that it's just a movie.
back-stabbing , inter-racial desire
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to forget that they are actually movie folk
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84 minutes is short
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by kevin bray , whose crisp framing , edgy camera work , and wholesale ineptitude with acting , tone and pace very obviously mark him as a video helmer making his feature debut
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by Kevin Bray, whose crisp framing, daring camerawork and utter ineptitude of acting, tone and pacing mark him very obviously as a videographer making his feature film debut.
the pre-teen crowd
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are pure hollywood
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friday the 13th by way of clean and sober ,
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hunk
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he 's been responsible for putting together any movies of particular value or merit
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` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science
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“Science fiction” benefits from the fact that its target audience has not yet learned much about science.
its drastic iconography
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to the serbs themselves
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sentimentalizing it
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been responsible for putting together any movies of particular value or merit
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been responsible for making films of particular value or merit
i admire it and yet can not recommend it , because it overstays its natural running time .
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queasy infatuation and overall strangeness
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weird that i honestly never knew what the hell was coming next
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building up to the climactic burst of violence
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bidder
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of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty
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of an irritating inner solitude and a desperate grandeur that tend to characterize puberty
too many clever things
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with guns , expensive cars , lots of naked women and rocawear clothing
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spreading a puritanical brand of christianity
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spreading a puritanical brand of Christianity
thoughtful without having much dramatic impact
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its luckiest viewers will be seated next to one of those ignorant
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there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , but
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the passive-aggressive psychology of co-dependence
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and lesbian children
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an autopsy , the movie
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entrapment
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the first half of sorority boys
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by the shadowy lighting
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even after 90 minutes of playing opposite each other
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was essentially ,
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to the concept of loss
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that covers our deepest , media-soaked fears
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it 's light on the chills and heavy on the atmospheric weirdness ,
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as an exploratory medical procedure or an autopsy
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to the serbs themselves but also to a network of american right-wing extremists
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understatement
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sent back
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returned
echo of allusions
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their personalities undergo radical changes when it suits the script
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their personalities undergo drastic changes when it suits the storyline
director elie chouraqui , who co-wrote the script , catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ?
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Director Elie Chouraqui, who co-wrote the screenplay, captures the chaotic horror of war, but why bother if you want to subject the truth to the harrowing demands of the soap opera?
a student film
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the world 's political situation
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a tone poem of transgression .
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