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[ "Jamir and his two friends Sarah and Julien, go to their school's swimming pool to swim. Jamir swims 20 more meters per day than Sarah, who swims twice the distance Julien swims. They go to the swimming pool the whole week, swimming the same distances as before. If Julien swam 50 meters, what's the combined distance for three of them for the whole week?", "Here is the solution step by step:\n\nIf Julien swam for the whole week, then the total distance in meters that he covered is 50*7 = 350 meters.\nSarah swam twice the distance covered by Julien, which is 2*50 = 100 meters.\nSarah's total for the whole week is 100*7 = 700 meters.\nIf Jamir swam 20 meters more than Sarah, he covered 100+20 = 120 meters.\nJamir's total for the whole week is 120*7 = 840 meters.\nThe combined distance for all of them is 840+700+350 = 1890 meters." ]
nlp
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Jamir and his two friends Sarah and Julien, go to their school's swimming pool to swim. Jamir swims 20 more meters per day than Sarah, who swims twice the distance Julien swims. They go to the swimming pool the whole week, swimming the same distances as before. If Julien swam 50 meters, what's the combined distance for three of them for the whole week?", "Here is the solution step by step:\n\nIf Julien swam for the whole week, then the total distance in meters that he covered is 50*7 = 350 meters.\nSarah swam twice the distance covered by Julien, which is 2*50 = 100 meters.\nSarah's total for the whole week is 100*7 = 700 meters.\nIf Jamir swam 20 meters more than Sarah, he covered 100+20 = 120 meters.\nJamir's total for the whole week is 120*7 = 840 meters.\nThe combined distance for all of them is 840+700+350 = 1890 meters."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> nlp<|eot_id|><|eot_id|>
[ "Why isn't Sectumsempra an Unforgivable Curse?", "Not many people knew Sectumsempra - they'd need to know it exists to ban it.\nSeverus Snape invented Sectumsempra while at Hogwarts, and wrote it down in his Potions book. He doesn't seem to have told many people about it, it's possible he didn't tell anyone at all.\n\n“Harry was about to put his book away again when he noticed the corner of a page folded down; turning to it, he saw the Sectumsempra spell, captioned ‘For Enemies’, that he had marked a few weeks previously.” - Harry Potter and the Half-Blood Prince, Chapter 24 (Sectumsempra)\n\nHis book was hidden away until Harry found it, and Harry didn't tell the rest of the wizarding world about it either. Severus himself was seen using Sectumsempra when the Order was moving seven Harrys, and Harry had used it a few times after he found it in Snape's old book. Lupin knows of it, since he described it as one of Snape's specialties.\nHowever, they are probably some of the only people who know it - it isn't widely known like the three Unforgivable Curses. No one else, either in the Death Eaters or the Order of the Phoenix, is ever said to use it. It's likely that the Ministry didn't even know of it. Therefore, the Ministry wouldn't have even been able to make the decision to classify it as an Unforgivable Curse, since they would likely not have even known it existed.\nIf the Ministry knew about it, would it be classified as Unforgivable?\nThe reason it wasn't classified as an Unforgivable Curse is because the Ministry wouldn't have known about it - they would be unable to make any decision on something they don't know exists. That, by itself, doesn't say whether the Ministry would classify it as one if they knew about it.\nNot all potentially harmful spells are classified as Unforgivable Curses.\nIt's nowhere near guaranteed, though, that if the Ministry knew about Sectumsempra, that they'd classify it as an Unforgivable Curse. There are other spells that could clearly do harm. Just to give a few examples - Confringo, Flagrante, and the creation of Fiendfyre are all potentially harmful but not Unforgivable.\nIt's never mentioned why those three curses are classified as Unforgivable and others aren't, but it seems likely that it's because there are little to no uses for them that aren't evil. The punishment for using an Unforgivable Curse is a lifetime sentence in Azkaban, so only the worst curses, that are highly unlikely to ever have a non-Dark use, would be made Unforgivable.\n\n“Now … those three curses – Avada Kedavra, Imperius and Cruciatus – are known as the Unforgivable Curses. The use of any one of them on a fellow human being is enough to earn a life sentence in Azkaban.” - Harry Potter and the Goblet of Fire, Chapter 14 (The Unforgivable Curses)\n\nNow, would Sectumsempra fit the criteria for being made an Unforgivable Curse?\nProbably not - it cuts through things like a sword. It can be used for anything a sword, knife or other cutting tool can be used for. While using it on people might be considered Unforgivable, the spell itself is simply the act of cutting. There are many things a wizard might reasonably want to cut with no malicious intent; vegetables, rope, cloth, building materials. Because of this, it seems unlikely that even if the Ministry had known about it, it would be classified as an Unforgivable Curse.\nIn addition, there is a countercurse for Sectumsempra.\n\n“Pushing Harry roughly aside, he knelt over Malfoy, drew his wand and traced it over the deep wounds Harry’s curse had made, muttering an incantation that sounded almost like song. The flow of blood seemed to ease; Snape wiped the residue from Malfoy’s face and repeated his spell. Now the wounds seemed to be knitting. - Harry Potter and the Half-Blood Prince, Chapter 24 (Sectumsempra)\n\nWhile the wounds from Sectumsempra can't be healed by simple healing spells, they can in fact be healed by the countercurse.\nSo - Sectumsempra likely wouldn't be made Unforgivable if the Ministry knew it." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Why isn't Sectumsempra an Unforgivable Curse?", "Not many people knew Sectumsempra - they'd need to know it exists to ban it.\nSeverus Snape invented Sectumsempra while at Hogwarts, and wrote it down in his Potions book. He doesn't seem to have told many people about it, it's possible he didn't tell anyone at all.\n\n“Harry was about to put his book away again when he noticed the corner of a page folded down; turning to it, he saw the Sectumsempra spell, captioned ‘For Enemies’, that he had marked a few weeks previously.” - Harry Potter and the Half-Blood Prince, Chapter 24 (Sectumsempra)\n\nHis book was hidden away until Harry found it, and Harry didn't tell the rest of the wizarding world about it either. Severus himself was seen using Sectumsempra when the Order was moving seven Harrys, and Harry had used it a few times after he found it in Snape's old book. Lupin knows of it, since he described it as one of Snape's specialties.\nHowever, they are probably some of the only people who know it - it isn't widely known like the three Unforgivable Curses. No one else, either in the Death Eaters or the Order of the Phoenix, is ever said to use it. It's likely that the Ministry didn't even know of it. Therefore, the Ministry wouldn't have even been able to make the decision to classify it as an Unforgivable Curse, since they would likely not have even known it existed.\nIf the Ministry knew about it, would it be classified as Unforgivable?\nThe reason it wasn't classified as an Unforgivable Curse is because the Ministry wouldn't have known about it - they would be unable to make any decision on something they don't know exists. That, by itself, doesn't say whether the Ministry would classify it as one if they knew about it.\nNot all potentially harmful spells are classified as Unforgivable Curses.\nIt's nowhere near guaranteed, though, that if the Ministry knew about Sectumsempra, that they'd classify it as an Unforgivable Curse. There are other spells that could clearly do harm. Just to give a few examples - Confringo, Flagrante, and the creation of Fiendfyre are all potentially harmful but not Unforgivable.\nIt's never mentioned why those three curses are classified as Unforgivable and others aren't, but it seems likely that it's because there are little to no uses for them that aren't evil. The punishment for using an Unforgivable Curse is a lifetime sentence in Azkaban, so only the worst curses, that are highly unlikely to ever have a non-Dark use, would be made Unforgivable.\n\n“Now … those three curses – Avada Kedavra, Imperius and Cruciatus – are known as the Unforgivable Curses. The use of any one of them on a fellow human being is enough to earn a life sentence in Azkaban.” - Harry Potter and the Goblet of Fire, Chapter 14 (The Unforgivable Curses)\n\nNow, would Sectumsempra fit the criteria for being made an Unforgivable Curse?\nProbably not - it cuts through things like a sword. It can be used for anything a sword, knife or other cutting tool can be used for. While using it on people might be considered Unforgivable, the spell itself is simply the act of cutting. There are many things a wizard might reasonably want to cut with no malicious intent; vegetables, rope, cloth, building materials. Because of this, it seems unlikely that even if the Ministry had known about it, it would be classified as an Unforgivable Curse.\nIn addition, there is a countercurse for Sectumsempra.\n\n“Pushing Harry roughly aside, he knelt over Malfoy, drew his wand and traced it over the deep wounds Harry’s curse had made, muttering an incantation that sounded almost like song. The flow of blood seemed to ease; Snape wiped the residue from Malfoy’s face and repeated his spell. Now the wounds seemed to be knitting. - Harry Potter and the Half-Blood Prince, Chapter 24 (Sectumsempra)\n\nWhile the wounds from Sectumsempra can't be healed by simple healing spells, they can in fact be healed by the countercurse.\nSo - Sectumsempra likely wouldn't be made Unforgivable if the Ministry knew it."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "I know that the public practice of any religion other than Wahabbi Islam is strictly forbidden in Saudi Arabia, and there would be no places of worship. I also know that the morality police raided a a hotel several years ago where Mass was being celebrated, and arrested the priest and the acolytes.\nBut I am also told that many expats from countries with large Catholic communities such as the Philippines, India, and Sri Lanka do gather in private homes for worship. Is this officially tolerated, or would I endanger the hosts or other participants by asking about them?", "Essentially, there is no religious freedom in Saudi Arabia, and nobody is likely to openly change - indeed:\n\n> conversion from Islam to another religion is considered apostasy and punishable by death.\n\nAll citizens are considered Muslim by the state.\nIn 2008, the Vatican tried to get a Catholic Church built in Saudi Arabia, and had discussions with the Saudi government, but the result was that it was not permitted.\nSo that brings us to the Christians (including Catholics) that DO exist in the country. There are considered to be more than a million Roman Catholics in the country, as well as from many others.\n\n> Saudi Arabia allows Christians to enter the country as foreign workers for temporary work, but does not allow them to practice their faith openly. Because of that Christians generally only worship in secret within private homes. Items and articles belonging to religions other than Islam are prohibited. These include Bibles, crucifixes, statues, carvings, items with religious symbols, and others.\n\nSo, to your question about whether this secret practice is allowed or tolerated? Not so much. They have an entire 'government' organisation - The Saudi Arabian Mutaween (Arabic: مطوعين), or Committee for the Propagation of Virtue and the Prevention of Vice (i.e., the religious police) which prohibits the practice of any religion other than Islam.\nThe government also doesn't let clergy of other religions into the country for conducting religious services (naturally this means no Christian baptisms, weddings etc by official clergy legally).\nAnd if they find someone practising in their homes? International Christian Concern (ICC) protested what it reported as the 2001 detention of 11 Christians in Saudi Arabia, for practicing their religion in their homes. In June 2004, ICC reported on what it termed a \"pogrom-like\" crackdown by Saudi police on Christians after media reports of Koran desecration in Guantanamo Bay." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I know that the public practice of any religion other than Wahabbi Islam is strictly forbidden in Saudi Arabia, and there would be no places of worship. I also know that the morality police raided a a hotel several years ago where Mass was being celebrated, and arrested the priest and the acolytes.\nBut I am also told that many expats from countries with large Catholic communities such as the Philippines, India, and Sri Lanka do gather in private homes for worship. Is this officially tolerated, or would I endanger the hosts or other participants by asking about them?', 'Essentially, there is no religious freedom in Saudi Arabia, and nobody is likely to openly change - indeed:\n\n> conversion from Islam to another religion is considered apostasy and punishable by death.\n\nAll citizens are considered Muslim by the state.\nIn 2008, the Vatican tried to get a Catholic Church built in Saudi Arabia, and had discussions with the Saudi government, but the result was that it was not permitted.\nSo that brings us to the Christians (including Catholics) that DO exist in the country. There are considered to be more than a million Roman Catholics in the country, as well as from many others.\n\n> Saudi Arabia allows Christians to enter the country as foreign workers for temporary work, but does not allow them to practice their faith openly. Because of that Christians generally only worship in secret within private homes. Items and articles belonging to religions other than Islam are prohibited. These include Bibles, crucifixes, statues, carvings, items with religious symbols, and others.\n\nSo, to your question about whether this secret practice is allowed or tolerated? Not so much. They have an entire \'government\' organisation - The Saudi Arabian Mutaween (Arabic: مطوعين), or Committee for the Propagation of Virtue and the Prevention of Vice (i.e., the religious police) which prohibits the practice of any religion other than Islam.\nThe government also doesn\'t let clergy of other religions into the country for conducting religious services (naturally this means no Christian baptisms, weddings etc by official clergy legally).\nAnd if they find someone practising in their homes? International Christian Concern (ICC) protested what it reported as the 2001 detention of 11 Christians in Saudi Arabia, for practicing their religion in their homes. In June 2004, ICC reported on what it termed a "pogrom-like" crackdown by Saudi police on Christians after media reports of Koran desecration in Guantanamo Bay.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Apparently, the air inside a soap bubble is under higher pressure than the surrounding air. This is for instance apparent in the sound bubbles make when they burst. Why is the pressure inside the bubble higher in the first place?", "The increased pressure is caused by the surface tension between the soap and the surrounding air. This can be seen by a simple equilibrium energy argument. The total energy of the system reads\n$$\n E = E_i + E_o + E_s \\;,\n$$\nwhere $E_i$ is the energy associated with the air inside the bubble, $E_s$ is the interfacial energy, and $E_o$ denotes the energy associated with the air outside of the bubble. Importantly, the contribution of the surface energy is given by $E_s = 2 \\gamma A$, where $\\gamma$ is the surface tension and $A$ is the surface area of the bubble. The factor of 2 emerges, since there are actually two interfaces (one facing the inside of the soap bubble and one facing the outside).\n\nIn equilibrium, the total energy will be minimal. We thus analyze the total differential of the energy. Here, the differentials of the partial energies of the air can be approximated by the ideal gas law, which yields $dE_i = -p_i dV_i$ and $dE_o = -p_o dV_o$.\n\nNext, we have to discuss the degrees of freedom of the system. Generally, the soap bubble wants to keep its spherical shape to minimize the surface area (and thus the surface energy $E_s$) at a given volume. This leaves us with a single parameter, the radius $R$ of the bubble, which can be varied in any process. The volume differentials then become $dV_1 = 4\\pi R^2 dR$ and $dV_2 = -4\\pi R^2 dR$. Additionally, the surface area changes by $dA = 8\\pi R dR$. The differential of the surface energy thus reads $dE_s = 2\\gamma 8\\pi R dR$, provided that the surface tension stays constant.\n\nNow we got everything and can express the differential of the total energy as\n$$\n dE = -p_i 4 \\pi R^2 dR + p_o 4\\pi R^2 dR + 2\\gamma 8\\pi R dR \\;.\n$$\nDividing by $4\\pi R^2$ and noting that $dE/dR$ vanishes in equilibrium, we thus arrive at\n$$\n p_i - p_o = \\frac{4\\gamma}{R} \\;.\n$$\nThis expression shows that the pressure inside the bubble is large than outside. The pressure difference is two times the Laplace pressure $2\\gamma/R$.", "Can this be viewed intuitively from the perpective of the fact that in order for a bubble to form a higher-pressure must be applied to the air in front of the bubble; i.e. it must be blown into? Since this high-pressure air is the air that goes into the bubble, shouldn't this air be of this higher pressure for all time, rather like a balloon?", "It is true, that the ideas employed here are the same that would explain why the pressure inside a balloon is higher than outside. In order to inflate a balloon you want to blow extra air inside it. This is only possible when the pressure you create in your mouth is larger than the pressure in the interior of the balloon, since the air always flows from regions of large to small pressure in this example. Consequently, the fact that your have to blow quite a bit means that there is quite some pressure inside the balloon." ]
multi_turn
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Apparently, the air inside a soap bubble is under higher pressure than the surrounding air. This is for instance apparent in the sound bubbles make when they burst. Why is the pressure inside the bubble higher in the first place?', 'The increased pressure is caused by the surface tension between the soap and the surrounding air. This can be seen by a simple equilibrium energy argument. The total energy of the system reads\n$$\n E = E_i + E_o + E_s \\;,\n$$\nwhere $E_i$ is the energy associated with the air inside the bubble, $E_s$ is the interfacial energy, and $E_o$ denotes the energy associated with the air outside of the bubble. Importantly, the contribution of the surface energy is given by $E_s = 2 \\gamma A$, where $\\gamma$ is the surface tension and $A$ is the surface area of the bubble. The factor of 2 emerges, since there are actually two interfaces (one facing the inside of the soap bubble and one facing the outside).\n\nIn equilibrium, the total energy will be minimal. We thus analyze the total differential of the energy. Here, the differentials of the partial energies of the air can be approximated by the ideal gas law, which yields $dE_i = -p_i dV_i$ and $dE_o = -p_o dV_o$.\n\nNext, we have to discuss the degrees of freedom of the system. Generally, the soap bubble wants to keep its spherical shape to minimize the surface area (and thus the surface energy $E_s$) at a given volume. This leaves us with a single parameter, the radius $R$ of the bubble, which can be varied in any process. The volume differentials then become $dV_1 = 4\\pi R^2 dR$ and $dV_2 = -4\\pi R^2 dR$. Additionally, the surface area changes by $dA = 8\\pi R dR$. The differential of the surface energy thus reads $dE_s = 2\\gamma 8\\pi R dR$, provided that the surface tension stays constant.\n\nNow we got everything and can express the differential of the total energy as\n$$\n dE = -p_i 4 \\pi R^2 dR + p_o 4\\pi R^2 dR + 2\\gamma 8\\pi R dR \\;.\n$$\nDividing by $4\\pi R^2$ and noting that $dE/dR$ vanishes in equilibrium, we thus arrive at\n$$\n p_i - p_o = \\frac{4\\gamma}{R} \\;.\n$$\nThis expression shows that the pressure inside the bubble is large than outside. The pressure difference is two times the Laplace pressure $2\\gamma/R$.', "Can this be viewed intuitively from the perpective of the fact that in order for a bubble to form a higher-pressure must be applied to the air in front of the bubble; i.e. it must be blown into? Since this high-pressure air is the air that goes into the bubble, shouldn't this air be of this higher pressure for all time, rather like a balloon?", 'It is true, that the ideas employed here are the same that would explain why the pressure inside a balloon is higher than outside. In order to inflate a balloon you want to blow extra air inside it. This is only possible when the pressure you create in your mouth is larger than the pressure in the interior of the balloon, since the air always flows from regions of large to small pressure in this example. Consequently, the fact that your have to blow quite a bit means that there is quite some pressure inside the balloon.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> multi_turn<|eot_id|><|eot_id|>
[ "I'm working with another developer on a project, and we're using Github as our remote repo. I'm on a Mac using git 1.7.7.3, he's on Windows using git 1.7.6.\nThis is what's happening\n\n* One of us (let's call him developer A, but it doesn't matter which one) pushes a set of commits to GitHub.\n* The other (developer B) makes some local commits.\n* B does a ```git pull```.\n* B does a ```git push```.\n* Looking at the commit history log, I see Merge branch 'master' of github.com:foo/bar\n\nThe commit log gets littered with \"Merge branch\" messages over time, and also shows developer B as committing changes that developer A made. The only way we've found to prevent this issue has been to do a ```git pull --rebase``` at step 3, but I don't know what side effects rebasing will introduce. This is my first time working on a multi-developer git repo, so is this just normal behavior? Any thoughts on how to solve this issue?", "The commit you are seeing is perfectly fine. A ```pull``` effectively runs ```git fetch``` and then ```git merge``` so a merge is usually happening when you run ```git pull```.\n\nThe alternative to use rebasing instead of merging is possible, but usually you should avoid it. Rebasing allows you to keep a linear history, but also removes any information about the branching that originally happened. It will also cause the history of the current branch being rewritten, recreating all commits that are not contained in the target branch (in your case, the remote). As the recreated commits are different commits, this can cause a lot of confusion when developing together with others, especially when people already checked out parts of those commits before they get rewritten (for example with feature branches). So as a rule of thumb, you should never rewrite any commit that was already pushed.\n\nThe commits you see are there to combine two (or more) branches. It is perfectly fine to have a commit that does nothing else then merging multiple branches. In fact it makes it very clear when you have a merge commit that combines branches when looking at the history. In comparison to rebasing, merging also allows you to effectively see the original history as it was developed, including the actual branches that coexisted.\n\nSo, long story short: Yes, having merge commits is perfectly fine and you should not worry about them." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I\'m working with another developer on a project, and we\'re using Github as our remote repo. I\'m on a Mac using git 1.7.7.3, he\'s on Windows using git 1.7.6.\nThis is what\'s happening\n\n* One of us (let\'s call him developer A, but it doesn\'t matter which one) pushes a set of commits to GitHub.\n* The other (developer B) makes some local commits.\n* B does a ```git pull```.\n* B does a ```git push```.\n* Looking at the commit history log, I see Merge branch \'master\' of github.com:foo/bar\n\nThe commit log gets littered with "Merge branch" messages over time, and also shows developer B as committing changes that developer A made. The only way we\'ve found to prevent this issue has been to do a ```git pull --rebase``` at step 3, but I don\'t know what side effects rebasing will introduce. This is my first time working on a multi-developer git repo, so is this just normal behavior? Any thoughts on how to solve this issue?', 'The commit you are seeing is perfectly fine. A ```pull``` effectively runs ```git fetch``` and then ```git merge``` so a merge is usually happening when you run ```git pull```.\n\nThe alternative to use rebasing instead of merging is possible, but usually you should avoid it. Rebasing allows you to keep a linear history, but also removes any information about the branching that originally happened. It will also cause the history of the current branch being rewritten, recreating all commits that are not contained in the target branch (in your case, the remote). As the recreated commits are different commits, this can cause a lot of confusion when developing together with others, especially when people already checked out parts of those commits before they get rewritten (for example with feature branches). So as a rule of thumb, you should never rewrite any commit that was already pushed.\n\nThe commits you see are there to combine two (or more) branches. It is perfectly fine to have a commit that does nothing else then merging multiple branches. In fact it makes it very clear when you have a merge commit that combines branches when looking at the history. In comparison to rebasing, merging also allows you to effectively see the original history as it was developed, including the actual branches that coexisted.\n\nSo, long story short: Yes, having merge commits is perfectly fine and you should not worry about them.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "According to this famous blog post, the effective transcript length is:\n$\\tilde{l}_i = l_i - \\mu$\nwhere $l_i$ is the length of transcript and $\\mu$ is the average fragment length. However, typically fragment length is about 300bp. What if when the transcript $l_i$ is smaller than 300? How do you compute the effective length in this case?\nA related question: when computing the FPKM of a gene, how to choose a transcript? Do we choose a \"canonical\" transcript (how?) or combine the signals from all transcripts to a gene-level FPKM?", "The effective length is $\\tilde{l}_i = l_i - \\mu + 1$ (note the R code at the bottom of Harold's blog post), which in the case of $\\mu \n\nRegarding choosing a particular transcript, ideally one would use a method like salmon or kallisto (or RSEM if you have time to kill). Otherwise, your options are (A) choose the major isoform (if it's known in your tissue and condition) or (B) use a \"union gene model\" (sum the non-redundant exon lengths) or (C) take the median transcript length. None of those three options make much of a difference if you're comparing between samples, though they're all inferior to a salmon/kallisto/etc. metric.\n\nWhy are salmon et al. better methods? They don't use arbitrary metrics that will be the same across samples to determine the feature length. Instead, they use expectation maximization (or similarish, since at least salmon doesn't actually use EM) to quantify individual isoform usage. The effective gene length in a sample is then the average of the transcript lengths after weighting for their relative expression (yes, one should remove $\\mu$ in there). This can then vary between samples, which is quite useful if you have isoform switching between samples/groups in such a way that methods A-C above would miss (think of cases where the switch is to a smaller transcript with higher coverage over it...resulting in the coverage/length in methods A-C to be tamped down)." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['According to this famous blog post, the effective transcript length is:\n$\\tilde{l}_i = l_i - \\mu$\nwhere $l_i$ is the length of transcript and $\\mu$ is the average fragment length. However, typically fragment length is about 300bp. What if when the transcript $l_i$ is smaller than 300? How do you compute the effective length in this case?\nA related question: when computing the FPKM of a gene, how to choose a transcript? Do we choose a "canonical" transcript (how?) or combine the signals from all transcripts to a gene-level FPKM?', 'The effective length is $\\tilde{l}_i = l_i - \\mu + 1$ (note the R code at the bottom of Harold\'s blog post), which in the case of $\\mu \n\nRegarding choosing a particular transcript, ideally one would use a method like salmon or kallisto (or RSEM if you have time to kill). Otherwise, your options are (A) choose the major isoform (if it\'s known in your tissue and condition) or (B) use a "union gene model" (sum the non-redundant exon lengths) or (C) take the median transcript length. None of those three options make much of a difference if you\'re comparing between samples, though they\'re all inferior to a salmon/kallisto/etc. metric.\n\nWhy are salmon et al. better methods? They don\'t use arbitrary metrics that will be the same across samples to determine the feature length. Instead, they use expectation maximization (or similarish, since at least salmon doesn\'t actually use EM) to quantify individual isoform usage. The effective gene length in a sample is then the average of the transcript lengths after weighting for their relative expression (yes, one should remove $\\mu$ in there). This can then vary between samples, which is quite useful if you have isoform switching between samples/groups in such a way that methods A-C above would miss (think of cases where the switch is to a smaller transcript with higher coverage over it...resulting in the coverage/length in methods A-C to be tamped down).']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Your writer roommate dropped his notebook in the hallway while leaving the apartment. You open it at the bookmark. It describes how your day unfolded, in detail. Continue writing with this prompt.", "Mr. Willow this is case sensitive, please keep good track of this information. The following letter is detailing the last account of Ralph Baker, the person who disappeared. Good luck, and the sooner you track down that nightshade book, the better.\n\nThis is Ralph Baker, I live on 22 S, Pennyweather street, by the tall solar mills. Quickly, before we get into things, mother I love you, and I’m afraid I’m going to miss Jim’s wedding. Congratulations.\nAnyways, I don’t have the time for that anymore. \nHere is my story.\nAt 6pm I got home from work. It could have been a little later then that though. Either way, I got back to find a small blue book laying in the hallway. It had golden trim and the initials M. T. On its bind. I thought it could have been Patrice’s, my flatmate.\nPatrice was a strange person, always slow to speak and move. She carried a book with her always, in fact I don’t think I’d ever seen her without one. So I thought the blue one with the nightshade cover was just another of her collection.\nI opened the cover though, just to read a bit at what the novel was about, but it was blank.\nSurprised, I flipped through the book and landed on page 136. This page was not blank I quickly realized. And my realization turned to utter horror.\nThe page in front of me detailed everything about me. My height, weight, average distance between each step at a walking pace. Everything was crammed in, written in margins and on corners. It was my whole life.\nIt was me.\nThe end of the page told me how I was supposed to die, and I’m afraid it might come tru-\n\nThis letter was found under Ralph’s bed, It ends abruptly, and without reason. Take care Mr. Willow." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Your writer roommate dropped his notebook in the hallway while leaving the apartment. You open it at the bookmark. It describes how your day unfolded, in detail. Continue writing with this prompt.', 'Mr. Willow this is case sensitive, please keep good track of this information. The following letter is detailing the last account of Ralph Baker, the person who disappeared. Good luck, and the sooner you track down that nightshade book, the better.\n\nThis is Ralph Baker, I live on 22 S, Pennyweather street, by the tall solar mills. Quickly, before we get into things, mother I love you, and I’m afraid I’m going to miss Jim’s wedding. Congratulations.\nAnyways, I don’t have the time for that anymore. \nHere is my story.\nAt 6pm I got home from work. It could have been a little later then that though. Either way, I got back to find a small blue book laying in the hallway. It had golden trim and the initials M. T. On its bind. I thought it could have been Patrice’s, my flatmate.\nPatrice was a strange person, always slow to speak and move. She carried a book with her always, in fact I don’t think I’d ever seen her without one. So I thought the blue one with the nightshade cover was just another of her collection.\nI opened the cover though, just to read a bit at what the novel was about, but it was blank.\nSurprised, I flipped through the book and landed on page 136. This page was not blank I quickly realized. And my realization turned to utter horror.\nThe page in front of me detailed everything about me. My height, weight, average distance between each step at a walking pace. Everything was crammed in, written in margins and on corners. It was my whole life.\nIt was me.\nThe end of the page told me how I was supposed to die, and I’m afraid it might come tru-\n\nThis letter was found under Ralph’s bed, It ends abruptly, and without reason. Take care Mr. Willow.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "You're secretly a mind-reader. One of your classmates, a writer, has The Best daydreams. One keeps recurring, and you realize that they're stuck on a plothole. Write a story.", "It’s always been the same scene lately.\nAnn sighed as she scribbled something, before the scene started again. She was working on a book, and I’d been following the plot develop almost religiously. It was fascinating to watch the characters develop into people in front of my eyes, where as once they were simple dots without a voice.\nBut then the stories started and the characters developed with them. The heroine travelling ancient lands, experiencing a new world is never seen before. I watched the trees grow and the universe develop. I actually tasted the sweet fruits the party tasted and experienced the groups development into friends.\nBut now it was always the same scene. The final battle against the emperor lich.\nIs it bad that at this point I was invested in this make believe quest? That as the dreams became darker and darker, the brave heroine continuously being struck down, I couldn’t stop the pain in my heart? But I couldn’t look away, hoping to watch a happy ending.\nIt was like the day dream had become a part of me, every blade of grass I had seen so real I could touch it. The epic final battle, so vividly pictured I could smell the blood as the heroine was cut down again and again.\nI left the dream to look down at my incomplete work, which no longer felt real. My world had been dulled, unable to compare to other people day dreams. From floating cities to talking dogs to simple moments of someone cuddled up with a family member. Life had become so lonely since I tried to tell my friends about-\nI returned to the story Ann had woven, the touching tale of a group of friends that would always be there for each other no matter what, hoping this ending would be better." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["You're secretly a mind-reader. One of your classmates, a writer, has The Best daydreams. One keeps recurring, and you realize that they're stuck on a plothole. Write a story.", 'It’s always been the same scene lately.\nAnn sighed as she scribbled something, before the scene started again. She was working on a book, and I’d been following the plot develop almost religiously. It was fascinating to watch the characters develop into people in front of my eyes, where as once they were simple dots without a voice.\nBut then the stories started and the characters developed with them. The heroine travelling ancient lands, experiencing a new world is never seen before. I watched the trees grow and the universe develop. I actually tasted the sweet fruits the party tasted and experienced the groups development into friends.\nBut now it was always the same scene. The final battle against the emperor lich.\nIs it bad that at this point I was invested in this make believe quest? That as the dreams became darker and darker, the brave heroine continuously being struck down, I couldn’t stop the pain in my heart? But I couldn’t look away, hoping to watch a happy ending.\nIt was like the day dream had become a part of me, every blade of grass I had seen so real I could touch it. The epic final battle, so vividly pictured I could smell the blood as the heroine was cut down again and again.\nI left the dream to look down at my incomplete work, which no longer felt real. My world had been dulled, unable to compare to other people day dreams. From floating cities to talking dogs to simple moments of someone cuddled up with a family member. Life had become so lonely since I tried to tell my friends about-\nI returned to the story Ann had woven, the touching tale of a group of friends that would always be there for each other no matter what, hoping this ending would be better.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "How do I add Git submodule to a sub-directory?", "You go into ~/.janus and run:\n\n```git submodule add <git@github ...> snipmate-snippets/snippets/```\n\nIf you need more information about submodules (or git in general) ProGit is pretty useful." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How do I add Git submodule to a sub-directory?', 'You go into ~/.janus and run:\n\n```git submodule add <git@github ...> snipmate-snippets/snippets/```\n\nIf you need more information about submodules (or git in general) ProGit is pretty useful.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to wear long coats?", "A long coat is a nice item to have in any closet, especially for people living in colder climates. There is a variety of styles of long coats as well as ways you can wear them. Make your long coat work for you by finding a style that fits you, dressing it down for casual daily wear, or adding it on top of a dressy outfit for a formal occasion.\n\n## Choose the right coat\n\n1. Try a fit-and-flare coat for the illusion of a thinner waist. For a long coat that hides a thick waist, try a fit-and-flare style. These coats fit tighter around the waist and then flare out at the hips. The tops are often double-breasted, and there are strategically placed seams on them to create a thinner look. Solid black and vertical stripes also make people look thinner. Experiment with these colors if you’re concerned about making your waist look thinner.\n2. Balance out wide hips with a voluminous collar on your coat. If you’d like to create the illusion of smaller hips, choose a coat that has a large collar such as a shawl collar or large faux-fur collar. The volume of the collar will draw attention away from the bottom half of your coat.\n3. Add curves to a narrow frame with a belted coat. Belts add dimension to long, straight coats. Look for a long coat with a thick wrap-around belt if you’d like to make your thin frame look curvier. Subtle pleats around the waist also help to add curves. Colors and patterns that add dimension for a thin person include light colors and plaid.\n4. Hide a rounder belly with a full-length men’s coat. Most younger men today wear knee-length long coats, but that length looks best on trim men who can wear a more form-fitting coat. Full-length coats go past the knee to the mid-calf, and are nice for disguising a heavier figure. Full-length coats are also considerably warmer, so they are ideal for cold climates.\n5. Go with a double-breasted knee-length coat if you’re petite. Long coats can easily swallow up a short person. A way to solve this is to keep the coat around knee-length or just past your knees. Double-breasted coats with a large envelope collar keep a proportioned look to a longer coat worn on a petite person. If you are of an average or taller height, you can easily pull off full-length coats that go past the knee to your mid-calf or below.\n6. Do the hug test to make sure the coat isn’t too small. It’s easy to buy a long coat that’s too small because the length of the coat may make you think it fits you. To check, try the coat on and wrap your arms around yourself, trying to touch the opposite shoulder with each hand. If the coat feels really tight in the shoulders or elbows, you should go with the next size up. You can also check the sleeve length by holding your arms straight out in front of you. If the sleeves go up 2–3 in (5.1–7.6 cm) past your wrists, you probably need the next size up. The sleeve end should fall within 1 in (2.5 cm) of you wrist when your arms are up, and go almost to your knuckles when they are down.\n7. Check that the shoulder seams line up with your shoulders. On a properly fitting coat, the shoulder seams should line up with your shoulders. If they go down near your biceps, the coat is either too big or it is supposed to have an oversized shape to it. Either try on the next size down, or confirm that oversized is the style that you’re going for. Consider getting a coat tailored for you if cannot find a coat that fits correctly across your chest and shoulders as well as the length of your arms.\n8. Choose a wool coat for the longest winter wear. Long coats come in a variety of fabrics, but if you’re planning to wear your coat for a long time during the winter, invest in 100% wool or a wool-cashmere blend. Coats made with all cashmere tend to show wear much faster. If you intend to wear your jacket in fall, spring, or summer weather, you have more options for fabric, including cotton and twill.\n\n\n## Wear a long coat casually\n\n1. Wear a black coat with ripped jeans and sneakers for a go-anywhere look. Long black coats are versatile because they can be casual or formal. Pair yours with ripped blue or black skinny jeans, a fitted graphic T-shirt, and your favorite sneakers. Plain white sneakers are a popular classic with this look, but you can experiment with vintage, black and white, or skate style sneakers to individualize the style.\n2. Pair baggy trousers with an oversized maxi coat and sunglasses for comfort. If you’re looking to stay both comfortable and warm this winter, wear baggy black trousers rolled at the ankles with a cozy V-neck shirt under any color oversized maxi coat. Grey is a popular coat color for this look, but you can try navy or even a patterned coat. Sunglasses pull off the chic casual style of this look. Go with plain black glasses of any shape that you like. Try this look with either white sneakers or laced ankle boots.\n3. Wear a floor length coat with flared denim as an elegant-casual crossover. Floor-length coats take the classic long coat a few steps further; you can pull off a very cute, elegant casual look by pairing one with flared denim jeans. Wear this with an oversized knit sweater and dressy boots to complete the look. Add large sunglasses and a scarf to this look for extra flare.\n4. Try a long camel coat with a scarf for an intellectual touch. Long camel coats have an automatically sophisticated feel to them and are popular in the fall. Pair yours with black skinny jeans and a wide oversized scarf to look ready to hit the books. Complete this look with crisp white low-cut sneakers, a sweater, and pair of glasses.\n5. Add a beanie to any long coat for a fun casual look. Take the seriousness out of a long coat by adding a slouchy beanie on your head. Wear jeans or sweatpants, a long-sleeved T-shirt, and a pair of ankle boots or sneakers to finish off this casual style.\n6. Make an extra-long coat punk with colorful lace-up ankle boots. To achieve an 80s punk-inspired look, wear black skinny jeans and a button-down shirt with combat style boots under a mid-calf coat. To really finish off this look, add a few 1 inch (2.5 cm) band pins, or badges, to the lapels of your coat. Wear a pair of black sunglasses with this look to give it an extra rock-star vibe.\n7. Pair a pale maxi coat with cropped denim and a white T-shirt in the spring. Long coats aren’t just for fall and winter; you can pair lighter long jackets with a variety of spring looks as well. Try a pale blue, pink, or white long coat with light blue cropped jeans or shorts. Add a colorful fitted T-shirt and sandals to complete the look. Instead of denim, wear a short spring sundress and casual sandals under your light long coat for cute but informal effect.\n\n\n## Dress up with a long coat\n\n1. Wear a long coat over black cigarette pants and heels for a sophisticated look. A long coat that’s camel, grey, navy, red, or patterned looks great over top of black cigarette pants and heels. Wear a black blouse with this outfit, and try to match your heels with the coat for the best effect. For example, a camel coat with this outfit looks elegant with a pair of shiny nude heels.\n2. Try a long faux-fur coat with strappy heels for an elegant edge. No need to spend lots of money on real fur – there are many nice faux fur options out there for coats. Choose a black or white faux-fur coat and pair it with strappy heels, a short or mid-length skirt, or capris pants for an elegant look. Either chunky or stiletto heels work for this look; just make sure they are high and strappy.\n3. Pair leather leggings and heels with an extra-long black coat for serious glam. Find yourself a pair of black faux leather leggings and combine them with black heels of your choice for a glamourous look. Wear a simple white blouse underneath to finish off this look. Add a pair of classic large black sunglasses to this look for some extra glam.\n4. Wear a long unbuttoned coat over a cocktail dress for a night out. Go with a plain button-down black coat over a dark colored dress in the winter, or pair a lightweight camel trench coat over a light-colored or floral dress in the summer. Add heels to match your dress and jewelry to be ready for any formal occasion.\n5. Wear a Paletot or Guards’ coat for versatility. The Paletot and Guards’ coat styles are classic business coats for men that can be worn for any formal occasion. They are double-breasted with 2 rows of 6 buttons and peaked lapels. Navy blue or charcoal colors of this coat can be worn to a business meeting, over a tuxedo, or to a funeral.\n6. Pair a fitted long coat with dress trousers and loafers for any formal occasion. Dress trousers and shiny loafers, paired with a tucked button-down shirt, look sharp under any fitted long coat. Match your trousers to the coat and choose a dark colored shirt in the winter, or a lighter colored shirt in the summer. Add a tie that compliments your shirt to make this look extra formal.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to wear long coats?', 'A long coat is a nice item to have in any closet, especially for people living in colder climates. There is a variety of styles of long coats as well as ways you can wear them. Make your long coat work for you by finding a style that fits you, dressing it down for casual daily wear, or adding it on top of a dressy outfit for a formal occasion.\n\n## Choose the right coat\n\n1. Try a fit-and-flare coat for the illusion of a thinner waist. For a long coat that hides a thick waist, try a fit-and-flare style. These coats fit tighter around the waist and then flare out at the hips. The tops are often double-breasted, and there are strategically placed seams on them to create a thinner look. Solid black and vertical stripes also make people look thinner. Experiment with these colors if you’re concerned about making your waist look thinner.\n2. Balance out wide hips with a voluminous collar on your coat. If you’d like to create the illusion of smaller hips, choose a coat that has a large collar such as a shawl collar or large faux-fur collar. The volume of the collar will draw attention away from the bottom half of your coat.\n3. Add curves to a narrow frame with a belted coat. Belts add dimension to long, straight coats. Look for a long coat with a thick wrap-around belt if you’d like to make your thin frame look curvier. Subtle pleats around the waist also help to add curves. Colors and patterns that add dimension for a thin person include light colors and plaid.\n4. Hide a rounder belly with a full-length men’s coat. Most younger men today wear knee-length long coats, but that length looks best on trim men who can wear a more form-fitting coat. Full-length coats go past the knee to the mid-calf, and are nice for disguising a heavier figure. Full-length coats are also considerably warmer, so they are ideal for cold climates.\n5. Go with a double-breasted knee-length coat if you’re petite. Long coats can easily swallow up a short person. A way to solve this is to keep the coat around knee-length or just past your knees. Double-breasted coats with a large envelope collar keep a proportioned look to a longer coat worn on a petite person. If you are of an average or taller height, you can easily pull off full-length coats that go past the knee to your mid-calf or below.\n6. Do the hug test to make sure the coat isn’t too small. It’s easy to buy a long coat that’s too small because the length of the coat may make you think it fits you. To check, try the coat on and wrap your arms around yourself, trying to touch the opposite shoulder with each hand. If the coat feels really tight in the shoulders or elbows, you should go with the next size up. You can also check the sleeve length by holding your arms straight out in front of you. If the sleeves go up 2–3 in (5.1–7.6 cm) past your wrists, you probably need the next size up. The sleeve end should fall within 1 in (2.5 cm) of you wrist when your arms are up, and go almost to your knuckles when they are down.\n7. Check that the shoulder seams line up with your shoulders. On a properly fitting coat, the shoulder seams should line up with your shoulders. If they go down near your biceps, the coat is either too big or it is supposed to have an oversized shape to it. Either try on the next size down, or confirm that oversized is the style that you’re going for. Consider getting a coat tailored for you if cannot find a coat that fits correctly across your chest and shoulders as well as the length of your arms.\n8. Choose a wool coat for the longest winter wear. Long coats come in a variety of fabrics, but if you’re planning to wear your coat for a long time during the winter, invest in 100% wool or a wool-cashmere blend. Coats made with all cashmere tend to show wear much faster. If you intend to wear your jacket in fall, spring, or summer weather, you have more options for fabric, including cotton and twill.\n\n\n## Wear a long coat casually\n\n1. Wear a black coat with ripped jeans and sneakers for a go-anywhere look. Long black coats are versatile because they can be casual or formal. Pair yours with ripped blue or black skinny jeans, a fitted graphic T-shirt, and your favorite sneakers. Plain white sneakers are a popular classic with this look, but you can experiment with vintage, black and white, or skate style sneakers to individualize the style.\n2. Pair baggy trousers with an oversized maxi coat and sunglasses for comfort. If you’re looking to stay both comfortable and warm this winter, wear baggy black trousers rolled at the ankles with a cozy V-neck shirt under any color oversized maxi coat. Grey is a popular coat color for this look, but you can try navy or even a patterned coat. Sunglasses pull off the chic casual style of this look. Go with plain black glasses of any shape that you like. Try this look with either white sneakers or laced ankle boots.\n3. Wear a floor length coat with flared denim as an elegant-casual crossover. Floor-length coats take the classic long coat a few steps further; you can pull off a very cute, elegant casual look by pairing one with flared denim jeans. Wear this with an oversized knit sweater and dressy boots to complete the look. Add large sunglasses and a scarf to this look for extra flare.\n4. Try a long camel coat with a scarf for an intellectual touch. Long camel coats have an automatically sophisticated feel to them and are popular in the fall. Pair yours with black skinny jeans and a wide oversized scarf to look ready to hit the books. Complete this look with crisp white low-cut sneakers, a sweater, and pair of glasses.\n5. Add a beanie to any long coat for a fun casual look. Take the seriousness out of a long coat by adding a slouchy beanie on your head. Wear jeans or sweatpants, a long-sleeved T-shirt, and a pair of ankle boots or sneakers to finish off this casual style.\n6. Make an extra-long coat punk with colorful lace-up ankle boots. To achieve an 80s punk-inspired look, wear black skinny jeans and a button-down shirt with combat style boots under a mid-calf coat. To really finish off this look, add a few 1 inch (2.5 cm) band pins, or badges, to the lapels of your coat. Wear a pair of black sunglasses with this look to give it an extra rock-star vibe.\n7. Pair a pale maxi coat with cropped denim and a white T-shirt in the spring. Long coats aren’t just for fall and winter; you can pair lighter long jackets with a variety of spring looks as well. Try a pale blue, pink, or white long coat with light blue cropped jeans or shorts. Add a colorful fitted T-shirt and sandals to complete the look. Instead of denim, wear a short spring sundress and casual sandals under your light long coat for cute but informal effect.\n\n\n## Dress up with a long coat\n\n1. Wear a long coat over black cigarette pants and heels for a sophisticated look. A long coat that’s camel, grey, navy, red, or patterned looks great over top of black cigarette pants and heels. Wear a black blouse with this outfit, and try to match your heels with the coat for the best effect. For example, a camel coat with this outfit looks elegant with a pair of shiny nude heels.\n2. Try a long faux-fur coat with strappy heels for an elegant edge. No need to spend lots of money on real fur – there are many nice faux fur options out there for coats. Choose a black or white faux-fur coat and pair it with strappy heels, a short or mid-length skirt, or capris pants for an elegant look. Either chunky or stiletto heels work for this look; just make sure they are high and strappy.\n3. Pair leather leggings and heels with an extra-long black coat for serious glam. Find yourself a pair of black faux leather leggings and combine them with black heels of your choice for a glamourous look. Wear a simple white blouse underneath to finish off this look. Add a pair of classic large black sunglasses to this look for some extra glam.\n4. Wear a long unbuttoned coat over a cocktail dress for a night out. Go with a plain button-down black coat over a dark colored dress in the winter, or pair a lightweight camel trench coat over a light-colored or floral dress in the summer. Add heels to match your dress and jewelry to be ready for any formal occasion.\n5. Wear a Paletot or Guards’ coat for versatility. The Paletot and Guards’ coat styles are classic business coats for men that can be worn for any formal occasion. They are double-breasted with 2 rows of 6 buttons and peaked lapels. Navy blue or charcoal colors of this coat can be worn to a business meeting, over a tuxedo, or to a funeral.\n6. Pair a fitted long coat with dress trousers and loafers for any formal occasion. Dress trousers and shiny loafers, paired with a tucked button-down shirt, look sharp under any fitted long coat. Match your trousers to the coat and choose a dark colored shirt in the winter, or a lighter colored shirt in the summer. Add a tie that compliments your shirt to make this look extra formal.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "How to go to amarnath temple?", "## Plan and prepare for the trip\n\n1. Plan to visit between June and August. Since snow and ice usually cover the cave temple, you won’t be able to access it during the cold winter and spring months. Wait until mid-June or July to plan your trip to the Amarnath Temple. Usually, the cave stays open through the first 1–2 weeks of August before it closes due to the terrain getting too difficult for travel. The actual dates when you can travel to the temple are chosen by the Shri Amarnathji Shrine Board (SASB) and it varies depending on the weather and how clear the trails are. You will not be able to reach the Amarnath Temple at any other time of the year.\n2. Get a Compulsory Health Certificate by a doctor approved by the SASB. Look at the list of approved doctors on the SASB website and schedule an appointment to see one. Bring the Compulsory Health Certificate from the site with you and fill out the self-assessment on top. Allow your doctor to run any tests to check if you’re fit for traveling to the Amarnath Temple. If they approve you for traveling, then you’ll be able to make the journey.You can find the Compulsory Health Certificate for 2020 here: http://www.shriamarnathjishrine.com/Yatra2019/CHC%20form%20for%20Yatra%20-%202020.pdf. The certificate you need changes each year, so make sure you’re using the proper one. Since the Amarnath Temple is 4,000 metres (2.5 mi) above sea level, it’s possible to get altitude sickness if you aren’t fit enough for the trip.Warning: You will not be allowed to go to Amarnath Temple if you are under 13, over 75, or more than 6 weeks pregnant.\n3. Submit a registration form online to the SASB. Select the date you want to travel to the temple on the calendar at the top of the page. Fill out the personal details on the registration form completely, including your name, birthday, phone number, and address. Then, list the clinic and doctor that completed your Compulsory Health Certificate. Upload a photograph of yourself and a scanned copy of the certificate before submitting the registration form.You can find the online registration form here: http://jksasb.nic.in/register.aspx. If you are accepted to travel to the temple, you will receive a text or email message about how to pay the 50 INR ($0.70 USD) fee. When you receive a permit, you must keep a copy on you at all times during your trip.\n4. Start taking 4–5 km (2.5–3.1 mi) walks 1 month prior to your trip. Start building up your endurance at least 1–2 months before your scheduled date of departure. Try to take the walks in the early morning or evening so you can get used to breathing in cool air. Continue taking walks each day up until you leave so you don’t get exhausted while you hike to the temple.You can also practice deep breathing exercises and yoga so you’re able to improve your oxygen efficiency. This will help you breathe easier when you’re at a higher altitude since there isn’t as much oxygen in the air.\n5. Pack warm clothes, waterproof shoes, a water bottle, and a walking stick. Only bring a lightweight, waterproof bag so you don’t get exhausted while you’re trekking to the temple. Opt for wool clothes that are waterproof so you stay warm. Make sure you use waterproof trekking shoes and a walking stick so you’re easily able to traverse more difficult terrain. Since you'll be active, opt for a reusable water bottle as well.Other things you may need for your trip include an umbrella, flashlight, hat, gloves, and a raincoat. The weather can be unpredictable and temperatures may dip below 5 °C (41 °F) during the night. You don’t have to bring tents or sleeping bags since there will be sites where you can spend the night.\n\n\n## Get to the temple\n\n1. Choose the Pahalgam route for an easier trek that lasts 3–5 days total. Select Pahalgam as your starting point if you want to follow the traditional pilgrimage route to the temple. While the trip does take longer to complete, it doesn’t have any steep slopes that are difficult to climb, and you can ride or use ponies during most of the ascent. You will hike about 48 kilometres (30 mi) if you go from Pahalgam to the Amarnath Temple. You don’t have to pay any additional fees to take the Pahalgam route.\n2. Pick the Baltal route for a steep climb that only takes 1–2 days round trip. If you’re an experienced climber or you feel like making the trip within a shorter amount of time, opt to start in Baltal, which is just north of the temple. Though the route from Baltal is much steeper than the path from Pahalgam, you can make the round-trip journey within a day.Plan to hike about 14 kilometres (8.7 mi) using the Baltal route. If you’re too tired to descend back to Baltal, you can opt to stay at a camp at the top overnight before leaving the next day. There are no other fees to take the Baltal route.Warning: Ponies are not allowed on the Baltal route since it’s too steep, so you will have to walk the entire way.\n3. Fly into Srinagar to get the closest to either base camp. Look for flights that come into the Srinagar International Airport, since it’s only 2–3 hours from both Pahalgam and Baltalhead. Try to schedule your flight into the airport 1–2 days before the date you’re scheduled to go to Amarnath Temple so you have time to travel.You can also fly or take a train to Jammu, but you’ll need to drive or take a bus further to to the base camps.\n4. Take a bus or taxi to the base camp you selected. Look for a bus or taxi service that runs from Srinagar to either Pahalgam or Baltal, depending on which route you plan on traveling. Typically, your ride will only last around 2–3 hours, but it may take longer depending on the road conditions.If you have a vehicle, you can also drive yourself to the base camps. Usually, there is some on-site parking, but it may be busy due to the number of travelers for the pilgrimage.\n5. Hire a helicopter tour if you don’t want to hike all the way to the temple. Helicopters fly out from both Pahalgam and Baltal, so you can reserve them for either base camp. Choose the date that you want to travel to the temple and reserve your spot. Arrive at the helicopter port on your scheduled day and take it up toward the temple. The helicopter will be able to take you as close as 6 kilometres (3.7 mi) away, but you will need to hike the rest of the way.Typically, a helicopter tour will cost around 3,600 INR ($50 USD) for a round trip.\n\n\n## Trek to the cave\n\n1. Carry your belongings in a waterproof bag. Store your clothes and everything you’ve brought with you in a waterproof bag or backpack so they don’t get wet. Use a bag that fits tightly on your shoulders and back so it doesn’t cause any strain while you climb up to the temple. Make sure you zip the bag at all times so water doesn’t leak inside or get your things wet. Weather can be unpredictable during your ascent, so it may snow or rain while you’re climbing to the temple.\n2. Stop at tea stalls or small restaurant huts for meals and drinks. Look for small huts or stands along the route to the temple to see what kind of food and drinks they offer. Pay for the rations and enjoy them at one of the camps along the route. Otherwise, save non-perishable food in your bag so you can have it later during your trek.Some stalls may charge for food while others volunteer and provide meals for free.Tip: Always carry some back-up snacks, such as dried fruits or nuts, with you so you can eat as you get hungry.\n3. Protect your skin with sunscreen or petroleum jelly. Keep a bottle of sunscreen or petroleum jelly in your bag so you have access to it whenever you need it. Apply it to your exposed skin and rub it in until it’s clear so it can absorb fully. After 2 hours, put on another layer so you stay protected from the sun.Petroleum jelly can also help keep your skin from drying out due to the cold, dry air.\n4. Rest at the camps set up along the route. Look for tents and huts along the route where you’re able to rest for the night during your trip. Pay for tent rental and take time to relax so you don’t feel too exhausted when you reach the shrine. Make sure your clothes aren’t wet before you fall asleep so you don’t get cold at night.If you’re shivering, slurring speech, experiencing blurry vision, or feeling nauseous, you may be experiencing altitude sickness. Rest as soon as possible and avoid climbing any higher.\n5. Pray to Shiva at the ice lingam when you reach the holy shrine. When you reach the Amarnath Temple, take off your shoes and enter the cave to see the ice lingam, which is a tall column of ice that’s considered holy. Say a prayer to Shiva while you’re next to the lingam before exiting the shrine.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to go to amarnath temple?', "## Plan and prepare for the trip\n\n1. Plan to visit between June and August. Since snow and ice usually cover the cave temple, you won’t be able to access it during the cold winter and spring months. Wait until mid-June or July to plan your trip to the Amarnath Temple. Usually, the cave stays open through the first 1–2 weeks of August before it closes due to the terrain getting too difficult for travel. The actual dates when you can travel to the temple are chosen by the Shri Amarnathji Shrine Board (SASB) and it varies depending on the weather and how clear the trails are. You will not be able to reach the Amarnath Temple at any other time of the year.\n2. Get a Compulsory Health Certificate by a doctor approved by the SASB. Look at the list of approved doctors on the SASB website and schedule an appointment to see one. Bring the Compulsory Health Certificate from the site with you and fill out the self-assessment on top. Allow your doctor to run any tests to check if you’re fit for traveling to the Amarnath Temple. If they approve you for traveling, then you’ll be able to make the journey.You can find the Compulsory Health Certificate for 2020 here: http://www.shriamarnathjishrine.com/Yatra2019/CHC%20form%20for%20Yatra%20-%202020.pdf. The certificate you need changes each year, so make sure you’re using the proper one. Since the Amarnath Temple is 4,000 metres (2.5 mi) above sea level, it’s possible to get altitude sickness if you aren’t fit enough for the trip.Warning: You will not be allowed to go to Amarnath Temple if you are under 13, over 75, or more than 6 weeks pregnant.\n3. Submit a registration form online to the SASB. Select the date you want to travel to the temple on the calendar at the top of the page. Fill out the personal details on the registration form completely, including your name, birthday, phone number, and address. Then, list the clinic and doctor that completed your Compulsory Health Certificate. Upload a photograph of yourself and a scanned copy of the certificate before submitting the registration form.You can find the online registration form here: http://jksasb.nic.in/register.aspx. If you are accepted to travel to the temple, you will receive a text or email message about how to pay the 50 INR ($0.70 USD) fee. When you receive a permit, you must keep a copy on you at all times during your trip.\n4. Start taking 4–5 km (2.5–3.1 mi) walks 1 month prior to your trip. Start building up your endurance at least 1–2 months before your scheduled date of departure. Try to take the walks in the early morning or evening so you can get used to breathing in cool air. Continue taking walks each day up until you leave so you don’t get exhausted while you hike to the temple.You can also practice deep breathing exercises and yoga so you’re able to improve your oxygen efficiency. This will help you breathe easier when you’re at a higher altitude since there isn’t as much oxygen in the air.\n5. Pack warm clothes, waterproof shoes, a water bottle, and a walking stick. Only bring a lightweight, waterproof bag so you don’t get exhausted while you’re trekking to the temple. Opt for wool clothes that are waterproof so you stay warm. Make sure you use waterproof trekking shoes and a walking stick so you’re easily able to traverse more difficult terrain. Since you'll be active, opt for a reusable water bottle as well.Other things you may need for your trip include an umbrella, flashlight, hat, gloves, and a raincoat. The weather can be unpredictable and temperatures may dip below 5 °C (41 °F) during the night. You don’t have to bring tents or sleeping bags since there will be sites where you can spend the night.\n\n\n## Get to the temple\n\n1. Choose the Pahalgam route for an easier trek that lasts 3–5 days total. Select Pahalgam as your starting point if you want to follow the traditional pilgrimage route to the temple. While the trip does take longer to complete, it doesn’t have any steep slopes that are difficult to climb, and you can ride or use ponies during most of the ascent. You will hike about 48 kilometres (30 mi) if you go from Pahalgam to the Amarnath Temple. You don’t have to pay any additional fees to take the Pahalgam route.\n2. Pick the Baltal route for a steep climb that only takes 1–2 days round trip. If you’re an experienced climber or you feel like making the trip within a shorter amount of time, opt to start in Baltal, which is just north of the temple. Though the route from Baltal is much steeper than the path from Pahalgam, you can make the round-trip journey within a day.Plan to hike about 14 kilometres (8.7 mi) using the Baltal route. If you’re too tired to descend back to Baltal, you can opt to stay at a camp at the top overnight before leaving the next day. There are no other fees to take the Baltal route.Warning: Ponies are not allowed on the Baltal route since it’s too steep, so you will have to walk the entire way.\n3. Fly into Srinagar to get the closest to either base camp. Look for flights that come into the Srinagar International Airport, since it’s only 2–3 hours from both Pahalgam and Baltalhead. Try to schedule your flight into the airport 1–2 days before the date you’re scheduled to go to Amarnath Temple so you have time to travel.You can also fly or take a train to Jammu, but you’ll need to drive or take a bus further to to the base camps.\n4. Take a bus or taxi to the base camp you selected. Look for a bus or taxi service that runs from Srinagar to either Pahalgam or Baltal, depending on which route you plan on traveling. Typically, your ride will only last around 2–3 hours, but it may take longer depending on the road conditions.If you have a vehicle, you can also drive yourself to the base camps. Usually, there is some on-site parking, but it may be busy due to the number of travelers for the pilgrimage.\n5. Hire a helicopter tour if you don’t want to hike all the way to the temple. Helicopters fly out from both Pahalgam and Baltal, so you can reserve them for either base camp. Choose the date that you want to travel to the temple and reserve your spot. Arrive at the helicopter port on your scheduled day and take it up toward the temple. The helicopter will be able to take you as close as 6 kilometres (3.7 mi) away, but you will need to hike the rest of the way.Typically, a helicopter tour will cost around 3,600 INR ($50 USD) for a round trip.\n\n\n## Trek to the cave\n\n1. Carry your belongings in a waterproof bag. Store your clothes and everything you’ve brought with you in a waterproof bag or backpack so they don’t get wet. Use a bag that fits tightly on your shoulders and back so it doesn’t cause any strain while you climb up to the temple. Make sure you zip the bag at all times so water doesn’t leak inside or get your things wet. Weather can be unpredictable during your ascent, so it may snow or rain while you’re climbing to the temple.\n2. Stop at tea stalls or small restaurant huts for meals and drinks. Look for small huts or stands along the route to the temple to see what kind of food and drinks they offer. Pay for the rations and enjoy them at one of the camps along the route. Otherwise, save non-perishable food in your bag so you can have it later during your trek.Some stalls may charge for food while others volunteer and provide meals for free.Tip: Always carry some back-up snacks, such as dried fruits or nuts, with you so you can eat as you get hungry.\n3. Protect your skin with sunscreen or petroleum jelly. Keep a bottle of sunscreen or petroleum jelly in your bag so you have access to it whenever you need it. Apply it to your exposed skin and rub it in until it’s clear so it can absorb fully. After 2 hours, put on another layer so you stay protected from the sun.Petroleum jelly can also help keep your skin from drying out due to the cold, dry air.\n4. Rest at the camps set up along the route. Look for tents and huts along the route where you’re able to rest for the night during your trip. Pay for tent rental and take time to relax so you don’t feel too exhausted when you reach the shrine. Make sure your clothes aren’t wet before you fall asleep so you don’t get cold at night.If you’re shivering, slurring speech, experiencing blurry vision, or feeling nauseous, you may be experiencing altitude sickness. Rest as soon as possible and avoid climbing any higher.\n5. Pray to Shiva at the ice lingam when you reach the holy shrine. When you reach the Amarnath Temple, take off your shoes and enter the cave to see the ice lingam, which is a tall column of ice that’s considered holy. Say a prayer to Shiva while you’re next to the lingam before exiting the shrine.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "Why is it \"behead\" and not \"dehead\"?", "We didn’t use de-head because we already had a verb behead by the time we started using de- to create verbs: behead was a verb in Old English, behéafdian. \n\nSo behead was already used long before the de- privative prefix came to be used productively in English. That didn’t happen until Modern English with a few productive examples in the 17ᵗʰ century but most coming from the 19ᵗʰ century or after. As Janus mentions in comments, the de- word meaning the same thing, decapitate, was imported in full with the de- already there, from Latin via French, in the 17ᵗʰ century.\n\nThere are many different possible senses of be- in verbs; the OED lists six different primary senses with subsenses. This here in behead is one of the rarer ones. Under be- sense 6c, it says that this privative sense of be- used to create behead is an ancient sense that means bereave of:\n\n \nForming trans. verbs on substantives used in an instrumental relation; the primary idea being; \n* a. To surround, cover, or bedaub with, as in becloud, to put clouds about, cover with clouds, bedew. Thence, by extension,\n* b. To affect with in any way, as in benight, beguile, befriend. In both sets there is often an accompanying notion of ‘thoroughly, excessively,’ as in 2.\n* c. An ancient application, no longer in living use, was to express the sense of ‘bereave of,’ as in behead, belimb, etc., q.v. Cf. 3, above.\n\nAlthough 6a and 6b are still productive, 6c no longer is so in the living language. Another Old English verb formed using 6c was belandian, meaning to deprive of one’s land. However, this verb did not survive into Modern English.\n\nEl destierro\nApropos de nada, the Spanish equivalent of the obsolete verb beland still very much exists in the verb desterrar, which combines the privative des‑ prefix with the noun tierra meaning land then puts that into an infinitive verb form. This is normally translated as “exile” in English, but sometime as “expel” or as a noun “expulsion”. There is also a substantive version, destierro, is famously found in “Cantar del destierro”, which is the title of the first canto from that most ancient of Castilian epic poems, El Cantar de Mio Cid. \n\nTruly, el Cid was belanded of his lands by the King." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Why is it "behead" and not "dehead"?', 'We didn’t use de-head because we already had a verb behead by the time we started using de- to create verbs: behead was a verb in Old English, behéafdian. \n\nSo behead was already used long before the de- privative prefix came to be used productively in English. That didn’t happen until Modern English with a few productive examples in the 17ᵗʰ century but most coming from the 19ᵗʰ century or after. As Janus mentions in comments, the de- word meaning the same thing, decapitate, was imported in full with the de- already there, from Latin via French, in the 17ᵗʰ century.\n\nThere are many different possible senses of be- in verbs; the OED lists six different primary senses with subsenses. This here in behead is one of the rarer ones. Under be- sense 6c, it says that this privative sense of be- used to create behead is an ancient sense that means bereave of:\n\n \nForming trans. verbs on substantives used in an instrumental relation; the primary idea being; \n* a. To surround, cover, or bedaub with, as in becloud, to put clouds about, cover with clouds, bedew. Thence, by extension,\n* b. To affect with in any way, as in benight, beguile, befriend. In both sets there is often an accompanying notion of ‘thoroughly, excessively,’ as in 2.\n* c. An ancient application, no longer in living use, was to express the sense of ‘bereave of,’ as in behead, belimb, etc., q.v. Cf. 3, above.\n\nAlthough 6a and 6b are still productive, 6c no longer is so in the living language. Another Old English verb formed using 6c was belandian, meaning to deprive of one’s land. However, this verb did not survive into Modern English.\n\nEl destierro\nApropos de nada, the Spanish equivalent of the obsolete verb beland still very much exists in the verb desterrar, which combines the privative des‑ prefix with the noun tierra meaning land then puts that into an infinitive verb form. This is normally translated as “exile” in English, but sometime as “expel” or as a noun “expulsion”. There is also a substantive version, destierro, is famously found in “Cantar del destierro”, which is the title of the first canto from that most ancient of Castilian epic poems, El Cantar de Mio Cid. \n\nTruly, el Cid was belanded of his lands by the King.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Is there a way to create an index on a property/column using fluent configuration, instead of using the new ```IndexAttribute``` ?", "Currently there is no \"first class support\" for creating a index via the fluent API, but what you can do is via the fluent API you can mark properties as having attributes from the Annotation API. This will allow you to add the ```Index``` attribute via a fluent interface.\n\nHere are some examples from the work item from Issues site for EF.\nCreate a index on a single column:\n```modelBuilder.Entity()\n .Property(e => e.MyProperty)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new IndexAttribute()));\n```\nMultiple indexes on a single column: \n```modelBuilder.Entity()\n .Property(e => e.MyProperty)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new[]\n {\n new IndexAttribute(\"Index1\"),\n new IndexAttribute(\"Index2\") { IsUnique = true }\n }));\n```\nMulti-Column indexes:\n```modelBuilder.Entity()\n .Property(e => e.MyProperty1)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new IndexAttribute(\"MyIndex\", 1)));\nmodelBuilder.Entity()\n .Property(e => e.MyProperty2)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new IndexAttribute(\"MyIndex\", 2)));\n```\nUsing the above techniques will cause ```.CreateIndex()``` calls to be automatically created for you in your ```Up()``` function when you scaffold your next migration (or be automatically created in the database if you are not using migrations)." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Is there a way to create an index on a property/column using fluent configuration, instead of using the new ```IndexAttribute``` ?', 'Currently there is no "first class support" for creating a index via the fluent API, but what you can do is via the fluent API you can mark properties as having attributes from the Annotation API. This will allow you to add the ```Index``` attribute via a fluent interface.\n\nHere are some examples from the work item from Issues site for EF.\nCreate a index on a single column:\n```modelBuilder.Entity()\n .Property(e => e.MyProperty)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new IndexAttribute()));\n```\nMultiple indexes on a single column: \n```modelBuilder.Entity()\n .Property(e => e.MyProperty)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new[]\n {\n new IndexAttribute("Index1"),\n new IndexAttribute("Index2") { IsUnique = true }\n }));\n```\nMulti-Column indexes:\n```modelBuilder.Entity()\n .Property(e => e.MyProperty1)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new IndexAttribute("MyIndex", 1)));\nmodelBuilder.Entity()\n .Property(e => e.MyProperty2)\n .HasColumnAnnotation(\n IndexAnnotation.AnnotationName,\n new IndexAnnotation(new IndexAttribute("MyIndex", 2)));\n```\nUsing the above techniques will cause ```.CreateIndex()``` calls to be automatically created for you in your ```Up()``` function when you scaffold your next migration (or be automatically created in the database if you are not using migrations).']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to add margin top to ```class=\"row\"``` elements using twitter bootstrap framework?", "Editing or overriding the row in Twitter bootstrap is a bad idea, because this is a core part of the page scaffolding and you will need rows without a top margin.\n\nTo solve this, instead create a new class \"top-buffer\" that adds the standard margin that you need.\n\n```.top-buffer { margin-top:20px; }```\n\nAnd then use it on the row divs where you need a top margin.\n\n```<div class=\"row top-buffer\"> ...```" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to add margin top to ```class="row"``` elements using twitter bootstrap framework?', 'Editing or overriding the row in Twitter bootstrap is a bad idea, because this is a core part of the page scaffolding and you will need rows without a top margin.\n\nTo solve this, instead create a new class "top-buffer" that adds the standard margin that you need.\n\n```.top-buffer { margin-top:20px; }```\n\nAnd then use it on the row divs where you need a top margin.\n\n```<div class="row top-buffer"> ...```']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to peacefully feed cats in multi‐cat households?", "## Feed multiple cat at once\n\n1. Feed discrete meals. Feeding all of your cats at one time, instead of letting them graze, will minimize conflict and fighting. Instead of allowing access to food at all times, which can lead to conflict when two cats want to eat from the same bowl at the same time, timed meals will allow all cats to have their own space and food to focus on. How often you feed your cats each day depends on your schedule. In many cases, it works best to feed your cats once in the morning before you leave and once again in the evening when you return. Provide food puzzles if you have a cat(s) that is used to grazing instead of eating at meal times. This will help them transition to timed meals. Putting a small amount of kibble in one of these puzzles won't replace a whole meal but it may satiate a cat enough until meal time comes around.\n2. Monitor feeding time. Do not feed your cats and then leave your home. It is important that you monitor feeding time, so that you can make the cats stay at their own feeding stations and break up any conflicts that might occur. It may be that your presence calms your cats while they eat because they know that they will be protected from other cats trying to get their food when you are around. This will allow them to focus on their food more than on defensiveness. If you see a cat trying to eat another cat's food, physically separate them. It's important that you do this so the more submissive cat doesn't get taken advantage of.\n3. Remove food dishes after 20-30 minutes. When feeding multiple cats you should remove food dishes after the cats have eaten or after 20-30 minutes, if one or more of your cats are very slow about eating. This will teach the cats that there is a set time to eat and if they don't eat at that given time, then there is no food to be had. The goal is to make meal time a time for strictly for eating, not a time to play games, show dominance, or fight for territory. Setting specific meal times and taking away food when meal time is over requires a gradual training process that may take some time for your cats to adjust to. If your cat meows repeatedly at you for food when it is not meal time, just remember that you are working to make a peaceful household and your cat will not starve if it has to wait an hour for food.\n4. Use calming sprays. If your cats are very territorial and tend to fight over food, you may want to try using a calming product made for cats during feeding times. These products tend to be non-toxic sprays that use pheromones to calm cats and reduce fear and aggression. Spray one of these products, which are usually available at most pet stores, around the feeding area or on the specific cats that are most fearful or aggressive. The pheromone sprays used for calming cats mimic the pheromones given off by mother cats to calm their kittens.\n\n\n## Set up separate feed station\n\n1. Give each cat its own dish. When feeding multiple cats, competition can be fierce if every cat doesn't have its own dish to eat from. Separate dishes allow each cat to have their own space and their own food to focus on, instead of focusing on defending against another cat. Make sure that the food bowls are as identical as possible. You do not want to create competition for a food dish that is easier to eat out of or is slightly bigger. Don't forget to place a water bowl near each food bowl. In most cases, when you first set out multiple food dishes the cats will naturally gravitate to one of their own. Once they have basically picked their bowls, make them stick to them to establish their territories.\n2. Don't place food dishes against walls. In many cases, a cat in a multi-cat household will want to be in a position while eating where it can see any other cats coming towards it. If you place food dishes against a wall, the cat will naturally be forced to have its back to the wall. This may add to its anxiety and not allow it to relax during eating. Placing your cat's bowl even a foot away from the wall should allow it to sit in any place around the bowl that it feels is best.\n3. Place the cats as far away from each other as possible. When feeding cats in a multiple cat household, you need to space them away from each other. This may mean that you place food dishes in separate corners of the same room or you place feeding stations in completely separate rooms. Giving all your cats space from other cats will allow them to better focus on their food instead of turf wars or food competition. It is ideal if your cats cannot see each other during meal time. This add tremendously to your cat's ability to focus on food instead of the other cats.\n4. Isolate cats eating different foods. If your cats eat different food, it is important that you feed them in different spaces. This will help you to keep each cat eating the food that it is supposed to eat and it will prevent fights over whatever food your cats consider the tastiest. It may be that one of your cats eats different food and your other cats eat the same food. If this is the case, only the cat with different food needs to be isolated during meal time. Cats that are eating different food need to be kept separate until all cats in the household are done eating. The will remove the temptation to sneak a bite from the bowl of the last cat eating.\n5. Try adding an extra feeding dish if problems persist. Adding 1 more dish than the number of cats you have can help eliminate any chances of conflict. With an extra bowl, your cats won't have a problem finding somewhere to eat in peace. For example, if you have 2 cats, you could try adding a third feeding dish. If you add an additional feeding dish, make sure you put a water dish nearby.\n\n\n## Avoid conflict\n\n1. Coax cats to their own bowls. If more than one cat goes to one bowl at mealtime, you should coax the cat away who does not normally eat at that bowl. This could be done by picking the cat up, calling to it, or luring it towards its own bowl with a bit of food. This separation will prevent territorial disputes and conflict during meal time. There can be power dynamics between cats that they need to sort out themselves. When cats are initially establishing whose dish is whose, there may be some switching up that occurs.\n2. Stop fights right away. When fights break out over territory or food you should break them up right away. Fighting over food, especially between cats who usually get along, can lead to unhealthy aggression, so it should be stopped before it gets serious. If you have two cats that repeatedly fight over food dishes, these cats should be fed in different rooms.\n3. Avoid conflict before it starts. In order to have a peaceful household with multiple cats, you may need to resort to keeping certain cats away from each other most of the time, which includes meal time. This will allow you to avoid conflict before it begins and it allows both cats to have peaceful and calm time in their homes. If you have a very small home, this can be difficult to achieve. Keeping cats that don't get along separated works better if you have a large house or at least several rooms that can be closed off. You can also try feeding aggressive cats in cat carriers. That way they won't be able to run around and harass your other cats when they're finished eating. While it is true that some cats may have conflict at first and then learn to get along, that is not always the case. If you have tried to get your cats to get along and nothing seems to work, it may be time to give them separate territories in your home.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to peacefully feed cats in multi‐cat households?', "## Feed multiple cat at once\n\n1. Feed discrete meals. Feeding all of your cats at one time, instead of letting them graze, will minimize conflict and fighting. Instead of allowing access to food at all times, which can lead to conflict when two cats want to eat from the same bowl at the same time, timed meals will allow all cats to have their own space and food to focus on. How often you feed your cats each day depends on your schedule. In many cases, it works best to feed your cats once in the morning before you leave and once again in the evening when you return. Provide food puzzles if you have a cat(s) that is used to grazing instead of eating at meal times. This will help them transition to timed meals. Putting a small amount of kibble in one of these puzzles won't replace a whole meal but it may satiate a cat enough until meal time comes around.\n2. Monitor feeding time. Do not feed your cats and then leave your home. It is important that you monitor feeding time, so that you can make the cats stay at their own feeding stations and break up any conflicts that might occur. It may be that your presence calms your cats while they eat because they know that they will be protected from other cats trying to get their food when you are around. This will allow them to focus on their food more than on defensiveness. If you see a cat trying to eat another cat's food, physically separate them. It's important that you do this so the more submissive cat doesn't get taken advantage of.\n3. Remove food dishes after 20-30 minutes. When feeding multiple cats you should remove food dishes after the cats have eaten or after 20-30 minutes, if one or more of your cats are very slow about eating. This will teach the cats that there is a set time to eat and if they don't eat at that given time, then there is no food to be had. The goal is to make meal time a time for strictly for eating, not a time to play games, show dominance, or fight for territory. Setting specific meal times and taking away food when meal time is over requires a gradual training process that may take some time for your cats to adjust to. If your cat meows repeatedly at you for food when it is not meal time, just remember that you are working to make a peaceful household and your cat will not starve if it has to wait an hour for food.\n4. Use calming sprays. If your cats are very territorial and tend to fight over food, you may want to try using a calming product made for cats during feeding times. These products tend to be non-toxic sprays that use pheromones to calm cats and reduce fear and aggression. Spray one of these products, which are usually available at most pet stores, around the feeding area or on the specific cats that are most fearful or aggressive. The pheromone sprays used for calming cats mimic the pheromones given off by mother cats to calm their kittens.\n\n\n## Set up separate feed station\n\n1. Give each cat its own dish. When feeding multiple cats, competition can be fierce if every cat doesn't have its own dish to eat from. Separate dishes allow each cat to have their own space and their own food to focus on, instead of focusing on defending against another cat. Make sure that the food bowls are as identical as possible. You do not want to create competition for a food dish that is easier to eat out of or is slightly bigger. Don't forget to place a water bowl near each food bowl. In most cases, when you first set out multiple food dishes the cats will naturally gravitate to one of their own. Once they have basically picked their bowls, make them stick to them to establish their territories.\n2. Don't place food dishes against walls. In many cases, a cat in a multi-cat household will want to be in a position while eating where it can see any other cats coming towards it. If you place food dishes against a wall, the cat will naturally be forced to have its back to the wall. This may add to its anxiety and not allow it to relax during eating. Placing your cat's bowl even a foot away from the wall should allow it to sit in any place around the bowl that it feels is best.\n3. Place the cats as far away from each other as possible. When feeding cats in a multiple cat household, you need to space them away from each other. This may mean that you place food dishes in separate corners of the same room or you place feeding stations in completely separate rooms. Giving all your cats space from other cats will allow them to better focus on their food instead of turf wars or food competition. It is ideal if your cats cannot see each other during meal time. This add tremendously to your cat's ability to focus on food instead of the other cats.\n4. Isolate cats eating different foods. If your cats eat different food, it is important that you feed them in different spaces. This will help you to keep each cat eating the food that it is supposed to eat and it will prevent fights over whatever food your cats consider the tastiest. It may be that one of your cats eats different food and your other cats eat the same food. If this is the case, only the cat with different food needs to be isolated during meal time. Cats that are eating different food need to be kept separate until all cats in the household are done eating. The will remove the temptation to sneak a bite from the bowl of the last cat eating.\n5. Try adding an extra feeding dish if problems persist. Adding 1 more dish than the number of cats you have can help eliminate any chances of conflict. With an extra bowl, your cats won't have a problem finding somewhere to eat in peace. For example, if you have 2 cats, you could try adding a third feeding dish. If you add an additional feeding dish, make sure you put a water dish nearby.\n\n\n## Avoid conflict\n\n1. Coax cats to their own bowls. If more than one cat goes to one bowl at mealtime, you should coax the cat away who does not normally eat at that bowl. This could be done by picking the cat up, calling to it, or luring it towards its own bowl with a bit of food. This separation will prevent territorial disputes and conflict during meal time. There can be power dynamics between cats that they need to sort out themselves. When cats are initially establishing whose dish is whose, there may be some switching up that occurs.\n2. Stop fights right away. When fights break out over territory or food you should break them up right away. Fighting over food, especially between cats who usually get along, can lead to unhealthy aggression, so it should be stopped before it gets serious. If you have two cats that repeatedly fight over food dishes, these cats should be fed in different rooms.\n3. Avoid conflict before it starts. In order to have a peaceful household with multiple cats, you may need to resort to keeping certain cats away from each other most of the time, which includes meal time. This will allow you to avoid conflict before it begins and it allows both cats to have peaceful and calm time in their homes. If you have a very small home, this can be difficult to achieve. Keeping cats that don't get along separated works better if you have a large house or at least several rooms that can be closed off. You can also try feeding aggressive cats in cat carriers. That way they won't be able to run around and harass your other cats when they're finished eating. While it is true that some cats may have conflict at first and then learn to get along, that is not always the case. If you have tried to get your cats to get along and nothing seems to work, it may be time to give them separate territories in your home.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "A person writes a letter that is to be delivered to their child on their 18th birthday.", "Dearest [Name],\n\nWhen your father hands you this, I will be 3% of the way to Hydroplana II. I am embarking on the voyage to our new colony tomorrow, with a photo of baby you & dad to keep me company during my new life when we arrive.\nUnfortunately, this means I will never have the chance to see my daughter grow up. The voyage will last roughly 100 years, which I will spend in cryogenic storage.\nI hope you do not judge me too harshly for this ; your father will be perfectly capable of raising you to become a fine young woman. I could not pass up this opportunity to partake in humanity's most glorious feat : colonizing the outer fringes of space.\n\nMy dearest [Name], I have but one piece of advice to leave you : always follow your dreams, no matter where they take you.\nLove always,\nMom." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['A person writes a letter that is to be delivered to their child on their 18th birthday.', "Dearest [Name],\n\nWhen your father hands you this, I will be 3% of the way to Hydroplana II. I am embarking on the voyage to our new colony tomorrow, with a photo of baby you & dad to keep me company during my new life when we arrive.\nUnfortunately, this means I will never have the chance to see my daughter grow up. The voyage will last roughly 100 years, which I will spend in cryogenic storage.\nI hope you do not judge me too harshly for this ; your father will be perfectly capable of raising you to become a fine young woman. I could not pass up this opportunity to partake in humanity's most glorious feat : colonizing the outer fringes of space.\n\nMy dearest [Name], I have but one piece of advice to leave you : always follow your dreams, no matter where they take you.\nLove always,\nMom."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "I'm looking for a precise piece of information in a database which I have no knowledge about. The database is on a separate machine, but I can log into it, and launch a ```psql``` command line, with administrator rights.\nIt's a third-party product, and they are slow to answer questions. I know the data is inside that database, so I want to do a little bit of reverse-engineering.\nGiven a table name, is it possible to get a list of the names of the columns in that table?\nFor example, in SQL Server, it's possible to dump a table into a reusable ```CREATE``` statement, which textually lists all the columns the table is composed of.", "The information schema is the slow and sure way: it is standardized and largely portable to other databases that support it. And it will keep working across major versions.\nHowever, views in the information schema often join many tables from the system catalogs to meet a strictly standardized format - many of which are just dead freight most of the time. This makes them slow.\nThe Postgres developers aren't making promises, but basics (like what is needed here) aren't going to change across major versions.\nMore detailed assessment:\n\n* Query to output names and data types of a query, table or view\n\n```psql``` (the native command-line interface) takes the fast lane, of course, and queries the source directly. If you start ```psql``` with the parameter ```-E```, the SQL behind backslash commands like ```\\d``` is displayed. Or ```\\set ECHO_HIDDEN on``` from the psql command line. Starting from there you can build an answer to your question.\n\nGiven one table, is it possible to have a list of the names of the columns for this table.\n\n```SELECT attrelid::regclass AS tbl\n , attname AS col\n , atttypid::regtype AS datatype\n -- more attributes?\nFROM pg_attribute\nWHERE attrelid = 'myschema.mytable'::regclass -- table name optionally schema-qualified\nAND attnum > 0\nAND NOT attisdropped\nORDER BY attnum;\n```\nFaster than querying ```information_schema.columns```. Try ```EXPLAIN ANALYZE``` to see for yourself. Still hardly matters for a one-time look-up. But might make a difference if used in a query / function that's repeated many times.\nThere are also subtle differences in visibility. The following artical has detailed comparison:\n\n* How to check if a table exists in a given schema\n" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm looking for a precise piece of information in a database which I have no knowledge about. The database is on a separate machine, but I can log into it, and launch a ```psql``` command line, with administrator rights.\nIt's a third-party product, and they are slow to answer questions. I know the data is inside that database, so I want to do a little bit of reverse-engineering.\nGiven a table name, is it possible to get a list of the names of the columns in that table?\nFor example, in SQL Server, it's possible to dump a table into a reusable ```CREATE``` statement, which textually lists all the columns the table is composed of.", "The information schema is the slow and sure way: it is standardized and largely portable to other databases that support it. And it will keep working across major versions.\nHowever, views in the information schema often join many tables from the system catalogs to meet a strictly standardized format - many of which are just dead freight most of the time. This makes them slow.\nThe Postgres developers aren't making promises, but basics (like what is needed here) aren't going to change across major versions.\nMore detailed assessment:\n\n* Query to output names and data types of a query, table or view\n\n```psql``` (the native command-line interface) takes the fast lane, of course, and queries the source directly. If you start ```psql``` with the parameter ```-E```, the SQL behind backslash commands like ```\\d``` is displayed. Or ```\\set ECHO_HIDDEN on``` from the psql command line. Starting from there you can build an answer to your question.\n\nGiven one table, is it possible to have a list of the names of the columns for this table.\n\n```SELECT attrelid::regclass AS tbl\n , attname AS col\n , atttypid::regtype AS datatype\n -- more attributes?\nFROM pg_attribute\nWHERE attrelid = 'myschema.mytable'::regclass -- table name optionally schema-qualified\nAND attnum > 0\nAND NOT attisdropped\nORDER BY attnum;\n```\nFaster than querying ```information_schema.columns```. Try ```EXPLAIN ANALYZE``` to see for yourself. Still hardly matters for a one-time look-up. But might make a difference if used in a query / function that's repeated many times.\nThere are also subtle differences in visibility. The following artical has detailed comparison:\n\n* How to check if a table exists in a given schema\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "An immortal couple have been seen throughout recorded history, write an account of them in any time period you wish. Bonus points if you match the writing style of the time period", "It was 1915 and we were in Belgium. I'd always wanted to visit Belgium, but not like this - not in these trenches. Here, but not now.\nBelieve it or not, living in stretching concaves in the Earth with no personal space breeds a special sort of relationship among the inhabitants. Funneled like rats - with rats - through these dark and sometimes cold trenches, morale was low. Except for one man.\nThat one man was named Richard, and he seemed weary - but he always had a positive outlook on his situation. Strange, considering death was almost certain in here - surely he knew that?\nI remember sitting with him and asking him about his life back home - he apparently had a wife, but he seemed so young for it. He asked me if I had a girl back home, I told him I didn't. He just seemed indifferent, aside from a brief flicker of a frown. He told me I'd find someone eventually.\nThe one thing he said that stuck with me was, when asked if he planned to grow old with his wife, he looked me in the eye and said with a serene smile \"I've already done that\".\nThere was something off with that man, but I had to admire his optimism.\nThat night he disappeared, we never found a body - but there was no way he'd leave. Unless he simply got out of the trenches and started walking. Surely he couldn't do that? Surely." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['An immortal couple have been seen throughout recorded history, write an account of them in any time period you wish. Bonus points if you match the writing style of the time period', 'It was 1915 and we were in Belgium. I\'d always wanted to visit Belgium, but not like this - not in these trenches. Here, but not now.\nBelieve it or not, living in stretching concaves in the Earth with no personal space breeds a special sort of relationship among the inhabitants. Funneled like rats - with rats - through these dark and sometimes cold trenches, morale was low. Except for one man.\nThat one man was named Richard, and he seemed weary - but he always had a positive outlook on his situation. Strange, considering death was almost certain in here - surely he knew that?\nI remember sitting with him and asking him about his life back home - he apparently had a wife, but he seemed so young for it. He asked me if I had a girl back home, I told him I didn\'t. He just seemed indifferent, aside from a brief flicker of a frown. He told me I\'d find someone eventually.\nThe one thing he said that stuck with me was, when asked if he planned to grow old with his wife, he looked me in the eye and said with a serene smile "I\'ve already done that".\nThere was something off with that man, but I had to admire his optimism.\nThat night he disappeared, we never found a body - but there was no way he\'d leave. Unless he simply got out of the trenches and started walking. Surely he couldn\'t do that? Surely.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "How to study using a game method?", "## Play the concentration game\n\n1. Create game pieces. Make small cards using paper or something sturdier such as cardstock. Cut small squares out and be sure to make each piece the same size. Since this is a memory game, it is important that each card looks the same so you are unable to differentiate one card from the next.\n2. Write out information on game pieces. Work in pairs when writing out your review information on these cards. Write down a vocabulary word on the first card in the pair and its definition on the second. Continue writing on your cards until each review item has been covered. This game words best when reviewing things like definitions, spelling, examples, etc.\n3. Organize your cards. Flip over all your cards so that the writing is underneath. Place your cards face down and organize them into rows and columns until every game piece is situated.\n4. Flip over one card. Begin the game by choosing just one card to turn over. Read the definition or vocabulary word and choose one more card to turn over. If you flipped over the correct card, you should have a pair in which both cards are a match. When first starting out, this game is sheer luck, but after a few tries you will be able to remember where each card lies and can do your best to find its correct match.\n5. Set aside pairs. When you have found two cards that are a match, set that pair aside so that your game board becomes smaller. Continue playing until every card has been turned over and you have created matches for each game piece. When you are finished playing, you can simply shuffle your cards and redistribute them to create your game board and play again.\n\n\n## Play with card\n\n1. Obtain a deck of cards. The first thing you need to do is get an entire deck of cards. Be sure you aren’t missing any because it will affect how you play the game.\n2. Create a list of review items. Using your study materials, create a list of items you want to review. This list must be numbered and can be anything from definitions to vocabulary.\n3. Pull out face cards from your deck. You want to eliminate any face cards from your deck because the only cards needed are those with numbers. You may set the face cards aside until you have finished playing. An alternative to pulling out face cards is using them to play the game. Treat these cards like wild cards and whenever you draw one you can choose to review any item from your list that you wish to review.\n4. Shuffle your cards. It is very important to shuffle your deck. By doing this, you will ensure that each review item gets chosen by mixing up the numbers within the deck.\n5. Draw cards. Place your cards in a pile after shuffling them and draw the first card off the top. You may set aside all the cards you have already drawn.\n6. Review information corresponding to the number on each card. Look at the number on the card you drew and find the corresponding number on your list of review items. Review the information for that particular number. Continue to draw cards and review the information corresponding to those cards until you have gone through the entire deck.\n\n\n## Play a guess game\n\n1. Create a list of questions. Before generating a list of game questions, you must first go through all of your study materials and review critical information. While reviewing, form questions and produce a list.\n2. Cut small pieces of paper. Once your list is created you are ready to craft several pieces of small paper. These pieces of paper will serve as the main game pieces. Use card stock or heavy-duty paper for sturdy game pieces. Use sticky notes as another option to quickly create piece.\n3. Number papers. You created your main game pieces so now you must number them according to how many questions you developed.\n4. Put papers in container. Place all of your numbered game pieces into the container and be careful not to forget any. Be sure to shake the container once you’ve put all your game pieces inside to ensure the pieces are mixed sufficiently.\n5. Draw paper from container. Keep your list of questions next to you as you pull pieces out of the container. Choose randomly from the container and read the number on the piece of paper.\n6. Answer corresponding questions. Find the number on your question list that corresponds to the number on your game piece and read that question.\n7. Set aside used pieces. After answering each question, put the used game pieces aside so as not to repeat any. If you are unable to recall the correct answers to any questions you can make two piles designating one for challenging questions and one for easy questions. When you play the game for again, you can just put the challenging questions inside the container and spend less time reviewing the questions you already know.\n8. Repeat steps until container is empty. Continue draw the papers from the container until you’ve used them all. To play again, simply fill up the container and start over.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to study using a game method?', '## Play the concentration game\n\n1. Create game pieces. Make small cards using paper or something sturdier such as cardstock. Cut small squares out and be sure to make each piece the same size. Since this is a memory game, it is important that each card looks the same so you are unable to differentiate one card from the next.\n2. Write out information on game pieces. Work in pairs when writing out your review information on these cards. Write down a vocabulary word on the first card in the pair and its definition on the second. Continue writing on your cards until each review item has been covered. This game words best when reviewing things like definitions, spelling, examples, etc.\n3. Organize your cards. Flip over all your cards so that the writing is underneath. Place your cards face down and organize them into rows and columns until every game piece is situated.\n4. Flip over one card. Begin the game by choosing just one card to turn over. Read the definition or vocabulary word and choose one more card to turn over. If you flipped over the correct card, you should have a pair in which both cards are a match. When first starting out, this game is sheer luck, but after a few tries you will be able to remember where each card lies and can do your best to find its correct match.\n5. Set aside pairs. When you have found two cards that are a match, set that pair aside so that your game board becomes smaller. Continue playing until every card has been turned over and you have created matches for each game piece. When you are finished playing, you can simply shuffle your cards and redistribute them to create your game board and play again.\n\n\n## Play with card\n\n1. Obtain a deck of cards. The first thing you need to do is get an entire deck of cards. Be sure you aren’t missing any because it will affect how you play the game.\n2. Create a list of review items. Using your study materials, create a list of items you want to review. This list must be numbered and can be anything from definitions to vocabulary.\n3. Pull out face cards from your deck. You want to eliminate any face cards from your deck because the only cards needed are those with numbers. You may set the face cards aside until you have finished playing. An alternative to pulling out face cards is using them to play the game. Treat these cards like wild cards and whenever you draw one you can choose to review any item from your list that you wish to review.\n4. Shuffle your cards. It is very important to shuffle your deck. By doing this, you will ensure that each review item gets chosen by mixing up the numbers within the deck.\n5. Draw cards. Place your cards in a pile after shuffling them and draw the first card off the top. You may set aside all the cards you have already drawn.\n6. Review information corresponding to the number on each card. Look at the number on the card you drew and find the corresponding number on your list of review items. Review the information for that particular number. Continue to draw cards and review the information corresponding to those cards until you have gone through the entire deck.\n\n\n## Play a guess game\n\n1. Create a list of questions. Before generating a list of game questions, you must first go through all of your study materials and review critical information. While reviewing, form questions and produce a list.\n2. Cut small pieces of paper. Once your list is created you are ready to craft several pieces of small paper. These pieces of paper will serve as the main game pieces. Use card stock or heavy-duty paper for sturdy game pieces. Use sticky notes as another option to quickly create piece.\n3. Number papers. You created your main game pieces so now you must number them according to how many questions you developed.\n4. Put papers in container. Place all of your numbered game pieces into the container and be careful not to forget any. Be sure to shake the container once you’ve put all your game pieces inside to ensure the pieces are mixed sufficiently.\n5. Draw paper from container. Keep your list of questions next to you as you pull pieces out of the container. Choose randomly from the container and read the number on the piece of paper.\n6. Answer corresponding questions. Find the number on your question list that corresponds to the number on your game piece and read that question.\n7. Set aside used pieces. After answering each question, put the used game pieces aside so as not to repeat any. If you are unable to recall the correct answers to any questions you can make two piles designating one for challenging questions and one for easy questions. When you play the game for again, you can just put the challenging questions inside the container and spend less time reviewing the questions you already know.\n8. Repeat steps until container is empty. Continue draw the papers from the container until you’ve used them all. To play again, simply fill up the container and start over.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "Given a number n, print n-th Fibonacci Number", "The Fibonacci numbers are the numbers in the following integer sequence: $0, 1, 1, 2, 3, 5, 8, 13, 21, 34, ...$\n\nIn mathematical terms, the sequence $F_n$ of Fibonacci numbers is defined by the recurrence relation: $F_n = F_{n-1} + F_{n-2}$, with seed values: $F_0 = 0$ and $F_1 = 1$.\n\nHere is a simple implementation in Python for producing the $n$th Fibonacci number $F_n$ using recursion:\n\n```\ndef fibonacci(n):\n if n <= 1:\n return n\n return fibonacci(n-1) + fibonacci(n-2)\n```\n\nWhile this implementation elegantly captures the mathematical definition of Fibonacci numbers, it is not efficient. Here is an alternative implementation using dynamic programming:\n\n```\ndef fibonacci(n):\n f = [0, 1]\n for i in range(2, n+1):\n f.append(f[i-1] + f[i-2])\n return f[n]\n```" ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Given a number n, print n-th Fibonacci Number', 'The Fibonacci numbers are the numbers in the following integer sequence: $0, 1, 1, 2, 3, 5, 8, 13, 21, 34, ...$\n\nIn mathematical terms, the sequence $F_n$ of Fibonacci numbers is defined by the recurrence relation: $F_n = F_{n-1} + F_{n-2}$, with seed values: $F_0 = 0$ and $F_1 = 1$.\n\nHere is a simple implementation in Python for producing the $n$th Fibonacci number $F_n$ using recursion:\n\n```\ndef fibonacci(n):\n if n <= 1:\n return n\n return fibonacci(n-1) + fibonacci(n-2)\n```\n\nWhile this implementation elegantly captures the mathematical definition of Fibonacci numbers, it is not efficient. Here is an alternative implementation using dynamic programming:\n\n```\ndef fibonacci(n):\n f = [0, 1]\n for i in range(2, n+1):\n f.append(f[i-1] + f[i-2])\n return f[n]\n```']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "In Civilization V, you attain a cultural victory by accumulating enough culture to purchase at least 36 social policies, and then building a wonder. The catch is that the more cities you build, the more culture you need to generate before you hit the next \"plateau\" of culture.\nWhat is the ideal number of cities for a cultural victory? Does it change over time? ", "The question you're really asking is &quot;When does the combined culture / turn of an additional city outstrip the increase in social policy cost incurred by founding that city?&quot;\nThe short answer is...\nWe know that adding another city increases the culture costs by approximately 30% of the base cost (that of 1 city). Therefore:\nIf your maximum potential culture / turn won't increase by at least 30% due to the new city, you are hurting, not helping, the time till your next social policy.\n(This may be slightly hard to calculate, and if you take too long to reach your &quot;maximum potential culture / turn&quot; you're actually wasting turns.)\nThe long answer is...\nIt depends\nTo begin with, we need to make some assumptions:\n\n* When you found a new city, you can get its culture / turn maximized within a single turn by buying the necessary building improvements (monument, etc).\n\n* Ignore city-states, leader specific abilities, +culture social policies, and wonders. These all help produce culture, and will shift the &quot;ideal city count&quot; down, but do so inconsistently. To produce an &quot;ideal&quot; city count, we limit ourselves by era and improvements alone.\n\n* This list of social policy costs is accurate for the given parameters: medium map and normal speed.\n\nAnd now, some math.\nThe 1st social policy costs 25 points with a single city. In the ancient era, your cities can generate 2 culture / turn due to the monument. (Remember, we're ignoring the palace for now)\nThis means that it will take 13 turns (Ceiling(25/2) to enact the policy, or 9 turns (ceiling (45/4) with two cities. We can continue this extrapolation -- 8 turns with 3 cities, 7 turns with 4 cities, 6 turns with 5 cities, and we finally reach diminishing returns at city 6 (also 6 turns).\nFor the second social policy, the ramifications of the # of cities gets magnified due to a larger starting value: One city takes 23 turns, two cities take 15 turns, three cities take 13 turns, four cities take 12, five cities take 10, and again, we run into diminishing returns cap out at at six cities (10 turns).\nIt is not until the 4th social policy that this trend is broken and diminishing returns end at the NINTH! city.\nRemember -- this assumes that each city has a monument the minute it is founded.\nNow let's say we've reached the classical age, and have temples in addition to monuments. Each city is now generating 5 culture.\nThe first policy takes 5 turns with a single city, 4 turns with two, and 3 with three.\nWhat (hopefully) becomes clear is that we reached diminishing returns (4 cities as opposed to 6 cities) much faster when each individual city's contribution is higher. The more culture any one city is capable of producing, the more incentive there is to produce more cities. Even if you don't manage to build every +culture improvement immediately, you're still likely to come out ahead (as long as you're pre-diminishing returns).\nSo while the optimal number of cities changes due to any number of factors, you can probably safely not shoot yourself in the foot if you stay between three and six cities, with six being on the high end." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['In Civilization V, you attain a cultural victory by accumulating enough culture to purchase at least 36 social policies, and then building a wonder. The catch is that the more cities you build, the more culture you need to generate before you hit the next "plateau" of culture.\nWhat is the ideal number of cities for a cultural victory? Does it change over time? ', "The question you're really asking is &quot;When does the combined culture / turn of an additional city outstrip the increase in social policy cost incurred by founding that city?&quot;\nThe short answer is...\nWe know that adding another city increases the culture costs by approximately 30% of the base cost (that of 1 city). Therefore:\nIf your maximum potential culture / turn won't increase by at least 30% due to the new city, you are hurting, not helping, the time till your next social policy.\n(This may be slightly hard to calculate, and if you take too long to reach your &quot;maximum potential culture / turn&quot; you're actually wasting turns.)\nThe long answer is...\nIt depends\nTo begin with, we need to make some assumptions:\n\n* When you found a new city, you can get its culture / turn maximized within a single turn by buying the necessary building improvements (monument, etc).\n\n* Ignore city-states, leader specific abilities, +culture social policies, and wonders. These all help produce culture, and will shift the &quot;ideal city count&quot; down, but do so inconsistently. To produce an &quot;ideal&quot; city count, we limit ourselves by era and improvements alone.\n\n* This list of social policy costs is accurate for the given parameters: medium map and normal speed.\n\nAnd now, some math.\nThe 1st social policy costs 25 points with a single city. In the ancient era, your cities can generate 2 culture / turn due to the monument. (Remember, we're ignoring the palace for now)\nThis means that it will take 13 turns (Ceiling(25/2) to enact the policy, or 9 turns (ceiling (45/4) with two cities. We can continue this extrapolation -- 8 turns with 3 cities, 7 turns with 4 cities, 6 turns with 5 cities, and we finally reach diminishing returns at city 6 (also 6 turns).\nFor the second social policy, the ramifications of the # of cities gets magnified due to a larger starting value: One city takes 23 turns, two cities take 15 turns, three cities take 13 turns, four cities take 12, five cities take 10, and again, we run into diminishing returns cap out at at six cities (10 turns).\nIt is not until the 4th social policy that this trend is broken and diminishing returns end at the NINTH! city.\nRemember -- this assumes that each city has a monument the minute it is founded.\nNow let's say we've reached the classical age, and have temples in addition to monuments. Each city is now generating 5 culture.\nThe first policy takes 5 turns with a single city, 4 turns with two, and 3 with three.\nWhat (hopefully) becomes clear is that we reached diminishing returns (4 cities as opposed to 6 cities) much faster when each individual city's contribution is higher. The more culture any one city is capable of producing, the more incentive there is to produce more cities. Even if you don't manage to build every +culture improvement immediately, you're still likely to come out ahead (as long as you're pre-diminishing returns).\nSo while the optimal number of cities changes due to any number of factors, you can probably safely not shoot yourself in the foot if you stay between three and six cities, with six being on the high end."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to do a simple number mind trick?", "Amaze your friends and relatives with these number-based mind tricks. These three tricks are arranged from easiest to hardest (smallest numbers to biggest). Even young kids can do the simple number prediction trick.\n\n## Simple number prediction\n\n1. Set the trick up. Tell a friend that you are performing a math trick. You will ask her to do some calculations secretly, then read her mind for their answer.\n2. Write down your prediction. Pretend to think hard for a moment, then write down the number 3 on a piece of paper. Fold the paper in half, without letting anyone see the number.\n3. Ask your friend to write down a number between 1 and 20. She should pick this secretly and keep the piece of paper. We'll go through an example, where your friend secretly picks the number 4. This trick works with any number, but keeping it between 1 and 20 makes it less likely that your friend will make a mistake.\n4. Instruct her to add 1 to her number. Warn her not to give you any sign, not even moving her lips. All you need is your mental powers. For example, if she chose 4, her new number is 4 + 1 = 5.\n5. Tell your friend to double the new number. Have her take the last number she had, and multiply it by 2. 5 x 2 = 10.\n6. Have her add 4 more. Put your hands to your head and concentrate, then tell her to add 4 to her last answer. 10 + 4 = 14.\n7. Divide by 2. Tell her you almost have it, but the number is too big for you to see. Ask her to divide it by 2 to make it easier. 14 ÷ 2 = 7.\n8. Subtract the original number. Ask your friend to look at the piece of paper she used to remind herself what the original number was. Take the last answer she had and subtract that original number. 7 - 4 = 3.\n9. Show her your prediction. Tell her you've finally read her mind. Ask her to announce the last number she ended up with. Once she has, unfold your piece of paper and reveal the 3 you wrote down. No matter which number she started with, her answer will be 3.\n\n\n## Guess someone's age\n\n1. Tell someone you're going to find his age. Let him know you'll be using your mathematical mind-reading abilities. Give him a calculator if he doesn't want to do the calculations in his head. This trick won't be too impressive with close friends or classmates, since you probably already know their age. Pick someone at least 10 years old and no more than 99 years old.\n2. Ask him to multiply the first digit in his age by five. Remind him to do the math silently, to keep his age secret from you. For example, if he is 32 years old, he should take the 3 and multiply it by 5. The answer is 3 x 5 = 15.\n3. Add 4 to his answer. Tell him to add 4 to the answer he found. In our example, he would silently add 15 + 4 = 19.\n4. Tell him to double his answer. Now your subject should multiply his last answer by 2, and let you know when he's finished. If he's doing the math in his head, ask him \"Are you sure?\" since people are most likely to make a mistake on this step. 19 x 2 = 38.\n5. Have him add the second digit of his age. Next, the person you're \"mind reading\" adds the last number in his age. Tell him this is the last calculation he needs to do. Since the subject of our example is 32 years old, he would add 2 to his last answer. His last answer was 38, so he calculates 38 + 2 = 40.\n6. Ask for his last answer. Have him say the final number out loud, so you and everyone in the room can hear it.\n7. Subtract 8 and tell him his real age. Silently subtract 8 from the number he gave you. The answer is his age, which you should announce to the room. In our example, 40 - 8 = 32.\n8. Try some variations. If you perform this trick more than once, people might figure out how it works. Here are a couple variations to keep it mysterious:\n\t* Instead of adding 4 and later (secretly) subtracting 8, you can add 3 and subtract 6, or add 2 and subtract 4, or even add 25 and subtract 50. Just remember you'll need to subtract twice as much as the original number, because it got doubled in one of the later steps. To really switch it up, try this: double your age, add 2, multiply by 5, and subtract 10. You need both the doubling and multiplication by five to move the first digit of his age (3 in our example) to the tens place where it belongs (3 x 2 x 5 = 30).\n\n\n## Magical 37\n\n1. Hand a volunteer a pencil and paper. This one involves some three digit numbers, so most people will not want to do the math in their head. Warn the volunteer that he will need to do long division.\n2. Ask him to write the same digit 3 times. Tell him to hide the paper from you to prove you're not cheating. Ask him to write a 3-digit number that repeats the same digit three times. For example, he could write 222.\n3. Instruct him to add each digit together. Now your volunteer should treat each of the three digits as a separate number, and find their sum. For example, 2 + 2 + 2 = 6.\n4. Tell him to divide the larger number by the smaller one. He should now take the 3-digit number, and divide it by the\\ smaller one. Give him some time to work this out. 222 / 6 = 37,\n5. Announce that his number is 37. As long as your volunteer followed the instructions correctly, his answer will always be 37.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to do a simple number mind trick?', 'Amaze your friends and relatives with these number-based mind tricks. These three tricks are arranged from easiest to hardest (smallest numbers to biggest). Even young kids can do the simple number prediction trick.\n\n## Simple number prediction\n\n1. Set the trick up. Tell a friend that you are performing a math trick. You will ask her to do some calculations secretly, then read her mind for their answer.\n2. Write down your prediction. Pretend to think hard for a moment, then write down the number 3 on a piece of paper. Fold the paper in half, without letting anyone see the number.\n3. Ask your friend to write down a number between 1 and 20. She should pick this secretly and keep the piece of paper. We\'ll go through an example, where your friend secretly picks the number 4. This trick works with any number, but keeping it between 1 and 20 makes it less likely that your friend will make a mistake.\n4. Instruct her to add 1 to her number. Warn her not to give you any sign, not even moving her lips. All you need is your mental powers. For example, if she chose 4, her new number is 4 + 1 = 5.\n5. Tell your friend to double the new number. Have her take the last number she had, and multiply it by 2. 5 x 2 = 10.\n6. Have her add 4 more. Put your hands to your head and concentrate, then tell her to add 4 to her last answer. 10 + 4 = 14.\n7. Divide by 2. Tell her you almost have it, but the number is too big for you to see. Ask her to divide it by 2 to make it easier. 14 ÷ 2 = 7.\n8. Subtract the original number. Ask your friend to look at the piece of paper she used to remind herself what the original number was. Take the last answer she had and subtract that original number. 7 - 4 = 3.\n9. Show her your prediction. Tell her you\'ve finally read her mind. Ask her to announce the last number she ended up with. Once she has, unfold your piece of paper and reveal the 3 you wrote down. No matter which number she started with, her answer will be 3.\n\n\n## Guess someone\'s age\n\n1. Tell someone you\'re going to find his age. Let him know you\'ll be using your mathematical mind-reading abilities. Give him a calculator if he doesn\'t want to do the calculations in his head. This trick won\'t be too impressive with close friends or classmates, since you probably already know their age. Pick someone at least 10 years old and no more than 99 years old.\n2. Ask him to multiply the first digit in his age by five. Remind him to do the math silently, to keep his age secret from you. For example, if he is 32 years old, he should take the 3 and multiply it by 5. The answer is 3 x 5 = 15.\n3. Add 4 to his answer. Tell him to add 4 to the answer he found. In our example, he would silently add 15 + 4 = 19.\n4. Tell him to double his answer. Now your subject should multiply his last answer by 2, and let you know when he\'s finished. If he\'s doing the math in his head, ask him "Are you sure?" since people are most likely to make a mistake on this step. 19 x 2 = 38.\n5. Have him add the second digit of his age. Next, the person you\'re "mind reading" adds the last number in his age. Tell him this is the last calculation he needs to do. Since the subject of our example is 32 years old, he would add 2 to his last answer. His last answer was 38, so he calculates 38 + 2 = 40.\n6. Ask for his last answer. Have him say the final number out loud, so you and everyone in the room can hear it.\n7. Subtract 8 and tell him his real age. Silently subtract 8 from the number he gave you. The answer is his age, which you should announce to the room. In our example, 40 - 8 = 32.\n8. Try some variations. If you perform this trick more than once, people might figure out how it works. Here are a couple variations to keep it mysterious:\n\t* Instead of adding 4 and later (secretly) subtracting 8, you can add 3 and subtract 6, or add 2 and subtract 4, or even add 25 and subtract 50. Just remember you\'ll need to subtract twice as much as the original number, because it got doubled in one of the later steps. To really switch it up, try this: double your age, add 2, multiply by 5, and subtract 10. You need both the doubling and multiplication by five to move the first digit of his age (3 in our example) to the tens place where it belongs (3 x 2 x 5 = 30).\n\n\n## Magical 37\n\n1. Hand a volunteer a pencil and paper. This one involves some three digit numbers, so most people will not want to do the math in their head. Warn the volunteer that he will need to do long division.\n2. Ask him to write the same digit 3 times. Tell him to hide the paper from you to prove you\'re not cheating. Ask him to write a 3-digit number that repeats the same digit three times. For example, he could write 222.\n3. Instruct him to add each digit together. Now your volunteer should treat each of the three digits as a separate number, and find their sum. For example, 2 + 2 + 2 = 6.\n4. Tell him to divide the larger number by the smaller one. He should now take the 3-digit number, and divide it by the\\ smaller one. Give him some time to work this out. 222 / 6 = 37,\n5. Announce that his number is 37. As long as your volunteer followed the instructions correctly, his answer will always be 37.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I have a problem with the embedded bitcode term.\nWhat is embedded bitcode?\nWhen to enable, ```ENABLE_BITCODE``` in new Xcode?\nWhat happens to the binary when enabled, ```ENABLE_BITCODE``` in Xcode 7? ", "> What is embedded bitcode?\nAccording to docs:\n\n> Bitcode is an intermediate representation of a compiled program. Apps you upload to iTunes Connect that contain bitcode will be compiled and linked on the App Store. Including bitcode will allow Apple to re-optimize your app binary in the future without the need to submit a new version of your app to the store.\n\nThis phrase in \"New Features in Xcode 7\" made me to think for a long time that Bitcode is needed for Slicing to reduce app size: \n\n When you archive for submission to the App Store, Xcode will compile your app into an intermediate representation. The App Store will then compile the bitcode down into the 64 or 32 bit executables as necessary.\n\nHowever that's not true, Bitcode and Slicing work independently: Slicing is about reducing app size and generating app bundle variants, and Bitcode is about certain binary optimizations. I've verified this by checking included architectures in executables of non-bitcode apps and founding that they only include necessary ones.\nBitcode allows other App Thinning component called Slicing to generate app bundle variants with particular executables for particular architectures, e.g. iPhone 5S variant will include only arm64 executable, iPad Mini armv7 and so on.\n\n> When to enable ENABLE_BITCODE in new Xcode?\n\n For iOS apps, bitcode is the default, but optional. If you provide bitcode, all apps and frameworks in the app bundle need to include bitcode. For watchOS and tvOS apps, bitcode is required.\n\n> What happens to the binary when ENABLE_BITCODE is enabled in the new Xcode?\nFrom Xcode 7 reference: \n\n> Activating this setting indicates that the target or project should generate bitcode during compilation for platforms and architectures which support it. For Archive builds, bitcode will be generated in the linked binary for submission to the app store. For other builds, the compiler and linker will check whether the code complies with the requirements for bitcode generation, but will not generate actual bitcode. " ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I have a problem with the embedded bitcode term.\nWhat is embedded bitcode?\nWhen to enable, ```ENABLE_BITCODE``` in new Xcode?\nWhat happens to the binary when enabled, ```ENABLE_BITCODE``` in Xcode 7? ', '> What is embedded bitcode?\nAccording to docs:\n\n> Bitcode is an intermediate representation of a compiled program. Apps you upload to iTunes Connect that contain bitcode will be compiled and linked on the App Store. Including bitcode will allow Apple to re-optimize your app binary in the future without the need to submit a new version of your app to the store.\n\nThis phrase in "New Features in Xcode 7" made me to think for a long time that Bitcode is needed for Slicing to reduce app size: \n\n When you archive for submission to the App Store, Xcode will compile your app into an intermediate representation. The App Store will then compile the bitcode down into the 64 or 32 bit executables as necessary.\n\nHowever that\'s not true, Bitcode and Slicing work independently: Slicing is about reducing app size and generating app bundle variants, and Bitcode is about certain binary optimizations. I\'ve verified this by checking included architectures in executables of non-bitcode apps and founding that they only include necessary ones.\nBitcode allows other App Thinning component called Slicing to generate app bundle variants with particular executables for particular architectures, e.g. iPhone 5S variant will include only arm64 executable, iPad Mini armv7 and so on.\n\n> When to enable ENABLE_BITCODE in new Xcode?\n\n For iOS apps, bitcode is the default, but optional. If you provide bitcode, all apps and frameworks in the app bundle need to include bitcode. For watchOS and tvOS apps, bitcode is required.\n\n> What happens to the binary when ENABLE_BITCODE is enabled in the new Xcode?\nFrom Xcode 7 reference: \n\n> Activating this setting indicates that the target or project should generate bitcode during compilation for platforms and architectures which support it. For Archive builds, bitcode will be generated in the linked binary for submission to the app store. For other builds, the compiler and linker will check whether the code complies with the requirements for bitcode generation, but will not generate actual bitcode. ']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "When reading some documentation about the security of a product, I found that the vendor uses the SHA-2 of a password to encrypt data (AES-256), instead of using this password directly.\nAre there any advantages of doing so?\nAn attacker is not going to crack the encrypted data using this SHA-2-as-a-password key but rather exhaust the password keyspace (if feasible) and try its hash. Therefore the only reason I can think of is that there is an extra computational step (the creation of the hash). I would have rather increased the password entropy if the point is to computationally complexify the attack.", "It sounds like a primitive version of a key derivation function (KDF), in particular they probably could have avoided reinventing the wheel by using PBKDF2.\n\nThere are several reasons why you don't want to use the password directly as an AES key. \n\n* To distribute the bits. The main property here is that a hash function's output is, statistically speaking, uniformly distributed. People tend to pick passwords that aren't fully random, in particular, most passwords would only contain characters you can type in a keyboard. When used as an encryption key, a non-statistically random key may expose weaknesses in the encryption function.\n* To fit the keys to the encryption key length. Most passwords are going to be either longer or shorter than the key space of the encryption function. By hashing your password, the exact key length will be exactly the size of the input key of your encryption function. While the entropy of the derived key doesn't increase, this avoids the likelihood of exposing weakness in the encryption function if you just simply zero pad the password or worse truncate the password.\n* To slow down key derivation decryption. Per your description, the software is only using a single SHA256 round, which is not much. But with proper password based KDF, like PBKDF2, there are usually tens of thousands or hundreds of thousands of rounds of the underlying hash function. This slows down computing the keys, increasing the effective strength of passwords without increasing its length.\n* To keep the user's plain text password out of memory, thus preventing it from being accidentally dumped to disk during hibernation or crash dump. While this wouldn't protect the hash from being used to decrypt the data you're encrypting, it will prevent the password from being reused to decrypt other files (which presumably uses different salt) or being tried on your online accounts or other devices that you use.\n" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['When reading some documentation about the security of a product, I found that the vendor uses the SHA-2 of a password to encrypt data (AES-256), instead of using this password directly.\nAre there any advantages of doing so?\nAn attacker is not going to crack the encrypted data using this SHA-2-as-a-password key but rather exhaust the password keyspace (if feasible) and try its hash. Therefore the only reason I can think of is that there is an extra computational step (the creation of the hash). I would have rather increased the password entropy if the point is to computationally complexify the attack.', "It sounds like a primitive version of a key derivation function (KDF), in particular they probably could have avoided reinventing the wheel by using PBKDF2.\n\nThere are several reasons why you don't want to use the password directly as an AES key. \n\n* To distribute the bits. The main property here is that a hash function's output is, statistically speaking, uniformly distributed. People tend to pick passwords that aren't fully random, in particular, most passwords would only contain characters you can type in a keyboard. When used as an encryption key, a non-statistically random key may expose weaknesses in the encryption function.\n* To fit the keys to the encryption key length. Most passwords are going to be either longer or shorter than the key space of the encryption function. By hashing your password, the exact key length will be exactly the size of the input key of your encryption function. While the entropy of the derived key doesn't increase, this avoids the likelihood of exposing weakness in the encryption function if you just simply zero pad the password or worse truncate the password.\n* To slow down key derivation decryption. Per your description, the software is only using a single SHA256 round, which is not much. But with proper password based KDF, like PBKDF2, there are usually tens of thousands or hundreds of thousands of rounds of the underlying hash function. This slows down computing the keys, increasing the effective strength of passwords without increasing its length.\n* To keep the user's plain text password out of memory, thus preventing it from being accidentally dumped to disk during hibernation or crash dump. While this wouldn't protect the hash from being used to decrypt the data you're encrypting, it will prevent the password from being reused to decrypt other files (which presumably uses different salt) or being tried on your online accounts or other devices that you use.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "In this Creation magazine reprint of a 1994 article titled Exploding stars point to a young universe, Young-Earth Creationist, Jonathan Sarfati argues that the scarcity of Supernova remnants (SNRs) in the sky suggests the Milky Way galaxy is less than billions of years old.\n\nOn average, a galaxy like our own, the Milky Way, should produce one supernova every 25 years.\n[...]\nAs can be readily seen above, a young universe model fits the data of the low number of observed SNRs. If the universe was really billions of years old, there are 7000 missing SNRs in our galaxy.\n\nDoes astronomy predict a Milky Way supernova every 25 years? Are there missing SNRs that undermine these predictions?", "There are many reasons why this is wrong. The first one is the assumption of 1 supernova per 25 years. That was the value arrived at in Gustav Tammann's article published in 1970. Others got values up to 100 years (Tammann himself changed his value later). All these values are really only good guesses.\n\nWorse errors are made in the percentage of remnants that should be visible. To start with, only a small percentage of them are visible; the others are obscured by dust in the galaxy. This does not happen to the same extent to the supernovas themselves, as they are intrinsically very much brighter. \n\nSarfati also uses an old paper to come up with the number of remnants in the Large Magellanic Cloud (a satellite galaxy to the Milky Way). However, that figure was considered to be wrong (and much smaller) in later studies. Older remnants are very difficult to distinguish against a background of dust in the galaxy. Many of them disappear completely after about 10,000 years or so.\n\nIt should be noted that, using Sarfati's own reasoning, we should not be able to see any remnants older than 6000 years. Instead, we know of remnants (e.g. G166.2 + 2.5) that are over 100,000 years old. How did those originate in his universe? The same goes for the distance to supernovas. The distance to SN 1987A has been trigonometrically measured at 167,000 light years (the paper says 51,200 parsecs). In other words, its light took more than 30 times longer to reach us than the creationist universe has supposedly existed. \n\nRemember also that a supernova typically becomes either a pulsar or a black hole, both of which are very hard to observe. A black hole can only be \"seen\" through its effects on other matter, and a pulsar is mainly visible if the solar system happens to be in line with its sweeping radio beam (with some pulsars the star itself has also been seen). Hence, all we can see of them long after the event is an expanding cloud of gas that gets dimmer over the millennia.\n\nThere are several other reasons which are covered in a very good article on TalkOrigins. That article has links to all the original scientific papers referred to, so you can check the validity yourself." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['In this Creation magazine reprint of a 1994 article titled Exploding stars point to a young universe, Young-Earth Creationist, Jonathan Sarfati argues that the scarcity of Supernova remnants (SNRs) in the sky suggests the Milky Way galaxy is less than billions of years old.\n\nOn average, a galaxy like our own, the Milky Way, should produce one supernova every 25 years.\n[...]\nAs can be readily seen above, a young universe model fits the data of the low number of observed SNRs. If the universe was really billions of years old, there are 7000 missing SNRs in our galaxy.\n\nDoes astronomy predict a Milky Way supernova every 25 years? Are there missing SNRs that undermine these predictions?', 'There are many reasons why this is wrong. The first one is the assumption of 1 supernova per 25 years. That was the value arrived at in Gustav Tammann\'s article published in 1970. Others got values up to 100 years (Tammann himself changed his value later). All these values are really only good guesses.\n\nWorse errors are made in the percentage of remnants that should be visible. To start with, only a small percentage of them are visible; the others are obscured by dust in the galaxy. This does not happen to the same extent to the supernovas themselves, as they are intrinsically very much brighter. \n\nSarfati also uses an old paper to come up with the number of remnants in the Large Magellanic Cloud (a satellite galaxy to the Milky Way). However, that figure was considered to be wrong (and much smaller) in later studies. Older remnants are very difficult to distinguish against a background of dust in the galaxy. Many of them disappear completely after about 10,000 years or so.\n\nIt should be noted that, using Sarfati\'s own reasoning, we should not be able to see any remnants older than 6000 years. Instead, we know of remnants (e.g. G166.2 + 2.5) that are over 100,000 years old. How did those originate in his universe? The same goes for the distance to supernovas. The distance to SN 1987A has been trigonometrically measured at 167,000 light years (the paper says 51,200 parsecs). In other words, its light took more than 30 times longer to reach us than the creationist universe has supposedly existed. \n\nRemember also that a supernova typically becomes either a pulsar or a black hole, both of which are very hard to observe. A black hole can only be "seen" through its effects on other matter, and a pulsar is mainly visible if the solar system happens to be in line with its sweeping radio beam (with some pulsars the star itself has also been seen). Hence, all we can see of them long after the event is an expanding cloud of gas that gets dimmer over the millennia.\n\nThere are several other reasons which are covered in a very good article on TalkOrigins. That article has links to all the original scientific papers referred to, so you can check the validity yourself.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to prepare a paper presentation?", "A paper is bad enough, but presentations are even more nerve-wracking. You've got the writing down, but how do you turn it into a dynamic, informative, enjoyable presentation? Why, here's how!\n\n## Guidelines and audience\n\n1. Know the requirements. Each presentation for each class is going to be a bit different. Some instructors will be happy with 3 minutes while others will demand you stand there awkwardly for 7. Have all the guidelines clear when you go to write your presentation. Know how long the speech must be. Know how many points you're required to cover. Know if you must include sources or visuals.\n2. Know your audience. If you're giving a presentation to your classmates, you probably have a rough idea of their knowledge on the topic. But for virtually every other circumstance, you may be in the dark. Either way, cater your paper to make zero assumptions. If you're presenting to people you know, it'll be easy to know what to break down and what to gloss over. But if you're presenting to unknown stockholders or faculty, for instance, you need to know about them and their knowledge levels, too. You may have to break your paper down into its most basic concepts. Find out what you can about their backgrounds.\n3. Know your resources. If you are giving a presentation in a facility you've never visited before, it's best to inquire about what you'll have at your disposal and what you'll need to set up beforehand. Does the facility have a computer and projector screen? Is there a working WiFi connection? Is there a microphone? A podium? Is there someone who can assist you in working the equipment before your presentation?\n\n\n## Script and visuals\n\n1. Create a script for your presentation. Although you could write everything out, it's best to use notes to jog your memory -- you'll sound more like you're talking and be able to make more eye contact. Only have one point per notecard -- that way you won't end up searching the notecard for your information. And don't forget to number the cards in case you get mixed up! And the points on your cards shouldn't match your paper; instead of regurgitating information, discuss why the key points of your paper are important or the different points of view on this topic within the field.\n2. Decide on a limited number of ideas you want your audience to comprehend and remember. To do this, find the most important points in your paper. These are the ones you should be drilling home. The rest of your presentation should be extras not necessarily addressed in your work -- if they've already read the paper, they don't need to be lectured on it. They're there to learn more. Make an outline of the highlights to help you prepare your presentation. As you form the outline, you'll see what aspects of your paper pop out the most and what order they would best be relayed in. As you go through this outline, remove any jargon if it may not be understood.\n3. Design visual aids to make your presentation even better. To help your audience follow along (and for the visual learners), use slides with graphics, charts, and bullet points to make everything a bit more captivating. It can enhance the information in your paper, yes, but it also keeps everyone from wiggling around in their seats. If you have any statistics at all, turn them into graphs. The contrasts will seem more stark when put in pictures before your audience -- numbers are sometimes meaningless. Instead of thinking about 25% and 75%, they'll be thinking about the 50% difference they see before them. If you won't have access to the proper technology, print visual aids on poster board or foam-core board. Presentation software (Powerpoint, etc.) can also double as notecards. Instead of messing with small pieces of paper, you can just click a button to get your next prompt. If using presentation software, use words sparingly, but enough to get your point across. Think in phrases (and pictures! ), not sentences. Acronyms and abbreviations are okay on the screen, but when you talk, address them fully. And remember to use large fonts -- not everyone's vision is fantastic.\n4. Think in terms of conversation. Just because this is paper-based does not mean your delivery should be equivalent to what an 8.5 x 11 can do. You have personality and are a human engaging with an audience. Use their humanness to do things you might not otherwise do in a paper. It's okay to be a bit repetitive. Emphasizing important ideas will enhance comprehension and recall. When you've gone full circle, cycle back to a previous point to lead your audience to the right conclusion. Minimize the unnecessary details (the procedure you had to go through, etc.) when highlighting the main ideas you want to relay. You don't want to overload your audience with fluff, forcing them to miss the important stuff. Show enthusiasm! A very boring topic can be made interesting if there is passion behind it.\n\n\n## Practice, practice, and more practice\n\n1. Practice your presentation in front of friends and family members. Don't be shy -- ask for constructive criticism. This helps you know whether or not you're meeting the time requirements and if not, how you could tweak your style. And once you've recited it 20 times before breakfast, your nervous should be at a minimum. If you can grab a friend who you think has a similar knowledge level to your audience, all the better. They'll help you see what points are foggier to minds with less expertise on the topic.\n2. Tape record yourself. Alright, so this one is a little much, but if you're really nervous, you may find listening to yourself beneficial. You can see which parts you're nervous about and which parts you have nailed down. It'll help you to see the flow, too, when you listen back. It'll also help you with volume. Some people get rather timid when in the spotlight. You may not be aware that you're not loud enough!\n3. Be warm. You are allowed to be a person, not just a machine that relays facts. Welcome in your audience and take a few seconds to establish a comfortable atmosphere. Do the same with your conclusion. Thank everyone for their time and open the floor for any questions, if allowed.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to prepare a paper presentation?', "A paper is bad enough, but presentations are even more nerve-wracking. You've got the writing down, but how do you turn it into a dynamic, informative, enjoyable presentation? Why, here's how!\n\n## Guidelines and audience\n\n1. Know the requirements. Each presentation for each class is going to be a bit different. Some instructors will be happy with 3 minutes while others will demand you stand there awkwardly for 7. Have all the guidelines clear when you go to write your presentation. Know how long the speech must be. Know how many points you're required to cover. Know if you must include sources or visuals.\n2. Know your audience. If you're giving a presentation to your classmates, you probably have a rough idea of their knowledge on the topic. But for virtually every other circumstance, you may be in the dark. Either way, cater your paper to make zero assumptions. If you're presenting to people you know, it'll be easy to know what to break down and what to gloss over. But if you're presenting to unknown stockholders or faculty, for instance, you need to know about them and their knowledge levels, too. You may have to break your paper down into its most basic concepts. Find out what you can about their backgrounds.\n3. Know your resources. If you are giving a presentation in a facility you've never visited before, it's best to inquire about what you'll have at your disposal and what you'll need to set up beforehand. Does the facility have a computer and projector screen? Is there a working WiFi connection? Is there a microphone? A podium? Is there someone who can assist you in working the equipment before your presentation?\n\n\n## Script and visuals\n\n1. Create a script for your presentation. Although you could write everything out, it's best to use notes to jog your memory -- you'll sound more like you're talking and be able to make more eye contact. Only have one point per notecard -- that way you won't end up searching the notecard for your information. And don't forget to number the cards in case you get mixed up! And the points on your cards shouldn't match your paper; instead of regurgitating information, discuss why the key points of your paper are important or the different points of view on this topic within the field.\n2. Decide on a limited number of ideas you want your audience to comprehend and remember. To do this, find the most important points in your paper. These are the ones you should be drilling home. The rest of your presentation should be extras not necessarily addressed in your work -- if they've already read the paper, they don't need to be lectured on it. They're there to learn more. Make an outline of the highlights to help you prepare your presentation. As you form the outline, you'll see what aspects of your paper pop out the most and what order they would best be relayed in. As you go through this outline, remove any jargon if it may not be understood.\n3. Design visual aids to make your presentation even better. To help your audience follow along (and for the visual learners), use slides with graphics, charts, and bullet points to make everything a bit more captivating. It can enhance the information in your paper, yes, but it also keeps everyone from wiggling around in their seats. If you have any statistics at all, turn them into graphs. The contrasts will seem more stark when put in pictures before your audience -- numbers are sometimes meaningless. Instead of thinking about 25% and 75%, they'll be thinking about the 50% difference they see before them. If you won't have access to the proper technology, print visual aids on poster board or foam-core board. Presentation software (Powerpoint, etc.) can also double as notecards. Instead of messing with small pieces of paper, you can just click a button to get your next prompt. If using presentation software, use words sparingly, but enough to get your point across. Think in phrases (and pictures! ), not sentences. Acronyms and abbreviations are okay on the screen, but when you talk, address them fully. And remember to use large fonts -- not everyone's vision is fantastic.\n4. Think in terms of conversation. Just because this is paper-based does not mean your delivery should be equivalent to what an 8.5 x 11 can do. You have personality and are a human engaging with an audience. Use their humanness to do things you might not otherwise do in a paper. It's okay to be a bit repetitive. Emphasizing important ideas will enhance comprehension and recall. When you've gone full circle, cycle back to a previous point to lead your audience to the right conclusion. Minimize the unnecessary details (the procedure you had to go through, etc.) when highlighting the main ideas you want to relay. You don't want to overload your audience with fluff, forcing them to miss the important stuff. Show enthusiasm! A very boring topic can be made interesting if there is passion behind it.\n\n\n## Practice, practice, and more practice\n\n1. Practice your presentation in front of friends and family members. Don't be shy -- ask for constructive criticism. This helps you know whether or not you're meeting the time requirements and if not, how you could tweak your style. And once you've recited it 20 times before breakfast, your nervous should be at a minimum. If you can grab a friend who you think has a similar knowledge level to your audience, all the better. They'll help you see what points are foggier to minds with less expertise on the topic.\n2. Tape record yourself. Alright, so this one is a little much, but if you're really nervous, you may find listening to yourself beneficial. You can see which parts you're nervous about and which parts you have nailed down. It'll help you to see the flow, too, when you listen back. It'll also help you with volume. Some people get rather timid when in the spotlight. You may not be aware that you're not loud enough!\n3. Be warm. You are allowed to be a person, not just a machine that relays facts. Welcome in your audience and take a few seconds to establish a comfortable atmosphere. Do the same with your conclusion. Thank everyone for their time and open the floor for any questions, if allowed.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "How to control chi?", "Chi (also known as “Qi” and pronounced “chee”) is a concept that comes from Chinese medicine. Chi is life energy, which is believed to be in everything and everyone in the world. Many people wish to spend time focusing their chi because it is believe to improve health, focus, and well-being. Learning to focus your chi will be an on-going journey.\n\n## Focus chi through movement\n\n1. Practice Tai Chi. Tai Chi can help you with focusing your Chi. It is a light exercise that uses several movements and breathing to help you focus on your Chi. It is believed to help reduce stress and help with many medical conditions.\n2. Find Tai Chi classes. There are many videos for practicing Tai Chi on the web. Simply search for “Tai Chi videos” on your favorite search engine. However, if you have never practiced any Tai Chi before, it is perhaps a good idea to visit a Tai Chi instructor to help get you started. You can also call local gyms and yoga studios to see which ones offer Tai Chi classes.\n3. Try out some of the basic movements. If you aren’t sure whether you would like Tai Chi, or if you feel intimidated to go to a class, you can try out a few of the basic movements first. Begin with your feet at shoulder width. This helps you keep your weight centered. Keep in mind that when practicing Tai Chi, it is extremely important to keep you weight balanced on both of your feet, which when planted on the ground, should stay shoulder width apart. Keep your knees slightly bent. Don’t lock them! Try to position yourself as if you were about to sit down into a chair, which will require your muscles in your legs to engage. Keep your spine straight, but also relaxed. Imagine that each vertebra is floating above the one below it. Touch your tongue to the roof of the mouth gently. This is believed to connect the channels which help chi flow. Thus connecting your entire body. Make a mental connection. This involves mentally thinking about connecting the wrists and ankles, elbows and knees, shoulders with hips. Become aware of your breath. Breathe in a relaxed, normal manner. Follow the inhalation and exhalation, as well as expanding and contraction of your lungs. If you can, belly breathe.\n4. Be present while practicing. Being present in the moment (rather than constantly thinking about the past or worrying about the future) plays a huge role in Eastern Philosophy. This means that when you are practicing Tai Chi (and in your daily life in general) you should also practice being mindful, or fully present, in the moment. In the case of Tai Chi, you should practice noticing physical and emotional sensations you feel while you are actively practicing. Naturally, your mind may wander. In these instance, you should simply try to notice extraneous thoughts that come into your mind, and then go back to noticing the feelings and sensations you are currently experience. Don’t judge the thought, and try not to follow it.\n5. Keep practicing! The idea behind Tai Chi (and focusing and developing your Chi in general, is that you are on a journey. Thus, if you really want to use Tai Chi as a method of focusing your Chi, you should practice consistently. You may find benefit if you practice every day for a month, but you will find even more benefit if you practice a few times a week for many years.\n\n\n## Use chi breathe exercise\n\n1. Practice mindfulness when practicing these breathing exercises. The term “mindfulness” refers to a practice of making a gentle effort to be present in whatever you are currently doing. In this case, this means making an effort to think about the exercise as you are doing it. Think about the way the breath feels as you inhale and exhale. Although your mind will very likely wander to other thoughts, worries, and/or other things you have to get done, just do your best to come back to the present when you notice that it has wandered. Don’t get mad at yourself when this happens.\n2. Find a comfortable position. This will be different for everyone. If you find that you are comfortable sitting cross-legged on the floor, do that. If you want to lay down or even stand up, that is fine too. Make sure your clothes are comfortable, and that you are sitting with good posture. Inhale through your nose. Do this as you normally would, don’t make it deeper or more shallow. Exhale slowly. Instead of out your nose, exhale out of your mouth as much as you can. Try to get all of the air out of your lungs. Breathe in through your nose. You will find this very refreshing as their was no air in your lungs, but try to breathe normally. Don’t take a very deep breath, but instead take a breath as you normally would. Repeat the process of inhaling through the nose and exhaling through the mouth. Do this as many times as you like. It will help refresh you and make you more alert. However, if you feel dizzy, try taking a break or making your exhalations slower.\n3. Practice belly breathing. In Eastern medicine it is believed that breathing low in the belly is better than using the shoulders to breathe. Lie down on your back. Once you get the hang of it, you will be able to do this no matter whether you are sitting, laying down, or standing. However, it’s good to start in this position so you know how it should feel. Rest one of your hands low on your belly, beneath your belly button with a flat, open hand. Take a few normal breaths to relax. Take a deep breath, and then forcefully exhale. The point here is to try and push your hand up with your belly during the exhalation. Your hips and back should not move. Repeat this step until you get the hang of moving your hand using only your breathing.\n4. Breathe in a square. This may sound strange, but it will help you to experience what chi feels like. It involves breaking your inhalation and exhalation down into 4 parts. Begin by sitting in a peaceful, relaxed position. If you choose to sit up, make sure you have good posture. Take a few breaths to relax. If you have mastered belly breathing, then do that. However, if you have not, just breathe normally for a few breaths to relax. Choose an amount of time for your breaths. A good place to start is 5 seconds for inhalation and 5 seconds for exhalation. You can add or subtract time from this if you need. Breathe in for the amount of time you have chosen (i.e. 5 seconds), then spend 5 seconds without inhaling or exhaling (don’t tense up your body here!). Follow this with 5 seconds of slowly exhaling, and another 5 seconds where you stop exhaling and don’t inhale either. Focus on the experience of continually breathing in a square. The feeling you get from this is chi.\n\n\n## Focus chi through meditation\n\n1. Search for videos or apps. If you have never practiced meditation before, you can search the web for videos or for apps for your smart phone that can guide you through a meditation session. If you choose to use a video to guide you, skim through several videos to see if you enjoy the tempo of the guidance, the length, and the content of the guidance. You don’t have to listen to the whole thing before you start, but try to look for a guided meditation for beginners as these will be much shorter and include much more verbal guidance.\n2. Avoid eating for at least half an hour before meditating. A full belly can make you sleepy and weigh you down. When meditating, you want to be awake, but relaxed.\n3. Find a quiet place to meditate. If you can find a nearly silent place to meditate, this is best. If you wish, you can use music to help you focus in your meditation. However, be sure to use music that is suitable for Chi meditation. If you don’t have any such music, you can search sites like YouTube for videos that play the correct music. Simply search for “Chi meditation music” (or try “Qi meditation music”), and you should find suitable music.\n4. Find a comfortable, seated position. If you can, sit cross-legged on the floor. If this is not possible for you, sit upright in a chair with your feet planted flat on the floor.\n5. Rest your hands lightly on your lap. Your hands should rest with your palms facing upwards either on each leg or with your left hand cradling your right hand just below your navel. If you choose the latter, have your thumbs gently touching each other.\n6. Keep your spine straight. This can be challenging at first, but try not to slouch. Instead, practice sitting with your spine straight. While you should try to keep your spine straight, you should not feel tense. Thus, try to keep a straight, but relaxed position.\n7. Relax your gaze. You can choose to gently close your eyes, or keep your eyes open. Either way, begin by resting your gaze in front of you, not focusing too hard on anything in particular.\n8. Become aware of your physical and emotional feelings. Notice the way your body feels as it rests on the floor or chair, and take note of the thoughts and emotions you are feeling at this moment.\n9. Become aware of your breathing. Notice your breathe. Notice the way it feels as you inhale in through the nose (e.g. Is the air cold? Is one nostril more open than the other?) and then notice how it feels as you exhale (e.g. Is the air warmer? Does the air come out slowly or forcefully?). As you breathe in, imagine that you are breathing in good energy. As you breathe out, imagine that you are breathing out toxins and bad energy.\n10. Practice meditation every single day. With meditation it is best to practice every day if at all possible. This may mean that you have to reduce the time that you meditate, which is OK. It is better to meditate for 10 minutes each day than for 30 or 40 minutes only once per week.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to control chi?', 'Chi (also known as “Qi” and pronounced “chee”) is a concept that comes from Chinese medicine. Chi is life energy, which is believed to be in everything and everyone in the world. Many people wish to spend time focusing their chi because it is believe to improve health, focus, and well-being. Learning to focus your chi will be an on-going journey.\n\n## Focus chi through movement\n\n1. Practice Tai Chi. Tai Chi can help you with focusing your Chi. It is a light exercise that uses several movements and breathing to help you focus on your Chi. It is believed to help reduce stress and help with many medical conditions.\n2. Find Tai Chi classes. There are many videos for practicing Tai Chi on the web. Simply search for “Tai Chi videos” on your favorite search engine. However, if you have never practiced any Tai Chi before, it is perhaps a good idea to visit a Tai Chi instructor to help get you started. You can also call local gyms and yoga studios to see which ones offer Tai Chi classes.\n3. Try out some of the basic movements. If you aren’t sure whether you would like Tai Chi, or if you feel intimidated to go to a class, you can try out a few of the basic movements first. Begin with your feet at shoulder width. This helps you keep your weight centered. Keep in mind that when practicing Tai Chi, it is extremely important to keep you weight balanced on both of your feet, which when planted on the ground, should stay shoulder width apart. Keep your knees slightly bent. Don’t lock them! Try to position yourself as if you were about to sit down into a chair, which will require your muscles in your legs to engage. Keep your spine straight, but also relaxed. Imagine that each vertebra is floating above the one below it. Touch your tongue to the roof of the mouth gently. This is believed to connect the channels which help chi flow. Thus connecting your entire body. Make a mental connection. This involves mentally thinking about connecting the wrists and ankles, elbows and knees, shoulders with hips. Become aware of your breath. Breathe in a relaxed, normal manner. Follow the inhalation and exhalation, as well as expanding and contraction of your lungs. If you can, belly breathe.\n4. Be present while practicing. Being present in the moment (rather than constantly thinking about the past or worrying about the future) plays a huge role in Eastern Philosophy. This means that when you are practicing Tai Chi (and in your daily life in general) you should also practice being mindful, or fully present, in the moment. In the case of Tai Chi, you should practice noticing physical and emotional sensations you feel while you are actively practicing. Naturally, your mind may wander. In these instance, you should simply try to notice extraneous thoughts that come into your mind, and then go back to noticing the feelings and sensations you are currently experience. Don’t judge the thought, and try not to follow it.\n5. Keep practicing! The idea behind Tai Chi (and focusing and developing your Chi in general, is that you are on a journey. Thus, if you really want to use Tai Chi as a method of focusing your Chi, you should practice consistently. You may find benefit if you practice every day for a month, but you will find even more benefit if you practice a few times a week for many years.\n\n\n## Use chi breathe exercise\n\n1. Practice mindfulness when practicing these breathing exercises. The term “mindfulness” refers to a practice of making a gentle effort to be present in whatever you are currently doing. In this case, this means making an effort to think about the exercise as you are doing it. Think about the way the breath feels as you inhale and exhale. Although your mind will very likely wander to other thoughts, worries, and/or other things you have to get done, just do your best to come back to the present when you notice that it has wandered. Don’t get mad at yourself when this happens.\n2. Find a comfortable position. This will be different for everyone. If you find that you are comfortable sitting cross-legged on the floor, do that. If you want to lay down or even stand up, that is fine too. Make sure your clothes are comfortable, and that you are sitting with good posture. Inhale through your nose. Do this as you normally would, don’t make it deeper or more shallow. Exhale slowly. Instead of out your nose, exhale out of your mouth as much as you can. Try to get all of the air out of your lungs. Breathe in through your nose. You will find this very refreshing as their was no air in your lungs, but try to breathe normally. Don’t take a very deep breath, but instead take a breath as you normally would. Repeat the process of inhaling through the nose and exhaling through the mouth. Do this as many times as you like. It will help refresh you and make you more alert. However, if you feel dizzy, try taking a break or making your exhalations slower.\n3. Practice belly breathing. In Eastern medicine it is believed that breathing low in the belly is better than using the shoulders to breathe. Lie down on your back. Once you get the hang of it, you will be able to do this no matter whether you are sitting, laying down, or standing. However, it’s good to start in this position so you know how it should feel. Rest one of your hands low on your belly, beneath your belly button with a flat, open hand. Take a few normal breaths to relax. Take a deep breath, and then forcefully exhale. The point here is to try and push your hand up with your belly during the exhalation. Your hips and back should not move. Repeat this step until you get the hang of moving your hand using only your breathing.\n4. Breathe in a square. This may sound strange, but it will help you to experience what chi feels like. It involves breaking your inhalation and exhalation down into 4 parts. Begin by sitting in a peaceful, relaxed position. If you choose to sit up, make sure you have good posture. Take a few breaths to relax. If you have mastered belly breathing, then do that. However, if you have not, just breathe normally for a few breaths to relax. Choose an amount of time for your breaths. A good place to start is 5 seconds for inhalation and 5 seconds for exhalation. You can add or subtract time from this if you need. Breathe in for the amount of time you have chosen (i.e. 5 seconds), then spend 5 seconds without inhaling or exhaling (don’t tense up your body here!). Follow this with 5 seconds of slowly exhaling, and another 5 seconds where you stop exhaling and don’t inhale either. Focus on the experience of continually breathing in a square. The feeling you get from this is chi.\n\n\n## Focus chi through meditation\n\n1. Search for videos or apps. If you have never practiced meditation before, you can search the web for videos or for apps for your smart phone that can guide you through a meditation session. If you choose to use a video to guide you, skim through several videos to see if you enjoy the tempo of the guidance, the length, and the content of the guidance. You don’t have to listen to the whole thing before you start, but try to look for a guided meditation for beginners as these will be much shorter and include much more verbal guidance.\n2. Avoid eating for at least half an hour before meditating. A full belly can make you sleepy and weigh you down. When meditating, you want to be awake, but relaxed.\n3. Find a quiet place to meditate. If you can find a nearly silent place to meditate, this is best. If you wish, you can use music to help you focus in your meditation. However, be sure to use music that is suitable for Chi meditation. If you don’t have any such music, you can search sites like YouTube for videos that play the correct music. Simply search for “Chi meditation music” (or try “Qi meditation music”), and you should find suitable music.\n4. Find a comfortable, seated position. If you can, sit cross-legged on the floor. If this is not possible for you, sit upright in a chair with your feet planted flat on the floor.\n5. Rest your hands lightly on your lap. Your hands should rest with your palms facing upwards either on each leg or with your left hand cradling your right hand just below your navel. If you choose the latter, have your thumbs gently touching each other.\n6. Keep your spine straight. This can be challenging at first, but try not to slouch. Instead, practice sitting with your spine straight. While you should try to keep your spine straight, you should not feel tense. Thus, try to keep a straight, but relaxed position.\n7. Relax your gaze. You can choose to gently close your eyes, or keep your eyes open. Either way, begin by resting your gaze in front of you, not focusing too hard on anything in particular.\n8. Become aware of your physical and emotional feelings. Notice the way your body feels as it rests on the floor or chair, and take note of the thoughts and emotions you are feeling at this moment.\n9. Become aware of your breathing. Notice your breathe. Notice the way it feels as you inhale in through the nose (e.g. Is the air cold? Is one nostril more open than the other?) and then notice how it feels as you exhale (e.g. Is the air warmer? Does the air come out slowly or forcefully?). As you breathe in, imagine that you are breathing in good energy. As you breathe out, imagine that you are breathing out toxins and bad energy.\n10. Practice meditation every single day. With meditation it is best to practice every day if at all possible. This may mean that you have to reduce the time that you meditate, which is OK. It is better to meditate for 10 minutes each day than for 30 or 40 minutes only once per week.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "How to know if your girlfriend is ready to kiss you?", "Kissing a girl can be nerve-wracking, especially if you don't know if she's ready for a kiss! Luckily, there are ways you can figure out whether or not she wants a kiss. Although no tip is foolproof, at least you’ll have a better idea of whether it’s welcome before you make the move.\n\n## Study her face\n\n1. Watch her eyes. You should be able to tell a lot about your girlfriend's desire to kiss you from her eyes. They don't say the eyes are the windows to the soul for nothing. If she looks you directly in the eye, she is probably establishing intimacy and is at least open to kissing you. Although eye contact is almost always a positive sign, remember that sometimes people look down or away because they are shy or nervous. Still, if she is not looking at you, that's a warning sign that she's not open to a kiss. Women will give you more submissive looks in some cases when they want to be kissed, such putting the chin down and subtly looking down. Slightly narrowing the eyes is a pose that many women go into when they are waiting for a kiss. Are her pupils dilated and are her eyes widening? If so, these are signs that she is enjoying being around you, so she is probably open to a kiss.\n2. Look at her lips. Women prepare their lips for a kiss. So if you want to know if she wants to kiss you, zero in on her mouth. Is she biting her lip or licking her lips? These could be signs that she is trying to moisten them for a kiss. If she is pursing her lips or they look hardened, this is a bad sign. She is closing herself off to you. If she's applied lip gloss recently, or freshened her breath, this could mean she wants her lips to look desirable to you, in the hopes you will kiss them. This is especially true if you can tell she's reapplied them (say when you went to the bathroom). If she's looking at YOUR lips, it probably means she is thinking about kissing them.\n3. Pay attention to her nose. This might sound odd, but research has shown the nose can give away signals of desire - often without her realizing it. If her nostrils are flaring slightly, she probably wants a kiss. Physically, flaring the nostrils means she is taking in more air because she is preparing for physical activity. You need to take this one in context. If she's in the middle of an argument with you, the physical activity her body is preparing her for might not be in your favor.\n\n\n## Interpret her other body language\n\n1. Watch her posture. Posture can be very revealing. Much of communication is made up of non-verbal cues. Sometimes people don't even realize they are communicating this way. If she is learning into you or toward you, even slightly, it probably means she is more open to a kiss. On the other hand, if she is leaning away, that's a bad sign. You should also pay attention to the direction her feet are pointing. If they are pointing away from you, it could be a sign she is looking for a chance to leave. Does she move away when you move slightly toward her? This is a test you can use to measure her body language interest in kissing you. Subtly create more of a zone of intimacy and see if she complies or moves away to diminish it.\n2. Study her hands. Women will use their hands to touch things or show femininity if they want you to kiss them. If a woman plays with her necklace, she's probably into you. But you should take this act in context. If she also has other body language that is open to you, that's a better sign because sometimes a woman is just nervous. If a woman is playing with or twirling her hair, it's a sign she wants you to find her attractive and is flirting with you. If she touches something else, like a glass (running her fingers over it), in even a somewhat sensual way, that's a good sign.\n3. Wait for her touches. If she has touched you recently, even in small ways, this could be her way of creating more intimacy in the hopes you will kiss her. Even the slightest of touches show desire. That means it's a good sign if she brushes her hand against your knee or arm. Touch probably means she wants to get closer to you. It's an even better sign if she touches your face. If she softly, playfully hits you on the arm, she is trying to create a playful vibe with you, which is a way that women flirt. You could test her out by touching her slightly first to see how she responds. For example, brush your feet against hers under the table and see what she does. Another technique is to touch a piece of jewelry she has lightly (earrings, necklace), and say you admire it. If she smiles and is OK with you moving closer into her space, that's a good sign.\n4. Spot whether she has open body language. When taken together, is her body language closed or is it open? If she has open body language, she is not trying to erect barriers between you. Signs of open body language include arms at the side, body tilted toward you or facing you, eye contact, feet pointed toward you. Signs of closed body language include arms crossed over chest, feet or legs crossed, feet pointing away from you, body tilted away from you, and minimal eye contact. How much personal space is she leaving between you? If it's not much, she's already open to an intimate connection with you on some level. This is a good sign for you.\n\n\n## Learn other kiss trick\n\n1. Consider how she talks to you. Does she seem like she wants to keep the conversation going? It's a good sign for you if she does. Is she asking you a lot of questions? Are they deep and personal? If the answers are yes, she probably wants a more intimate connection with you. Are you making her laugh? Laughing at your jokes (especially if they are not very funny) is a way that women flirt. Is she trying to keep the conversation going by being the one to ask questions or lead or direct the conversation? That's a good sign. It's a bad sign if she lets the conversation wither into silence between you or you feel like you're doing all the heavy lifting to keep it going.\n2. Try the triangular kissing technique. There are some techniques you can use to build sexual tension, while monitoring how she responds and communicates back. Move close to her and touch her, either her hands or legs. Slow down your breathing and words. Look at her right eye. Hold the look for a few seconds, then move your gaze to her left eye. Pause again. Now, move your gaze and hold it on her mouth. She should be more receptive to a kiss (as long as she hasn't moved away!)\n3. Spot the window of opportunity. Women you've just met will often give you a short window of opportunity for a kiss. This can be a tricky balancing act. This will be easier if she's already your girlfriend because you will be able to spot the signs more readily. A woman you've just met is also testing you. You need to give her signs that you like her when she seems receptive to you, otherwise she may feel rejected or insecure and start to pull away and try to make you chase her. If you miss the window of opportunity, she may think you lack confidence or aren't interested in her. But if you try to kiss her before it opens, she might think you're boorish or too aggressive. So monitoring body language matters.\n4. Handle her moving away. You should always be prepared for the worst: What if you try to move closer or touch her slightly, and she moves away? Maybe she's just tired or not in a good mood. Who knows? You don't want to make it worse with a bad response. Timing is everything. Act like nothing has occurred. Basically, show that you're not thrown off. You could even make a confident quip about her being cute when she's shy. Don't act angry or insecure. That's not appealing to women. Maybe she's interested in you but just not ready for a kiss yet. In that case, you could work on building more common ground and intimacy- slowly. Abandon your idea for a kiss right now and instead focus on having a great conversation with her, and remember to throw in some compliments! (Women love that.)\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to know if your girlfriend is ready to kiss you?', "Kissing a girl can be nerve-wracking, especially if you don't know if she's ready for a kiss! Luckily, there are ways you can figure out whether or not she wants a kiss. Although no tip is foolproof, at least you’ll have a better idea of whether it’s welcome before you make the move.\n\n## Study her face\n\n1. Watch her eyes. You should be able to tell a lot about your girlfriend's desire to kiss you from her eyes. They don't say the eyes are the windows to the soul for nothing. If she looks you directly in the eye, she is probably establishing intimacy and is at least open to kissing you. Although eye contact is almost always a positive sign, remember that sometimes people look down or away because they are shy or nervous. Still, if she is not looking at you, that's a warning sign that she's not open to a kiss. Women will give you more submissive looks in some cases when they want to be kissed, such putting the chin down and subtly looking down. Slightly narrowing the eyes is a pose that many women go into when they are waiting for a kiss. Are her pupils dilated and are her eyes widening? If so, these are signs that she is enjoying being around you, so she is probably open to a kiss.\n2. Look at her lips. Women prepare their lips for a kiss. So if you want to know if she wants to kiss you, zero in on her mouth. Is she biting her lip or licking her lips? These could be signs that she is trying to moisten them for a kiss. If she is pursing her lips or they look hardened, this is a bad sign. She is closing herself off to you. If she's applied lip gloss recently, or freshened her breath, this could mean she wants her lips to look desirable to you, in the hopes you will kiss them. This is especially true if you can tell she's reapplied them (say when you went to the bathroom). If she's looking at YOUR lips, it probably means she is thinking about kissing them.\n3. Pay attention to her nose. This might sound odd, but research has shown the nose can give away signals of desire - often without her realizing it. If her nostrils are flaring slightly, she probably wants a kiss. Physically, flaring the nostrils means she is taking in more air because she is preparing for physical activity. You need to take this one in context. If she's in the middle of an argument with you, the physical activity her body is preparing her for might not be in your favor.\n\n\n## Interpret her other body language\n\n1. Watch her posture. Posture can be very revealing. Much of communication is made up of non-verbal cues. Sometimes people don't even realize they are communicating this way. If she is learning into you or toward you, even slightly, it probably means she is more open to a kiss. On the other hand, if she is leaning away, that's a bad sign. You should also pay attention to the direction her feet are pointing. If they are pointing away from you, it could be a sign she is looking for a chance to leave. Does she move away when you move slightly toward her? This is a test you can use to measure her body language interest in kissing you. Subtly create more of a zone of intimacy and see if she complies or moves away to diminish it.\n2. Study her hands. Women will use their hands to touch things or show femininity if they want you to kiss them. If a woman plays with her necklace, she's probably into you. But you should take this act in context. If she also has other body language that is open to you, that's a better sign because sometimes a woman is just nervous. If a woman is playing with or twirling her hair, it's a sign she wants you to find her attractive and is flirting with you. If she touches something else, like a glass (running her fingers over it), in even a somewhat sensual way, that's a good sign.\n3. Wait for her touches. If she has touched you recently, even in small ways, this could be her way of creating more intimacy in the hopes you will kiss her. Even the slightest of touches show desire. That means it's a good sign if she brushes her hand against your knee or arm. Touch probably means she wants to get closer to you. It's an even better sign if she touches your face. If she softly, playfully hits you on the arm, she is trying to create a playful vibe with you, which is a way that women flirt. You could test her out by touching her slightly first to see how she responds. For example, brush your feet against hers under the table and see what she does. Another technique is to touch a piece of jewelry she has lightly (earrings, necklace), and say you admire it. If she smiles and is OK with you moving closer into her space, that's a good sign.\n4. Spot whether she has open body language. When taken together, is her body language closed or is it open? If she has open body language, she is not trying to erect barriers between you. Signs of open body language include arms at the side, body tilted toward you or facing you, eye contact, feet pointed toward you. Signs of closed body language include arms crossed over chest, feet or legs crossed, feet pointing away from you, body tilted away from you, and minimal eye contact. How much personal space is she leaving between you? If it's not much, she's already open to an intimate connection with you on some level. This is a good sign for you.\n\n\n## Learn other kiss trick\n\n1. Consider how she talks to you. Does she seem like she wants to keep the conversation going? It's a good sign for you if she does. Is she asking you a lot of questions? Are they deep and personal? If the answers are yes, she probably wants a more intimate connection with you. Are you making her laugh? Laughing at your jokes (especially if they are not very funny) is a way that women flirt. Is she trying to keep the conversation going by being the one to ask questions or lead or direct the conversation? That's a good sign. It's a bad sign if she lets the conversation wither into silence between you or you feel like you're doing all the heavy lifting to keep it going.\n2. Try the triangular kissing technique. There are some techniques you can use to build sexual tension, while monitoring how she responds and communicates back. Move close to her and touch her, either her hands or legs. Slow down your breathing and words. Look at her right eye. Hold the look for a few seconds, then move your gaze to her left eye. Pause again. Now, move your gaze and hold it on her mouth. She should be more receptive to a kiss (as long as she hasn't moved away!)\n3. Spot the window of opportunity. Women you've just met will often give you a short window of opportunity for a kiss. This can be a tricky balancing act. This will be easier if she's already your girlfriend because you will be able to spot the signs more readily. A woman you've just met is also testing you. You need to give her signs that you like her when she seems receptive to you, otherwise she may feel rejected or insecure and start to pull away and try to make you chase her. If you miss the window of opportunity, she may think you lack confidence or aren't interested in her. But if you try to kiss her before it opens, she might think you're boorish or too aggressive. So monitoring body language matters.\n4. Handle her moving away. You should always be prepared for the worst: What if you try to move closer or touch her slightly, and she moves away? Maybe she's just tired or not in a good mood. Who knows? You don't want to make it worse with a bad response. Timing is everything. Act like nothing has occurred. Basically, show that you're not thrown off. You could even make a confident quip about her being cute when she's shy. Don't act angry or insecure. That's not appealing to women. Maybe she's interested in you but just not ready for a kiss yet. In that case, you could work on building more common ground and intimacy- slowly. Abandon your idea for a kiss right now and instead focus on having a great conversation with her, and remember to throw in some compliments! (Women love that.)\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I have javascript function like this:\n```function myFunction(number) {\n var x=number;\n ...\n ... more initializations\n //here need to wait until flag==true\n while(flag==false)\n {}\n ...\n ... do something\n}\n```\nThe problem is that the javascript is stuck in the while and stuck my program. so my question is how can I wait in the middle of the function until flag is true without \"busy-wait\"?", "Because javascript in a browser is single threaded (except for webworkers which aren't involved here) and one thread of javascript execution runs to completion before another can run, your statement:\n```while(flag==false) {}\n```\nwill simply run forever (or until the browser complains about a non-responsive javascript loop), the page will appear to be hung and no other javascript will ever get a chance to run, thus the flag's value can never be changed.\nFor a little more explanation, Javascript is an event driven language. That means that it runs a piece of Javascript until it returns control back to the interpreter. Then, only when it returns back to the interpreter, Javascript gets the next event from the event queue and runs it.\nAll things like timers and network events run through the event queue. So, when a timer fires or a network request arrives, it does not ever \"interrupt\" the currently running Javascript. Instead, an event gets put in the Javascript event queue and then, when the currently running Javascript finishes, the next event is pulled from the event queue and it gets its turn to run.\nSo, when you do an infinite loop such as ```while(flag==false) {}```, the currently running Javascript never finishes and thus the next event is never pulled from the event queue and thus the value of ```flag``` never gets changed. They key here is that Javascript is not interrupt driven. When a timer fires, it does not interrupt the currently running Javascript, run some other Javascript and then let the currently running Javascript continue. It just gets put in the event queue waiting until the currently running Javascript is done to get its turn to run.\n\nWhat you need to do is rethink how your code works and find a different way to trigger whatever code you want to run when the ```flag``` value changes. Javascript is designed as an event-driven language. So, what you need to do is figure out what events you can register an interest in so you can either listen for the event that might cause the flag to change and you can examine the flag on that event or you can trigger your own event from whatever code might change the flag or you can implement a callback function that whatever code changes that flag can call your callback whenever the piece of code responsible for changing the flag value would change it's value to ```true```, it just calls the callback function and thus your code that wants to run when the flag gets set to ```true``` will get to run at the right time. This is much, much more efficient than trying to use some sort of timer to constantly check the flag value.\n```function codeThatMightChangeFlag(callback) {\n // do a bunch of stuff\n if (condition happens to change flag value) {\n // call the callback to notify other code\n callback();\n }\n}\n```" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I have javascript function like this:\n```function myFunction(number) {\n var x=number;\n ...\n ... more initializations\n //here need to wait until flag==true\n while(flag==false)\n {}\n ...\n ... do something\n}\n```\nThe problem is that the javascript is stuck in the while and stuck my program. so my question is how can I wait in the middle of the function until flag is true without "busy-wait"?', 'Because javascript in a browser is single threaded (except for webworkers which aren\'t involved here) and one thread of javascript execution runs to completion before another can run, your statement:\n```while(flag==false) {}\n```\nwill simply run forever (or until the browser complains about a non-responsive javascript loop), the page will appear to be hung and no other javascript will ever get a chance to run, thus the flag\'s value can never be changed.\nFor a little more explanation, Javascript is an event driven language. That means that it runs a piece of Javascript until it returns control back to the interpreter. Then, only when it returns back to the interpreter, Javascript gets the next event from the event queue and runs it.\nAll things like timers and network events run through the event queue. So, when a timer fires or a network request arrives, it does not ever "interrupt" the currently running Javascript. Instead, an event gets put in the Javascript event queue and then, when the currently running Javascript finishes, the next event is pulled from the event queue and it gets its turn to run.\nSo, when you do an infinite loop such as ```while(flag==false) {}```, the currently running Javascript never finishes and thus the next event is never pulled from the event queue and thus the value of ```flag``` never gets changed. They key here is that Javascript is not interrupt driven. When a timer fires, it does not interrupt the currently running Javascript, run some other Javascript and then let the currently running Javascript continue. It just gets put in the event queue waiting until the currently running Javascript is done to get its turn to run.\n\nWhat you need to do is rethink how your code works and find a different way to trigger whatever code you want to run when the ```flag``` value changes. Javascript is designed as an event-driven language. So, what you need to do is figure out what events you can register an interest in so you can either listen for the event that might cause the flag to change and you can examine the flag on that event or you can trigger your own event from whatever code might change the flag or you can implement a callback function that whatever code changes that flag can call your callback whenever the piece of code responsible for changing the flag value would change it\'s value to ```true```, it just calls the callback function and thus your code that wants to run when the flag gets set to ```true``` will get to run at the right time. This is much, much more efficient than trying to use some sort of timer to constantly check the flag value.\n```function codeThatMightChangeFlag(callback) {\n // do a bunch of stuff\n if (condition happens to change flag value) {\n // call the callback to notify other code\n callback();\n }\n}\n```']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to cite a website?", "## Mla\n\n1. Start your Works Cited entry with the author's name, if provided. If an individual author is listed for the web page you want to cite, type their last name first, followed by a comma, then their first name. Place a period at the end of the name. Example: Claymore, Crystal. If no individual author is listed, but the website is produced by a government agency, organization, or business, use that name as the author. For example, if you're using a CDC web page as a source, you would list the author as \"Centers for Disease Control and Prevention. \"Tip: For your entire Works Cited entry, if an element doesn't exist or isn't provided, simply skip that part of the citation and move on to the next part.\n2. Provide the title of the page in double quotation marks. If the specific web page has a title, type it after the author's name. Use title case, capitalizing the first word and all nouns, pronouns, adverbs, adjectives, and verbs. Enclose the title in double quotation marks, placing a period at the end of the title, inside the closing quotation marks. Example: Claymore, Crystal. \"Best-Kept Secrets for Amazing Cupcake Frosting.\"\n3. Give the name of the website in italics followed by the date of publication. Type the name of the website as a whole in title case, followed by a comma. Use the capitalization and spacing schemes the website uses if they are proprietary (such as \"wikiHow\" or \"WebMD\") If there is a publication date for the web page, list it in day-month-year format, abbreviating all months with names longer than 4 letters. Place a comma after the date of publication. Example: Claymore, Crystal. \"Best-Kept Secrets for Amazing Cupcake Frosting.\" Crystal's Cupcakes, 24 Sept. 2018,\n4. Include the URL for the web page. Copy the URL for the web page and paste it into your entry, leaving off the \"http://\" part. Place a period at the end of the URL. Make sure the URL you use is a permalink for the information you're citing. If the URL is excessively long, talk to your instructor or supervisor about using a shortened URL. Example: Claymore, Crystal. \"Best-Kept Secrets for Amazing Cupcake Frosting.\" Crystal's Cupcakes, 24 Sept. 2018, www.crystalscupcakes.com/amazing-frosting.\n5. Close with your date of access if there was no date of publication. Often, a web page won't have a particular publication date. If that happens for a page you want to cite, add the word \"Accessed\" after the URL and include the date you last accessed the page in day-month-year format. Abbreviate all months with names that have more than 4 letters. Place a period at the end of the date. Example: Claymore, Crystal. \"Best-Kept Secrets for Amazing Cupcake Frosting.\" Crystal's Cupcakes, www.crystalscupcakes.com/amazing-frosting. Accessed 14 Feb. 2019. MLA Works Cited Format:\n\t* Author Last Name, First Name. \"Title of Web Page in Title Case.\" Name of Website, Day Month Year of publication, URL. Accessed Day Month Year.\n6. Place a parenthetical citation after referencing the website in your text. An MLA parenthetical citation typically includes the author's last name and the page number where the quoted or paraphrased information can be found. Since websites don't have page numbers, simply include the author's last name in the parenthetical, or the title of the web page if there is no author. Place your parenthetical inside the closing punctuation for the sentence. For example, you might write: \"The best cupcake frosting techniques are often the least intuitive (Claymore).\" If you include the author's name in your text, there's no need for a parenthetical citation. For example, you might write: \"Award-winning baker Crystal Claymore wasn't afraid to give away all her secrets, sharing her favorite frosting techniques on her website.\"\n\n\n## Apa\n\n1. Start your reference list entry with the name of the author. If an individual author is listed, type their last name first, followed by a comma, then their first and middle initials (if a middle initial is given. Usually, the author of a website will be the government agency, organization, or business that owns the website. In that case, list the name of that entity followed by a period. Example: Canadian Cancer Society.\n2. Add the year the website or page was published. If a publication date is provided next to the content you are citing, include that year in parentheses after the name of the author. Place a period after the closing parentheses. If no date is provided for the specific content you're citing, use the abbreviation \"n.d.\" (for \"no date\") inside the parentheses. Do not use the copyright date for the website itself. Example: Canadian Cancer Society. (2017). If you're citing several pages from the same website that were published in the same year, add a lower-case letter to the end of the year so you can differentiate them in your in-text citations. For example, you might have \"2017a\" and \"2017b.\"\n3. Type the title of the web page in sentence case. Type a space after the period that follows the date, then type the title of the web page, which will usually appear as a header at the top of the page. Use sentence case, capitalizing only the first word and any proper nouns. Place a period at the end of the title. Example: Canadian Cancer Society. (2017). Cancer research. If the content you're citing is a stand-alone document, the title should be italicized. This will usually be the case if you're citing a PDF document that appears on a website. If you're not sure, use your best judgment in deciding whether to italicize it or not.\n4. Close with the direct URL of the web page. Copy the full direct URL or permalink of the content you want to cite. Type the words \"Retrieved from,\" then past the URL into your entry. Do not place a period at the end of the URL. If the URL is overly long, ask your instructor or supervisor if you can use a shortened link. Example: Canadian Cancer Society. (2017). Cancer research. Retrieved from http://www.cancer.ca/en/cancer-information/cancer-101/cancer-research/?region=on\n\t* APA Reference List Format:\n\t* Author Last Name, A. A. (Year). Title of web page in sentence case. Retrieved from URL\n5. Use the author's name and year for in-text parenthetical citations. APA uses author-year parenthetical at the end of any sentence in which you quote or paraphrase information from the website. The parenthetical citation goes inside the closing punctuation for the sentence. For example, you might write: \"Clinical trials are used to test new cancer treatments (Canadian Cancer Society, 2017).\" If you include the author's name in your text, place the year in parentheses immediately after the author's name. For example, you might write: \"The Canadian Cancer Society (2017) noted that Canada is a global leader in clinical trials of cancer treatments.\"\n\n\n## Chicago\n\n1. Start your bibliographic entry with the name of the author. If the web page has an individual author listed, type that author's last name first, followed by a comma, then their first name. If there is no individual author, use the name of the organization, company, or government agency that published the content as the author. Place a period at the end of the author's name. Example: UN Women.\n2. List the title of the web page in double quotation marks. After the name of the article, provide the title of the specific web page. Use title case, capitalizing the first word and all nouns, pronouns, adjectives, adverbs, and verbs. Place a period at the end of the title, inside the closing quotation marks. Example: UN Women. \"Commission on the Status of Women.\"\n3. Add the name of the website or publishing organization in italics. If the website has a distinct name, include this after the title of the webpage. If it doesn't, use the name of the business, organization, or government agency that produces the website. Place a period at the end of the name. Example: UN Women. \"Commission on the Status of Women.\" UN Women.\n4. Provide the publication date or access date. If the content you're citing has a specific publication date associated with it, provide that date in month-day-year format. If no publication date is listed, type the word \"Accessed\" followed by the date you accessed the content in month-day-year format. Spell out the names of all months. Example: UN Women. \"Commission on the Status of Women.\" UN Women. Accessed February 14, 2019.\n5. Close your entry with a direct URL to the web page. Copy the full URL for the permalink of the web page and paste it into your bibliographic entry. Place a period at the end of the URL. If the URL is overly lengthy, talk to your instructor, editor, or supervisor about using a shortened link. Example: UN Women. \"Commission on the Status of Women.\" UN Women. Accessed February 14, 2019. http://www.unwomen.org/en/csw. Chicago Bibliography Format:\n\t* Author Last Name, First Name. \"Title of Web Page in Title Case.\" Name of Website or Publishing Organization. Accessed Month Day, Year. URL.\n6. Use commas instead of periods between elements in footnotes. A Chicago-style footnote generally includes all of the same information as the bibliographic entry. However, the footnote is treated as a sentence, with elements separated by commas. If there was an individual author listed, their name should be listed with their first name first, followed by their last name, just as you would do it if you wrote it in text. Example: UN Women, \"Commission on the Status of Women,\" UN Women, accessed February 14, 2019, http://www.unwomen.org/en/csw.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to cite a website?', '## Mla\n\n1. Start your Works Cited entry with the author\'s name, if provided. If an individual author is listed for the web page you want to cite, type their last name first, followed by a comma, then their first name. Place a period at the end of the name. Example: Claymore, Crystal. If no individual author is listed, but the website is produced by a government agency, organization, or business, use that name as the author. For example, if you\'re using a CDC web page as a source, you would list the author as "Centers for Disease Control and Prevention. "Tip: For your entire Works Cited entry, if an element doesn\'t exist or isn\'t provided, simply skip that part of the citation and move on to the next part.\n2. Provide the title of the page in double quotation marks. If the specific web page has a title, type it after the author\'s name. Use title case, capitalizing the first word and all nouns, pronouns, adverbs, adjectives, and verbs. Enclose the title in double quotation marks, placing a period at the end of the title, inside the closing quotation marks. Example: Claymore, Crystal. "Best-Kept Secrets for Amazing Cupcake Frosting."\n3. Give the name of the website in italics followed by the date of publication. Type the name of the website as a whole in title case, followed by a comma. Use the capitalization and spacing schemes the website uses if they are proprietary (such as "wikiHow" or "WebMD") If there is a publication date for the web page, list it in day-month-year format, abbreviating all months with names longer than 4 letters. Place a comma after the date of publication. Example: Claymore, Crystal. "Best-Kept Secrets for Amazing Cupcake Frosting." Crystal\'s Cupcakes, 24 Sept. 2018,\n4. Include the URL for the web page. Copy the URL for the web page and paste it into your entry, leaving off the "http://" part. Place a period at the end of the URL. Make sure the URL you use is a permalink for the information you\'re citing. If the URL is excessively long, talk to your instructor or supervisor about using a shortened URL. Example: Claymore, Crystal. "Best-Kept Secrets for Amazing Cupcake Frosting." Crystal\'s Cupcakes, 24 Sept. 2018, www.crystalscupcakes.com/amazing-frosting.\n5. Close with your date of access if there was no date of publication. Often, a web page won\'t have a particular publication date. If that happens for a page you want to cite, add the word "Accessed" after the URL and include the date you last accessed the page in day-month-year format. Abbreviate all months with names that have more than 4 letters. Place a period at the end of the date. Example: Claymore, Crystal. "Best-Kept Secrets for Amazing Cupcake Frosting." Crystal\'s Cupcakes, www.crystalscupcakes.com/amazing-frosting. Accessed 14 Feb. 2019. MLA Works Cited Format:\n\t* Author Last Name, First Name. "Title of Web Page in Title Case." Name of Website, Day Month Year of publication, URL. Accessed Day Month Year.\n6. Place a parenthetical citation after referencing the website in your text. An MLA parenthetical citation typically includes the author\'s last name and the page number where the quoted or paraphrased information can be found. Since websites don\'t have page numbers, simply include the author\'s last name in the parenthetical, or the title of the web page if there is no author. Place your parenthetical inside the closing punctuation for the sentence. For example, you might write: "The best cupcake frosting techniques are often the least intuitive (Claymore)." If you include the author\'s name in your text, there\'s no need for a parenthetical citation. For example, you might write: "Award-winning baker Crystal Claymore wasn\'t afraid to give away all her secrets, sharing her favorite frosting techniques on her website."\n\n\n## Apa\n\n1. Start your reference list entry with the name of the author. If an individual author is listed, type their last name first, followed by a comma, then their first and middle initials (if a middle initial is given. Usually, the author of a website will be the government agency, organization, or business that owns the website. In that case, list the name of that entity followed by a period. Example: Canadian Cancer Society.\n2. Add the year the website or page was published. If a publication date is provided next to the content you are citing, include that year in parentheses after the name of the author. Place a period after the closing parentheses. If no date is provided for the specific content you\'re citing, use the abbreviation "n.d." (for "no date") inside the parentheses. Do not use the copyright date for the website itself. Example: Canadian Cancer Society. (2017). If you\'re citing several pages from the same website that were published in the same year, add a lower-case letter to the end of the year so you can differentiate them in your in-text citations. For example, you might have "2017a" and "2017b."\n3. Type the title of the web page in sentence case. Type a space after the period that follows the date, then type the title of the web page, which will usually appear as a header at the top of the page. Use sentence case, capitalizing only the first word and any proper nouns. Place a period at the end of the title. Example: Canadian Cancer Society. (2017). Cancer research. If the content you\'re citing is a stand-alone document, the title should be italicized. This will usually be the case if you\'re citing a PDF document that appears on a website. If you\'re not sure, use your best judgment in deciding whether to italicize it or not.\n4. Close with the direct URL of the web page. Copy the full direct URL or permalink of the content you want to cite. Type the words "Retrieved from," then past the URL into your entry. Do not place a period at the end of the URL. If the URL is overly long, ask your instructor or supervisor if you can use a shortened link. Example: Canadian Cancer Society. (2017). Cancer research. Retrieved from http://www.cancer.ca/en/cancer-information/cancer-101/cancer-research/?region=on\n\t* APA Reference List Format:\n\t* Author Last Name, A. A. (Year). Title of web page in sentence case. Retrieved from URL\n5. Use the author\'s name and year for in-text parenthetical citations. APA uses author-year parenthetical at the end of any sentence in which you quote or paraphrase information from the website. The parenthetical citation goes inside the closing punctuation for the sentence. For example, you might write: "Clinical trials are used to test new cancer treatments (Canadian Cancer Society, 2017)." If you include the author\'s name in your text, place the year in parentheses immediately after the author\'s name. For example, you might write: "The Canadian Cancer Society (2017) noted that Canada is a global leader in clinical trials of cancer treatments."\n\n\n## Chicago\n\n1. Start your bibliographic entry with the name of the author. If the web page has an individual author listed, type that author\'s last name first, followed by a comma, then their first name. If there is no individual author, use the name of the organization, company, or government agency that published the content as the author. Place a period at the end of the author\'s name. Example: UN Women.\n2. List the title of the web page in double quotation marks. After the name of the article, provide the title of the specific web page. Use title case, capitalizing the first word and all nouns, pronouns, adjectives, adverbs, and verbs. Place a period at the end of the title, inside the closing quotation marks. Example: UN Women. "Commission on the Status of Women."\n3. Add the name of the website or publishing organization in italics. If the website has a distinct name, include this after the title of the webpage. If it doesn\'t, use the name of the business, organization, or government agency that produces the website. Place a period at the end of the name. Example: UN Women. "Commission on the Status of Women." UN Women.\n4. Provide the publication date or access date. If the content you\'re citing has a specific publication date associated with it, provide that date in month-day-year format. If no publication date is listed, type the word "Accessed" followed by the date you accessed the content in month-day-year format. Spell out the names of all months. Example: UN Women. "Commission on the Status of Women." UN Women. Accessed February 14, 2019.\n5. Close your entry with a direct URL to the web page. Copy the full URL for the permalink of the web page and paste it into your bibliographic entry. Place a period at the end of the URL. If the URL is overly lengthy, talk to your instructor, editor, or supervisor about using a shortened link. Example: UN Women. "Commission on the Status of Women." UN Women. Accessed February 14, 2019. http://www.unwomen.org/en/csw. Chicago Bibliography Format:\n\t* Author Last Name, First Name. "Title of Web Page in Title Case." Name of Website or Publishing Organization. Accessed Month Day, Year. URL.\n6. Use commas instead of periods between elements in footnotes. A Chicago-style footnote generally includes all of the same information as the bibliographic entry. However, the footnote is treated as a sentence, with elements separated by commas. If there was an individual author listed, their name should be listed with their first name first, followed by their last name, just as you would do it if you wrote it in text. Example: UN Women, "Commission on the Status of Women," UN Women, accessed February 14, 2019, http://www.unwomen.org/en/csw.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "Write a joke with pun", "Here is a joke with pun:\n\nI tried to make a belt out of watches. It was a waist of time." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Write a joke with pun', 'Here is a joke with pun:\n\nI tried to make a belt out of watches. It was a waist of time.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "How to claim tax back?", "Typically you pay taxes on your income throughout the year – but over the course of a year, your life may change drastically. You may lose your job, get a new job that pays less money, get married, have a child, or buy a house. As a result of any of these changes, you may find that you've paid too much in taxes. When you pay too much, you typically are entitled to a refund. In most countries, you must file a return to claim tax back.\n\n## Take deductions and credit\n\n1. Report major life changes. Getting married, having a child, or buying a house are examples of positive life changes that can mean you don't owe as much tax. Negative changes, such as losing your job or getting a divorce, may have the same result. You also may be entitled to a tax refund if your residency status has changed. For example, non-residents may pay a higher tax rate than residents. If you become a permanent resident during the tax year, you may be able to get some of those higher taxes back. The government typically doesn't automatically make these changes for you and reassess your tax liability. Instead, you have to report the change and claim a refund for the amount you overpaid.\n2. Keep records of medical expenses. If you have medical expenses that weren't covered by insurance, you may be able to deduct some or all of those expenses on your taxes. Save your receipts so you have them at year's end. This typically only applies to bills you've actually paid. For example, if you have a $12,000 hospital bill for emergency treatment and you've only paid half of it so far, you could only deduct that half you paid. In the following year, you could potentially deduct the other half.\n3. Claim payment of interest. Certain types of interest, such as interest on a mortgage or on student loans, often can be deducted from your income on your taxes. After you make this deduction, you may be eligible to claim tax back. For example, in the U.S. you can get a credit for at least a portion of the interest you paid on your student loans. When you claim a credit, the government treats it as though you'd actually paid that money on your taxes, which could result in you getting a refund.\n4. Complete the appropriate forms. If you plan to claim any deductions or credits, you typically must file a tax return that allows you to itemize. Even if you typically don't have to file a return each year, you'll need one if you want to claim tax back. For example, taxes in the UK typically are automatically reconciled. If you're employed and earn an hourly wage or a salary, you shouldn't have to file a return. But if you want to claim deductions or credits, you may have to file a return to get that tax back that you overpaid.\n5. Provide proof that you are entitled to the credit or deduction. In many cases, if you're claiming a credit or deduction on your taxes, you must be able to prove that you actually incurred that expense. Even if you aren't required to submit this proof, you should still keep it in your records in case your return is audited. For example, if you or someone in your household is disabled, you may be eligible to take the disability tax credit. However, before you can claim this credit you need a letter from a doctor certifying the disability.\n6. Submit your return by the deadline. Your government may have strict deadlines by which you must file a return if you are requesting a refund. In some countries, the government will pay you interest on the amount of tax you overpaid, provided a deadline is met. While most governments will give you a few years to request a refund of overpaid taxes, the process may be more cumbersome if you wait. File your tax return as soon as possible if you're due a refund, so you can get your money back.\n\n\n## Report business expense\n\n1. Keep records throughout the year. If you're self-employed or own your own business, you can deduct your business expenses from the money you earn throughout the year. Even if you work for a salary or hourly wage, you still may be able to deduct work-related expenses. If you buy anything for work purposes, keep the receipt. You can also use a bookkeeping or personal finance app to help you keep track throughout the year.\n2. Review expenses you can deduct. Your government's tax department should have a list of the types of expenses you can deduct from your income. If you have significant business expenses, you may want to consult a professional tax advisor or accountant. To deduct a business expense, you generally must be able to prove that it was related to your work, and that you paid for it yourself. You can't deduct expenses that your employer reimbursed. If your employer reimbursed you for part of the expense, though, you may be able to deduct the portion that wasn't reimbursed. Talk to a tax advisor about certain expenses, such as travel expenses. These may not be entirely deductible.\n3. Use the appropriate tax return form. If you have expenses related to self-employment, you typically must fill out a separate form for the income you have related to that self-employment. Your business expenses are deductible from that income. For example, suppose you have a day job that pays you an hourly wage, and you also occasionally give people rides through a ride-share app. You would be required to report your income from ride-sharing on your taxes, but you could deduct any related expenses. This could include a portion of your car payment and car insurance.\n4. Submit your tax returns. To deduct business expenses on your taxes, you must submit your yearly tax return. In some cases, you may be required to pay estimated taxes throughout the year if your income from self-employment is over a certain amount set by your government. If you have significant business expenses, it may take you a little longer to complete your return, so don't wait until the last minute.\n5. Keep receipts for expenses you deducted. You typically don't have to provide the receipts or proof of your business expenses to the government when you submit your tax returns. However, if your return is audited, you must be able to produce this documentation. Generally, you want to keep these records for at least 4 or 5 years. Check with your government's tax department to find out how far back returns can be audited, and make sure you're keeping your records for at least that long, just in case.\n\n\n## Adjust your withhold\n\n1. Check the withholding on your paycheck. Especially if you've recently started a new job, you may find that too much money is being withheld from your paycheck for taxes. Check your pay stub or talk to someone in your employer's payroll department to find out how withholding is computed. It's generally a good idea to revisit the amount being withheld from your paycheck for taxes whenever you have a major life change that you would report on your taxes. Major life changes that could potentially affect your tax liability include getting a second job, being unemployed for any period of time, getting married or divorced, or having a child.\n2. Determine your appropriate tax bracket. If your overall household income has changed for any reason, there may be too much tax withheld from your paycheck. Estimate your tax liability for the year and compare it to your government's tax scheme. If you live in the U.S., you can do this fairly easily in most cases by filling out a new W-4. If the result is different from the one you have on file with your employer, your employer should update their records.\n3. Complete new withholding forms. You may be able to submit changes to your withholding online, or you may have to fill out new paper forms with your employer's payroll department. Speak to a manager or someone in human resources and let them know you need to make this change.\n4. Verify the change has been made. Once your withholding has been adjusted, you should notice that less money is being taken out of each paycheck. If the amount being withheld hasn't changed, get back to someone in payroll. Some countries, such as the UK, may issue you a refund directly through your employer if you overpaid on taxes throughout the year.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to claim tax back?', "Typically you pay taxes on your income throughout the year – but over the course of a year, your life may change drastically. You may lose your job, get a new job that pays less money, get married, have a child, or buy a house. As a result of any of these changes, you may find that you've paid too much in taxes. When you pay too much, you typically are entitled to a refund. In most countries, you must file a return to claim tax back.\n\n## Take deductions and credit\n\n1. Report major life changes. Getting married, having a child, or buying a house are examples of positive life changes that can mean you don't owe as much tax. Negative changes, such as losing your job or getting a divorce, may have the same result. You also may be entitled to a tax refund if your residency status has changed. For example, non-residents may pay a higher tax rate than residents. If you become a permanent resident during the tax year, you may be able to get some of those higher taxes back. The government typically doesn't automatically make these changes for you and reassess your tax liability. Instead, you have to report the change and claim a refund for the amount you overpaid.\n2. Keep records of medical expenses. If you have medical expenses that weren't covered by insurance, you may be able to deduct some or all of those expenses on your taxes. Save your receipts so you have them at year's end. This typically only applies to bills you've actually paid. For example, if you have a $12,000 hospital bill for emergency treatment and you've only paid half of it so far, you could only deduct that half you paid. In the following year, you could potentially deduct the other half.\n3. Claim payment of interest. Certain types of interest, such as interest on a mortgage or on student loans, often can be deducted from your income on your taxes. After you make this deduction, you may be eligible to claim tax back. For example, in the U.S. you can get a credit for at least a portion of the interest you paid on your student loans. When you claim a credit, the government treats it as though you'd actually paid that money on your taxes, which could result in you getting a refund.\n4. Complete the appropriate forms. If you plan to claim any deductions or credits, you typically must file a tax return that allows you to itemize. Even if you typically don't have to file a return each year, you'll need one if you want to claim tax back. For example, taxes in the UK typically are automatically reconciled. If you're employed and earn an hourly wage or a salary, you shouldn't have to file a return. But if you want to claim deductions or credits, you may have to file a return to get that tax back that you overpaid.\n5. Provide proof that you are entitled to the credit or deduction. In many cases, if you're claiming a credit or deduction on your taxes, you must be able to prove that you actually incurred that expense. Even if you aren't required to submit this proof, you should still keep it in your records in case your return is audited. For example, if you or someone in your household is disabled, you may be eligible to take the disability tax credit. However, before you can claim this credit you need a letter from a doctor certifying the disability.\n6. Submit your return by the deadline. Your government may have strict deadlines by which you must file a return if you are requesting a refund. In some countries, the government will pay you interest on the amount of tax you overpaid, provided a deadline is met. While most governments will give you a few years to request a refund of overpaid taxes, the process may be more cumbersome if you wait. File your tax return as soon as possible if you're due a refund, so you can get your money back.\n\n\n## Report business expense\n\n1. Keep records throughout the year. If you're self-employed or own your own business, you can deduct your business expenses from the money you earn throughout the year. Even if you work for a salary or hourly wage, you still may be able to deduct work-related expenses. If you buy anything for work purposes, keep the receipt. You can also use a bookkeeping or personal finance app to help you keep track throughout the year.\n2. Review expenses you can deduct. Your government's tax department should have a list of the types of expenses you can deduct from your income. If you have significant business expenses, you may want to consult a professional tax advisor or accountant. To deduct a business expense, you generally must be able to prove that it was related to your work, and that you paid for it yourself. You can't deduct expenses that your employer reimbursed. If your employer reimbursed you for part of the expense, though, you may be able to deduct the portion that wasn't reimbursed. Talk to a tax advisor about certain expenses, such as travel expenses. These may not be entirely deductible.\n3. Use the appropriate tax return form. If you have expenses related to self-employment, you typically must fill out a separate form for the income you have related to that self-employment. Your business expenses are deductible from that income. For example, suppose you have a day job that pays you an hourly wage, and you also occasionally give people rides through a ride-share app. You would be required to report your income from ride-sharing on your taxes, but you could deduct any related expenses. This could include a portion of your car payment and car insurance.\n4. Submit your tax returns. To deduct business expenses on your taxes, you must submit your yearly tax return. In some cases, you may be required to pay estimated taxes throughout the year if your income from self-employment is over a certain amount set by your government. If you have significant business expenses, it may take you a little longer to complete your return, so don't wait until the last minute.\n5. Keep receipts for expenses you deducted. You typically don't have to provide the receipts or proof of your business expenses to the government when you submit your tax returns. However, if your return is audited, you must be able to produce this documentation. Generally, you want to keep these records for at least 4 or 5 years. Check with your government's tax department to find out how far back returns can be audited, and make sure you're keeping your records for at least that long, just in case.\n\n\n## Adjust your withhold\n\n1. Check the withholding on your paycheck. Especially if you've recently started a new job, you may find that too much money is being withheld from your paycheck for taxes. Check your pay stub or talk to someone in your employer's payroll department to find out how withholding is computed. It's generally a good idea to revisit the amount being withheld from your paycheck for taxes whenever you have a major life change that you would report on your taxes. Major life changes that could potentially affect your tax liability include getting a second job, being unemployed for any period of time, getting married or divorced, or having a child.\n2. Determine your appropriate tax bracket. If your overall household income has changed for any reason, there may be too much tax withheld from your paycheck. Estimate your tax liability for the year and compare it to your government's tax scheme. If you live in the U.S., you can do this fairly easily in most cases by filling out a new W-4. If the result is different from the one you have on file with your employer, your employer should update their records.\n3. Complete new withholding forms. You may be able to submit changes to your withholding online, or you may have to fill out new paper forms with your employer's payroll department. Speak to a manager or someone in human resources and let them know you need to make this change.\n4. Verify the change has been made. Once your withholding has been adjusted, you should notice that less money is being taken out of each paycheck. If the amount being withheld hasn't changed, get back to someone in payroll. Some countries, such as the UK, may issue you a refund directly through your employer if you overpaid on taxes throughout the year.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "A man realizes he loves a woman, but she's getting married to another man. He decides to write her a letter, what does it say?", "Dear [Name],\n\nI just wanted to say that you are one of the nicest, funniest, and empathetic persons in the world. Most importantly, you are my best friend and I am truly grateful to have met you. Anyways Moon of My Life, if you have anything you want to talk about, say if you are unsure about the marriage or whatever, I'm always here. Eric is a good man and a very lucky one. One cannot easily seduce the mother of dragons. I guess what I'm trying to say is, you're like a sister to me and you can count on me for anything.\nAlso, what flowers did you want for the wedding again? I'm pretty sure my shop can get them to you cheap, haha just kidding, I don't want to wake the dragon, they will be free. Just give me a text or something telling me what you want. Come to think of it, why didn't I just text this to you? Oh well, I've already written so much, sorry you'll have to read this on a piece of paper rather than on your phone.\nSincerely,\nYour Sun and Stars [Your Name]\nP.S. Our annual cream of ice adventure is tomorrow!" ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["A man realizes he loves a woman, but she's getting married to another man. He decides to write her a letter, what does it say?", "Dear [Name],\n\nI just wanted to say that you are one of the nicest, funniest, and empathetic persons in the world. Most importantly, you are my best friend and I am truly grateful to have met you. Anyways Moon of My Life, if you have anything you want to talk about, say if you are unsure about the marriage or whatever, I'm always here. Eric is a good man and a very lucky one. One cannot easily seduce the mother of dragons. I guess what I'm trying to say is, you're like a sister to me and you can count on me for anything.\nAlso, what flowers did you want for the wedding again? I'm pretty sure my shop can get them to you cheap, haha just kidding, I don't want to wake the dragon, they will be free. Just give me a text or something telling me what you want. Come to think of it, why didn't I just text this to you? Oh well, I've already written so much, sorry you'll have to read this on a piece of paper rather than on your phone.\nSincerely,\nYour Sun and Stars [Your Name]\nP.S. Our annual cream of ice adventure is tomorrow!"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "Most of the books I read give examples using <code>printf</code> and <code>scanf</code>. At some point the students know perfectly how to use these two functions but they don't know about <code>stdin</code>, <code>stdout</code> and <code>argv</code>. \nTo me and according to many programming principles (e.g. KISS) a program should not interrupt the execution for prompting the user. Instead, and this is a much clever approach, the developer should learn to use the power of pipes and use the options and the arguments. \nI think this:\n<code>$ whatdaywas 1982 02 16\nMonday\n</code>\nIs much better than: \n<code>$ whatdaywas\nEnter a year: 1982\nEnter a month: 2\nEnter a day: 16\nIt was a Monday.\n</code>\nIs there any rationale behind this pedagogical approach?", "When tutoring young CS students, user input is actually a tricky concept. If it were not for user input, the results of any program could be pre-compiled into nothing but its output. You get one lesson from getting all the input right at the beginning, with argc/argv, but from that point on, its just the computer churning. You get a different lesson from getting input during the execution of the program.\n\nThe idea of getting input from the user is surprisingly non-intuitive, given that nearly every program we interact with on a daily basis does it. This suggests that introducing it early helps prune misconceptions about how computers work before they become a real problem.\n\nObviously not every student is the same, but a particular pattern is that they can understand what a program should do when it executes but not how that actually happens. They can look at\n<code>BOOL x = TRUE;\nif (x)\n printf(\"Hello\\n\");\nelse\n printf(\"World\\n\");\n</code>\nAnd they can intuit that the program should print \"Hello\", but they can't intuit how a computer can possibly do so. Students are often told to figure the compiler does the \"magic,\" and figure out which printf to use (let's ignore optimizers for a moment).\nHowever, when the values come from input, you can no longer think about the computer as a magic device which reaches the final result immediately. You have to see that it is following steps. We know this, but it seems many students don't grasp this at first.\nIf you have inputs coming from `argv`, its easier to keep this illusion going. If you have input during the program, after the program has already done something, you have to realize what's going on quicker. In particular, it gets you closer to the point of realizing that the input the computer asks for may vary based on previous inputs (press 1 to calculate the area of a circle, press 2 to calculate the area of a rectangle. Depending on the next scanf/gets, the computer will ask for one additional number or two).", "Could you elaborate on the unintuitive bit? I'm always on the lookout for new cognitive traps that I haven't noticed before.", "It's found that some students learn the concept of functions before they grasp the idea of execution. They can wade their way through the code and make sense of it in their head, but they can't see that the computer wades through it also, in real time. Interestingly, the same people tend to assume that if they compile `if(x) f(); else g();`, that the compiler figures out which of those two branches will be taken, and only captures the instructions for that branch. They get bothered if the teacher constructs examples where it's hard to know which branch will be taken (such as when there is input)." ]
multi_turn
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Most of the books I read give examples using <code>printf</code> and <code>scanf</code>. At some point the students know perfectly how to use these two functions but they don't know about <code>stdin</code>, <code>stdout</code> and <code>argv</code>. \nTo me and according to many programming principles (e.g. KISS) a program should not interrupt the execution for prompting the user. Instead, and this is a much clever approach, the developer should learn to use the power of pipes and use the options and the arguments. \nI think this:\n<code>$ whatdaywas 1982 02 16\nMonday\n</code>\nIs much better than: \n<code>$ whatdaywas\nEnter a year: 1982\nEnter a month: 2\nEnter a day: 16\nIt was a Monday.\n</code>\nIs there any rationale behind this pedagogical approach?", 'When tutoring young CS students, user input is actually a tricky concept. If it were not for user input, the results of any program could be pre-compiled into nothing but its output. You get one lesson from getting all the input right at the beginning, with argc/argv, but from that point on, its just the computer churning. You get a different lesson from getting input during the execution of the program.\n\nThe idea of getting input from the user is surprisingly non-intuitive, given that nearly every program we interact with on a daily basis does it. This suggests that introducing it early helps prune misconceptions about how computers work before they become a real problem.\n\nObviously not every student is the same, but a particular pattern is that they can understand what a program should do when it executes but not how that actually happens. They can look at\n<code>BOOL x = TRUE;\nif (x)\n printf("Hello\\n");\nelse\n printf("World\\n");\n</code>\nAnd they can intuit that the program should print "Hello", but they can\'t intuit how a computer can possibly do so. Students are often told to figure the compiler does the "magic," and figure out which printf to use (let\'s ignore optimizers for a moment).\nHowever, when the values come from input, you can no longer think about the computer as a magic device which reaches the final result immediately. You have to see that it is following steps. We know this, but it seems many students don\'t grasp this at first.\nIf you have inputs coming from `argv`, its easier to keep this illusion going. If you have input during the program, after the program has already done something, you have to realize what\'s going on quicker. In particular, it gets you closer to the point of realizing that the input the computer asks for may vary based on previous inputs (press 1 to calculate the area of a circle, press 2 to calculate the area of a rectangle. Depending on the next scanf/gets, the computer will ask for one additional number or two).', "Could you elaborate on the unintuitive bit? I'm always on the lookout for new cognitive traps that I haven't noticed before.", "It's found that some students learn the concept of functions before they grasp the idea of execution. They can wade their way through the code and make sense of it in their head, but they can't see that the computer wades through it also, in real time. Interestingly, the same people tend to assume that if they compile `if(x) f(); else g();`, that the compiler figures out which of those two branches will be taken, and only captures the instructions for that branch. They get bothered if the teacher constructs examples where it's hard to know which branch will be taken (such as when there is input)."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> multi_turn<|eot_id|><|eot_id|>
[ "You will be given a sentence that describes a restaurant. You will also be given a few categories of information regarding that sentence. Your task is to fill each of the categories with the appropriate information from the sentenece.\n\nInput: I suspect xname is alright because it is an Italian restaurant. It's in TriBeCa/SoHo with decent ambiance.\n\nCategories: decor, recommend, cuisine", "Sure, here is the output:\n\n* decor: acceptable\n* recommend: yes\n* cuisine: Italian" ]
nlp
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["You will be given a sentence that describes a restaurant. You will also be given a few categories of information regarding that sentence. Your task is to fill each of the categories with the appropriate information from the sentenece.\n\nInput: I suspect xname is alright because it is an Italian restaurant. It's in TriBeCa/SoHo with decent ambiance.\n\nCategories: decor, recommend, cuisine", 'Sure, here is the output:\n\n* decor: acceptable\n* recommend: yes\n* cuisine: Italian']<|eot_id|><|start_header_id|>assistant<|end_header_id|> nlp<|eot_id|><|eot_id|>
[ "With the command:\n```ls -la *\n```\nI can list all my symbolic links. \nHow can I remove all symbolic links which are linked to a special folder?\nFor example:\nIn my directory ```usr/local/bin``` I have the following entries:\n```lrwxrwxrwx 1 root root 50 Apr 22 14:52 allneeded -> /usr/local/texlive/2011/bin/x86_64-linux/allneeded\nlrwxrwxrwx 1 root root 47 Apr 22 14:52 amstex -> /usr/local/texlive/2011/bin/x86_64-linux/amstex\nlrwxrwxrwx 1 root root 24 Apr 23 19:09 arara -> /home/marco/.arara/arara\n```\nNow I want to remove all links with the path ```/usr/local/texlive/```", "Please make sure to read the alternative answer. It's even more to the point although not voted as high at this point.\nYou can use this to delete all symbolic links:\n```find -type l -delete\n```\nwith modern ```find``` versions.\nOn older find versions it may have to be:\n```find -type l -exec rm {} \\;\n# or\nfind -type l -exec unlink {} \\;\n```\nTo limit to a certain link target, assuming none of the paths contain any newline character:\n``` find -type l | while IFS= read -r lnkname; do if [ \"$(readlink '$lnkname')\" == \"/your/exact/path\" ]; then rm -- \"$lnkname\"; fi; done\n```\nor nicely formatted\n``` find -type l |\n while IFS= read -r lnkname;\n do\n if [ \"$(readlink '$lnkname')\" = \"/your/exact/path\" ];\n then\n rm -- \"$lnkname\"\n fi\n done\n```\nThe ```if``` could of course also include a more complex condition such as matching a pattern with ```grep```.\n\nTailored to your case:\n```find -type l | while IFS= read -r lnk; do if (readlink \"$lnk\" | grep -q '^/usr/local/texlive/'); then rm \"$lnk\"; fi; done\n```\nor nicely formatted:\n```find -type l | while IFS= read -r lnk\ndo\n if readlink \"$lnk\" | grep -q '^/usr/local/texlive/'\n then\n rm \"$lnk\"\n fi\ndone\n```" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['With the command:\n```ls -la *\n```\nI can list all my symbolic links. \nHow can I remove all symbolic links which are linked to a special folder?\nFor example:\nIn my directory ```usr/local/bin``` I have the following entries:\n```lrwxrwxrwx 1 root root 50 Apr 22 14:52 allneeded -> /usr/local/texlive/2011/bin/x86_64-linux/allneeded\nlrwxrwxrwx 1 root root 47 Apr 22 14:52 amstex -> /usr/local/texlive/2011/bin/x86_64-linux/amstex\nlrwxrwxrwx 1 root root 24 Apr 23 19:09 arara -> /home/marco/.arara/arara\n```\nNow I want to remove all links with the path ```/usr/local/texlive/```', 'Please make sure to read the alternative answer. It\'s even more to the point although not voted as high at this point.\nYou can use this to delete all symbolic links:\n```find -type l -delete\n```\nwith modern ```find``` versions.\nOn older find versions it may have to be:\n```find -type l -exec rm {} \\;\n# or\nfind -type l -exec unlink {} \\;\n```\nTo limit to a certain link target, assuming none of the paths contain any newline character:\n``` find -type l | while IFS= read -r lnkname; do if [ "$(readlink \'$lnkname\')" == "/your/exact/path" ]; then rm -- "$lnkname"; fi; done\n```\nor nicely formatted\n``` find -type l |\n while IFS= read -r lnkname;\n do\n if [ "$(readlink \'$lnkname\')" = "/your/exact/path" ];\n then\n rm -- "$lnkname"\n fi\n done\n```\nThe ```if``` could of course also include a more complex condition such as matching a pattern with ```grep```.\n\nTailored to your case:\n```find -type l | while IFS= read -r lnk; do if (readlink "$lnk" | grep -q \'^/usr/local/texlive/\'); then rm "$lnk"; fi; done\n```\nor nicely formatted:\n```find -type l | while IFS= read -r lnk\ndo\n if readlink "$lnk" | grep -q \'^/usr/local/texlive/\'\n then\n rm "$lnk"\n fi\ndone\n```']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Why would I want to use Kotlin's coroutines? It seems that the RxKotlin library is much more versatile. Kotlin's coroutines look significantly less powerful and more cumbersome to use in comparison. I base my opinion on coroutines on this design talk by Andrey Breslav (JetBrains) Slideshow from the talk is accessible here.", "Kotlin coroutines are different from Rx. It is hard to compare them apples-to-apples, because Kotlin coroutines are a thin language feature (with just a couple of basic concepts and a few basic functions to manipulate them), while Rx is a pretty heavy library with quite large variety of ready-to-use operators. Both are designed to address a problem of asynchronous programming, however their approach to solution is very different:\n\n* Rx comes with a particular functional style of programming that can be implemented in virtually any programming language without support from the language itself. It works well when the problem at hand easily decomposes into a sequence of standard operators and not so well otherwise.\n* Kotlin coroutines provide a language feature that let library writers implement various asynchronous programming styles, including, but not limited to functional reactive style (Rx). With Kotlin coroutines you can also write your asynchronous code in imperative style, in promise/futures-based style, in actor-style, etc. \n\nIt is more appropriate to compare Rx with some specific libraries that are implemented based on Kotlin coroutines. \nTake kotlinx.coroutines library as one example. This library provides a set of primitives like ```async/await``` and channels that are typically baked into other programming languages. It also has support for light-weight future-less actors. You can read more in the Guide to kotlinx.coroutines by example.\nChannels provided by ```kotlinx.coroutines``` can replace or augment Rx in certain use-cases. There is a separate Guide to reactive streams with coroutines that goes deeper into similarities and differences with Rx. " ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Why would I want to use Kotlin's coroutines? It seems that the RxKotlin library is much more versatile. Kotlin's coroutines look significantly less powerful and more cumbersome to use in comparison. I base my opinion on coroutines on this design talk by Andrey Breslav (JetBrains) Slideshow from the talk is accessible here.", 'Kotlin coroutines are different from Rx. It is hard to compare them apples-to-apples, because Kotlin coroutines are a thin language feature (with just a couple of basic concepts and a few basic functions to manipulate them), while Rx is a pretty heavy library with quite large variety of ready-to-use operators. Both are designed to address a problem of asynchronous programming, however their approach to solution is very different:\n\n* Rx comes with a particular functional style of programming that can be implemented in virtually any programming language without support from the language itself. It works well when the problem at hand easily decomposes into a sequence of standard operators and not so well otherwise.\n* Kotlin coroutines provide a language feature that let library writers implement various asynchronous programming styles, including, but not limited to functional reactive style (Rx). With Kotlin coroutines you can also write your asynchronous code in imperative style, in promise/futures-based style, in actor-style, etc. \n\nIt is more appropriate to compare Rx with some specific libraries that are implemented based on Kotlin coroutines. \nTake kotlinx.coroutines library as one example. This library provides a set of primitives like ```async/await``` and channels that are typically baked into other programming languages. It also has support for light-weight future-less actors. You can read more in the Guide to kotlinx.coroutines by example.\nChannels provided by ```kotlinx.coroutines``` can replace or augment Rx in certain use-cases. There is a separate Guide to reactive streams with coroutines that goes deeper into similarities and differences with Rx. ']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to speak english?", "English is a language which is spoken all around the world, and learning to speak it can help you meet new people and advance your career. Learning to speak English can be hard, but with practice and patience, you can become fluent in your new language.\n\n## Get the basics down\n\n1. Start simple. Very few people are true beginners when it comes to English. \"Hello,\" \"hi,\" \"How are you?\" and numerals have infiltrated most societies. Odds are you know more English than you think. Take what you know. For example, \"How are you?\" That uses the verb \"to be.\" What are other questions just like this? Take what you know and expand it! How is she?How is your father?How are your children?How is the weather? Start memorizing verbs. The top ten most common verbs in English are the following: \"be,\" \"have,\" \"do,\" \"say,\" \"get,\" \"make,\" \"go,\" \"know,\" \"take,\" and \"see.\" Just knowing these verbs can get you through a lot of basic conversations. English is subject-verb-object, in that order. Your subject pronouns are: \"I,\" \"you,\" \"he\"/\"she\"/\"it,\" \"we,\" \"you,\" \"they.\" Object pronouns in English are: \"me,\" \"you,\" \"him\"/\"her\"/\"it,\" \"us,\" \"you,\" \"them.\" With those verbs and knowing English is SVO, what sentences can you come up with? I know her.She makes it.He takes us.\n2. Practice conversations. Once you have basic subject and object pronouns down and a handful of verbs, you can start asking questions. Questions often open with \"who,\" \"what,\" \"when,\" \"where,\" \"why,\" and \"how.\" \"Who\" indicates a person; \"what\" indicates a thing; \"when\" indicates a time; \"where\" indicates a place; \"why\" indicates a reason; \"how\" indicates a manner. Say you know the subjects, some basic nouns, those ten verbs, and these question starters. What are some things you could ask an English speaker? What is your name?What do you do?When is your birthday?Where is she?Why do you have it?How do you know?\n\n\n## Get familiar with the grammar\n\n1. Start with the present tenses. Let's start with present simple and present continuous:\n\t* Present simple is used for facts and habits. If you are describing something that is true or something that happens often, opt for the present simple. I go to work every day.She eats breakfast at 7.China is a big country. Present continuous is used for things that are happening right now. There are two verbs: a helper and a main verb. The helper is \"am\"/\"is\"/\"are\" (depending on the subject) and the main verb is any verb with -ing:\n\t* You are reading.I am typing.He is watching TV.\n2. Move to the past and future tenses. Once you've mastered the present, get started on the past and future tenses. We're just going to go over the basic ones now:\n\t* Use the past simple for any event that happened in the past at a specific time. I saw that movie last year.She died on a plane.We went to the bank yesterday. For the future, let's keep it simple. Add a future time marker, and just use the present continuous! It can double as a future tense, too. They are making a cake tomorrow.You are leaving in May.I am going at 6 pm.\n3. Put your adjectives before nouns. Always, always, always put the adjective (the word that describes) before the noun. Always! In fact, there's even an order within adjectives:\n\t* There are eight basic types of adjectives: opinion, size, age, shape, color, origin, material, and purpose. If you have more than one, they go in that order. So, it's a \"huge, round, metal bowl\" or a \"small, red sleeping bag.\"\n\n\n## Maintain progress\n\n1. Label everything. Take the objects in your house and label them with their English equivalent. The goal is to get your mind thinking in English. When it's right there, it'll be impossible to ignore. When you've labeled everything and find yourself thinking, \"Where is my blanket?\" try to think of the word (or sentence) in English. When you find your blanket, were you right? Don't write on the objects--grab a slip of paper and tape it on sturdily.\n2. Keep an eye on your pronunciation. It's very easy to get caught up in memorizing words when pronunciation can be just as important. Unfortunately, English has exceptions to most rules. But there are still some general guidelines you can abide by:\n\t* Always say the last sounds in the word. Certain Asian dialects find this rather difficult. If you know you're guilty of this, keep it in mind. \"Streets\" is not pronounced stree. The \"ts\" is very important in retaining meaning. Take the sentence \"I project the project will end soon.\" Confusing, huh? Isn't English SVO? Yes, and this sentence is too. The first \"project\" (verb) is pronounced pro-JECT; the second (noun) is pronounced PRO-ject. The same is true for all verb-noun pairs: nouns stress the first syllable, verbs the second. Though there are definite exceptions, most nouns in English have the first syllable stressed. Think of the nouns in your house: \"BED-room,\" \"BATH-room,\" \"KITCH-en,\" \"TA-ble,\" \"WIN-dow,\" \"SO-fa,\" \"WA-ter,\" \"JACK-et,\" \"TOI-let,\" etc.\n3. Pick a dialect. There are meaningful differences between American, British, and Australian English. Before you go about increasing your vocabulary, which one appeals to you? Sometimes it's very important to know who you're speaking to. If you tell an American, Canadian, or Australian you're not wearing pants, they might wonder if you're wearing shorts, a dress, a skirt, or just in your underwear. If you tell a British person you're not wearing pants, you're going commando! In addition to vocabulary differences, the pronunciation differences are huge. Know these variations exist before you get confused with multiple correct pronunciations. Certain dictionaries use British English and certain dictionaries prefer American. Choose the one that's best for you.\n\n\n## Use your resources\n\n1. Get a good dictionary. If you need to, get several. A dictionary to translate between your first language and English is best, in addition to a dictionary in English only. Get a pocket-sized version for when you're on the go and that pesky word you keep forgetting comes up.\n2. Speak in English with native speakers. Though it may be tempting to speak with your other friends who are learning too, you'll see the quickest results if you converse mainly with native speakers. Hire a tutor or private teacher. Make sure they're native and have the accent you want. Choose someone with teaching experience--just because you can speak a language does not mean you can teach it. If a teacher isn't up your alley, get a penpal!\n3. Use the internet. There are literally hundreds upon hundreds of sites you can use to your benefit. Anything to make grammar more exciting is welcome--there are games and videos galore. Such resources can be found at Simple English Wikipedia, the British Council, and English Club, among many others. YouTube doesn't have to be about funny animals and popular music. Tap into its educational resources as well.\n4. Watch TV, listen to songs, and read books. Though your goal is to speak English, you have to be able to understand it, too! Even when you're alone and not stuck in a grammar exercise you can keep your mind primed. Start with children's books and TV shows. The language is simpler and will go slower. Eventually, move to channels catered to your interests. If you enjoy cooking, graduate to the Food Network and see what you can pick up on. Try not to turn on the captions! If you have a DVR, record the shows. That way you can go back and work through the dialogue and conversations at your own pace. Listen to English music! Ballads go quite slowly and the refrains can be rather repetitive. Your vocabulary will naturally expand, too.\n5. Think in English. If you find yourself thinking something simple in you native tongue, what would its equivalent be in English? Make a habit of this for maintenance and memory. Think out loud if helps. Explain to your roommates or family what you're trying to do; maybe they'll want to catch on, too! Eventually, simple phrases will become par for the course.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to speak english?', 'English is a language which is spoken all around the world, and learning to speak it can help you meet new people and advance your career. Learning to speak English can be hard, but with practice and patience, you can become fluent in your new language.\n\n## Get the basics down\n\n1. Start simple. Very few people are true beginners when it comes to English. "Hello," "hi," "How are you?" and numerals have infiltrated most societies. Odds are you know more English than you think. Take what you know. For example, "How are you?" That uses the verb "to be." What are other questions just like this? Take what you know and expand it! How is she?How is your father?How are your children?How is the weather? Start memorizing verbs. The top ten most common verbs in English are the following: "be," "have," "do," "say," "get," "make," "go," "know," "take," and "see." Just knowing these verbs can get you through a lot of basic conversations. English is subject-verb-object, in that order. Your subject pronouns are: "I," "you," "he"/"she"/"it," "we," "you," "they." Object pronouns in English are: "me," "you," "him"/"her"/"it," "us," "you," "them." With those verbs and knowing English is SVO, what sentences can you come up with? I know her.She makes it.He takes us.\n2. Practice conversations. Once you have basic subject and object pronouns down and a handful of verbs, you can start asking questions. Questions often open with "who," "what," "when," "where," "why," and "how." "Who" indicates a person; "what" indicates a thing; "when" indicates a time; "where" indicates a place; "why" indicates a reason; "how" indicates a manner. Say you know the subjects, some basic nouns, those ten verbs, and these question starters. What are some things you could ask an English speaker? What is your name?What do you do?When is your birthday?Where is she?Why do you have it?How do you know?\n\n\n## Get familiar with the grammar\n\n1. Start with the present tenses. Let\'s start with present simple and present continuous:\n\t* Present simple is used for facts and habits. If you are describing something that is true or something that happens often, opt for the present simple. I go to work every day.She eats breakfast at 7.China is a big country. Present continuous is used for things that are happening right now. There are two verbs: a helper and a main verb. The helper is "am"/"is"/"are" (depending on the subject) and the main verb is any verb with -ing:\n\t* You are reading.I am typing.He is watching TV.\n2. Move to the past and future tenses. Once you\'ve mastered the present, get started on the past and future tenses. We\'re just going to go over the basic ones now:\n\t* Use the past simple for any event that happened in the past at a specific time. I saw that movie last year.She died on a plane.We went to the bank yesterday. For the future, let\'s keep it simple. Add a future time marker, and just use the present continuous! It can double as a future tense, too. They are making a cake tomorrow.You are leaving in May.I am going at 6 pm.\n3. Put your adjectives before nouns. Always, always, always put the adjective (the word that describes) before the noun. Always! In fact, there\'s even an order within adjectives:\n\t* There are eight basic types of adjectives: opinion, size, age, shape, color, origin, material, and purpose. If you have more than one, they go in that order. So, it\'s a "huge, round, metal bowl" or a "small, red sleeping bag."\n\n\n## Maintain progress\n\n1. Label everything. Take the objects in your house and label them with their English equivalent. The goal is to get your mind thinking in English. When it\'s right there, it\'ll be impossible to ignore. When you\'ve labeled everything and find yourself thinking, "Where is my blanket?" try to think of the word (or sentence) in English. When you find your blanket, were you right? Don\'t write on the objects--grab a slip of paper and tape it on sturdily.\n2. Keep an eye on your pronunciation. It\'s very easy to get caught up in memorizing words when pronunciation can be just as important. Unfortunately, English has exceptions to most rules. But there are still some general guidelines you can abide by:\n\t* Always say the last sounds in the word. Certain Asian dialects find this rather difficult. If you know you\'re guilty of this, keep it in mind. "Streets" is not pronounced stree. The "ts" is very important in retaining meaning. Take the sentence "I project the project will end soon." Confusing, huh? Isn\'t English SVO? Yes, and this sentence is too. The first "project" (verb) is pronounced pro-JECT; the second (noun) is pronounced PRO-ject. The same is true for all verb-noun pairs: nouns stress the first syllable, verbs the second. Though there are definite exceptions, most nouns in English have the first syllable stressed. Think of the nouns in your house: "BED-room," "BATH-room," "KITCH-en," "TA-ble," "WIN-dow," "SO-fa," "WA-ter," "JACK-et," "TOI-let," etc.\n3. Pick a dialect. There are meaningful differences between American, British, and Australian English. Before you go about increasing your vocabulary, which one appeals to you? Sometimes it\'s very important to know who you\'re speaking to. If you tell an American, Canadian, or Australian you\'re not wearing pants, they might wonder if you\'re wearing shorts, a dress, a skirt, or just in your underwear. If you tell a British person you\'re not wearing pants, you\'re going commando! In addition to vocabulary differences, the pronunciation differences are huge. Know these variations exist before you get confused with multiple correct pronunciations. Certain dictionaries use British English and certain dictionaries prefer American. Choose the one that\'s best for you.\n\n\n## Use your resources\n\n1. Get a good dictionary. If you need to, get several. A dictionary to translate between your first language and English is best, in addition to a dictionary in English only. Get a pocket-sized version for when you\'re on the go and that pesky word you keep forgetting comes up.\n2. Speak in English with native speakers. Though it may be tempting to speak with your other friends who are learning too, you\'ll see the quickest results if you converse mainly with native speakers. Hire a tutor or private teacher. Make sure they\'re native and have the accent you want. Choose someone with teaching experience--just because you can speak a language does not mean you can teach it. If a teacher isn\'t up your alley, get a penpal!\n3. Use the internet. There are literally hundreds upon hundreds of sites you can use to your benefit. Anything to make grammar more exciting is welcome--there are games and videos galore. Such resources can be found at Simple English Wikipedia, the British Council, and English Club, among many others. YouTube doesn\'t have to be about funny animals and popular music. Tap into its educational resources as well.\n4. Watch TV, listen to songs, and read books. Though your goal is to speak English, you have to be able to understand it, too! Even when you\'re alone and not stuck in a grammar exercise you can keep your mind primed. Start with children\'s books and TV shows. The language is simpler and will go slower. Eventually, move to channels catered to your interests. If you enjoy cooking, graduate to the Food Network and see what you can pick up on. Try not to turn on the captions! If you have a DVR, record the shows. That way you can go back and work through the dialogue and conversations at your own pace. Listen to English music! Ballads go quite slowly and the refrains can be rather repetitive. Your vocabulary will naturally expand, too.\n5. Think in English. If you find yourself thinking something simple in you native tongue, what would its equivalent be in English? Make a habit of this for maintenance and memory. Think out loud if helps. Explain to your roommates or family what you\'re trying to do; maybe they\'ll want to catch on, too! Eventually, simple phrases will become par for the course.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I have to disable inputs at first and then on click of a link to enable them.\nThis is what I have tried so far, but it doesn't work.\nHTML:\n```\n```\njQuery:\n```$(\"#edit\").click(function(event){\n event.preventDefault();\n $('.inputDisabled').removeAttr(\"disabled\")\n});\n```\n\nThis shows me ```true``` and then ```false``` but nothing changes for the inputs:\n```$(\"#edit\").click(function(event){\n alert('');\n event.preventDefault();\n alert($('.inputDisabled').attr('disabled'));\n $('.inputDisabled').removeAttr(\"disabled\");\n alert($('.inputDisabled').attr('disabled'));\n});\n```", "Always use the ```prop()``` method to enable or disable elements when using jQuery (see below for why).\nIn your case, it would be:\n```$(&quot;#edit&quot;).click(function(event){\n event.preventDefault();\n $('.inputDisabled').prop(&quot;disabled&quot;, false); // Element(s) are now enabled.\n});\n```\njsFiddle example here.\n\n\nWhy use ```prop()``` when you could use ```attr()```/```removeAttr()``` to do this?\n\nBasically, ```prop()``` should be used when getting or setting properties (such as ```autoplay```, ```checked```, ```disabled``` and ```required``` amongst others).\nWhile what you want to do can technically be done using ```attr()```/```removeAttr()```, it doesn't mean it should be done - and can cause strange/problematic behaviour, as in this case.\n\n&quot;The difference between attributes and properties can be important in\nspecific situations. Before jQuery 1.6, the ```.attr()``` method sometimes\ntook property values into account when retrieving some attributes,\nwhich could cause inconsistent behavior. As of jQuery 1.6, the ```.prop()```\nmethod provides a way to explicitly retrieve property values, while\n```.attr()``` retrieves attributes.&quot;\n&quot;Properties generally affect the dynamic state of a DOM element without\nchanging the serialized HTML attribute. Examples include the ```value```\nproperty of input elements, the ```disabled``` property of inputs and\nbuttons, or the ```checked``` property of a checkbox. The ```.prop()``` method\nshould be used to set ```disabled``` and ```checked``` instead of the ```.attr()```\nmethod. The ```.val()``` method should be used for getting and setting\n```value```.&quot; - jQuery documentation for prop()\n\nPre-jQuery 3.0 (before 2016)\nThe reason why you should use ```prop``` over ```removeAttr()``` is that ```removeAttr()``` completely removes the ```disabled``` attribute itself - as this method would simply set the corresponding property name to ```false```:\n\nPrior to jQuery 3.0, using .removeAttr() on a boolean attribute such\nas checked, selected, or readonly would also set the corresponding\nnamed property to false. This behavior was required for ancient\nversions of Internet Explorer but is not correct for modern browsers\nbecause the attribute represents the initial value and the property\nrepresents the current (dynamic) value. - jQuery 3.0 Breaking Changes\n\nWhile ```prop()``` merely sets the property's underlying boolean value to false." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I have to disable inputs at first and then on click of a link to enable them.\nThis is what I have tried so far, but it doesn\'t work.\nHTML:\n```\n```\njQuery:\n```$("#edit").click(function(event){\n event.preventDefault();\n $(\'.inputDisabled\').removeAttr("disabled")\n});\n```\n\nThis shows me ```true``` and then ```false``` but nothing changes for the inputs:\n```$("#edit").click(function(event){\n alert(\'\');\n event.preventDefault();\n alert($(\'.inputDisabled\').attr(\'disabled\'));\n $(\'.inputDisabled\').removeAttr("disabled");\n alert($(\'.inputDisabled\').attr(\'disabled\'));\n});\n```', "Always use the ```prop()``` method to enable or disable elements when using jQuery (see below for why).\nIn your case, it would be:\n```$(&quot;#edit&quot;).click(function(event){\n event.preventDefault();\n $('.inputDisabled').prop(&quot;disabled&quot;, false); // Element(s) are now enabled.\n});\n```\njsFiddle example here.\n\n\nWhy use ```prop()``` when you could use ```attr()```/```removeAttr()``` to do this?\n\nBasically, ```prop()``` should be used when getting or setting properties (such as ```autoplay```, ```checked```, ```disabled``` and ```required``` amongst others).\nWhile what you want to do can technically be done using ```attr()```/```removeAttr()```, it doesn't mean it should be done - and can cause strange/problematic behaviour, as in this case.\n\n&quot;The difference between attributes and properties can be important in\nspecific situations. Before jQuery 1.6, the ```.attr()``` method sometimes\ntook property values into account when retrieving some attributes,\nwhich could cause inconsistent behavior. As of jQuery 1.6, the ```.prop()```\nmethod provides a way to explicitly retrieve property values, while\n```.attr()``` retrieves attributes.&quot;\n&quot;Properties generally affect the dynamic state of a DOM element without\nchanging the serialized HTML attribute. Examples include the ```value```\nproperty of input elements, the ```disabled``` property of inputs and\nbuttons, or the ```checked``` property of a checkbox. The ```.prop()``` method\nshould be used to set ```disabled``` and ```checked``` instead of the ```.attr()```\nmethod. The ```.val()``` method should be used for getting and setting\n```value```.&quot; - jQuery documentation for prop()\n\nPre-jQuery 3.0 (before 2016)\nThe reason why you should use ```prop``` over ```removeAttr()``` is that ```removeAttr()``` completely removes the ```disabled``` attribute itself - as this method would simply set the corresponding property name to ```false```:\n\nPrior to jQuery 3.0, using .removeAttr() on a boolean attribute such\nas checked, selected, or readonly would also set the corresponding\nnamed property to false. This behavior was required for ancient\nversions of Internet Explorer but is not correct for modern browsers\nbecause the attribute represents the initial value and the property\nrepresents the current (dynamic) value. - jQuery 3.0 Breaking Changes\n\nWhile ```prop()``` merely sets the property's underlying boolean value to false."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to make a paper mosaic?", "Mosaics were traditionally made with bits of tile or glass, but it is possible to make simple ones using paper. They are a great project for school children to do while learning about different cultures throughout history. They are also a great project to do on a rainy day or over summer vacation. You can make paper mosaic masterpieces to frame and hang. You can also make paper mosaic masks to wear!\n\n## Make a simple paper mosaic\n\n1. Get some sheets of paper in different colors. Construction paper is the most popular, but you can also use scrapbook paper, paint chips, magazine pages, or even cereal boxes! What colors you need depends on your design. You don't have to use all of the colors of the rainbow. You could just use different shades of the same color, such as: light blue, medium blue, and dark blue.\n2. Cut the paper into small pieces to make your tiles. The pieces should be small, about the size of your thumbnail. You can make squares, rectangles, triangles, or even thin strips. The pieces don't have to be the same size. In fact, try to cut some smaller ones too. This way, you can fit them into tight corners. Sort your shapes by color and put them into small piles or cups. This will make it easier to find the color you need.\n3. Start gluing the pieces of paper to the outline of a shape. Lightly draw a simple shape on a sheet of paper, which will be the outline for your mosaic. When you start gluing the pieces on it, leave a small gap between each one. You can apply the glue directly to the sheet of paper, or you can apply it to the back of your tile instead. If you are using irregular shapes, including triangles, make sure that the straightest edge is on the outside of the outline—otherwise, your shape will look jagged. If you are using white school glue, apply it with a paintbrush. This will keep things less messy. If you are applying the glue directly to the paper, work only in small sections at a time, or the glue will dry too fast.\n4. Glue the rest of your tiles to the inside of your shape. If your shape has designs on the inside, like spots on a butterfly wing, outline those designs first with more tiles before filling them in. Don't be afraid to cut some pieces down to help them fit! For a more professional touch, continue aligning the pieces along the outline, going smaller and smaller with each row until you reach the center.\n5. Consider filling in the background, if desired, using a contrasting color. This will make your work stand out. If you used different colors for your shape (this includes different shades of the same color), consider using just one color for the background. This will make your shape the focus. You can also leave the background blank.\n6. Set the mosaic out to dry. If you'd like to make your mosaic last longer, coat it with an acrylic sealer or a brush-on decoupage glue, such as Mod Podge. Let it dry before moving on.\n7. Finished.\n\n\n## Make a paper mosaic mask\n\n1. Draw a large oval or rectangle on a sheet of black paper. The shape needs to be just a little bit larger than your head. Don't cut anything out yet. Use poster paper, construction paper, or cardstock for this.\n2. Draw some shapes for the eyes, nose, and mouth. You will be cutting the eyes out, so figure out where your eyes will be when you put the mask on, and place them accordingly. Keep the nose and moth simple; you will be filling them in with tiles. A triangle for the nose and a rectangle or sausage shape for the mouth would be perfect!\n3. Cut some colored paper into small tiles. You can use construction paper, scrapbook paper, or paint chips for this. The shapes can be squares, rectangles, triangles, or even a combination of all three. They can be different sizes, but try to make them no larger than your thumbnail. You will need at least two different colors for this: one color for the mask and a contrasting color for the nose and mouth. For a different look, paint your own paper, let it dry, then cut it out. Sort your shapes by color. This will make it easier to find the color you need.\n4. Start gluing your paper tiles to the edge of your mask. Leave a small gap between each tile, and make sure that it doesn't go past the edges of the paper shape. You can use a glue stick or white school glue. If you are using white school glue, apply it using a paint brush. This will make things less messy.\n5. Glue some more tiles to the inside edges of the nose and mouth. This way, your nose and mouth won't be too big. Remember to leave a slight gap between each tile. For a cleaner finish, align any straight edges with the outline, and keep pointy edges on the inside of the shape. Use your contrasting color(s) for this. It will help them stand out better.\n6. Outline the outside of the eyes with more tiles, if desired. Don't fill the eyes in. You will be cutting them out later. You can use the same color you will use for the inside of the mask, or you can use a contrasting color.\n7. Start filling in your mask with tiles. You can glue them down randomly, or you can follow the curves of the outlines as you work your way towards the center. Remember to leave slight gaps between each tile. Use your contrasting color for the nose and mouth.\n8. Let your mask dry. If you'd like to make your mask last longer, you can seal it with a clear, acrylic sealer or a brush-on decoupage glue, such as Mod Podge. Remember to let the mask dry after sealing it.\n9. Cut the mask and the eyes out. If you are a child, ask an adult to help you cut the eyes out. You can cut the mask itself out using a pair of scissors, but you will need a shape craft knife (such as an Xacto knife) to cut the eyes out.\n10. Punch some holes to either side of the mask, and thread some ribbon or elastic through them. The holes should be at about ear level, or just where the eyes are on your mask. This will make the mask more comfortable to wear.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to make a paper mosaic?', "Mosaics were traditionally made with bits of tile or glass, but it is possible to make simple ones using paper. They are a great project for school children to do while learning about different cultures throughout history. They are also a great project to do on a rainy day or over summer vacation. You can make paper mosaic masterpieces to frame and hang. You can also make paper mosaic masks to wear!\n\n## Make a simple paper mosaic\n\n1. Get some sheets of paper in different colors. Construction paper is the most popular, but you can also use scrapbook paper, paint chips, magazine pages, or even cereal boxes! What colors you need depends on your design. You don't have to use all of the colors of the rainbow. You could just use different shades of the same color, such as: light blue, medium blue, and dark blue.\n2. Cut the paper into small pieces to make your tiles. The pieces should be small, about the size of your thumbnail. You can make squares, rectangles, triangles, or even thin strips. The pieces don't have to be the same size. In fact, try to cut some smaller ones too. This way, you can fit them into tight corners. Sort your shapes by color and put them into small piles or cups. This will make it easier to find the color you need.\n3. Start gluing the pieces of paper to the outline of a shape. Lightly draw a simple shape on a sheet of paper, which will be the outline for your mosaic. When you start gluing the pieces on it, leave a small gap between each one. You can apply the glue directly to the sheet of paper, or you can apply it to the back of your tile instead. If you are using irregular shapes, including triangles, make sure that the straightest edge is on the outside of the outline—otherwise, your shape will look jagged. If you are using white school glue, apply it with a paintbrush. This will keep things less messy. If you are applying the glue directly to the paper, work only in small sections at a time, or the glue will dry too fast.\n4. Glue the rest of your tiles to the inside of your shape. If your shape has designs on the inside, like spots on a butterfly wing, outline those designs first with more tiles before filling them in. Don't be afraid to cut some pieces down to help them fit! For a more professional touch, continue aligning the pieces along the outline, going smaller and smaller with each row until you reach the center.\n5. Consider filling in the background, if desired, using a contrasting color. This will make your work stand out. If you used different colors for your shape (this includes different shades of the same color), consider using just one color for the background. This will make your shape the focus. You can also leave the background blank.\n6. Set the mosaic out to dry. If you'd like to make your mosaic last longer, coat it with an acrylic sealer or a brush-on decoupage glue, such as Mod Podge. Let it dry before moving on.\n7. Finished.\n\n\n## Make a paper mosaic mask\n\n1. Draw a large oval or rectangle on a sheet of black paper. The shape needs to be just a little bit larger than your head. Don't cut anything out yet. Use poster paper, construction paper, or cardstock for this.\n2. Draw some shapes for the eyes, nose, and mouth. You will be cutting the eyes out, so figure out where your eyes will be when you put the mask on, and place them accordingly. Keep the nose and moth simple; you will be filling them in with tiles. A triangle for the nose and a rectangle or sausage shape for the mouth would be perfect!\n3. Cut some colored paper into small tiles. You can use construction paper, scrapbook paper, or paint chips for this. The shapes can be squares, rectangles, triangles, or even a combination of all three. They can be different sizes, but try to make them no larger than your thumbnail. You will need at least two different colors for this: one color for the mask and a contrasting color for the nose and mouth. For a different look, paint your own paper, let it dry, then cut it out. Sort your shapes by color. This will make it easier to find the color you need.\n4. Start gluing your paper tiles to the edge of your mask. Leave a small gap between each tile, and make sure that it doesn't go past the edges of the paper shape. You can use a glue stick or white school glue. If you are using white school glue, apply it using a paint brush. This will make things less messy.\n5. Glue some more tiles to the inside edges of the nose and mouth. This way, your nose and mouth won't be too big. Remember to leave a slight gap between each tile. For a cleaner finish, align any straight edges with the outline, and keep pointy edges on the inside of the shape. Use your contrasting color(s) for this. It will help them stand out better.\n6. Outline the outside of the eyes with more tiles, if desired. Don't fill the eyes in. You will be cutting them out later. You can use the same color you will use for the inside of the mask, or you can use a contrasting color.\n7. Start filling in your mask with tiles. You can glue them down randomly, or you can follow the curves of the outlines as you work your way towards the center. Remember to leave slight gaps between each tile. Use your contrasting color for the nose and mouth.\n8. Let your mask dry. If you'd like to make your mask last longer, you can seal it with a clear, acrylic sealer or a brush-on decoupage glue, such as Mod Podge. Remember to let the mask dry after sealing it.\n9. Cut the mask and the eyes out. If you are a child, ask an adult to help you cut the eyes out. You can cut the mask itself out using a pair of scissors, but you will need a shape craft knife (such as an Xacto knife) to cut the eyes out.\n10. Punch some holes to either side of the mask, and thread some ribbon or elastic through them. The holes should be at about ear level, or just where the eyes are on your mask. This will make the mask more comfortable to wear.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "Can I spend the night alone in a tent in a forest outside Stockholm in -20°C without risking my life?\n\nThe backstory\nFrom the end of January, I'm starting my studies in a suburb of Stockholm. I've decided to, if it turns out plausible, not rent an apartment, but live in a tent. (This is not out of frugality, but out of a will to try something new.)\nI do have friends who I could visit once a week or so to prepare food and wash my clothes, so I think I can solve the practical problems, or at least those that I've come to think of. I'd camp in one of the forests, maybe 1 km from \"civilisation\". I'd have access to showers etc at university every day.\nHowever: I don't want to freeze to death in my sleep! That's very important to me. I've read that the nights can get as cold as -20°C (-4°F). With the proper preparations, would this be a plausible way of living, at least for a month or so?\nI do have camping experience, and have been hiking for three weeks, but only in summer.", "Yes, it is definitely doable. -20&deg;C is only -4&deg;F. The real question is whether it is doable by you at the level of discomfort and hassle you are willing to put up with. Only you can answer that. At best we can point out what the hassles and discomforts will be.\n\nFirst, your fear of dying of cold in your sleep is silly. You'd have to do something pretty stupid to die of hypothermia, and even that's not going to happen when you're inside the sleeping bag. The main danger will be from frostbite, but that again would largely need stupidity to help it along, although that's easier to do than outright death from hypothermia.\n\nYour tent will be a long term fixed installation you set up once at a time and conditions of your choosing. You can therefore afford a larger and heavier tent with more stuff you bring in once. Definitely get a tent you can stand upright in. That will make changing clothes much quicker and more comfortable. Since you should be able to keep water out of the tent, get a nice down sleeping bag and a few light blankets. The down bag should be rated for most nights, then put the blankets on top for the few unusually cold nights. Since again weight is not really a issue, get a full sleeping bag, not a mummy bag. They are simply more comfortable. Get a good insulating pad, and another two as backup. Get a tent large enough to fit your sleeping bag and something to sit on next to it, like a folding chair. Put something under the legs to spread out the weight to that they don't hurt the tent floor. Get one of those rubber-backed mats people sometimes put just inside their doors and put it just inside your tent. That allows a place to step with boots still on, then you can sit down on the chair with boots still on the mat to take them off. The crud stays on the mat, which you can shake clean by reaching outside after having put on your down hut booties.\n\nSome things are going to be a hassle. At -4&deg;F you want to keep your gloves on whenever possible, but some tasks will be difficult that way. You end up taking your gloves on and off a lot, trading off efficiency with cold fingers. Get a pair of polypro glove liners. They are thin and still allow many tasks to be done, but provide at least a little insulation. Their main advantage is that any metal you touch won't immediately conduct the heet from your hand away. Touching bare metal at -4&deg;F is a good way to get frostbite.\n\nBe prepared for some discomfort no matter what equipment you have. The toughest part will be getting yourself out of the sleeping bag in the morning. You'll really have to will yourself to leave the warm comfort of the bag and get into the air at probably the coldest part of the day. At some point you'll have to change your clothes and get undressed in the process. That's going to be cold. It won't be cold long enough to be any real danger, so it's really a mindset issue to get over. Whether you can or not and are willing to push yourself in that way only you can say.\n\nYou say you have access to heated buildings during the day, so it would make things a lot simpler for you if you don't have to deal with cooking and eating at your camp. Perparing food outside in the cold takes a lot longer than in a heated kitchen, severly limits what you can do, and may also risk predator encounters depending on what is around your area in the winter." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Can I spend the night alone in a tent in a forest outside Stockholm in -20°C without risking my life?\n\nThe backstory\nFrom the end of January, I\'m starting my studies in a suburb of Stockholm. I\'ve decided to, if it turns out plausible, not rent an apartment, but live in a tent. (This is not out of frugality, but out of a will to try something new.)\nI do have friends who I could visit once a week or so to prepare food and wash my clothes, so I think I can solve the practical problems, or at least those that I\'ve come to think of. I\'d camp in one of the forests, maybe 1 km from "civilisation". I\'d have access to showers etc at university every day.\nHowever: I don\'t want to freeze to death in my sleep! That\'s very important to me. I\'ve read that the nights can get as cold as -20°C (-4°F). With the proper preparations, would this be a plausible way of living, at least for a month or so?\nI do have camping experience, and have been hiking for three weeks, but only in summer.', "Yes, it is definitely doable. -20&deg;C is only -4&deg;F. The real question is whether it is doable by you at the level of discomfort and hassle you are willing to put up with. Only you can answer that. At best we can point out what the hassles and discomforts will be.\n\nFirst, your fear of dying of cold in your sleep is silly. You'd have to do something pretty stupid to die of hypothermia, and even that's not going to happen when you're inside the sleeping bag. The main danger will be from frostbite, but that again would largely need stupidity to help it along, although that's easier to do than outright death from hypothermia.\n\nYour tent will be a long term fixed installation you set up once at a time and conditions of your choosing. You can therefore afford a larger and heavier tent with more stuff you bring in once. Definitely get a tent you can stand upright in. That will make changing clothes much quicker and more comfortable. Since you should be able to keep water out of the tent, get a nice down sleeping bag and a few light blankets. The down bag should be rated for most nights, then put the blankets on top for the few unusually cold nights. Since again weight is not really a issue, get a full sleeping bag, not a mummy bag. They are simply more comfortable. Get a good insulating pad, and another two as backup. Get a tent large enough to fit your sleeping bag and something to sit on next to it, like a folding chair. Put something under the legs to spread out the weight to that they don't hurt the tent floor. Get one of those rubber-backed mats people sometimes put just inside their doors and put it just inside your tent. That allows a place to step with boots still on, then you can sit down on the chair with boots still on the mat to take them off. The crud stays on the mat, which you can shake clean by reaching outside after having put on your down hut booties.\n\nSome things are going to be a hassle. At -4&deg;F you want to keep your gloves on whenever possible, but some tasks will be difficult that way. You end up taking your gloves on and off a lot, trading off efficiency with cold fingers. Get a pair of polypro glove liners. They are thin and still allow many tasks to be done, but provide at least a little insulation. Their main advantage is that any metal you touch won't immediately conduct the heet from your hand away. Touching bare metal at -4&deg;F is a good way to get frostbite.\n\nBe prepared for some discomfort no matter what equipment you have. The toughest part will be getting yourself out of the sleeping bag in the morning. You'll really have to will yourself to leave the warm comfort of the bag and get into the air at probably the coldest part of the day. At some point you'll have to change your clothes and get undressed in the process. That's going to be cold. It won't be cold long enough to be any real danger, so it's really a mindset issue to get over. Whether you can or not and are willing to push yourself in that way only you can say.\n\nYou say you have access to heated buildings during the day, so it would make things a lot simpler for you if you don't have to deal with cooking and eating at your camp. Perparing food outside in the cold takes a lot longer than in a heated kitchen, severly limits what you can do, and may also risk predator encounters depending on what is around your area in the winter."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to lighten up your bikini areas?", "For all kinds of reasons, some people develop pigmentation in the bikini areas. However, it doesn't have to be a permanent issue. There are a variety of effective, lasting ways to address it. By safely lightening these regions, your skin can have a beautiful, even tone in the bikini areas once again.\n\n## Lighten the bikini areas with home remedy\n\n1. Use Papaya Soap. Papaya soap is natural and using it regularly will help to lighten the skin. Use it at least twice a day, once in the morning and once at night, until you see results. Keep your skin moisturized because it can dry out your skin. You can also mash up a chunk of ripe papaya, and apply a big dollop on the areas. Leave it on for 30 minutes and then wash it off. In a couple of week's time, you should see significant lightening.\n2. Apply glycolic or salicylic acid acne pads. These two ingredients are the lightening agents used for acne treatments and can also be used for this purpose. Dab a pad on the areas and then get into the shower. Let the steam sink in for a couple minutes and wash off. Don't do this treatment immediately after shaving, however, as it could irritate it.\n3. Use a lemon juice, yogurt mix. Mix juice from 1/4 lemon into a tablespoon of yogurt, and apply to the area. It acts as a mild bleaching solution that will safely lighten it. Apply aloe vera gel afterwards to keep your skin moist and hydrated. Don't do this treatment immediately after shaving, however, as it could irritate it.\n4. Apply almond paste. Soak several almonds for 24 hours. Then slide the skins off, and add a couple drops of milk to make a paste. Put on the bikini areas, and leave on for an hour. Wash off with warm water. If used regularly, it works as a mild lightener and also exfoliates and softens the skin.\n5. Try using milk to lighten and moisturize your skin. Pour some milk into a bowl and dip into with a cotton ball. Dab onto your skin. Milk is a natural skin lightener, and it also won't dry it out. It's not going to happen overnight but with regular use, you will see some slight results.\n6. Apply peroxide onto the area. Wipe off after 15 minutes. Do this a couple of times a day until you see results. Peroxide is highly acidic, so you may want to apply a little almond or coconut oil on the area after washing it off. Don't do this treatment immediately after shaving, however, as it could irritate it.\n\n\n## Go to a dermatologist to correct the problem\n\n1. Ask the doctor about using a skin bleaching cream containing hydroquinone. This kind of cream works by preventing melanin from being produced in the skin. It's one of the most popular lightening treatments. However, if the concentration is too high or if it's used for too long, it could worsen the discoloration or reverse the effects. It can also be toxic to the liver.\n2. Talk to your dermatologist about a milder skin bleaching treatment. Some alternative, fading creams that are known to have less side effects are azelaic acid, kojic acid and one containing only 2 percent hydroquinone. All of these are known to help with persistent or residual skin discoloration problems. They work by preventing keratin, a hair protein, from being produced in the skin.\n3. Find out from your doctor if you're a good candidate for using a bleaching agent, such as chlorine, to lighten the areas. This is a mix formulated by the medical professional doing the treatment. Due to the concentration of bleach, dermatologists and medical doctors are the only ones allowed to administer it.\n4. Opt for laser hair removal. If the darkening is caused by waxing, shaving, and/or you can see dark hair stubble as it's growing back, then laser hair removal may be a good solution for you. Though it's considered semi-permanent, the hair usually doesn't come back. However, you have to make sure to complete the recommended number of treatments and the ongoing, but infrequent, touch-ups.\n\n\n## Prevent darken of the bikini areas\n\n1. Exfoliate the area. Old skin cells don't just build up on your knees and elbows but on other areas of the skin as well. When they accumulate, they can make the skin appear darker and duller. Prior to shaving, lightly exfoliate the region using a loofah, scrub or exfoliating brush. This will remove the dry skin and will also help to prevent skin irritation and ingrown hairs in the bikini areas.\n2. Use sunblock. When going in the sun, use a sunblock to keep the sun from penetrating those areas of your skin that you don't want getting darker. Choose a sunblock with a high SPF number (Sun Protection Factor) such as SPF 45 on that region. Also when you come out of the sun, apply olive oil to the area, as it's also known to be a natural skin lightener.\n3. Wear breathable, cotton clothing that is loose and comfortable. Sweating in the bikini areas are known to cause darkening. Avoid polyester clothing and other synthetic fabrics, as they don't allow the skin to breath. Also tight clothing sometimes causes chafing and could also darken these areas.\n4. Use a quality razor, and shave gently in the direction of the hair growth. If shaving irritates the skin, it could darken it. Basically, dark spots are caused by constant friction. If you shave every day, your skin attempts to protect it so it darkens up. Any type of injury to your skin will either create a stain or keloid. Waxing can also cause darkening if it's too hot.\n5. Eat more vegetables and fruits. Fruits, oranges and berries, in particular, and green, leafy vegetables have lots of antioxidants that assist in reducing discoloration of the skin. Drinking water also helps to flush toxins out of the body.\n6. Drink more water. It is one of the best ways to detoxify. There is no one-size-fits-all to how much water a person should drink. As a general rule, though, women should drink 128 ounces a day, and men should consume 128 ounces of water a day.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to lighten up your bikini areas?', "For all kinds of reasons, some people develop pigmentation in the bikini areas. However, it doesn't have to be a permanent issue. There are a variety of effective, lasting ways to address it. By safely lightening these regions, your skin can have a beautiful, even tone in the bikini areas once again.\n\n## Lighten the bikini areas with home remedy\n\n1. Use Papaya Soap. Papaya soap is natural and using it regularly will help to lighten the skin. Use it at least twice a day, once in the morning and once at night, until you see results. Keep your skin moisturized because it can dry out your skin. You can also mash up a chunk of ripe papaya, and apply a big dollop on the areas. Leave it on for 30 minutes and then wash it off. In a couple of week's time, you should see significant lightening.\n2. Apply glycolic or salicylic acid acne pads. These two ingredients are the lightening agents used for acne treatments and can also be used for this purpose. Dab a pad on the areas and then get into the shower. Let the steam sink in for a couple minutes and wash off. Don't do this treatment immediately after shaving, however, as it could irritate it.\n3. Use a lemon juice, yogurt mix. Mix juice from 1/4 lemon into a tablespoon of yogurt, and apply to the area. It acts as a mild bleaching solution that will safely lighten it. Apply aloe vera gel afterwards to keep your skin moist and hydrated. Don't do this treatment immediately after shaving, however, as it could irritate it.\n4. Apply almond paste. Soak several almonds for 24 hours. Then slide the skins off, and add a couple drops of milk to make a paste. Put on the bikini areas, and leave on for an hour. Wash off with warm water. If used regularly, it works as a mild lightener and also exfoliates and softens the skin.\n5. Try using milk to lighten and moisturize your skin. Pour some milk into a bowl and dip into with a cotton ball. Dab onto your skin. Milk is a natural skin lightener, and it also won't dry it out. It's not going to happen overnight but with regular use, you will see some slight results.\n6. Apply peroxide onto the area. Wipe off after 15 minutes. Do this a couple of times a day until you see results. Peroxide is highly acidic, so you may want to apply a little almond or coconut oil on the area after washing it off. Don't do this treatment immediately after shaving, however, as it could irritate it.\n\n\n## Go to a dermatologist to correct the problem\n\n1. Ask the doctor about using a skin bleaching cream containing hydroquinone. This kind of cream works by preventing melanin from being produced in the skin. It's one of the most popular lightening treatments. However, if the concentration is too high or if it's used for too long, it could worsen the discoloration or reverse the effects. It can also be toxic to the liver.\n2. Talk to your dermatologist about a milder skin bleaching treatment. Some alternative, fading creams that are known to have less side effects are azelaic acid, kojic acid and one containing only 2 percent hydroquinone. All of these are known to help with persistent or residual skin discoloration problems. They work by preventing keratin, a hair protein, from being produced in the skin.\n3. Find out from your doctor if you're a good candidate for using a bleaching agent, such as chlorine, to lighten the areas. This is a mix formulated by the medical professional doing the treatment. Due to the concentration of bleach, dermatologists and medical doctors are the only ones allowed to administer it.\n4. Opt for laser hair removal. If the darkening is caused by waxing, shaving, and/or you can see dark hair stubble as it's growing back, then laser hair removal may be a good solution for you. Though it's considered semi-permanent, the hair usually doesn't come back. However, you have to make sure to complete the recommended number of treatments and the ongoing, but infrequent, touch-ups.\n\n\n## Prevent darken of the bikini areas\n\n1. Exfoliate the area. Old skin cells don't just build up on your knees and elbows but on other areas of the skin as well. When they accumulate, they can make the skin appear darker and duller. Prior to shaving, lightly exfoliate the region using a loofah, scrub or exfoliating brush. This will remove the dry skin and will also help to prevent skin irritation and ingrown hairs in the bikini areas.\n2. Use sunblock. When going in the sun, use a sunblock to keep the sun from penetrating those areas of your skin that you don't want getting darker. Choose a sunblock with a high SPF number (Sun Protection Factor) such as SPF 45 on that region. Also when you come out of the sun, apply olive oil to the area, as it's also known to be a natural skin lightener.\n3. Wear breathable, cotton clothing that is loose and comfortable. Sweating in the bikini areas are known to cause darkening. Avoid polyester clothing and other synthetic fabrics, as they don't allow the skin to breath. Also tight clothing sometimes causes chafing and could also darken these areas.\n4. Use a quality razor, and shave gently in the direction of the hair growth. If shaving irritates the skin, it could darken it. Basically, dark spots are caused by constant friction. If you shave every day, your skin attempts to protect it so it darkens up. Any type of injury to your skin will either create a stain or keloid. Waxing can also cause darkening if it's too hot.\n5. Eat more vegetables and fruits. Fruits, oranges and berries, in particular, and green, leafy vegetables have lots of antioxidants that assist in reducing discoloration of the skin. Drinking water also helps to flush toxins out of the body.\n6. Drink more water. It is one of the best ways to detoxify. There is no one-size-fits-all to how much water a person should drink. As a general rule, though, women should drink 128 ounces a day, and men should consume 128 ounces of water a day.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I am about 22 weeks pregnant and it's getting to the point where it's hard to hide! How to tell my boss about pregnancy?", "If you work in an office and have the opportunity to talk to your your boss face-to-face, here are a few tips to make the announcement go as smoothly as possible.\n\n1. Schedule a meeting in advance. Don't try to have the conversation with your boss when either of you are is not in an ideal state for effective communication. For example, please avoid the discussion while driving to work or on a busy Friday. Schedule an appointment to meet so neither of you will be rushed or distracted.\n\n2. Focus on the positive aspects and avoid starting the conversation with apologies. Instead, let your boss know you're happy about your pregnancy and committed to fulfilling your responsibilities both at work and in your growing family.\n\n3. Be flexible (but not spineless). Develop a well-thought-out plan but remain open to discussion and compromise. Come up with a realistic bottom line and stick to it.\n\n4. Document the agreed-upon details of your pregnancy protocol and maternity leave in written form to eliminate any potential confusion or misunderstandings in the future.\n\n5. Never underestimate the power of parents. If your company isn't as family-friendly as you'd like, consider joining forces with coworkers to petition for better parental perks. Making sure that similar allowances are made for employees who must take time off to care for sick spouses or parents may help unite you with coworkers who don’t have children.", "When should I tell him?", "Several factors should be taken into account when determining the timing of your pregnancy announcement at work. Here are a few considerations to keep in mind:\n\n1. Pregnancy progress: Many women choose to wait until the end of the first trimester or the beginning of the second trimester. By this time, their risk of miscarriage has significantly decreased and they know their pregnancy is healthy and moving in the right direction. Others may hold out until the end of the fourth month, when they have received amniocentesis results.\n\n2. Physical changes: Consider how you are feeling and whether your pregnancy is becoming visible. Severe symptoms like nausea or a noticeable baby bump may make it difficult to keep your pregnancy a secret for an extended period.\n\n3. Job requirements: If your job has built-in workplace hazards, especially for pregnant employees (i.e. it’s particularly strenuous or exposes you to harmful chemicals), it's better to have an early conversation with your boss to discuss any necessary changes in duties or seek a transfer to ensure your safety and well-being.\n\n4. Upcoming reviews: If you're afraid your announcement might influence the results of an upcoming performance or salary review, you may want to wait until after the review is completed before sharing the news.\n\n5. Company Culture: Try to gauge your boss's attitude toward family by discreetly gathering information from coworkers about their experiences. If you believe your boss (or company) may not be supportive, you may want to wait until the 20-week mark to announce your pregnancy. On the other hand, if your company offers special benefits such as flexible working hours, consider sharing the news as soon as you feel comfortable to take advantage of those benefits.", "What to do if my boss treats me differently after I tell him?", "After informing your boss about your pregnancy, be sure to keep your employer in the loop about your physical needs and limitations as your pregnancy progresses. If you experience differential treatment due to your pregnancy, it is essential to address the issue promptly. Here are some steps you can take:\n\n1. Document the discrimination: If your boss does treat you differently because you're expecting, report the incidents of discrimination in writing to your HR department. Be sure to include details such as the date, time, who you spoke to and what transpired. \n\n2. Escalate to the EEOC: If your HR department ignores or does not fully address your complaint, file a charge of discrimination with the U.S. Equal Employment Opportunity Commission (EEOC). Filing a charge with the EEOC is an important step in seeking resolution, not only for yourself but also for other pregnant individuals who may face similar challenges.\n\n3. Legal challenges: It's important to note that proving discrimination in court can be challenging. Under the Pregnancy Discrimination Act (PDA), you must show that a coworker who's not pregnant but has comparable temporary limitations got better treatment than you did. It can strengthen your case by taking detailed notes with dates of how your employer treats you versus other employees who've asked for temporary accommodations.\n\nThe good news is that more people are aware of pregnancy discrimination in the U.S. now than ever before, and women have won discrimination lawsuits. Remember, seeking resolution for pregnancy discrimination is not only important for your own well-being but also for fostering a fair and inclusive workplace environment for all pregnant individuals." ]
multi_turn
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I am about 22 weeks pregnant and it's getting to the point where it's hard to hide! How to tell my boss about pregnancy?", "If you work in an office and have the opportunity to talk to your your boss face-to-face, here are a few tips to make the announcement go as smoothly as possible.\n\n1. Schedule a meeting in advance. Don't try to have the conversation with your boss when either of you are is not in an ideal state for effective communication. For example, please avoid the discussion while driving to work or on a busy Friday. Schedule an appointment to meet so neither of you will be rushed or distracted.\n\n2. Focus on the positive aspects and avoid starting the conversation with apologies. Instead, let your boss know you're happy about your pregnancy and committed to fulfilling your responsibilities both at work and in your growing family.\n\n3. Be flexible (but not spineless). Develop a well-thought-out plan but remain open to discussion and compromise. Come up with a realistic bottom line and stick to it.\n\n4. Document the agreed-upon details of your pregnancy protocol and maternity leave in written form to eliminate any potential confusion or misunderstandings in the future.\n\n5. Never underestimate the power of parents. If your company isn't as family-friendly as you'd like, consider joining forces with coworkers to petition for better parental perks. Making sure that similar allowances are made for employees who must take time off to care for sick spouses or parents may help unite you with coworkers who don’t have children.", 'When should I tell him?', "Several factors should be taken into account when determining the timing of your pregnancy announcement at work. Here are a few considerations to keep in mind:\n\n1. Pregnancy progress: Many women choose to wait until the end of the first trimester or the beginning of the second trimester. By this time, their risk of miscarriage has significantly decreased and they know their pregnancy is healthy and moving in the right direction. Others may hold out until the end of the fourth month, when they have received amniocentesis results.\n\n2. Physical changes: Consider how you are feeling and whether your pregnancy is becoming visible. Severe symptoms like nausea or a noticeable baby bump may make it difficult to keep your pregnancy a secret for an extended period.\n\n3. Job requirements: If your job has built-in workplace hazards, especially for pregnant employees (i.e. it’s particularly strenuous or exposes you to harmful chemicals), it's better to have an early conversation with your boss to discuss any necessary changes in duties or seek a transfer to ensure your safety and well-being.\n\n4. Upcoming reviews: If you're afraid your announcement might influence the results of an upcoming performance or salary review, you may want to wait until after the review is completed before sharing the news.\n\n5. Company Culture: Try to gauge your boss's attitude toward family by discreetly gathering information from coworkers about their experiences. If you believe your boss (or company) may not be supportive, you may want to wait until the 20-week mark to announce your pregnancy. On the other hand, if your company offers special benefits such as flexible working hours, consider sharing the news as soon as you feel comfortable to take advantage of those benefits.", 'What to do if my boss treats me differently after I tell him?', "After informing your boss about your pregnancy, be sure to keep your employer in the loop about your physical needs and limitations as your pregnancy progresses. If you experience differential treatment due to your pregnancy, it is essential to address the issue promptly. Here are some steps you can take:\n\n1. Document the discrimination: If your boss does treat you differently because you're expecting, report the incidents of discrimination in writing to your HR department. Be sure to include details such as the date, time, who you spoke to and what transpired. \n\n2. Escalate to the EEOC: If your HR department ignores or does not fully address your complaint, file a charge of discrimination with the U.S. Equal Employment Opportunity Commission (EEOC). Filing a charge with the EEOC is an important step in seeking resolution, not only for yourself but also for other pregnant individuals who may face similar challenges.\n\n3. Legal challenges: It's important to note that proving discrimination in court can be challenging. Under the Pregnancy Discrimination Act (PDA), you must show that a coworker who's not pregnant but has comparable temporary limitations got better treatment than you did. It can strengthen your case by taking detailed notes with dates of how your employer treats you versus other employees who've asked for temporary accommodations.\n\nThe good news is that more people are aware of pregnancy discrimination in the U.S. now than ever before, and women have won discrimination lawsuits. Remember, seeking resolution for pregnancy discrimination is not only important for your own well-being but also for fostering a fair and inclusive workplace environment for all pregnant individuals."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> multi_turn<|eot_id|><|eot_id|>
[ "In this task, you're given a pair of sentences, sentence 1 and sentence 2. Your job is to determine if the two sentences clearly agree/disagree with each other, or if this can't be determined. Indicate your answer as yes or no respectively.\n\nSentence 1: One of the first organizational realignments taking place is in the Office of the Taxpayer Advocate. Sentence 2: The office of the taxpayer advocate is having an organizational realignment.", "These two sentences agree with each other, because both sentences refer to the reorganization of an official department." ]
nlp
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["In this task, you're given a pair of sentences, sentence 1 and sentence 2. Your job is to determine if the two sentences clearly agree/disagree with each other, or if this can't be determined. Indicate your answer as yes or no respectively.\n\nSentence 1: One of the first organizational realignments taking place is in the Office of the Taxpayer Advocate. Sentence 2: The office of the taxpayer advocate is having an organizational realignment.", 'These two sentences agree with each other, because both sentences refer to the reorganization of an official department.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> nlp<|eot_id|><|eot_id|>
[ "How can you tell if someone is being truthful or lying to you?", "To tell if someone if being truthful or lying to you, here are a few things to look for:\n\n* Look for inconsistencies in what they say. If one time they said one thing, and another time they said the opposite, or if they contradict themselves within the same conversation, that's a sign that they may be lying. \n\n* Look for signs of stress. Liars often have a harder time lying when they're under more stress. Pay attention to whether or not they seem nervous. Are they fidgeting? Stuttering? Avoiding eye contact? These can all be signs that they're lying to you. However, some people are good liars, and can lie with a straight face. This is why it's best to look for multiple signs that they're lying.\n\n* Pay attention to what they don't say. If someone is lying to you, they may leave out details, or fail to correct you when you make an assumption that isn't true. \n\n* Ask follow-up questions. Liars often give short answers because they're trying to avoid giving details that may incriminate them. Follow up with questions like, \"Why did you do that?\" or \"How did that happen?\" to see if they're fumbling for an answer.\n\n* Ask questions you already know the answer to. This is a great way to catch someone in a lie. If you know the answer, you can say, \"Oh, so it was you who broke the vase, not Kyle,\" and see if they correct you.\n\n* Look for micro-expressions. A micro-expression is a brief, involuntary facial expression that reveals someone's true emotions. People who are lying may make a micro-expression of anxiety or guilt. You have to pay close attention, because these expressions only last for a fraction of a second.\n\n* Pay attention if they change the subject. This is a classic sign of a liar. If someone is trying to distract you from the truth, they may change the subject or try to redirect the conversation.\n\nAnd remember, people lie for many reasons. The simple fact that someone is lying to you does not mean that they are guilty of the crime you are investigating. They may be protecting someone else, or themselves from something embarrassing, or they may be lying about something completely unrelated. Always keep the reason for your questioning in mind, and be prepared to pursue other lines of inquiry based on the information you learn." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How can you tell if someone is being truthful or lying to you?', 'To tell if someone if being truthful or lying to you, here are a few things to look for:\n\n* Look for inconsistencies in what they say. If one time they said one thing, and another time they said the opposite, or if they contradict themselves within the same conversation, that\'s a sign that they may be lying. \n\n* Look for signs of stress. Liars often have a harder time lying when they\'re under more stress. Pay attention to whether or not they seem nervous. Are they fidgeting? Stuttering? Avoiding eye contact? These can all be signs that they\'re lying to you. However, some people are good liars, and can lie with a straight face. This is why it\'s best to look for multiple signs that they\'re lying.\n\n* Pay attention to what they don\'t say. If someone is lying to you, they may leave out details, or fail to correct you when you make an assumption that isn\'t true. \n\n* Ask follow-up questions. Liars often give short answers because they\'re trying to avoid giving details that may incriminate them. Follow up with questions like, "Why did you do that?" or "How did that happen?" to see if they\'re fumbling for an answer.\n\n* Ask questions you already know the answer to. This is a great way to catch someone in a lie. If you know the answer, you can say, "Oh, so it was you who broke the vase, not Kyle," and see if they correct you.\n\n* Look for micro-expressions. A micro-expression is a brief, involuntary facial expression that reveals someone\'s true emotions. People who are lying may make a micro-expression of anxiety or guilt. You have to pay close attention, because these expressions only last for a fraction of a second.\n\n* Pay attention if they change the subject. This is a classic sign of a liar. If someone is trying to distract you from the truth, they may change the subject or try to redirect the conversation.\n\nAnd remember, people lie for many reasons. The simple fact that someone is lying to you does not mean that they are guilty of the crime you are investigating. They may be protecting someone else, or themselves from something embarrassing, or they may be lying about something completely unrelated. Always keep the reason for your questioning in mind, and be prepared to pursue other lines of inquiry based on the information you learn.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "In 20 words or less write the happiest scene you can.", "The rainbow kittens cheerfully play in the field of sprinkled cupcakes and other various desserts. Oh, and there's tits too." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['In 20 words or less write the happiest scene you can.', "The rainbow kittens cheerfully play in the field of sprinkled cupcakes and other various desserts. Oh, and there's tits too."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "Without repeating a single exact word, write the longest fictional story you can.", "Rain pattered all around as he lowered his wife into her grave. Tears blended amongst raindrops. Will couldn't believe it had happened with Clara. Clara's soul headed towards Inferis now, leaving Will's side forever. Why wouldn't death just stop? Thousands died everyday, each being dragged to a world right below everyone's feet. But this passing was different. The solemn man turned, hands clenched. \"I will rescue you my love. Dying won't steal your spirit.\" Family watched their relative walk away determined.\nWilliam grew old searching for methods concerning returning dead souls, travelling miles, never forgetting. Determination drove him, which eventually paid off. Ahead lay one solution. No doubt entered William's mind while grasping an ancient sword. Finally, answers would come. They could continue together again. Shoving said blade through vital organs, Bill faded from life smiling knowing who he'd soon see. Humans cannot obtain abilities capable of defeating inevitable events." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Without repeating a single exact word, write the longest fictional story you can.', 'Rain pattered all around as he lowered his wife into her grave. Tears blended amongst raindrops. Will couldn\'t believe it had happened with Clara. Clara\'s soul headed towards Inferis now, leaving Will\'s side forever. Why wouldn\'t death just stop? Thousands died everyday, each being dragged to a world right below everyone\'s feet. But this passing was different. The solemn man turned, hands clenched. "I will rescue you my love. Dying won\'t steal your spirit." Family watched their relative walk away determined.\nWilliam grew old searching for methods concerning returning dead souls, travelling miles, never forgetting. Determination drove him, which eventually paid off. Ahead lay one solution. No doubt entered William\'s mind while grasping an ancient sword. Finally, answers would come. They could continue together again. Shoving said blade through vital organs, Bill faded from life smiling knowing who he\'d soon see. Humans cannot obtain abilities capable of defeating inevitable events.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "In Django, the convention is to put all of your static files (i.e css, js) specific to your app into a folder called static. So the structure would look like this:\n```mysite/\n manage.py\n mysite/ --> (settings.py, etc)\n myapp/ --> (models.py, views.py, etc)\n static/\n```\nIn ```mysite/settings.py``` I have:\n```STATIC_ROOT = 'staticfiles'\n```\nSo when I run the command:\n```python manage.py collectstatic\n```\nIt creates a folder called ```staticfiles``` at the root level (so same directory as ```myapp/```)\nWhat's the point of this? Isn't it just creating a copy of all my static files?", "## Collect static files from multiple apps into a single path\n\nA single Django project may use several apps, so while there you only have one ```myapp```, it may actually be ```myapp1```, ```myapp2```, etc\nBy copying them from inside the individual apps into a single folder, you can point your frontend web server (e.g. nginx) to that single folder ```STATIC_ROOT``` and serve static files from a single location, rather than configure your web server to serve static files from multiple paths.\n\n## Persistent URLs with ManifestStaticFilesStorage\n\nA note about the MD5 hash being appended to the filename for versioning: It's not part of the default behavior of ```collectstatic```, as ```settings.STATICFILES_STORAGE``` defaults to ```StaticFilesStorage``` (which doesn't do that)\nThe MD5 hash will kick in e.g. if you set it to use ```ManifestStaticFilesStorage```, which adds that behavior.\n\n> The purpose of this storage is to keep serving the old files in case some pages still refer to those files, e.g. because they are cached by you or a 3rd party proxy server. Additionally, it’s very helpful if you want to apply far future Expires headers to the deployed files to speed up the load time for subsequent page visits." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["In Django, the convention is to put all of your static files (i.e css, js) specific to your app into a folder called static. So the structure would look like this:\n```mysite/\n manage.py\n mysite/ --> (settings.py, etc)\n myapp/ --> (models.py, views.py, etc)\n static/\n```\nIn ```mysite/settings.py``` I have:\n```STATIC_ROOT = 'staticfiles'\n```\nSo when I run the command:\n```python manage.py collectstatic\n```\nIt creates a folder called ```staticfiles``` at the root level (so same directory as ```myapp/```)\nWhat's the point of this? Isn't it just creating a copy of all my static files?", "## Collect static files from multiple apps into a single path\n\nA single Django project may use several apps, so while there you only have one ```myapp```, it may actually be ```myapp1```, ```myapp2```, etc\nBy copying them from inside the individual apps into a single folder, you can point your frontend web server (e.g. nginx) to that single folder ```STATIC_ROOT``` and serve static files from a single location, rather than configure your web server to serve static files from multiple paths.\n\n## Persistent URLs with ManifestStaticFilesStorage\n\nA note about the MD5 hash being appended to the filename for versioning: It's not part of the default behavior of ```collectstatic```, as ```settings.STATICFILES_STORAGE``` defaults to ```StaticFilesStorage``` (which doesn't do that)\nThe MD5 hash will kick in e.g. if you set it to use ```ManifestStaticFilesStorage```, which adds that behavior.\n\n> The purpose of this storage is to keep serving the old files in case some pages still refer to those files, e.g. because they are cached by you or a 3rd party proxy server. Additionally, it’s very helpful if you want to apply far future Expires headers to the deployed files to speed up the load time for subsequent page visits."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Can brain cells move? By movement I mean long distance migration (preferably within the brain only).", "The question is relatively broad and one should take into account that the brain not only consists of neurons, but also glial cells (supportive cells) and pre-mitotic neuronal stem cells. Furthermore, as critical fellow-scientists have indicated, developmental stage is very important, as the developing embryonic brain is very different from the adult brain.\nHowever, after sifting through various publications, the answer to the question is actually remarkably simple: Yes, brain cells migrate.\nIn the adult brain glial cells migrate in the brain (Klämbt, 2009). Glial cells are involved in a myriad of functions, but a notable example of migrating glial cells are the oligodendrocytes that migrate relative long distances to find their target axons onto which they wrap themselves to form the insulating myelin sheath (Tsai and Miller, 2002).\nNeuronal stem cells migrate over long distances in response to injury (Imitola et al., 2004) and they migrate from specific stem-cell locations (e.g., hippocampus and subventricular zone) to other regions (Clarke, 2003).\nPost-mitotic, but non-differentiated neurons have been shown to migrate in the adult brain in fish (Scott et al., 2012), and in mammals and non-human primates as well (Sawada et al., 2011).\nNot surprisingly, glial cells, stem cells and neurons also migrate during embryonic development. Most notably, post-mitotic neurons destined to fulfill peripheral functions have to migrate over relatively long distances from the neural crest to their target locations (Neuroscience, 2nd ed, Neuronal Migration)." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Can brain cells move? By movement I mean long distance migration (preferably within the brain only).', 'The question is relatively broad and one should take into account that the brain not only consists of neurons, but also glial cells (supportive cells) and pre-mitotic neuronal stem cells. Furthermore, as critical fellow-scientists have indicated, developmental stage is very important, as the developing embryonic brain is very different from the adult brain.\nHowever, after sifting through various publications, the answer to the question is actually remarkably simple: Yes, brain cells migrate.\nIn the adult brain glial cells migrate in the brain (Klämbt, 2009). Glial cells are involved in a myriad of functions, but a notable example of migrating glial cells are the oligodendrocytes that migrate relative long distances to find their target axons onto which they wrap themselves to form the insulating myelin sheath (Tsai and Miller, 2002).\nNeuronal stem cells migrate over long distances in response to injury (Imitola et al., 2004) and they migrate from specific stem-cell locations (e.g., hippocampus and subventricular zone) to other regions (Clarke, 2003).\nPost-mitotic, but non-differentiated neurons have been shown to migrate in the adult brain in fish (Scott et al., 2012), and in mammals and non-human primates as well (Sawada et al., 2011).\nNot surprisingly, glial cells, stem cells and neurons also migrate during embryonic development. Most notably, post-mitotic neurons destined to fulfill peripheral functions have to migrate over relatively long distances from the neural crest to their target locations (Neuroscience, 2nd ed, Neuronal Migration).']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Why is FIFA against adding instant replay to the game?", "There are a few fundamental considerations:\n\n* Uncertainty is a part of the game. The referee and linesmen are the arbiters of the action. Instant replay would limit their authority.\n* Football is global. Many places do not have access to the technology necessary to implement instant replay.\n* Football is a fast-paced game with few opportunities for stoppage. Instant replay would unnecessarily slow the pace.\n\nIn 2008, FiFA President Sepp Blatter said:\n\n \"Let it be as it is and let's leave [football] with errors. The television companies will have the right to say [the referee] was right or wrong, but still the referee makes the decision – a man, not a machine.\"\n\nBlatter and others at FIFA have repeatedly argued against using instant replay. But lately, FIFA has begun to come around on the idea. At FIFA's Congress in São Paulo prior to the 2014 World Cup, Blatter proposed allowing managers 2 challenges per game, much like the NFL handles challenges today.\nAlthough it's not quite \"instant replay,\" in 2012 FIFA approved two different goal-line technologies to improve referee accuracy: \"Hawk-Eye\" -- which uses visual triangulation to determine ball location -- and \"GoalRef\" -- which uses a microchip in the ball and magnetic sensors within goalposts. (Many say FIFA approved the technologies in response to Frank Lampard's snubbed \"goal\" against Germany in the 2010 World Cup.) In 2013, FIFA announced it would use GoalControl, a German competitor to Hawk-Eye, at the Confederations Cup, basically a rehearsal for the World Cup. After a successful run at that tournament, FIFA announced it would implement GoalControl at the 2014 World Cup. The Guardian provides a pretty helpful FAQ on the technology.\nFIFA may choose to implement further changes to approved goal-line technology and referee rules when it meets again after the World Cup." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Why is FIFA against adding instant replay to the game?', 'There are a few fundamental considerations:\n\n* Uncertainty is a part of the game. The referee and linesmen are the arbiters of the action. Instant replay would limit their authority.\n* Football is global. Many places do not have access to the technology necessary to implement instant replay.\n* Football is a fast-paced game with few opportunities for stoppage. Instant replay would unnecessarily slow the pace.\n\nIn 2008, FiFA President Sepp Blatter said:\n\n "Let it be as it is and let\'s leave [football] with errors. The television companies will have the right to say [the referee] was right or wrong, but still the referee makes the decision – a man, not a machine."\n\nBlatter and others at FIFA have repeatedly argued against using instant replay. But lately, FIFA has begun to come around on the idea. At FIFA\'s Congress in São Paulo prior to the 2014 World Cup, Blatter proposed allowing managers 2 challenges per game, much like the NFL handles challenges today.\nAlthough it\'s not quite "instant replay," in 2012 FIFA approved two different goal-line technologies to improve referee accuracy: "Hawk-Eye" -- which uses visual triangulation to determine ball location -- and "GoalRef" -- which uses a microchip in the ball and magnetic sensors within goalposts. (Many say FIFA approved the technologies in response to Frank Lampard\'s snubbed "goal" against Germany in the 2010 World Cup.) In 2013, FIFA announced it would use GoalControl, a German competitor to Hawk-Eye, at the Confederations Cup, basically a rehearsal for the World Cup. After a successful run at that tournament, FIFA announced it would implement GoalControl at the 2014 World Cup. The Guardian provides a pretty helpful FAQ on the technology.\nFIFA may choose to implement further changes to approved goal-line technology and referee rules when it meets again after the World Cup.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Can you create a Python program that can be used to download a video from YouTube?", "Here is a methodical process for downloading YouTube videos using Python.\n\nStep 1: Step I: Install [Pytube](https://pytube.io/en/latest/index.html) using pip\n\n```\npip install pytube\n```\n\nStep 2: Use the pytube package in your script to download YouTube videos. Below is an example\n```\n# Import the YouTube class from pytube package.\nfrom pytube import YouTube\n\n# Create an object of YouTube bypassing the video URL\nyt = YouTube(\"<Your youtube URL>\")\n\n# Use the filter method to specify the download format of the video\nmp4_files = yt.streams.filter(file_extension=\"mp4\")\n\n# Get the video you want by specifying the resolution\nmp4_369p_files = mp4_files.get_by_resolution(\"360p\")\n\n# Save the downloaded video to the local file system\nmp4_369p_files.download(\"<Download folder path>\")\n``` \n\nThe video will be downloaded to `<Download folder path>`.\n" ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Can you create a Python program that can be used to download a video from YouTube?', 'Here is a methodical process for downloading YouTube videos using Python.\n\nStep 1: Step I: Install [Pytube](https://pytube.io/en/latest/index.html) using pip\n\n```\npip install pytube\n```\n\nStep 2: Use the pytube package in your script to download YouTube videos. Below is an example\n```\n# Import the YouTube class from pytube package.\nfrom pytube import YouTube\n\n# Create an object of YouTube bypassing the video URL\nyt = YouTube("<Your youtube URL>")\n\n# Use the filter method to specify the download format of the video\nmp4_files = yt.streams.filter(file_extension="mp4")\n\n# Get the video you want by specifying the resolution\nmp4_369p_files = mp4_files.get_by_resolution("360p")\n\n# Save the downloaded video to the local file system\nmp4_369p_files.download("<Download folder path>")\n``` \n\nThe video will be downloaded to `<Download folder path>`.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "Martha is grinding a spice paste. She adds 3 tablespoons of ginger, 1 teaspoon of cardamom, 1 teaspoon of mustard, 2 tablespoons of garlic, and four times as much chile powder as mustard. What percentage of the spice paste is ginger, rounded to the nearest integer? (Remember there are three teaspoons per tablespoon.)", "Here is the solution step by step:\n\nFirst convert the ginger to teaspoons: 3 tablespoons * 3 teaspoons/tablespoon = 9 teaspoons.\nThen convert the garlic to teaspoons: 2 tablespoons * 3 teaspoons/tablespoon = 6 teaspoons.\nThen find how much chile powder there is: 1 teaspoon * 4 = 4 teaspoons.\nThen add up the amount of each spice to find the total amount: 9 teaspoons + 6 teaspoons + 4 teaspoons + 1 teaspoons + 1 teaspoon = 21 teaspoons.\nThen divide the amount of ginger by the total amount of spice paste and multiply by 100% to find the percentage of the spice paste that's ginger: 9 teaspoons / 21 teaspoons * 100% = 42.857, which rounds down to 43." ]
nlp
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Martha is grinding a spice paste. She adds 3 tablespoons of ginger, 1 teaspoon of cardamom, 1 teaspoon of mustard, 2 tablespoons of garlic, and four times as much chile powder as mustard. What percentage of the spice paste is ginger, rounded to the nearest integer? (Remember there are three teaspoons per tablespoon.)', "Here is the solution step by step:\n\nFirst convert the ginger to teaspoons: 3 tablespoons * 3 teaspoons/tablespoon = 9 teaspoons.\nThen convert the garlic to teaspoons: 2 tablespoons * 3 teaspoons/tablespoon = 6 teaspoons.\nThen find how much chile powder there is: 1 teaspoon * 4 = 4 teaspoons.\nThen add up the amount of each spice to find the total amount: 9 teaspoons + 6 teaspoons + 4 teaspoons + 1 teaspoons + 1 teaspoon = 21 teaspoons.\nThen divide the amount of ginger by the total amount of spice paste and multiply by 100% to find the percentage of the spice paste that's ginger: 9 teaspoons / 21 teaspoons * 100% = 42.857, which rounds down to 43."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> nlp<|eot_id|><|eot_id|>
[ "How to make your linkedin profile stand out?", "LinkedIn has become a key tool for many recruiters to search for qualified candidates and for job seekers to make the right connections when seeking a job. The site allows each person to create a profile that can serve at as an online resume and minimal portfolio. You can make your LinkedIn profile stand out by ensuring that the basics of your profile are rock solid, and then going the extra mile to make it exemplary.\n\n## Start with the basics\n\n1. Add a professional profile picture to catch the eye of recruiters. Your profile picture must be professional in order to give a good first impression. If you have use a profile picture that is inappropriate or silly, recruiters will probably remove you from their candidate list immediately. When choosing a profile picture, remember to choose one that:\n\t* Does not include anyone else but you. This reduces confusion regarding who the profile is about and draws all the focus to you. Is just of your head and shoulders. Your profile picture is a small picture and will show your face better if you limit it's scope to just your head and shoulders. Shows you wearing professional business attire. LinkedIn is a professional site. Wearing business attire in your picture is highly recommended. This includes a nice collared shirt and a suit jacket if you wish (for both men and women) or an unrevealing blouse for women. Is in front of a solid background. Solid backgrounds allow the focus to be on you and not what is going on behind you. Has a smile. A smile can make you seem more approachable to those who don't know you. Is preferably taken by someone else. It is OK if it is not done by a professional, but definitely no selfies.\n2. Write an eye-catching headline to draw readers in. Headlines are automatically filled with your most recent job title after you add your experience. These can be boring, and you should consider changing your headline to something more unique. To make yourself stand out, edit your headline to tell the reader who you are and what you are an expert in. For example, “Operations Executive\", \"Performance Driven, Airline Industry Expert”.\n3. Customize your URL to brand yourself. Customizing your URL allows you to reference your LinkedIn page easily in your resume or on business cards and other documents. It should remain simple, with the best kind of URL including just your first and last name with no spaces or special characters. For example, www.linkedin.com/in/firstlastname.\n4. Provide an outstanding summary to highlight your talents. Writing a LinkedIn summary is much like writing a professional biography. It should be brief, yet comprehensive enough to give the reader an overview of your career thus far. Also, it should be well-written and engaging to entice them to read through your profile further and accept or request to connect with you. While writing a summary, remember to include the following:\n\t* Tell your story in the first person. This means using the words I, my and mine to make your summary more conversational and easy to read. Explain your expertise and interests. Use examples to show your value to potential clients and future employers. Highlight your key accomplishments. If you have made some great achievements in your career, take the time to list these in your summary. For example, Top Sales Award Winner. State a call to action. Explain what you are looking for while making connections on LinkedIn. For example, “open to new opportunities”, “looking to make mutually beneficial connections” or “contact me if I can be assistance to you”.\n5. List each job you have held with a summary of tasks to provide detail. As with your resume, list all the jobs you have held. The difference between a LinkedIn profile and a resume is that it is acceptable to add any and all jobs to your experience section, rather than limiting yourself to what is most relevant to the particular job you are applying for, as with a resume. Also, you are also not limited to the 10 year rule as you would be on a resume. Therefore, feel free to list any job you have ever held in your career. Add a brief summary of the purpose of your job and the major tasks you have completed. Bullet key accomplishments. As with a resume, you want to highlight your strengths and accomplishments to show you were successful at your job. For example, “Negotiated a $1.5M sale to increase profit margins by 25%”.\n6. Add all relevant skills to your profile. The skills section of a LinkedIn profile can hold up to 50 skills. It is recommended for you to use all 50 of these slots to provide a full look at what you are capable of. This section is very easy to use because it populates suggestions as you are typing and allows you to click on these for a quick listing. For example, while typing “Coaching” it may also populate “Business Coaching, Job Coaching and Staff Coaching”.\n\n\n## Add support material\n\n1. Know your audience to target your profile's contents. Given your career path and the type of people you are trying to attract with your LinkedIn profile, you should know what readers will be looking for and you can give the audience what they want. For example, if you are a writer, your audience will be looking for your creativity and to remain engaged throughout your profile by your choice of words and correct grammar. If, however, you are a sales representative, your audience will be looking for your stats and your ability to sell yourself throughout your profile.\n2. Use concise and effective wording to create impact. Just as in a resume, you must keep your sentences concise (brief) and powerful by using effective wording to get your point across. This means using action words such as: drove, reduced, increased, created, initiated, trained, developed, won, and acquired.\n3. Use keywords to enhance your ranking in search results. Using keywords in your profile is extremely important because these keywords will be used by others who are looking to make connections. The more keywords you add that are related to your experience and field of interest, the higher your profile will rank when searched. For example if a recruiter is looking for someone with “sales and lead generation” experience they will add these keywords to the search field. To find the best keywords for you to use, browse job openings for various companies and pick out common words and phrases. If you have experience in these areas, use these keywords in your profile. If you have the experience but do not use the keywords, your profile will not appear in the proper search results.\n4. Add relevant presentations, videos and other files to show your expertise. LinkedIn allows you to get creative with your profile. For each job or education listed, you have the option to upload a document or file to further illustrate your experience. Adding these types of files is great for someone who produces work of a visual nature. For example, professional presentations, photographs, videos, ads and graphics. Be sure to add only files that are relevant to your personal experience and accomplishments, and not something about your company or school. For example, do not add a recruiting video about the company you work for.\n5. Ask for recommendations. Having recommendations in your LinkedIn profile is important, because instead of you telling the reader how great you are, they get a chance to hear it from someone else who has worked with you. Once you have made connections with those who you believe will write you a good recommendation, send them a message by clicking on the “Ask to be recommended” link under your profile edit page.\n6. Use special characters. You can use special characters to make your profile stand out by creating bullet points or breaking up a section and creating lines. However, not all symbols are accepted and translated into LinkedIn.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to make your linkedin profile stand out?', 'LinkedIn has become a key tool for many recruiters to search for qualified candidates and for job seekers to make the right connections when seeking a job. The site allows each person to create a profile that can serve at as an online resume and minimal portfolio. You can make your LinkedIn profile stand out by ensuring that the basics of your profile are rock solid, and then going the extra mile to make it exemplary.\n\n## Start with the basics\n\n1. Add a professional profile picture to catch the eye of recruiters. Your profile picture must be professional in order to give a good first impression. If you have use a profile picture that is inappropriate or silly, recruiters will probably remove you from their candidate list immediately. When choosing a profile picture, remember to choose one that:\n\t* Does not include anyone else but you. This reduces confusion regarding who the profile is about and draws all the focus to you. Is just of your head and shoulders. Your profile picture is a small picture and will show your face better if you limit it\'s scope to just your head and shoulders. Shows you wearing professional business attire. LinkedIn is a professional site. Wearing business attire in your picture is highly recommended. This includes a nice collared shirt and a suit jacket if you wish (for both men and women) or an unrevealing blouse for women. Is in front of a solid background. Solid backgrounds allow the focus to be on you and not what is going on behind you. Has a smile. A smile can make you seem more approachable to those who don\'t know you. Is preferably taken by someone else. It is OK if it is not done by a professional, but definitely no selfies.\n2. Write an eye-catching headline to draw readers in. Headlines are automatically filled with your most recent job title after you add your experience. These can be boring, and you should consider changing your headline to something more unique. To make yourself stand out, edit your headline to tell the reader who you are and what you are an expert in. For example, “Operations Executive", "Performance Driven, Airline Industry Expert”.\n3. Customize your URL to brand yourself. Customizing your URL allows you to reference your LinkedIn page easily in your resume or on business cards and other documents. It should remain simple, with the best kind of URL including just your first and last name with no spaces or special characters. For example, www.linkedin.com/in/firstlastname.\n4. Provide an outstanding summary to highlight your talents. Writing a LinkedIn summary is much like writing a professional biography. It should be brief, yet comprehensive enough to give the reader an overview of your career thus far. Also, it should be well-written and engaging to entice them to read through your profile further and accept or request to connect with you. While writing a summary, remember to include the following:\n\t* Tell your story in the first person. This means using the words I, my and mine to make your summary more conversational and easy to read. Explain your expertise and interests. Use examples to show your value to potential clients and future employers. Highlight your key accomplishments. If you have made some great achievements in your career, take the time to list these in your summary. For example, Top Sales Award Winner. State a call to action. Explain what you are looking for while making connections on LinkedIn. For example, “open to new opportunities”, “looking to make mutually beneficial connections” or “contact me if I can be assistance to you”.\n5. List each job you have held with a summary of tasks to provide detail. As with your resume, list all the jobs you have held. The difference between a LinkedIn profile and a resume is that it is acceptable to add any and all jobs to your experience section, rather than limiting yourself to what is most relevant to the particular job you are applying for, as with a resume. Also, you are also not limited to the 10 year rule as you would be on a resume. Therefore, feel free to list any job you have ever held in your career. Add a brief summary of the purpose of your job and the major tasks you have completed. Bullet key accomplishments. As with a resume, you want to highlight your strengths and accomplishments to show you were successful at your job. For example, “Negotiated a $1.5M sale to increase profit margins by 25%”.\n6. Add all relevant skills to your profile. The skills section of a LinkedIn profile can hold up to 50 skills. It is recommended for you to use all 50 of these slots to provide a full look at what you are capable of. This section is very easy to use because it populates suggestions as you are typing and allows you to click on these for a quick listing. For example, while typing “Coaching” it may also populate “Business Coaching, Job Coaching and Staff Coaching”.\n\n\n## Add support material\n\n1. Know your audience to target your profile\'s contents. Given your career path and the type of people you are trying to attract with your LinkedIn profile, you should know what readers will be looking for and you can give the audience what they want. For example, if you are a writer, your audience will be looking for your creativity and to remain engaged throughout your profile by your choice of words and correct grammar. If, however, you are a sales representative, your audience will be looking for your stats and your ability to sell yourself throughout your profile.\n2. Use concise and effective wording to create impact. Just as in a resume, you must keep your sentences concise (brief) and powerful by using effective wording to get your point across. This means using action words such as: drove, reduced, increased, created, initiated, trained, developed, won, and acquired.\n3. Use keywords to enhance your ranking in search results. Using keywords in your profile is extremely important because these keywords will be used by others who are looking to make connections. The more keywords you add that are related to your experience and field of interest, the higher your profile will rank when searched. For example if a recruiter is looking for someone with “sales and lead generation” experience they will add these keywords to the search field. To find the best keywords for you to use, browse job openings for various companies and pick out common words and phrases. If you have experience in these areas, use these keywords in your profile. If you have the experience but do not use the keywords, your profile will not appear in the proper search results.\n4. Add relevant presentations, videos and other files to show your expertise. LinkedIn allows you to get creative with your profile. For each job or education listed, you have the option to upload a document or file to further illustrate your experience. Adding these types of files is great for someone who produces work of a visual nature. For example, professional presentations, photographs, videos, ads and graphics. Be sure to add only files that are relevant to your personal experience and accomplishments, and not something about your company or school. For example, do not add a recruiting video about the company you work for.\n5. Ask for recommendations. Having recommendations in your LinkedIn profile is important, because instead of you telling the reader how great you are, they get a chance to hear it from someone else who has worked with you. Once you have made connections with those who you believe will write you a good recommendation, send them a message by clicking on the “Ask to be recommended” link under your profile edit page.\n6. Use special characters. You can use special characters to make your profile stand out by creating bullet points or breaking up a section and creating lines. However, not all symbols are accepted and translated into LinkedIn.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "What is the difference between:\n```npm install [package_name]\n```\nand:\n```npm install [package_name] --save\n```\nand:\n```npm install [package_name] --save-dev\n```\nWhat does this mean? And what is really the effect of ```--save``` and ```-dev``` keywords?", "The difference between ```--save``` and ```--save-dev``` may not be immediately noticeable if you have tried them both on your own projects. So here are a few examples...\nLet's say you were building an app that used the moment package to parse and display dates. Your app is a scheduler so it really needs this package to run, as in: cannot run without it. In this case you would use\n```npm install moment --save\n```\nThis would create a new value in your package.json\n```&quot;dependencies&quot;: {\n ...\n &quot;moment&quot;: &quot;^2.17.1&quot;\n}\n```\nWhen you are developing, it really helps to use tools such as test suites and may need jasmine-core and karma. In this case you would use\n```npm install jasmine-core --save-dev\nnpm install karma --save-dev\n```\nThis would also create a new value in your package.json\n```&quot;devDependencies&quot;: {\n ...\n &quot;jasmine-core&quot;: &quot;^2.5.2&quot;,\n &quot;karma&quot;: &quot;^1.4.1&quot;,\n}\n```\nYou do not need the test suite to run the app in its normal state, so it is a ```--save-dev``` type dependency, nothing more. You can see how if you do not understand what is really happening, it is a bit hard to imagine.\nTaken directly from NPM docs docs#dependencies\n\n> Dependencies \n> Dependencies are specified in a simple object that maps a package name to a version range. The version range is a string that has one or more space-separated descriptors. Dependencies can also be identified with a tarball or git URL. Please do not put test harnesses or transpilers in your dependencies object. See devDependencies, below.\n\nEven in the docs, it asks you to use ```--save-dev``` for modules such as test harnesses." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['What is the difference between:\n```npm install [package_name]\n```\nand:\n```npm install [package_name] --save\n```\nand:\n```npm install [package_name] --save-dev\n```\nWhat does this mean? And what is really the effect of ```--save``` and ```-dev``` keywords?', "The difference between ```--save``` and ```--save-dev``` may not be immediately noticeable if you have tried them both on your own projects. So here are a few examples...\nLet's say you were building an app that used the moment package to parse and display dates. Your app is a scheduler so it really needs this package to run, as in: cannot run without it. In this case you would use\n```npm install moment --save\n```\nThis would create a new value in your package.json\n```&quot;dependencies&quot;: {\n ...\n &quot;moment&quot;: &quot;^2.17.1&quot;\n}\n```\nWhen you are developing, it really helps to use tools such as test suites and may need jasmine-core and karma. In this case you would use\n```npm install jasmine-core --save-dev\nnpm install karma --save-dev\n```\nThis would also create a new value in your package.json\n```&quot;devDependencies&quot;: {\n ...\n &quot;jasmine-core&quot;: &quot;^2.5.2&quot;,\n &quot;karma&quot;: &quot;^1.4.1&quot;,\n}\n```\nYou do not need the test suite to run the app in its normal state, so it is a ```--save-dev``` type dependency, nothing more. You can see how if you do not understand what is really happening, it is a bit hard to imagine.\nTaken directly from NPM docs docs#dependencies\n\n> Dependencies \n> Dependencies are specified in a simple object that maps a package name to a version range. The version range is a string that has one or more space-separated descriptors. Dependencies can also be identified with a tarball or git URL. Please do not put test harnesses or transpilers in your dependencies object. See devDependencies, below.\n\nEven in the docs, it asks you to use ```--save-dev``` for modules such as test harnesses."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "I'm an undergraduate student, and I want to ask a professor if I can do some research with them in molecular biology. Please help me write them an email.", "Dear Professor [Last Name],\n\nI hope this email finds you well. My name is [Your Name] and I am an undergraduate student at [University]. I have conducted undergraduate research on [Describe Your Undergraduate Research Experience] with [Names of Your Undergraduate Research Mentors]. Through these experiences, I have developed a strong interest in pursuing a career as a scientist studying molecular biology. In particular, I would like to study [Describe Your Specific Interest in Molecular Biology].\n\nI am writing to ask about opportunities for undergraduate research in your lab beginning [Time Period When You Would Like to Start Working in Their Lab]. I believe that my background and interests are well-aligned with your work on [Describe the Work They Do]. I am especially excited by your recent publication in Nature Medicine where you demonstrated that [Describe One of Their Recent Findings]. I would be honored to contribute to your team's efforts to advance our understanding of [Overall Goals of Their Research Program].\n\nThank you for considering my application. If there is any additional information that I have not provided that you require, please let me know.\n\nSincerely,\n[Your Name]" ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm an undergraduate student, and I want to ask a professor if I can do some research with them in molecular biology. Please help me write them an email.", "Dear Professor [Last Name],\n\nI hope this email finds you well. My name is [Your Name] and I am an undergraduate student at [University]. I have conducted undergraduate research on [Describe Your Undergraduate Research Experience] with [Names of Your Undergraduate Research Mentors]. Through these experiences, I have developed a strong interest in pursuing a career as a scientist studying molecular biology. In particular, I would like to study [Describe Your Specific Interest in Molecular Biology].\n\nI am writing to ask about opportunities for undergraduate research in your lab beginning [Time Period When You Would Like to Start Working in Their Lab]. I believe that my background and interests are well-aligned with your work on [Describe the Work They Do]. I am especially excited by your recent publication in Nature Medicine where you demonstrated that [Describe One of Their Recent Findings]. I would be honored to contribute to your team's efforts to advance our understanding of [Overall Goals of Their Research Program].\n\nThank you for considering my application. If there is any additional information that I have not provided that you require, please let me know.\n\nSincerely,\n[Your Name]"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "I have heard multiple times in photography, the words Bokeh, and Gaussian Blur. To me, it seems that the words are used almost interchangeably, but in some instances, I have heard them contrasted. What's the difference, and what are the definitions of each of them?", "Bokeh is specifically the out-of-focus areas of an image. Gaussian blur is an algorithm to fog selected image areas, to hide details or make them look out of focus.\nThe main differences:\n\n* bokeh is created optically, gaussian blur in post-production;\n* in bokeh, the amount of how wide an out-of-focus point will be smeared is determined by its relative distance from focal plane, whereas gaussian blur is applied to a two-dimensional image where no distance information is present, thus all points are smeared equally;\n* in bokeh, the smearing characteristics depend on configuration and aperture shape of the lens, whereas gaussian blur is always smooth;\n* a small light source will be rendered as an aperture-shaped figure with quite well-defined edges in bokeh; but gaussian blur renders it as a spot with fading edges;\n* in bokeh, noise is present at the same level as in in-focus parts of image with same luminance; gaussian blur kills noise, so there'll be less noise than in non-blurred parts of image;\n* in bokeh, light areas will dominate over dark ones, while gaussian blur gives preserves the ratio of dark-light areas.\n\nSo, all in all, you can use one to fake another, but the result will be similar only for low-noise bokeh containing items on roughly a plane parallel to focal plane, not including any significantly lighter areas or light sources, and taken with a lens that has a smooth bokeh." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I have heard multiple times in photography, the words Bokeh, and Gaussian Blur. To me, it seems that the words are used almost interchangeably, but in some instances, I have heard them contrasted. What's the difference, and what are the definitions of each of them?", "Bokeh is specifically the out-of-focus areas of an image. Gaussian blur is an algorithm to fog selected image areas, to hide details or make them look out of focus.\nThe main differences:\n\n* bokeh is created optically, gaussian blur in post-production;\n* in bokeh, the amount of how wide an out-of-focus point will be smeared is determined by its relative distance from focal plane, whereas gaussian blur is applied to a two-dimensional image where no distance information is present, thus all points are smeared equally;\n* in bokeh, the smearing characteristics depend on configuration and aperture shape of the lens, whereas gaussian blur is always smooth;\n* a small light source will be rendered as an aperture-shaped figure with quite well-defined edges in bokeh; but gaussian blur renders it as a spot with fading edges;\n* in bokeh, noise is present at the same level as in in-focus parts of image with same luminance; gaussian blur kills noise, so there'll be less noise than in non-blurred parts of image;\n* in bokeh, light areas will dominate over dark ones, while gaussian blur gives preserves the ratio of dark-light areas.\n\nSo, all in all, you can use one to fake another, but the result will be similar only for low-noise bokeh containing items on roughly a plane parallel to focal plane, not including any significantly lighter areas or light sources, and taken with a lens that has a smooth bokeh."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "I have a 7yo son. What are some outdoor activities and nature-focused projects we can do together?", "Here are some outdoor activities and nature-focused projects you could try to do together, some of which require little or no preparation:\n\n* Go on nature walks and look for different kinds of trees, leaves, and flowers. Look for different types of rocks and pick up interesting ones to look at closely. Take a bag to put interesting things in.\n* Go to a park and play on the swings, slide, and other equipment. Look for interesting trees, plants, and rocks.\n* Go to a local farm and see what's growing. Check out the animals if they have any (chickens, goats, pigs, horses, etc.).\n* Go geocaching with a handheld GPS. It's a high-tech version of a treasure hunt. You can find caches all over the place.\n* Go hiking. Find a local trail and go for a walk.\n* Play in a stream or pond. Look for different types of rocks and minerals. Look for fish and other critters.\n* Build a fort in the woods. Use sticks and leaves to decorate it.\n* Go rock climbing at a local climbing gym. Find a bouldering area if they have one. It's a fun way to climb without the risk of falling very far.\n* Have a picnic lunch in the woods." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I have a 7yo son. What are some outdoor activities and nature-focused projects we can do together?', "Here are some outdoor activities and nature-focused projects you could try to do together, some of which require little or no preparation:\n\n* Go on nature walks and look for different kinds of trees, leaves, and flowers. Look for different types of rocks and pick up interesting ones to look at closely. Take a bag to put interesting things in.\n* Go to a park and play on the swings, slide, and other equipment. Look for interesting trees, plants, and rocks.\n* Go to a local farm and see what's growing. Check out the animals if they have any (chickens, goats, pigs, horses, etc.).\n* Go geocaching with a handheld GPS. It's a high-tech version of a treasure hunt. You can find caches all over the place.\n* Go hiking. Find a local trail and go for a walk.\n* Play in a stream or pond. Look for different types of rocks and minerals. Look for fish and other critters.\n* Build a fort in the woods. Use sticks and leaves to decorate it.\n* Go rock climbing at a local climbing gym. Find a bouldering area if they have one. It's a fun way to climb without the risk of falling very far.\n* Have a picnic lunch in the woods."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "How to dress for a 90s party?", "At the moment, 1990s-themed parties are hugely popular and can be immensely fun if you show up in the right outfit. Start by doing some research into popular celebrities and film or TV characters from the decade to get a sense for the fashions of the 90s. Then decide whether you want to copy an iconic look or riff off a popular trend. Choose one of the decade’s overarching trends and try to emulate the trend’s color palette and overall silhouettes in your outfit. Once you’re dressed the part, “party like it’s 1999”!\n\n## Recreate a 90s grunge look\n\n1. Opt for drab, slouchy clothes. Create an outfit made up of dark, murky colors and oversized garments. Try pairing baggy ripped jeans with a slouchy striped sweater in drab hues. Or throw an oversized, boxy leather jacket over a lived-in t-shirt featuring your favorite 90s grunge band. Look to Kurt Cobain for grunge inspiration. You could also try a slouchy top half with an acid-wash miniskirt and shredded tights for a more girly take on grunge. Finish off your look with long stringy hair and add some red eye makeup under your eyes to get that exhausted grunge appearance.\n2. Mix in satin, lace, and floral prints for a romantic grunge look. Try a more glamorous take on grunge by assembling an outfit inspired by Courtney Love. Start with a feminine piece like a lace-trimmed satin slip dress or a cotton floral-printed dress. Then layer grunge elements over it. Drape an oversized cardigan or plaid flannel shirt over your dress and accessorize with chokers and chains and combat boots. Add smudged black eyeliner and deep red lipstick to complete your look.\n3. Don’t forget to add an oversized plaid flannel shirt to your outfit. These shirts were a staple in 90s grunge. The oversized flannel plaid button-down can be worn with practically anything. Just be sure to pick one that’s about 3 sizes too big and that features dull, drab colors. Throw your flannel shirt over a lived-in graphic t-shirt or a feminine dress. Or tie it around your waist for a casual, careless look.\n4. Incorporate acid-wash denim into your look. Opt for light- or medium-wash hues and acid or stonewashed textures. Try using it sparingly with 1 garment, like an oversized denim jacket or ripped baggy jeans. If you have time to do some DIY-ing, try creating a patchwork denim dress or skirt. If you want to really make an entrance, go all-out with a head-to-toe denim outfit. Acid-wash denim can also be glammed up with silver-toned accessories and more formal silhouettes. Look up the iconic denim outfits worn by Britney Spears and Justin Timberlake to see what’s possible.\n5. Finish off your grunge look with a pair of combat boots. Whether you’re wearing baggy bottoms or black tights slip into a pair of combat boots. Aim for shoes in the style of Doc Martens or Timberland. Try a pair of second-hand shoes – the more worn-in, the better.\n\n\n## Dress like a 90s prep\n\n1. Start with bold plaid suiting. For guys, this means choosing plaid trousers or a boxy plaid sports jacket with roomy trousers. For women, pick a bold-colored tweed or plaid blazer and pleated miniskirt to achieve the schoolgirl look that was prevalent in the 90s. Add over-the-knee white socks and Mary Jane shoes to a plaid miniskirt. For a sassier schoolgirl look, try a white crop top or tied button-down under the blazer to show off your belly button. Model your outfit after the costumes in Clueless or Britney Spears’ “...Baby One More Time” look. You can either recreate one of these iconic costumes or pick out elements to inspire an original outfit.\n2. Mix brightly-colored tops, bottoms, and sunglasses. The fashion of the 1990s contained some holdovers from the 1980s, most notably the saturated, fluorescent colors and prints. Work these into your preppy outfit with a color-blocked windbreaker. Or pair a bold-colored top with equally saturated trousers in a clashing color. Accessorize with Oakley-style sunglasses with slim oval or rectangular rims featuring tinted lenses. Play with color combinations like orange and pink, yellow and blue, or red and purple. For a masculine high school prep look, wear an oversized letterman jacket, a pastel-colored polo with a popped collar, and pastel trousers. Alternatively, try creating a more casual and youthful outfit with all of this color, like those worn in Saved By the Bell.\n3. Try an oversized button-down and trousers for a take on 90s business casual. Graduate your preppy look to a yuppie one and riff on the decade’s emerging business casual look. Pair pleated trousers with a boxy sports jacket, or choose chinos and an oversized but tucked-in dress shirt with bright vertical stripes. Opt for a black crewneck t-shirt under a boxy sports jacket. Re-watch Friends and pay close attention to the workwear outfits shown.\n\n\n## Follow 90s urban trend\n\n1. Choose bold and baggy pieces for a hip-hop or R&B-inspired outfit. Artists of the time mixed brightly colored African-influenced prints with high-end sportswear and baggy bottoms and jackets. For a men’s outfit, combine these influences in an all-oversized look. For a women’s outfit, pair baggier pieces with fitted pieces to nail the look while showing off your curves. Get inspired by the outfits worn by girl groups like TLC or Salt-N-Pepa or male soloists like Ice Cube and Tupac Shakur. As a woman, try either pairing a baggy jacket with slim leggings or a crop top with loose-fitting cargo pants. Accessorize with big hoop earrings or a bandana.\n2. Choose athletic pieces like track gear and chunky sneakers. Air Jordans were huge at the time, so pick out a pair of flashy, bulky sneakers. Try a muscle tank or a zip-up track jacket with stripes running down the sleeves. Beyond hip-hop artists, quite a few 90s boy bands sported the athletic-inspired outfits. Check out photos of Dream Street for reference. Rep your favorite team with a swishy starter jacket or old sports jersey. Women can get the look by slightly altering the silhouette. Try a high ponytail and a fitted crop top over low-slung track pants and platform sneakers à la Sporty Spice.\n3. Top off your outfit with a 90s bucket hat, snapback hat, or scrunchie. Popular 90s headgear crossed the boundaries from hip-hop to preppy, so feel free to experiment. Bucket hats are great for masculine and feminine looks alike. Try a snapback for a more masculine effect or a scrunchie to make your outfit more girly. Tie your hair up in a high ponytail or 2 pigtails with a colorful scrunchie. To get an authentic-looking 90s outfit, pick up a snapback hat from the decade itself. Consider wearing your snapback hat backward with the adjustable strap at your forehead. Choose a classic bucket hat in a solid-color canvas, or go wild with a plaid or fuzzy-textured bucket hat.\n4. Accessorize with chains. Try a chain belt slung low on the hips over flared denim. For a more masculine look, wear a thick chain connected to your belt loop and wallet. You can lean towards bling with elaborate gold chains. Or keep your look grungey with heavy silver-toned or gunmetal chains.\n\n\n## Sport 90s mainstream and high fashion\n\n1. Choose loud prints and graphics to recall casual 90s apparel. In the 90s, practically no print was off-limits. Play around with animal prints, paisley, small florals, plaid, Hawaiian florals, and camouflage. Or throw on a baggy graphic t-shirt featuring your favorite 90s bans or TV show. Skate culture blew up in the 90s. Try a skater-inspired t-shirt and look to characters like Travis in Clueless for ideas. Try camo and animal prints in either natural colors or bold, saturated hues.\n2. Wear flares, halter tops, and flashy fabrics to nail the 90s disco revival. Just as the 1990s are being revived in the 2010s, the 1970s were being revived in the 1990s! This revealed itself through halter tops, flared jeans, platform shoes, and materials like sequins and colorful pleather. For women, try a pair of hip-hugging flare jeans with a cropped halter top to get the best of the-90s-does-the-70s fashion.\n3. Try a metallic mini-dress for supermodel-inspired evening attire. Before the year 2000 (Y2K), space- and tech-inspired silvery, frosted colors and fabrics were popular. Recreate this look with a shiny silver or frosted pastel dress. Look for one with tank or spaghetti straps and either an empire waist or a shift dress silhouette. Add maribou trim to your dress’ hemline to get even more in the 90s mood. Try pairing pastel platform heels or strappy silver stilettos with your dress. Look at photos of supermodels like Kate Moss and Naomi Campbell, as well as the iconic party dresses worn in Romy and Michele, for inspiration.\n4. Accessorize with popular 90s jewelry items like chokers and mood rings. For women, pick out a black plastic stretchy choker to add some 90s sass to your outfit. Slip on a color-changing mood ring to really get in the mood. Piercings were popular during the 90s, so slip on a fake belly-button ring (for ladies) or a small stud or hoop (for guys) if you don’t already have a piercing. Sport a brightly colored and patterned snap bracelet on your wrist. Add a hemp bracelet or choker to a slouchy masculine outfit.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to dress for a 90s party?', 'At the moment, 1990s-themed parties are hugely popular and can be immensely fun if you show up in the right outfit. Start by doing some research into popular celebrities and film or TV characters from the decade to get a sense for the fashions of the 90s. Then decide whether you want to copy an iconic look or riff off a popular trend. Choose one of the decade’s overarching trends and try to emulate the trend’s color palette and overall silhouettes in your outfit. Once you’re dressed the part, “party like it’s 1999”!\n\n## Recreate a 90s grunge look\n\n1. Opt for drab, slouchy clothes. Create an outfit made up of dark, murky colors and oversized garments. Try pairing baggy ripped jeans with a slouchy striped sweater in drab hues. Or throw an oversized, boxy leather jacket over a lived-in t-shirt featuring your favorite 90s grunge band. Look to Kurt Cobain for grunge inspiration. You could also try a slouchy top half with an acid-wash miniskirt and shredded tights for a more girly take on grunge. Finish off your look with long stringy hair and add some red eye makeup under your eyes to get that exhausted grunge appearance.\n2. Mix in satin, lace, and floral prints for a romantic grunge look. Try a more glamorous take on grunge by assembling an outfit inspired by Courtney Love. Start with a feminine piece like a lace-trimmed satin slip dress or a cotton floral-printed dress. Then layer grunge elements over it. Drape an oversized cardigan or plaid flannel shirt over your dress and accessorize with chokers and chains and combat boots. Add smudged black eyeliner and deep red lipstick to complete your look.\n3. Don’t forget to add an oversized plaid flannel shirt to your outfit. These shirts were a staple in 90s grunge. The oversized flannel plaid button-down can be worn with practically anything. Just be sure to pick one that’s about 3 sizes too big and that features dull, drab colors. Throw your flannel shirt over a lived-in graphic t-shirt or a feminine dress. Or tie it around your waist for a casual, careless look.\n4. Incorporate acid-wash denim into your look. Opt for light- or medium-wash hues and acid or stonewashed textures. Try using it sparingly with 1 garment, like an oversized denim jacket or ripped baggy jeans. If you have time to do some DIY-ing, try creating a patchwork denim dress or skirt. If you want to really make an entrance, go all-out with a head-to-toe denim outfit. Acid-wash denim can also be glammed up with silver-toned accessories and more formal silhouettes. Look up the iconic denim outfits worn by Britney Spears and Justin Timberlake to see what’s possible.\n5. Finish off your grunge look with a pair of combat boots. Whether you’re wearing baggy bottoms or black tights slip into a pair of combat boots. Aim for shoes in the style of Doc Martens or Timberland. Try a pair of second-hand shoes – the more worn-in, the better.\n\n\n## Dress like a 90s prep\n\n1. Start with bold plaid suiting. For guys, this means choosing plaid trousers or a boxy plaid sports jacket with roomy trousers. For women, pick a bold-colored tweed or plaid blazer and pleated miniskirt to achieve the schoolgirl look that was prevalent in the 90s. Add over-the-knee white socks and Mary Jane shoes to a plaid miniskirt. For a sassier schoolgirl look, try a white crop top or tied button-down under the blazer to show off your belly button. Model your outfit after the costumes in Clueless or Britney Spears’ “...Baby One More Time” look. You can either recreate one of these iconic costumes or pick out elements to inspire an original outfit.\n2. Mix brightly-colored tops, bottoms, and sunglasses. The fashion of the 1990s contained some holdovers from the 1980s, most notably the saturated, fluorescent colors and prints. Work these into your preppy outfit with a color-blocked windbreaker. Or pair a bold-colored top with equally saturated trousers in a clashing color. Accessorize with Oakley-style sunglasses with slim oval or rectangular rims featuring tinted lenses. Play with color combinations like orange and pink, yellow and blue, or red and purple. For a masculine high school prep look, wear an oversized letterman jacket, a pastel-colored polo with a popped collar, and pastel trousers. Alternatively, try creating a more casual and youthful outfit with all of this color, like those worn in Saved By the Bell.\n3. Try an oversized button-down and trousers for a take on 90s business casual. Graduate your preppy look to a yuppie one and riff on the decade’s emerging business casual look. Pair pleated trousers with a boxy sports jacket, or choose chinos and an oversized but tucked-in dress shirt with bright vertical stripes. Opt for a black crewneck t-shirt under a boxy sports jacket. Re-watch Friends and pay close attention to the workwear outfits shown.\n\n\n## Follow 90s urban trend\n\n1. Choose bold and baggy pieces for a hip-hop or R&B-inspired outfit. Artists of the time mixed brightly colored African-influenced prints with high-end sportswear and baggy bottoms and jackets. For a men’s outfit, combine these influences in an all-oversized look. For a women’s outfit, pair baggier pieces with fitted pieces to nail the look while showing off your curves. Get inspired by the outfits worn by girl groups like TLC or Salt-N-Pepa or male soloists like Ice Cube and Tupac Shakur. As a woman, try either pairing a baggy jacket with slim leggings or a crop top with loose-fitting cargo pants. Accessorize with big hoop earrings or a bandana.\n2. Choose athletic pieces like track gear and chunky sneakers. Air Jordans were huge at the time, so pick out a pair of flashy, bulky sneakers. Try a muscle tank or a zip-up track jacket with stripes running down the sleeves. Beyond hip-hop artists, quite a few 90s boy bands sported the athletic-inspired outfits. Check out photos of Dream Street for reference. Rep your favorite team with a swishy starter jacket or old sports jersey. Women can get the look by slightly altering the silhouette. Try a high ponytail and a fitted crop top over low-slung track pants and platform sneakers à la Sporty Spice.\n3. Top off your outfit with a 90s bucket hat, snapback hat, or scrunchie. Popular 90s headgear crossed the boundaries from hip-hop to preppy, so feel free to experiment. Bucket hats are great for masculine and feminine looks alike. Try a snapback for a more masculine effect or a scrunchie to make your outfit more girly. Tie your hair up in a high ponytail or 2 pigtails with a colorful scrunchie. To get an authentic-looking 90s outfit, pick up a snapback hat from the decade itself. Consider wearing your snapback hat backward with the adjustable strap at your forehead. Choose a classic bucket hat in a solid-color canvas, or go wild with a plaid or fuzzy-textured bucket hat.\n4. Accessorize with chains. Try a chain belt slung low on the hips over flared denim. For a more masculine look, wear a thick chain connected to your belt loop and wallet. You can lean towards bling with elaborate gold chains. Or keep your look grungey with heavy silver-toned or gunmetal chains.\n\n\n## Sport 90s mainstream and high fashion\n\n1. Choose loud prints and graphics to recall casual 90s apparel. In the 90s, practically no print was off-limits. Play around with animal prints, paisley, small florals, plaid, Hawaiian florals, and camouflage. Or throw on a baggy graphic t-shirt featuring your favorite 90s bans or TV show. Skate culture blew up in the 90s. Try a skater-inspired t-shirt and look to characters like Travis in Clueless for ideas. Try camo and animal prints in either natural colors or bold, saturated hues.\n2. Wear flares, halter tops, and flashy fabrics to nail the 90s disco revival. Just as the 1990s are being revived in the 2010s, the 1970s were being revived in the 1990s! This revealed itself through halter tops, flared jeans, platform shoes, and materials like sequins and colorful pleather. For women, try a pair of hip-hugging flare jeans with a cropped halter top to get the best of the-90s-does-the-70s fashion.\n3. Try a metallic mini-dress for supermodel-inspired evening attire. Before the year 2000 (Y2K), space- and tech-inspired silvery, frosted colors and fabrics were popular. Recreate this look with a shiny silver or frosted pastel dress. Look for one with tank or spaghetti straps and either an empire waist or a shift dress silhouette. Add maribou trim to your dress’ hemline to get even more in the 90s mood. Try pairing pastel platform heels or strappy silver stilettos with your dress. Look at photos of supermodels like Kate Moss and Naomi Campbell, as well as the iconic party dresses worn in Romy and Michele, for inspiration.\n4. Accessorize with popular 90s jewelry items like chokers and mood rings. For women, pick out a black plastic stretchy choker to add some 90s sass to your outfit. Slip on a color-changing mood ring to really get in the mood. Piercings were popular during the 90s, so slip on a fake belly-button ring (for ladies) or a small stud or hoop (for guys) if you don’t already have a piercing. Sport a brightly colored and patterned snap bracelet on your wrist. Add a hemp bracelet or choker to a slouchy masculine outfit.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I'm no expert in darkroom photography, but it seems a little odd that there is a type of light that doesn't affect film or developing paper etc. So why is a dark-room safelight safe?", "Photo films and papers are made from salts of silver that naturally only darken when exposed to violet or blue light. In the early days of photography, this was all that was available. Therefore these films and papers are able to be handled under any light source that does not radiate blue light. By the way, the violet and blue frequencies of light are the shortest, and are the most energetic when it comes to inducing a chemical change. These early films and papers could all be be handled safely under red light as well as yellow light. These lamps do not emit violet or blue. \n\nThese blue-sensitive-only films did an OK job, with some exceptions. Women’s faces with cosmetics, like lipstick and rouge on the cheeks, came out weird. Warm tones reproduced super dark, and most times lips and cheeks turned black, void of detail on the finished picture. The bottom line is, many colors in nature reproduced incorrectly with this early blue-sensitive-only film. \n\nThe cure was accidental. Professor Hermann Vogel at Berlin Technical was trying to solve the problem of halation. This results when taking a picture of bright objects, like light sources or gemstones and the like. These objects play on the film with lots of light energy. This energy often goes completely through the film and hits something behind the film. The light is then reflected back into the film. The result is a halo around bright objects. The professor had one of his students dye the silver salts yellow, thinking the yellow dye would filter out the annoying reflected blue from the rear. He tried this dyed film and it did the trick, plus the film gained sensitivity to green light. He named this blue/green sensitive film orthochromatic (Latin for correct color). The year was 1857, and the quality of film reproducing the colors of nature moved forward by a big leap. \n\nA few years later, one of his graduate students, experimenting with different dyes, discovered how to make films sensitive to blue, green and red light. This film was called panchromatic (the pan prefix in Greek means \"all\"). Thus panchromatic film reproduces all colors found in nature with high accuracy. The bad news was, the darkroom folks were forced to give up the red and yellow safelight. A super dim green safelight could be used for a short period of time during developing. \n\nPhoto papers remained insensitive to red for the most part - no need, as they work OK with just blue and green sensitivity. Modern variable contrast photo papers have two sensitive coats, one for blue light and one for green light. We can use a safelight on these papers; it is amber with reduced brilliance. \n\nFilms and papers that make color pictures are panchromatic, and most safelights are not safe. We can use infrared lamps with a specialized night vision infrared scope to view and handle most panchromatic films and papers, because these materials have low sensitivity to infrared." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm no expert in darkroom photography, but it seems a little odd that there is a type of light that doesn't affect film or developing paper etc. So why is a dark-room safelight safe?", 'Photo films and papers are made from salts of silver that naturally only darken when exposed to violet or blue light. In the early days of photography, this was all that was available. Therefore these films and papers are able to be handled under any light source that does not radiate blue light. By the way, the violet and blue frequencies of light are the shortest, and are the most energetic when it comes to inducing a chemical change. These early films and papers could all be be handled safely under red light as well as yellow light. These lamps do not emit violet or blue. \n\nThese blue-sensitive-only films did an OK job, with some exceptions. Women’s faces with cosmetics, like lipstick and rouge on the cheeks, came out weird. Warm tones reproduced super dark, and most times lips and cheeks turned black, void of detail on the finished picture. The bottom line is, many colors in nature reproduced incorrectly with this early blue-sensitive-only film. \n\nThe cure was accidental. Professor Hermann Vogel at Berlin Technical was trying to solve the problem of halation. This results when taking a picture of bright objects, like light sources or gemstones and the like. These objects play on the film with lots of light energy. This energy often goes completely through the film and hits something behind the film. The light is then reflected back into the film. The result is a halo around bright objects. The professor had one of his students dye the silver salts yellow, thinking the yellow dye would filter out the annoying reflected blue from the rear. He tried this dyed film and it did the trick, plus the film gained sensitivity to green light. He named this blue/green sensitive film orthochromatic (Latin for correct color). The year was 1857, and the quality of film reproducing the colors of nature moved forward by a big leap. \n\nA few years later, one of his graduate students, experimenting with different dyes, discovered how to make films sensitive to blue, green and red light. This film was called panchromatic (the pan prefix in Greek means "all"). Thus panchromatic film reproduces all colors found in nature with high accuracy. The bad news was, the darkroom folks were forced to give up the red and yellow safelight. A super dim green safelight could be used for a short period of time during developing. \n\nPhoto papers remained insensitive to red for the most part - no need, as they work OK with just blue and green sensitivity. Modern variable contrast photo papers have two sensitive coats, one for blue light and one for green light. We can use a safelight on these papers; it is amber with reduced brilliance. \n\nFilms and papers that make color pictures are panchromatic, and most safelights are not safe. We can use infrared lamps with a specialized night vision infrared scope to view and handle most panchromatic films and papers, because these materials have low sensitivity to infrared.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "I'm working on a project solo and have to maintain my own code. Usually code review is done not by the code author, so the reviewer can look at the code with the fresh eyes — however, I don't have such luxury. What practices can I employ to more effectively review my own code?", "First of all, make use of tools to check as much as you can. Tests (backed up with some reasonable code coverage) will give you some confidence of the correctness of the code. Static analysis tools can catch a lot of best practice things. There will always be issues that you need human eyes on to determine though and you will never do as good a job reviewing your own stuff as someone else, there are some things you can do to help however\n\n* Check tests exist and pass (possibly have a target test coverage, though you may need to break this in certain cases, but you should be able to justify why)\n* Check Static analysis passes (there will also be false negatives here but that is fine as long as you can justify why then its fine to suppress them)\n* Maintain a check list of further things to check in review (ideally add this as new static analysis rules if possible) make sure you check anything the SA can't check, e.g., are comments still valid, are things named appropriately (naming things is of course, one of the 2 hard problems known to computer science)\n* If a fault is identified check if the cause is systemic and look at why it wasn't found in earlier tests or reviews\n\nThis of course is useful when you are reviewing others code as well" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm working on a project solo and have to maintain my own code. Usually code review is done not by the code author, so the reviewer can look at the code with the fresh eyes — however, I don't have such luxury. What practices can I employ to more effectively review my own code?", "First of all, make use of tools to check as much as you can. Tests (backed up with some reasonable code coverage) will give you some confidence of the correctness of the code. Static analysis tools can catch a lot of best practice things. There will always be issues that you need human eyes on to determine though and you will never do as good a job reviewing your own stuff as someone else, there are some things you can do to help however\n\n* Check tests exist and pass (possibly have a target test coverage, though you may need to break this in certain cases, but you should be able to justify why)\n* Check Static analysis passes (there will also be false negatives here but that is fine as long as you can justify why then its fine to suppress them)\n* Maintain a check list of further things to check in review (ideally add this as new static analysis rules if possible) make sure you check anything the SA can't check, e.g., are comments still valid, are things named appropriately (naming things is of course, one of the 2 hard problems known to computer science)\n* If a fault is identified check if the cause is systemic and look at why it wasn't found in earlier tests or reviews\n\nThis of course is useful when you are reviewing others code as well"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Why is death penalty good for society?", "The dealth penalty is a highly controversial topic and the opinions of different people vary a lot. Proponents who argue that the death penalty is needed as retribution argue that “an eye for an eye” is appropriate, that the punishment should match the crime, and that the penalty is needed as a moral balance to the wrong done by the criminal. Opponents who argue that the death penalty is not needed as retribution argue that reformative justice is more productive, that innocent people are often killed in the search for retribution, and that “an eye for an eye makes the whole world blind.” Proponents who argue that the death penalty is a moral punishment state that “an eye for an eye” is justified to promote a good and just society than shuns evil. Opponents who argue that the death penalty is an immoral punishment state that humans should not kill other humans, no matter the reasons, because killing is killing. " ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Why is death penalty good for society?', 'The dealth penalty is a highly controversial topic and the opinions of different people vary a lot. Proponents who argue that the death penalty is needed as retribution argue that “an eye for an eye” is appropriate, that the punishment should match the crime, and that the penalty is needed as a moral balance to the wrong done by the criminal. Opponents who argue that the death penalty is not needed as retribution argue that reformative justice is more productive, that innocent people are often killed in the search for retribution, and that “an eye for an eye makes the whole world blind.” Proponents who argue that the death penalty is a moral punishment state that “an eye for an eye” is justified to promote a good and just society than shuns evil. Opponents who argue that the death penalty is an immoral punishment state that humans should not kill other humans, no matter the reasons, because killing is killing. ']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "I am 21 years old and living in a large city in Germany where smalltalk in local markets is not a common thing.\nA new cashier joined my local food shop. She’s always at the checkout and never doing stuff like sorting products or cleaning the floor where I could actually ask her out. I am quite new to relationships, but the signs she gave me are promising.\nMy question is how I can ask for her number, or ask her out for coffee while she is only sitting at the checkout? I mean there are always like 5 people before and after me, and I think it would be awkward if we are changing numbers while customers are waiting behind us. Or even worse if I read the signs wrong and she rejects me? Since the store is just 5 min away from my place I visit regularly and don't want to leave a bad impression there.", "Asking her out directly seems like a bad idea.\nInstead, in these situations, I've found something that works much better for both of you. During your conversation with her, mention some place you're planning to be in the future so she can find you there if she chooses.\nFor example: &quot;I like to grab lunch here before going to [Public Event You Enjoy]&quot;\nThis could be almost anything, but here are some examples:\n\n* A place your band plays\n* A public dance\n* A painting/pottery class\n* A wine tasting\n\nThis should be something you actually enjoy, so be sure to let your excitement about your hobby be apparent when you mention it. Ex: &quot;I enjoy that they let you try lots of different wines from all around the world!&quot;\nIf she expresses interest in the activity as well, tell her more about it so she can attend: &quot;Yeah, it's really fun. They do it every Tuesday and Thursday at 7pm - the admission fee is 5 Euro. You should check it out sometime!&quot;\nIf she is interested in you and has time, she will probably arrange to come to the event some time and you will see her there. This is preferable because she is not under obligation to behave professionally for her work and you can spend some time chatting as equals.\nAnd if that goes well, then you have created a good opportunity to ask her on a real date. And if she doesn't come, well, you were planning to go there anyways so it's not a real loss on your part - you just spent an afternoon/evening doing something you already enjoy." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I am 21 years old and living in a large city in Germany where smalltalk in local markets is not a common thing.\nA new cashier joined my local food shop. She’s always at the checkout and never doing stuff like sorting products or cleaning the floor where I could actually ask her out. I am quite new to relationships, but the signs she gave me are promising.\nMy question is how I can ask for her number, or ask her out for coffee while she is only sitting at the checkout? I mean there are always like 5 people before and after me, and I think it would be awkward if we are changing numbers while customers are waiting behind us. Or even worse if I read the signs wrong and she rejects me? Since the store is just 5 min away from my place I visit regularly and don't want to leave a bad impression there.", "Asking her out directly seems like a bad idea.\nInstead, in these situations, I've found something that works much better for both of you. During your conversation with her, mention some place you're planning to be in the future so she can find you there if she chooses.\nFor example: &quot;I like to grab lunch here before going to [Public Event You Enjoy]&quot;\nThis could be almost anything, but here are some examples:\n\n* A place your band plays\n* A public dance\n* A painting/pottery class\n* A wine tasting\n\nThis should be something you actually enjoy, so be sure to let your excitement about your hobby be apparent when you mention it. Ex: &quot;I enjoy that they let you try lots of different wines from all around the world!&quot;\nIf she expresses interest in the activity as well, tell her more about it so she can attend: &quot;Yeah, it's really fun. They do it every Tuesday and Thursday at 7pm - the admission fee is 5 Euro. You should check it out sometime!&quot;\nIf she is interested in you and has time, she will probably arrange to come to the event some time and you will see her there. This is preferable because she is not under obligation to behave professionally for her work and you can spend some time chatting as equals.\nAnd if that goes well, then you have created a good opportunity to ask her on a real date. And if she doesn't come, well, you were planning to go there anyways so it's not a real loss on your part - you just spent an afternoon/evening doing something you already enjoy."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "I'm a 1st grade teacher in the public school system. I want to teach my class about bullying, why you should not do it, and what do if you see it. Help me write a lesson plan.", "Here's a lesson plan for teaching first graders about bullying.\n\n###Learning Objectives:\nStudents will be able to define what bullying is and identify different types of bullying. Students will be able to describe why it is wrong to bully others and how to respond if they are being bullied or see someone else being bullied.\n\n###Introduction (5 minutes):\n* Ask your students to raise their hands if they know what bullying is. Then ask one or two students to explain what bullying means.\n* Tell your students that bullying is a serious issue and you would like to spend some time talking about it so that everyone knows what bullying is and how to deal with it.\n\n###Teacher Instruction (15 minutes):\n* Pass out the What Is Bullying? worksheet to your students. Read through the definition of bullying with your students. Explain any words that may be difficult for your students to understand.\n* Go over the examples of verbal, physical, and social media bullying with your students. Ask your students if they can think of any other ways that someone might bully another person. Add these suggestions to the chart.\n\n###Guided Practice (25 minutes):\n* Ask your students to write something they could do if they were being bullied.\n* Ask your students to write something they could do if they saw someone else being bullied.\n* Have your students pair up with partners. Ask your students to read their ideas to their partner and discuss whether their partner thinks those strategies would work well.\n* Call on a few students to share what they wrote with the whole class. Encourage your students to comment on each other's ideas.\n\n###Teacher Instruction (10 minutes):\n* Show your students the video How to Stop Bullies at School. \n* After watching the video, ask your students if they learned anything new about bullying. If yes, ask them to share what they learned.\n\n###Conclusion(5 minutes):\n* Let your students know that you care about them and want them to feel safe at school. Assure them that they can come to you if they are being bullied or see someone else being bullied.\n\n###Optional Extensions:\n* Ask your students to create posters depicting how to stand up against bullying. Hang the posters around the classroom or hallway.\n* Invite parents to join your class for part of the lesson. Give parents the opportunity to share their thoughts and concerns about bullying with the class." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm a 1st grade teacher in the public school system. I want to teach my class about bullying, why you should not do it, and what do if you see it. Help me write a lesson plan.", "Here's a lesson plan for teaching first graders about bullying.\n\n###Learning Objectives:\nStudents will be able to define what bullying is and identify different types of bullying. Students will be able to describe why it is wrong to bully others and how to respond if they are being bullied or see someone else being bullied.\n\n###Introduction (5 minutes):\n* Ask your students to raise their hands if they know what bullying is. Then ask one or two students to explain what bullying means.\n* Tell your students that bullying is a serious issue and you would like to spend some time talking about it so that everyone knows what bullying is and how to deal with it.\n\n###Teacher Instruction (15 minutes):\n* Pass out the What Is Bullying? worksheet to your students. Read through the definition of bullying with your students. Explain any words that may be difficult for your students to understand.\n* Go over the examples of verbal, physical, and social media bullying with your students. Ask your students if they can think of any other ways that someone might bully another person. Add these suggestions to the chart.\n\n###Guided Practice (25 minutes):\n* Ask your students to write something they could do if they were being bullied.\n* Ask your students to write something they could do if they saw someone else being bullied.\n* Have your students pair up with partners. Ask your students to read their ideas to their partner and discuss whether their partner thinks those strategies would work well.\n* Call on a few students to share what they wrote with the whole class. Encourage your students to comment on each other's ideas.\n\n###Teacher Instruction (10 minutes):\n* Show your students the video How to Stop Bullies at School. \n* After watching the video, ask your students if they learned anything new about bullying. If yes, ask them to share what they learned.\n\n###Conclusion(5 minutes):\n* Let your students know that you care about them and want them to feel safe at school. Assure them that they can come to you if they are being bullied or see someone else being bullied.\n\n###Optional Extensions:\n* Ask your students to create posters depicting how to stand up against bullying. Hang the posters around the classroom or hallway.\n* Invite parents to join your class for part of the lesson. Give parents the opportunity to share their thoughts and concerns about bullying with the class."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "write an intricate and detailed scene that only lasts 10 seconds in real time.", "Sitting next to him staring into his eyes I start to remember. I remember what it was like when I was younger. How he was always there for me since the beginning. How he loved me with all his heart. We were the perfect family. I also remember how I treated him after the accident. I avoided him and shunned him for something he didn't even do. I couldn't change the past but I could try to make it right now. If only I knew how to. Looking down at my hands, I realized they were shaking. I looked for words to say to him. Anything to explain that I was sorry, but nothing came to me. Even now with only moments to spare I was useless. All I could think about was the time I wasted. He was my best friend. Without him I wouldn't have became the man I am today. He did everything to give me a better life than what he received. I just kept staring at my hands. \"I'm sorry,\" I wanted to shout. \"I still loved you, even after she died,\" I wanted to scream. Instead I said nothing. To scared to face the reality that I had wasted so much time. I started to cry like I had never cried before. I tore my gaze from my hands and stared once more into his eyes, trying to show him I still cared. I knew now was the last chance I would have. With a whisper I said, \"I love you dad, I never stopped.\"\n\"I know,\" he replied, \" I know you do. I love you too.\" And with that came a deafening silence. His eyes no longer had a spark in them. He was already gone." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['write an intricate and detailed scene that only lasts 10 seconds in real time.', 'Sitting next to him staring into his eyes I start to remember. I remember what it was like when I was younger. How he was always there for me since the beginning. How he loved me with all his heart. We were the perfect family. I also remember how I treated him after the accident. I avoided him and shunned him for something he didn\'t even do. I couldn\'t change the past but I could try to make it right now. If only I knew how to. Looking down at my hands, I realized they were shaking. I looked for words to say to him. Anything to explain that I was sorry, but nothing came to me. Even now with only moments to spare I was useless. All I could think about was the time I wasted. He was my best friend. Without him I wouldn\'t have became the man I am today. He did everything to give me a better life than what he received. I just kept staring at my hands. "I\'m sorry," I wanted to shout. "I still loved you, even after she died," I wanted to scream. Instead I said nothing. To scared to face the reality that I had wasted so much time. I started to cry like I had never cried before. I tore my gaze from my hands and stared once more into his eyes, trying to show him I still cared. I knew now was the last chance I would have. With a whisper I said, "I love you dad, I never stopped."\n"I know," he replied, " I know you do. I love you too." And with that came a deafening silence. His eyes no longer had a spark in them. He was already gone.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "pod install -bash: pod: command not found", "Please follow the following steps to install Pod:\n\n1. Open terminal and type:\n```sudo gem install cocoapods\n```\nGem will get installed in Ruby inside the System library. Or try on 10.11 Mac OSX El Capitan, type:\n```sudo gem install -n /usr/local/bin cocoapods\n```\nIf there is an error &quot;activesupport requires Ruby version >= 2.xx&quot;, then install the latest active support first by typing in the terminal.\n```sudo gem install activesupport -v 4.2.6\n```\n2. After installation, there will be a lot of messages, read them and if no error found, it means cocoa pod installation is done. Next, you need to set up the cocoa pod master repo. Type in terminal:\n```pod setup\n```\nAnd wait it will download the master repo. The size is very big (370.0MB in Dec 2016). So it can be a while. You can track the download by opening Activity and go to the Network tab and search for git-remote-https. Alternatively, you can try adding verbose to the command like so:\n```pod setup --verbose\n```\n3. Once done it will output &quot;Setup Complete&quot;, and you can create your XCode project and save it.\n4. Then in a terminal cd to &quot;your XCode project root directory&quot; (where your .xcodeproj file resides) and type:\n```pod init\n```\n5. Then open your project's podfile by typing in terminal:\n```open -a Xcode Podfile\n```\n6. Your Podfile will get open in text mode. Initially, there will be some default commands in there. Here is where you add your project's dependencies. For example, in the podfile, type\n```/****** These are Third party pods names ******/\npod 'OpenSSL-Universal'\npod 'IQKeyboardManager'\npod 'FTPopOverMenu'\npod 'TYMActivityIndicatorView'\npod 'SCSkypeActivityIndicatorView'\npod 'Google/SignIn'\npod 'UPStackMenu'\n```\n(this is For example of adding library to your project).\nWhen you are done editing the podfile, save it and close XCode.\n7. Then install pods into your project by typing in terminal:\n```pod install\n```\nDepending on how many libraries you added to your podfile for your project, the time to complete this varies. Once completed, there will be a message that says &quot;Pod installation complete! There are X dependencies from the Podfile and X total pods installed.&quot;" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['pod install -bash: pod: command not found', "Please follow the following steps to install Pod:\n\n1. Open terminal and type:\n```sudo gem install cocoapods\n```\nGem will get installed in Ruby inside the System library. Or try on 10.11 Mac OSX El Capitan, type:\n```sudo gem install -n /usr/local/bin cocoapods\n```\nIf there is an error &quot;activesupport requires Ruby version >= 2.xx&quot;, then install the latest active support first by typing in the terminal.\n```sudo gem install activesupport -v 4.2.6\n```\n2. After installation, there will be a lot of messages, read them and if no error found, it means cocoa pod installation is done. Next, you need to set up the cocoa pod master repo. Type in terminal:\n```pod setup\n```\nAnd wait it will download the master repo. The size is very big (370.0MB in Dec 2016). So it can be a while. You can track the download by opening Activity and go to the Network tab and search for git-remote-https. Alternatively, you can try adding verbose to the command like so:\n```pod setup --verbose\n```\n3. Once done it will output &quot;Setup Complete&quot;, and you can create your XCode project and save it.\n4. Then in a terminal cd to &quot;your XCode project root directory&quot; (where your .xcodeproj file resides) and type:\n```pod init\n```\n5. Then open your project's podfile by typing in terminal:\n```open -a Xcode Podfile\n```\n6. Your Podfile will get open in text mode. Initially, there will be some default commands in there. Here is where you add your project's dependencies. For example, in the podfile, type\n```/****** These are Third party pods names ******/\npod 'OpenSSL-Universal'\npod 'IQKeyboardManager'\npod 'FTPopOverMenu'\npod 'TYMActivityIndicatorView'\npod 'SCSkypeActivityIndicatorView'\npod 'Google/SignIn'\npod 'UPStackMenu'\n```\n(this is For example of adding library to your project).\nWhen you are done editing the podfile, save it and close XCode.\n7. Then install pods into your project by typing in terminal:\n```pod install\n```\nDepending on how many libraries you added to your podfile for your project, the time to complete this varies. Once completed, there will be a message that says &quot;Pod installation complete! There are X dependencies from the Podfile and X total pods installed.&quot;"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Other than rust, corrosion, and other reactions with air that would make the use of a metal unfavorable, how do different metals affect the performance?\nLet's give Yagi an example:\nLet's say I use 4 different metals for the directors\n, reflector, and driven element.\nOne antenna made out of copper, one made out of aluminum, and one made out of a higher resistance conductor, let's say graphite (I know it would snap, I'm just talking theoretical), and iron \nOther then the metal variations, the antennas are identical.\nSo, do different metals with different conductivity and permiability affect the performance of an antenna including gain, efficiency, impedance, elevation, or any other characteristic other then mechanical strength, and chemical reliability in open air. ", "Considering just electrical properties, the most significant parameter for your selection of antenna conductor is resistance. You want to keep the resistance to a minimum, because when current flows through a resistance, the electrical power is converted to heat, according to Joule heating:\n$$ P = I^2 R $$\nAny energy you use to make heat is energy you aren't using to make electromagnetic waves.\nSo first, you should consider the resistivity ($\\rho$) of various metals. A lower resistivity means you will need less of a metal to reduce the resistance to an acceptable target. Here's a selection, ordered from lowest to highest resistivity in nano-ohm-meters (nΩm), of some metals you might consider using in an antenna:\n\n* Silver: 15.9\n* Copper: 16.8\n* Gold: 24.4\n* Aluminium: 26.2\n* Zinc: 59.0\n* Nickel: 69.9\n* Iron: 100\n* Tin: 109\n\nI'm not going to list stainless steel because there are so many kinds, but generally stainless steels are not great conductors, being over 100 on this scale.\nA high resistivity isn't bad in itself, because you can compensate by making the conductor thicker, and end up with the same resistance. Thus, you might think copper is the best choice (ruling out silver due to high cost), but when you start making mechanical and cost considerations, you may find aluminium is better. This is because for a sample of copper and another of aluminium of equal resistance, the aluminium sample will be bigger, but stiffer, lighter, and cheaper. \nThere's another effect to consider here: with increasing frequency, currents like to flow on the surfaces of conductors. This is called the skin effect. The current flowing only on the skin of a conductor effectively reduces the cross-sectional area, and thus the conductance.\nSince most of the RF current is only on the surface, it often makes sense to build antennas from tubing for antennas requiring rigid elements (a 440 MHz Yagi), or copper-clad steel for wire antennas requiring tensile strength (a 40 meter dipole). This saves weight and cost for a negligible increase in loss.\nMagnetic permeability is a factor in skin depth. With increasing permeability, the skin depth decreases, increasing loss. Of the metals listed above, only iron and nickel have significantly higher permeability. Iron by a factor of about 5000, and nickel by 100 to 600. You could compensate for the reduced skin depth by increasing the surface area of the conductor, but when you consider cost and mechanics, it usually makes more sense to simply avoid iron and nickel and alloys containing them." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Other than rust, corrosion, and other reactions with air that would make the use of a metal unfavorable, how do different metals affect the performance?\nLet's give Yagi an example:\nLet's say I use 4 different metals for the directors\n, reflector, and driven element.\nOne antenna made out of copper, one made out of aluminum, and one made out of a higher resistance conductor, let's say graphite (I know it would snap, I'm just talking theoretical), and iron \nOther then the metal variations, the antennas are identical.\nSo, do different metals with different conductivity and permiability affect the performance of an antenna including gain, efficiency, impedance, elevation, or any other characteristic other then mechanical strength, and chemical reliability in open air. ", "Considering just electrical properties, the most significant parameter for your selection of antenna conductor is resistance. You want to keep the resistance to a minimum, because when current flows through a resistance, the electrical power is converted to heat, according to Joule heating:\n$$ P = I^2 R $$\nAny energy you use to make heat is energy you aren't using to make electromagnetic waves.\nSo first, you should consider the resistivity ($\\rho$) of various metals. A lower resistivity means you will need less of a metal to reduce the resistance to an acceptable target. Here's a selection, ordered from lowest to highest resistivity in nano-ohm-meters (nΩm), of some metals you might consider using in an antenna:\n\n* Silver: 15.9\n* Copper: 16.8\n* Gold: 24.4\n* Aluminium: 26.2\n* Zinc: 59.0\n* Nickel: 69.9\n* Iron: 100\n* Tin: 109\n\nI'm not going to list stainless steel because there are so many kinds, but generally stainless steels are not great conductors, being over 100 on this scale.\nA high resistivity isn't bad in itself, because you can compensate by making the conductor thicker, and end up with the same resistance. Thus, you might think copper is the best choice (ruling out silver due to high cost), but when you start making mechanical and cost considerations, you may find aluminium is better. This is because for a sample of copper and another of aluminium of equal resistance, the aluminium sample will be bigger, but stiffer, lighter, and cheaper. \nThere's another effect to consider here: with increasing frequency, currents like to flow on the surfaces of conductors. This is called the skin effect. The current flowing only on the skin of a conductor effectively reduces the cross-sectional area, and thus the conductance.\nSince most of the RF current is only on the surface, it often makes sense to build antennas from tubing for antennas requiring rigid elements (a 440 MHz Yagi), or copper-clad steel for wire antennas requiring tensile strength (a 40 meter dipole). This saves weight and cost for a negligible increase in loss.\nMagnetic permeability is a factor in skin depth. With increasing permeability, the skin depth decreases, increasing loss. Of the metals listed above, only iron and nickel have significantly higher permeability. Iron by a factor of about 5000, and nickel by 100 to 600. You could compensate for the reduced skin depth by increasing the surface area of the conductor, but when you consider cost and mechanics, it usually makes more sense to simply avoid iron and nickel and alloys containing them."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "In sixty words, write what can happen in a second.", "He walked through the door, he smiled. I smiled, then immediately frowned. His mouth--just there, on the corner, is a touch of pink. Maybe red? Now the breeze he brought in just hit me--like spring flowers, which is odd for winter. Perfume! Not mine. That touch of pink, or red...not mine. My heart breaks. I say: \"who is she?\"" ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['In sixty words, write what can happen in a second.', 'He walked through the door, he smiled. I smiled, then immediately frowned. His mouth--just there, on the corner, is a touch of pink. Maybe red? Now the breeze he brought in just hit me--like spring flowers, which is odd for winter. Perfume! Not mine. That touch of pink, or red...not mine. My heart breaks. I say: "who is she?"']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "How to get good at picking up girls?", "Picking up girls is a skill, and as with any other skill, the fundamental idea is the same; you start by practicing it consistently and learn more along the way to enhance it. Below are some key habits and practices that will help you get good at pickup.\n\n## Hone your approach skills\n\n1. Have fun.- Go out often.- Know how to stop girls properly.- Be calmly assertive and lead with common sense.- Recognize the level of interest from girls.- Record yourself.\n\n\n## Cultivate conversation habit and practice\n\n1. Make a deep genuine connection.- Remember that honest communication of intentions is important.- Understand romantic connection.- Make a habit of talking to older or \"less attractive\" girls (or even guys) when you go out.- Use non-reaction to deal with tests.- Practice being funny.- Use \"us\" mentality.- Use roleplay.- Make it sexual.- Balance interest and disinterest.- Know the difference between persistence and supplication.\n\n\n## Experiment\n\n1. Experiment with your approach.- Try new things.- Test the validity of your self-limiting and false beliefs.- Get another opinion.- Keep a journal.- Find your demographics.\n\n\n## Practice non-reaction and humility\n\n1. Practice acceptance.- Practice non-reaction.- Practice humility.\n\n\n## Find a balance\n\n1. Live an interesting life.- Work on the balance between health, wealth, and relationships.- Understand that looks, status, race and wealth matter.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to get good at picking up girls?', 'Picking up girls is a skill, and as with any other skill, the fundamental idea is the same; you start by practicing it consistently and learn more along the way to enhance it. Below are some key habits and practices that will help you get good at pickup.\n\n## Hone your approach skills\n\n1. Have fun.- Go out often.- Know how to stop girls properly.- Be calmly assertive and lead with common sense.- Recognize the level of interest from girls.- Record yourself.\n\n\n## Cultivate conversation habit and practice\n\n1. Make a deep genuine connection.- Remember that honest communication of intentions is important.- Understand romantic connection.- Make a habit of talking to older or "less attractive" girls (or even guys) when you go out.- Use non-reaction to deal with tests.- Practice being funny.- Use "us" mentality.- Use roleplay.- Make it sexual.- Balance interest and disinterest.- Know the difference between persistence and supplication.\n\n\n## Experiment\n\n1. Experiment with your approach.- Try new things.- Test the validity of your self-limiting and false beliefs.- Get another opinion.- Keep a journal.- Find your demographics.\n\n\n## Practice non-reaction and humility\n\n1. Practice acceptance.- Practice non-reaction.- Practice humility.\n\n\n## Find a balance\n\n1. Live an interesting life.- Work on the balance between health, wealth, and relationships.- Understand that looks, status, race and wealth matter.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I'm working at my first programming job. My boss is a very smart software engineer, and I feel\nlike I have very little to offer compared to him. Problem is, he is always busy, and needs someone to help him out. I feel like I'm not good enough, but I still want to succeed. I want to be a great programmer.\nWhat can I do to impress him?\nThank you.", "Remember the scene in Aladdin where Aladdin wants to impress Jasmine, and the genie tells him he'd do better to just focus on being himself? Same principle here.\nIf the boss is that much better than you and you know it, he probably knows it too. He isn't expecting any great feats of programming rock-stardom out of you. Since this is your first job, he most likely hired you because he saw the potential to become a good coder in you. So if you really want to impress him, learn. Learn the language, learn the system you're working on, learn the ins and outs and dark corners. Focus on learning correct principles, learning them well and learning them quickly, in that order.\nAnd remember that part of learning is copying knowledge that other people already have. Don't be afraid to ask questions, either of your coworkers or on StackOverflow, or research things on Google. Whatever you do, don't pretend you know something when you really don't, in an effort to avoid seeming dumb. Any good developer will notice quickly, and that will make you look even stupider in their eyes. Humility tends to still be considered a virtue among engineers.\nDo a good job at that and it'll impress the boss." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm working at my first programming job. My boss is a very smart software engineer, and I feel\nlike I have very little to offer compared to him. Problem is, he is always busy, and needs someone to help him out. I feel like I'm not good enough, but I still want to succeed. I want to be a great programmer.\nWhat can I do to impress him?\nThank you.", "Remember the scene in Aladdin where Aladdin wants to impress Jasmine, and the genie tells him he'd do better to just focus on being himself? Same principle here.\nIf the boss is that much better than you and you know it, he probably knows it too. He isn't expecting any great feats of programming rock-stardom out of you. Since this is your first job, he most likely hired you because he saw the potential to become a good coder in you. So if you really want to impress him, learn. Learn the language, learn the system you're working on, learn the ins and outs and dark corners. Focus on learning correct principles, learning them well and learning them quickly, in that order.\nAnd remember that part of learning is copying knowledge that other people already have. Don't be afraid to ask questions, either of your coworkers or on StackOverflow, or research things on Google. Whatever you do, don't pretend you know something when you really don't, in an effort to avoid seeming dumb. Any good developer will notice quickly, and that will make you look even stupider in their eyes. Humility tends to still be considered a virtue among engineers.\nDo a good job at that and it'll impress the boss."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "A partir de un String, ```\"123-654321\"```, lo que deseo es dividirlo en dos Strings:\n```string1=123\nstring2=654321\n```", "Tres formas diferentes de hacerlo:\n1. Utilizando la función ```String.split()``` :\n``` String str = \"123-654321\";\n String[] parts = str.split(\"-\");\n```\nEsta solución utiliza expresiones regulares, así que no es lo más eficiente si no estas trabajando con ellas.\n\n2. Utilizando la clase ```StringTokenizer``` :\n```static private List fastSplit(final String text, final String separator, final boolean emptyStrings){\n List result = new ArrayList();\n final StringTokenizer st = new StringTokenizer(text, separator, true);\n String token = null;\n String lastToken = separator;\n while (st.hasMoreTokens()) {\n token = st.nextToken();\n if (token.equals(separator)) {\n if (lastToken.equals(separator) && emptyStrings) {\n result.add(\"\");\n }\n } else {\n result.add(token);\n }\n lastToken = token;\n }\n return result;\n}\n```\nEl problema con este método es que solo funciona bien cuando el delimitador tiene longitud 1.\n\n3. Implementarlo usando ```String.indexOf()``` :\nEn este caso si funcionará correctamente para delimitadores de cualquier longitud.\n```static private List fastSplit2(final String text, final String separator, final boolean emptyStrings) {\n final List result = new ArrayList();\n if (text != null && text.length() > 0) {\n int index1 = 0;\n int index2 = text.indexOf(separator);\n int sepLen = separator.length();\n while (index2 >= 0) {\n String token = text.substring(index1, index2);\n if (!token.isEmpty() || emptyStrings){\n result.add(token);\n }\n index1 = index2 + sepLen;\n index2 = text.indexOf(separator, index1);\n }\n if (index1 < text.length() - 1) {\n result.add(text.substring(index1));\n }\n }\n return result;\n}\n```" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['A partir de un String, ```"123-654321"```, lo que deseo es dividirlo en dos Strings:\n```string1=123\nstring2=654321\n```', 'Tres formas diferentes de hacerlo:\n1. Utilizando la función ```String.split()``` :\n``` String str = "123-654321";\n String[] parts = str.split("-");\n```\nEsta solución utiliza expresiones regulares, así que no es lo más eficiente si no estas trabajando con ellas.\n\n2. Utilizando la clase ```StringTokenizer``` :\n```static private List fastSplit(final String text, final String separator, final boolean emptyStrings){\n List result = new ArrayList();\n final StringTokenizer st = new StringTokenizer(text, separator, true);\n String token = null;\n String lastToken = separator;\n while (st.hasMoreTokens()) {\n token = st.nextToken();\n if (token.equals(separator)) {\n if (lastToken.equals(separator) && emptyStrings) {\n result.add("");\n }\n } else {\n result.add(token);\n }\n lastToken = token;\n }\n return result;\n}\n```\nEl problema con este método es que solo funciona bien cuando el delimitador tiene longitud 1.\n\n3. Implementarlo usando ```String.indexOf()``` :\nEn este caso si funcionará correctamente para delimitadores de cualquier longitud.\n```static private List fastSplit2(final String text, final String separator, final boolean emptyStrings) {\n final List result = new ArrayList();\n if (text != null && text.length() > 0) {\n int index1 = 0;\n int index2 = text.indexOf(separator);\n int sepLen = separator.length();\n while (index2 >= 0) {\n String token = text.substring(index1, index2);\n if (!token.isEmpty() || emptyStrings){\n result.add(token);\n }\n index1 = index2 + sepLen;\n index2 = text.indexOf(separator, index1);\n }\n if (index1 < text.length() - 1) {\n result.add(text.substring(index1));\n }\n }\n return result;\n}\n```']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "I have heard many people saying, “Hah! I beat Stockfish,” and one saying, “I am the best chess player ever! I beat Stockfish.” So I wonder if it is possible, just to know whether I should try to beat it. I tried to play it once; I barely played 25 moves.", "The answer is that they either played it on some very handicapped mode, they took back A LOT of moves, or they are probably lying.\n\nStockfish 11 is currently rated about 3607, and that is in standard chess. Computer programs are typically even HARDER to beat for humans at even faster controls.\n\nThere is a reason elite humans have not played matches against computers for a long time: even the Carlsens of the world cannot beat them any more. According to the ELO winning expectancy calculator, there is currently a 745 point difference between Stockfish 11 and Carlsen, and per the chart, that gives the computer a 99.5439696% chance of winning.\n\nNote: The ratings used above are from different rating pools, and thus, are not truly directly comparable, but used as a rough estimate of what would happen between the computer and Carlsen." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I have heard many people saying, “Hah! I beat Stockfish,” and one saying, “I am the best chess player ever! I beat Stockfish.” So I wonder if it is possible, just to know whether I should try to beat it. I tried to play it once; I barely played 25 moves.', 'The answer is that they either played it on some very handicapped mode, they took back A LOT of moves, or they are probably lying.\n\nStockfish 11 is currently rated about 3607, and that is in standard chess. Computer programs are typically even HARDER to beat for humans at even faster controls.\n\nThere is a reason elite humans have not played matches against computers for a long time: even the Carlsens of the world cannot beat them any more. According to the ELO winning expectancy calculator, there is currently a 745 point difference between Stockfish 11 and Carlsen, and per the chart, that gives the computer a 99.5439696% chance of winning.\n\nNote: The ratings used above are from different rating pools, and thus, are not truly directly comparable, but used as a rough estimate of what would happen between the computer and Carlsen.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Write a story with the following prompt: One day, as you’re walking home from work, you find a white “Life Note” on the sidewalk. Having seen the anime, you jokingly write “George Washington” in it. He’s on the news the next day.", "The young man was walking by the street when he stepped on a small, thin, white book. He looked at it, kneeling down to pick it up. The man analyzed it left to right. It looked familiar, like one of those Anime's he watched, except the wording was different. It said life instead of death, which was weird.\nThe man thought nothing of it, simply taking oht a pen from his shirt pocket and writing the first name to come to mind. Of course the first president was the first name. He wasn't very creative, so he sloppily wrote it down, throwing the notebook down afterwards and walking off.\n\nThe next day, he was making breakfast, looking at the tiny tv sitting in the kitchen until he heard something he never thought he'd hear from a news source.\n\"George Washington is alive? Is it an imposter? He seems to be very serious about it.\"\nThe mans jaw gaped open, seeing pictures of the man in the modern era.\n\"Guess he'll have to survive this.\"" ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Write a story with the following prompt: One day, as you’re walking home from work, you find a white “Life Note” on the sidewalk. Having seen the anime, you jokingly write “George Washington” in it. He’s on the news the next day.', 'The young man was walking by the street when he stepped on a small, thin, white book. He looked at it, kneeling down to pick it up. The man analyzed it left to right. It looked familiar, like one of those Anime\'s he watched, except the wording was different. It said life instead of death, which was weird.\nThe man thought nothing of it, simply taking oht a pen from his shirt pocket and writing the first name to come to mind. Of course the first president was the first name. He wasn\'t very creative, so he sloppily wrote it down, throwing the notebook down afterwards and walking off.\n\nThe next day, he was making breakfast, looking at the tiny tv sitting in the kitchen until he heard something he never thought he\'d hear from a news source.\n"George Washington is alive? Is it an imposter? He seems to be very serious about it."\nThe mans jaw gaped open, seeing pictures of the man in the modern era.\n"Guess he\'ll have to survive this."']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "write a poem from the perspective of a dog", "Hours,\npass like days,\nI wait here in silent desire,\naskew across my dark mistress' place of rest,\nas she walks the world without me.\nAlone.\nA roaring noise,\nto others it is a annoyance,\nas it escapes my hollow lips,\nbut inside?\nI am silent,\nFor she is not here." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['write a poem from the perspective of a dog', "Hours,\npass like days,\nI wait here in silent desire,\naskew across my dark mistress' place of rest,\nas she walks the world without me.\nAlone.\nA roaring noise,\nto others it is a annoyance,\nas it escapes my hollow lips,\nbut inside?\nI am silent,\nFor she is not here."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "Write a story of a perfectly ordinary or boring day except write it as dramatically as possible.", "Posted before, but here's my average morning from last year:\n1:30am. Something has woken me up from my slumber. It screams, it howls, it calls my name. Stumbling from my bed, I stagger down the hallway to the source of the noise. The monster wants food. I placate it with a drink and scurry back to my warm, cosy bed, hoping it will last until the sun comes up.\n6:50am. Nothing. No noise. The monster is sleeping. It will need waking before long, to capture it and strap it into it's travelling cage.\n7:30am. The monster is secured. We begin our journey to deposit the alternate care-giver to his location. Once he is delivered, we have to press on, continuing through the hunger pangs.\n8:05am. The hunger pangs are consuming us. We stop to refuel our bellies. The monster objects. It is temporarily released into the wild, but soon recaptured.\n8:30am. We have arrived at the monsters location for the day. It is left with new care-givers, a list of instructions handed out. It is fed, and I leave.\n8:55am. Freedom.\n9:00am. A day of filing paperwork, away from a screeching toddler. Bliss....." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Write a story of a perfectly ordinary or boring day except write it as dramatically as possible.', "Posted before, but here's my average morning from last year:\n1:30am. Something has woken me up from my slumber. It screams, it howls, it calls my name. Stumbling from my bed, I stagger down the hallway to the source of the noise. The monster wants food. I placate it with a drink and scurry back to my warm, cosy bed, hoping it will last until the sun comes up.\n6:50am. Nothing. No noise. The monster is sleeping. It will need waking before long, to capture it and strap it into it's travelling cage.\n7:30am. The monster is secured. We begin our journey to deposit the alternate care-giver to his location. Once he is delivered, we have to press on, continuing through the hunger pangs.\n8:05am. The hunger pangs are consuming us. We stop to refuel our bellies. The monster objects. It is temporarily released into the wild, but soon recaptured.\n8:30am. We have arrived at the monsters location for the day. It is left with new care-givers, a list of instructions handed out. It is fed, and I leave.\n8:55am. Freedom.\n9:00am. A day of filing paperwork, away from a screeching toddler. Bliss....."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "I need to complain to HR about how my boss has been treating me. Write me an email.", "Subject: Complaint Regarding [Issue]\n\nDear HR Manager,\n\nI am writing this email to bring to your attention an issue that I have been having with my boss, [Boss' Name]. Over the past few months, [Explain the problem in detail, including any relevant dates and names]. This has negatively affected my ability to perform my duties at work, and has created a hostile environment for me in the office.\n\nUnfortunately, I feel that this situation cannot be resolved without intervention from HR. Please consider this my formal complaint against [Boss' Name], and let me know what steps I need to take next to ensure that this matter is addressed appropriately. Thank you for your prompt attention to this matter.\n\nSincerely,\n[Your Name]" ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I need to complain to HR about how my boss has been treating me. Write me an email.', "Subject: Complaint Regarding [Issue]\n\nDear HR Manager,\n\nI am writing this email to bring to your attention an issue that I have been having with my boss, [Boss' Name]. Over the past few months, [Explain the problem in detail, including any relevant dates and names]. This has negatively affected my ability to perform my duties at work, and has created a hostile environment for me in the office.\n\nUnfortunately, I feel that this situation cannot be resolved without intervention from HR. Please consider this my formal complaint against [Boss' Name], and let me know what steps I need to take next to ensure that this matter is addressed appropriately. Thank you for your prompt attention to this matter.\n\nSincerely,\n[Your Name]"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "How can I copy a string (e.g \"hello\") to the System Clipboard in C#, so next time I press CTRL+V I'll get \"hello\"?", "There are two classes that lives in different assemblies and different namespaces.\n\n* WinForms: use following namespace declaration, make sure ```Main``` is marked with ```[STAThread]``` attribute:\n```using System.Windows.Forms;\n```\n* WPF: use following namespace declaration\n```using System.Windows;\n```\n* console: add reference to ```System.Windows.Forms```, use following namespace declaration, make sure ```Main``` is marked with ```[STAThread]``` attribute. Step-by-step guide in another answer\n```using System.Windows.Forms;\n```\n\nTo copy an exact string (literal in this case):\n```Clipboard.SetText(\"Hello, clipboard\");\n```\nTo copy the contents of a textbox either use TextBox.Copy() or get text first and then set clipboard value:\n```Clipboard.SetText(txtClipboard.Text);\n```\nSee here for an example.\nOr... Official MSDN documentation or Here for WPF.\n\nRemarks:\n\n* Clipboard is desktop UI concept, trying to set it in server side code like ASP.Net will only set value on the server and has no impact on what user can see in they browser. While linked answer lets one to run Clipboard access code server side with ```SetApartmentState``` it is unlikely what you want to achieve.\n* If after following information in this question code still gets an exception see &quot;Current thread must be set to single thread apartment (STA)&quot; error in copy string to clipboard\n* This question/answer covers regular .NET, for .NET Core see - .Net Core - copy to clipboard?\n" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How can I copy a string (e.g "hello") to the System Clipboard in C#, so next time I press CTRL+V I\'ll get "hello"?', 'There are two classes that lives in different assemblies and different namespaces.\n\n* WinForms: use following namespace declaration, make sure ```Main``` is marked with ```[STAThread]``` attribute:\n```using System.Windows.Forms;\n```\n* WPF: use following namespace declaration\n```using System.Windows;\n```\n* console: add reference to ```System.Windows.Forms```, use following namespace declaration, make sure ```Main``` is marked with ```[STAThread]``` attribute. Step-by-step guide in another answer\n```using System.Windows.Forms;\n```\n\nTo copy an exact string (literal in this case):\n```Clipboard.SetText("Hello, clipboard");\n```\nTo copy the contents of a textbox either use TextBox.Copy() or get text first and then set clipboard value:\n```Clipboard.SetText(txtClipboard.Text);\n```\nSee here for an example.\nOr... Official MSDN documentation or Here for WPF.\n\nRemarks:\n\n* Clipboard is desktop UI concept, trying to set it in server side code like ASP.Net will only set value on the server and has no impact on what user can see in they browser. While linked answer lets one to run Clipboard access code server side with ```SetApartmentState``` it is unlikely what you want to achieve.\n* If after following information in this question code still gets an exception see &quot;Current thread must be set to single thread apartment (STA)&quot; error in copy string to clipboard\n* This question/answer covers regular .NET, for .NET Core see - .Net Core - copy to clipboard?\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "write a story about the grinch as if he was a lovecraftian monster", "An Excerpt from \"The Krumpet Horror\":\nThere are no words to properly express the horror of that day...\nI had been investigating a strange case of delluminating Christmas lights when I came across a strange clue: green hair and a lingering odor, like sulfur.\nThis led me down a dark path of research that no Whovian should ever tred. For I uncovered knowledge of a creature so foul, so terrible, that one could go mad at the very thought...\nThe fool I was. I followed the clues up the mountain. Up, to the dark, shattered peak of Mt. Krumpet. And there, set into the cold stone, I found the entrance to His haunted lair.\nI crept inside, slowly. The dim lights from further down reflected off the damp cave walls, allowing me sufficient light to proceed.\nFrom somewhere below me, I heard a cackling of laughter. It echoed around me, seeping into my mind, invading my very soul! It twisted within me, like an icy knife, until I shuddered and sank to one knee.\nThen I heard him. \"And what, do you think you are doing here, Who?\"\nI raised my eyes and saw before me a sheer, unimaginable horror! The Grinch! It had green skin and hair, and eyes like the black and yellow peel of an overripe banana. When it smiled, I could see little termites crawling over his teeth. A stench wafted over me such that I recalled a passage from one of the secret texts I had read: \"His soul is an appalling dump heap overflowing with the most disgraceful assortment of deplorable rubbish imaginable, mangled up in tangled-up knots.\"\nHe leaned forward and spoke the word that haunts my dreams, though it be ten years later... \"boo!\"\nTo this day I don't recall what happened after that. I awoke in the Whoville Regional Medical Center a week later. I couldn't even recall my own name at the time..." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['write a story about the grinch as if he was a lovecraftian monster', 'An Excerpt from "The Krumpet Horror":\nThere are no words to properly express the horror of that day...\nI had been investigating a strange case of delluminating Christmas lights when I came across a strange clue: green hair and a lingering odor, like sulfur.\nThis led me down a dark path of research that no Whovian should ever tred. For I uncovered knowledge of a creature so foul, so terrible, that one could go mad at the very thought...\nThe fool I was. I followed the clues up the mountain. Up, to the dark, shattered peak of Mt. Krumpet. And there, set into the cold stone, I found the entrance to His haunted lair.\nI crept inside, slowly. The dim lights from further down reflected off the damp cave walls, allowing me sufficient light to proceed.\nFrom somewhere below me, I heard a cackling of laughter. It echoed around me, seeping into my mind, invading my very soul! It twisted within me, like an icy knife, until I shuddered and sank to one knee.\nThen I heard him. "And what, do you think you are doing here, Who?"\nI raised my eyes and saw before me a sheer, unimaginable horror! The Grinch! It had green skin and hair, and eyes like the black and yellow peel of an overripe banana. When it smiled, I could see little termites crawling over his teeth. A stench wafted over me such that I recalled a passage from one of the secret texts I had read: "His soul is an appalling dump heap overflowing with the most disgraceful assortment of deplorable rubbish imaginable, mangled up in tangled-up knots."\nHe leaned forward and spoke the word that haunts my dreams, though it be ten years later... "boo!"\nTo this day I don\'t recall what happened after that. I awoke in the Whoville Regional Medical Center a week later. I couldn\'t even recall my own name at the time...']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "I'm looking for a new science fiction book to read, and I hear that Andy Weir is pretty good. Tell about his novels, and explain why I should choose to read each one.", "Andy Weir has written some best-selling books in science fiction. Here is a list of Weir's three most critically-acclaimed works, including a short description and explanation for why you might want to read them:\n\n###The Martian\nDescription: An American astronaut, Mark Watney, becomes stranded alone on Mars in 2035, and must improvise in order to survive.\nWhy Read: The Martian features technical details worthy of a hard sci-fi novel with comical writing and a healthy amount of suspense. It won the Hugo Award and was adapted into a blockbuster movie.\n\n###Artemis\nDescription: Artemis takes place in the late 2080s in Artemis, the first and so far only city on the Moon. It follows the life of porter and smuggler Jasmine \"Jazz\" Bashara as she gets caught up in a conspiracy for control of the city.\nWhy Read: The novel combines the thrill of a heist with the right amount of scientific geekery associated with living on the moon. It won the Dragon Award for Best Science Fiction Novel.\n\n###Project Hail Mary\nDescription: Set in the near future, Project Hail Mary centers on middle school teacher-turned-astronaut Ryland Grace, who wakes up from a coma afflicted with amnesia. He gradually remembers that he was sent to the Tau Ceti solar system, 12 light-years from Earth, to find a means of reversing a solar dimming event that could cause the extinction of humanity.\nWhy Read: Project Hail Mary is a science fiction masterpiece. It won the Hugo Award and is being adapted into a movie." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I'm looking for a new science fiction book to read, and I hear that Andy Weir is pretty good. Tell about his novels, and explain why I should choose to read each one.", 'Andy Weir has written some best-selling books in science fiction. Here is a list of Weir\'s three most critically-acclaimed works, including a short description and explanation for why you might want to read them:\n\n###The Martian\nDescription: An American astronaut, Mark Watney, becomes stranded alone on Mars in 2035, and must improvise in order to survive.\nWhy Read: The Martian features technical details worthy of a hard sci-fi novel with comical writing and a healthy amount of suspense. It won the Hugo Award and was adapted into a blockbuster movie.\n\n###Artemis\nDescription: Artemis takes place in the late 2080s in Artemis, the first and so far only city on the Moon. It follows the life of porter and smuggler Jasmine "Jazz" Bashara as she gets caught up in a conspiracy for control of the city.\nWhy Read: The novel combines the thrill of a heist with the right amount of scientific geekery associated with living on the moon. It won the Dragon Award for Best Science Fiction Novel.\n\n###Project Hail Mary\nDescription: Set in the near future, Project Hail Mary centers on middle school teacher-turned-astronaut Ryland Grace, who wakes up from a coma afflicted with amnesia. He gradually remembers that he was sent to the Tau Ceti solar system, 12 light-years from Earth, to find a means of reversing a solar dimming event that could cause the extinction of humanity.\nWhy Read: Project Hail Mary is a science fiction masterpiece. It won the Hugo Award and is being adapted into a movie.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "Your homework is to write a poem, but you can't quite figure out what to write, until one morning you wake up and can only speak in rhymes.", "This morning I've decided I must have bad luck\nForever rhyming all words, oh lord I am stuck\nI got out of bed and then wiped my eyes\nGrabbed my cellphone and texted my guys\nComplaining to them of what I have found\nAnd asking to turn this bad luck around\nAnd oh my goodness do you know what they said\nThey said to me that it's all in my head!\nIt's not in my head, it's just with everything I say\nI can not make this damn rhyming go away\nAt least I don't have to give it much fuss\nFor this homework I'll easily get an A plus" ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Your homework is to write a poem, but you can't quite figure out what to write, until one morning you wake up and can only speak in rhymes.", "This morning I've decided I must have bad luck\nForever rhyming all words, oh lord I am stuck\nI got out of bed and then wiped my eyes\nGrabbed my cellphone and texted my guys\nComplaining to them of what I have found\nAnd asking to turn this bad luck around\nAnd oh my goodness do you know what they said\nThey said to me that it's all in my head!\nIt's not in my head, it's just with everything I say\nI can not make this damn rhyming go away\nAt least I don't have to give it much fuss\nFor this homework I'll easily get an A plus"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "Why is there so much technical detail of whaling included in Moby-Dick?", "There are multiple purposes behind the novel structure of Moby-Dick.\n\nIn the first instance the author was himself a whaleman, having spent 18 months as an ordinary seaman aboard the whaler Acushnet in 1841–42. In his experience the literature of the day, such as Miriam \n\nCoffin or The Whale-Fisherman by Joseph Hart, did not portray whaling accurately but rather sensationalised it. He wished to provide his readers with a more realistic account.\n\nIn doing so, he also gave the reader the information necessary to better understand and appreciate the passages of whaling described in the novel. With the reader forewarned, he is able to keep the narrative passages tense and exciting. It is interesting that, early in the novel, the Pequod meets virutally no whales and that the chases become longer and more involved as the story progresses. This may be because Melville felt he needed to give the reader more and more technical information before they could fully appreicate these encounters, but understood the science would need to be spaced out among the narrative.\n\nIn describing it to the reader, the science also serves another useful narrative function. It indicates that on whaling voyages, long periods of time pass when nothing much happens at all. By padding out of the story with scientific digressions serves as a useful narrative metaphor for waiting.\n\nThe level of detail provided also mirrors one of the novel's central themes: obsession. Although Ishmael is the narrator and Ahab the obvious obsessive, the amount of science indicates that Ishmael is also an obsessive. His obsession is the business of whaling itself.\n\nFinally, Melville made good use of these passages in serving as metaphors for other themes of the novel where he felt it appropriate. For example in the chapter The Line, which describes how the whale line is stored and used in the boat, it ends by using the line as a metaphor.\n\n \"All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever-present perils of life.\"\n" ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Why is there so much technical detail of whaling included in Moby-Dick?', 'There are multiple purposes behind the novel structure of Moby-Dick.\n\nIn the first instance the author was himself a whaleman, having spent 18 months as an ordinary seaman aboard the whaler Acushnet in 1841–42. In his experience the literature of the day, such as Miriam \n\nCoffin or The Whale-Fisherman by Joseph Hart, did not portray whaling accurately but rather sensationalised it. He wished to provide his readers with a more realistic account.\n\nIn doing so, he also gave the reader the information necessary to better understand and appreciate the passages of whaling described in the novel. With the reader forewarned, he is able to keep the narrative passages tense and exciting. It is interesting that, early in the novel, the Pequod meets virutally no whales and that the chases become longer and more involved as the story progresses. This may be because Melville felt he needed to give the reader more and more technical information before they could fully appreicate these encounters, but understood the science would need to be spaced out among the narrative.\n\nIn describing it to the reader, the science also serves another useful narrative function. It indicates that on whaling voyages, long periods of time pass when nothing much happens at all. By padding out of the story with scientific digressions serves as a useful narrative metaphor for waiting.\n\nThe level of detail provided also mirrors one of the novel\'s central themes: obsession. Although Ishmael is the narrator and Ahab the obvious obsessive, the amount of science indicates that Ishmael is also an obsessive. His obsession is the business of whaling itself.\n\nFinally, Melville made good use of these passages in serving as metaphors for other themes of the novel where he felt it appropriate. For example in the chapter The Line, which describes how the whale line is stored and used in the boat, it ends by using the line as a metaphor.\n\n "All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever-present perils of life."\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to dress nice every day (for girls)?", "Dressing nicely each day can take some effort but will ultimately be worth it if your outfits make you feel confident and happy. If you want to look great every day, you will first have to go through your wardrobe and fill it with classic outfit staples. Looking awesome also involves some planning and accessorizing that may take some getting used to but will ultimately result in some stylish outfits.\n\n## Fill your wardrobe\n\n1. Buy classic pieces. To dress nicely, it is important to have some classic pieces in your wardrobe that will never go out of style. Classic pieces are articles of clothing that are generally not too extreme or dated. Instead, they are generally simple and elegant, like a navy blue blazer or a well-crafted black V-neck t-shirt. Though they may sound simple, you can always dress these pieces up with accessories. Basic, classic pieces are generally easier to mix and match, which means that they can be used in a variety of outfits.\n2. Purchase a few accent articles of clothing. To go along with your classic articles of clothing, buy some accent pieces that will make your outfits pop, even if they are simple. These accents could be bright colors that you don’t normally wear or patterns that pop. For example, you could take an outfit that is as simple as a white t-shirt and a navy blue skirt, and make it interesting with a patterned sweater.\n3. Purchase clothes that you can mix and match. When going through your wardrobe, consider whether or not you can use each article of clothing in at least two different outfits. Mixing and matching is an important part of dressing nicely everyday. While you most likely can’t purchase a new outfit for every day of the week, you can buy clothing that you can mix and match to create entirely new and exciting outfits.\n4. Consider your body when picking out your clothes. Certain clothes have cuts that look different on different body types. Look for clothes that flatter your body and make you feel confident. Each person has their idea of what they find flatters their bodies the most, so spend some time trying on different kinds of clothes. For example:\n\t* If you have a ‘Pear’ shape, which means that you have wider hips and a slimmer bust, you could try out an open-neck top, or a dress with an empire waist.\n5. Get rid of clothes that are worn or torn. Part of dressing nicely means giving away or selling old clothes. Clothes get worn out, especially if you wear the same piece a lot, and worn-out clothing does not necessarily look very classy—unless you are going for a look that involves faded clothes and torn jeans. If you find that a shirt has a stain, try your best to get it out, but if the stain remains, it might be time to toss the shirt. Clothes with stains tend to look a little sloppy.\n6. Consider your skin tone when buying your clothes. Picking out clothing that complements your skin tone can make a great outfit that much nicer. Of course, always keep in mind that if you don’t like a color or don’t feel like it looks good on you, don’t wear it. Part of dressing nicely is dressing in things that make you confident and happy; if a certain color matches your skin tone, but you don’t like it anyway, don’t wear it. General guidelines for skin tones and clothing colors include:\n\t* Very light skin tones: Ice tones, pale pinks, greys, baby blues, navies, and grass greens. Medium-light skin tones: Pastel colors, cool reds, and blues. Avoid orange. Medium skin tones: Metallic tones, jewel tones, plums, wine reds, bright blues, deep purples. Medium-dark skin tones: Deep colors like dark greens, bright blues, pale yellows, warm reds. Very dark skin tones: Bright colors like burgundies, cobalt blue, bright orange, and red.\n7. Hang up your clothes and invest in an iron. Another part of dressing nicely is keeping your clothes in tip-top shape. This means hanging up clothes when you can, and ironing folded clothes. If you are not sure how to iron your clothes, click here. You can also try steam pressing your clothes.\n\n\n## Plan your outfit\n\n1. Plan your outfits. One aspect of dressing nicely is taking the time to plan your outfits. This might mean planning your outfit the night before, or planning an entire week’s worth of outfits at the beginning of the week; go with what works best for you. Trying to figure out a great outfit in the morning before school may make you feel a little too stressed, so take some time to consider your wardrobe and try on several different outfits that you could wear. Some girls find that trying out outfits and taking photos of the ones that they like to put in a binder can help them to decide on an outfit when they are in a rush. If you plan a last-minute outing with your friends, simply flip through the binder and pick out a pre-planned outfit.\n2. Consider the occasion you are dressing for. When planning your outfit, think about what you will be doing in that outfit. Different events call for different kinds of clothing. For instance, if you’re going to school, try not to show too much skin, or wear a shirt that is too low cut. On the other hand, if you’re going to the beach with your friends, wearing a summery dress and shoes you can walk through the sand with maybe the way to go. If you are not sure what would be appropriate to wear to a certain event, such as a cousin's baptism, or a job interview, don’t be afraid to ask friends or family for advice.\n3. Wear clothing that makes you feel confident. When picking out your outfit, make sure that you feel good in your clothes. Ultimately, you should be dressing nicely for yourself rather than dressing for anyone else. It is important to feel comfortable and happy in the clothes that you are wearing; projecting confidence and enthusiasm will give your outfit that extra, energetic boost. Try to keep in mind that if someone only likes you when you are dressed up, that person might not have their priorities straight. First and foremost, dress the way that you want to dress.\n4. Try to avoid combining patterns. While you may be able to get away with some very subtle pattern combinations, it is generally a good idea to only have one pattern in your outfit. Clashing patterns can often make an outfit look sloppy. For instance, if you were wearing an argyle sweater, you would most likely want to avoid wearing that sweater with a striped skirt.\n5. Consider using the rule of three. If you are having trouble putting together an outfit, using the ‘rule of three’ can help you to create a quick but elegant ensemble in no time. When using the rule of three, pick out three colors: two that will be your base colors (most likely your shirt and pants or skirt) and one that will be your accent color. Your base colors could be subtler colors that go together well, such as a navy blue shirt and camel skirt. Your accent color should be a brighter color that makes the rest of your outfit pop, such as a red thin belt or a silver-laced scarf.\n6. Try to wear something extra cute at least once a week. While you may want to look nice every day of the week, throwing on an outfit that dazzles once a week can help to make you feel that much more well-dressed. Take the time to come up with this eye-catching ensemble.\n7. Try to avoid wearing the same outfit twice in a week. While this will not be possible if you have to wear a school uniform, or a uniform for work, try to avoid wearing the same outfit two times a week if you are planning on hanging out or being seen by the same people. If you have two different parties to go to, however, and the people at these parties won’t overlap, feel free to consider wearing the same great outfit. By no means does this mean that you avoid wearing the same article of clothing twice a week. If you have a skirt that works well in two different outfits, feel free to rock both of these ensembles in the same week. Remember, mixing and matching is the key to making you feel like you have an endless wardrobe.\n8. Create an emergency outfit. Some days, you might find that you just don’t want to wear the outfit you have planned. On those days, it's important to have an emergency backup outfit. This outfit should be simple, comfortable, and easy to accessorize with. For example, your emergency outfit could be a pair of nice jeans, a tank top in your favorite color, and a cropped sweater. With these basic items already put together, all you need to go is add a necklace, scarf, or rocking pair of shoes and you’ll be good to go.\n\n\n## Accessorizing\n\n1. Pick out some shoes that will look classy. If you are shopping for shoes, try to pick out a couple of pairs that can be worn with most of your outfits. These could be classic black flats, a nice pair of boots, or short wedges that you can wear with your skirts and dresses. Try on the shoes and make sure you can walk in them easily; if you are planning on wearing them with many of your outfits, it’s important to be able to walk in them.\n2. Wear shoes that would for the occasion. As with your clothes, consider the event you are going to when picking out the shoes you will wear that day. In certain formal events, sandals might not be appropriate, while wearing high heels at school might make it hard to get from class to class on time.\n3. Keep your shoes looking brand new. If your shoes get damaged or scuffed, try to buff the marks out, or use polishes to make your shoes look shiny and new again. Part of looking nice is being dressed well—from your head to your feet. If you are not sure how to clean your shoes, take a look at some of the following articles:\n\t* Shine shoes\n\t* Polish shoes\n\t* Wash shoes\n4. Try out different kinds of jewelry. Accessorizing can help to take your outfit to a whole new level. When creating outfits for yourself, try on different kinds of jewelry and see how they change or affect the outfit you are wearing. Sometimes, adding a statement necklace or chandelier earrings can take your outfit from nice to outstanding. However, try not to over-accessorize. For example, if you are planning on wearing a chunky necklace, try wearing a small pair of stud earrings, rather than a pair of dangling earrings that could make your jewelry feel overbearing.\n5. Consider where you want the focus to be when accessorizing. Jewelry can draw a person’s eye, which can be both a great thing and an unwanted thing. For example, if you want your focus to be on your face, wear large or dangling earrings. If you want the focus to be on the rest of your outfit, consider wearing a longer necklace that ties your whole outfit together. However, if you are wearing a low-cut shirt, try to refrain from wearing a longer necklace, as it might draw too much attention to your chest area.\n6. Try out different kinds of accessories. Accessories are not just limited to jewelry and shoes. You can spice up an outfit by adding an accent scarf, a colorful belt, or a stylish hat. Play around with different kinds of accessories that fit into your style.\n7. Create your own ‘golden rule’. The ‘golden rule’ refers to the maximum number of accessories you will allow yourself. This is completely based on your own opinion. Some people like to layer necklaces and wear funky shoes. Others, prefer a chic minimalist style in which you choose one or two accessories that compliment your outfit. Remember that you can change your golden rule when you feel like it doesn’t reflect your personality anymore. For instance, maybe you like wearing three necklaces and a bunch of bracelets, but during the year your preferences chance and you decide to limit yourself to three accessories; go with what will make you feel happy and confident.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to dress nice every day (for girls)?', "Dressing nicely each day can take some effort but will ultimately be worth it if your outfits make you feel confident and happy. If you want to look great every day, you will first have to go through your wardrobe and fill it with classic outfit staples. Looking awesome also involves some planning and accessorizing that may take some getting used to but will ultimately result in some stylish outfits.\n\n## Fill your wardrobe\n\n1. Buy classic pieces. To dress nicely, it is important to have some classic pieces in your wardrobe that will never go out of style. Classic pieces are articles of clothing that are generally not too extreme or dated. Instead, they are generally simple and elegant, like a navy blue blazer or a well-crafted black V-neck t-shirt. Though they may sound simple, you can always dress these pieces up with accessories. Basic, classic pieces are generally easier to mix and match, which means that they can be used in a variety of outfits.\n2. Purchase a few accent articles of clothing. To go along with your classic articles of clothing, buy some accent pieces that will make your outfits pop, even if they are simple. These accents could be bright colors that you don’t normally wear or patterns that pop. For example, you could take an outfit that is as simple as a white t-shirt and a navy blue skirt, and make it interesting with a patterned sweater.\n3. Purchase clothes that you can mix and match. When going through your wardrobe, consider whether or not you can use each article of clothing in at least two different outfits. Mixing and matching is an important part of dressing nicely everyday. While you most likely can’t purchase a new outfit for every day of the week, you can buy clothing that you can mix and match to create entirely new and exciting outfits.\n4. Consider your body when picking out your clothes. Certain clothes have cuts that look different on different body types. Look for clothes that flatter your body and make you feel confident. Each person has their idea of what they find flatters their bodies the most, so spend some time trying on different kinds of clothes. For example:\n\t* If you have a ‘Pear’ shape, which means that you have wider hips and a slimmer bust, you could try out an open-neck top, or a dress with an empire waist.\n5. Get rid of clothes that are worn or torn. Part of dressing nicely means giving away or selling old clothes. Clothes get worn out, especially if you wear the same piece a lot, and worn-out clothing does not necessarily look very classy—unless you are going for a look that involves faded clothes and torn jeans. If you find that a shirt has a stain, try your best to get it out, but if the stain remains, it might be time to toss the shirt. Clothes with stains tend to look a little sloppy.\n6. Consider your skin tone when buying your clothes. Picking out clothing that complements your skin tone can make a great outfit that much nicer. Of course, always keep in mind that if you don’t like a color or don’t feel like it looks good on you, don’t wear it. Part of dressing nicely is dressing in things that make you confident and happy; if a certain color matches your skin tone, but you don’t like it anyway, don’t wear it. General guidelines for skin tones and clothing colors include:\n\t* Very light skin tones: Ice tones, pale pinks, greys, baby blues, navies, and grass greens. Medium-light skin tones: Pastel colors, cool reds, and blues. Avoid orange. Medium skin tones: Metallic tones, jewel tones, plums, wine reds, bright blues, deep purples. Medium-dark skin tones: Deep colors like dark greens, bright blues, pale yellows, warm reds. Very dark skin tones: Bright colors like burgundies, cobalt blue, bright orange, and red.\n7. Hang up your clothes and invest in an iron. Another part of dressing nicely is keeping your clothes in tip-top shape. This means hanging up clothes when you can, and ironing folded clothes. If you are not sure how to iron your clothes, click here. You can also try steam pressing your clothes.\n\n\n## Plan your outfit\n\n1. Plan your outfits. One aspect of dressing nicely is taking the time to plan your outfits. This might mean planning your outfit the night before, or planning an entire week’s worth of outfits at the beginning of the week; go with what works best for you. Trying to figure out a great outfit in the morning before school may make you feel a little too stressed, so take some time to consider your wardrobe and try on several different outfits that you could wear. Some girls find that trying out outfits and taking photos of the ones that they like to put in a binder can help them to decide on an outfit when they are in a rush. If you plan a last-minute outing with your friends, simply flip through the binder and pick out a pre-planned outfit.\n2. Consider the occasion you are dressing for. When planning your outfit, think about what you will be doing in that outfit. Different events call for different kinds of clothing. For instance, if you’re going to school, try not to show too much skin, or wear a shirt that is too low cut. On the other hand, if you’re going to the beach with your friends, wearing a summery dress and shoes you can walk through the sand with maybe the way to go. If you are not sure what would be appropriate to wear to a certain event, such as a cousin's baptism, or a job interview, don’t be afraid to ask friends or family for advice.\n3. Wear clothing that makes you feel confident. When picking out your outfit, make sure that you feel good in your clothes. Ultimately, you should be dressing nicely for yourself rather than dressing for anyone else. It is important to feel comfortable and happy in the clothes that you are wearing; projecting confidence and enthusiasm will give your outfit that extra, energetic boost. Try to keep in mind that if someone only likes you when you are dressed up, that person might not have their priorities straight. First and foremost, dress the way that you want to dress.\n4. Try to avoid combining patterns. While you may be able to get away with some very subtle pattern combinations, it is generally a good idea to only have one pattern in your outfit. Clashing patterns can often make an outfit look sloppy. For instance, if you were wearing an argyle sweater, you would most likely want to avoid wearing that sweater with a striped skirt.\n5. Consider using the rule of three. If you are having trouble putting together an outfit, using the ‘rule of three’ can help you to create a quick but elegant ensemble in no time. When using the rule of three, pick out three colors: two that will be your base colors (most likely your shirt and pants or skirt) and one that will be your accent color. Your base colors could be subtler colors that go together well, such as a navy blue shirt and camel skirt. Your accent color should be a brighter color that makes the rest of your outfit pop, such as a red thin belt or a silver-laced scarf.\n6. Try to wear something extra cute at least once a week. While you may want to look nice every day of the week, throwing on an outfit that dazzles once a week can help to make you feel that much more well-dressed. Take the time to come up with this eye-catching ensemble.\n7. Try to avoid wearing the same outfit twice in a week. While this will not be possible if you have to wear a school uniform, or a uniform for work, try to avoid wearing the same outfit two times a week if you are planning on hanging out or being seen by the same people. If you have two different parties to go to, however, and the people at these parties won’t overlap, feel free to consider wearing the same great outfit. By no means does this mean that you avoid wearing the same article of clothing twice a week. If you have a skirt that works well in two different outfits, feel free to rock both of these ensembles in the same week. Remember, mixing and matching is the key to making you feel like you have an endless wardrobe.\n8. Create an emergency outfit. Some days, you might find that you just don’t want to wear the outfit you have planned. On those days, it's important to have an emergency backup outfit. This outfit should be simple, comfortable, and easy to accessorize with. For example, your emergency outfit could be a pair of nice jeans, a tank top in your favorite color, and a cropped sweater. With these basic items already put together, all you need to go is add a necklace, scarf, or rocking pair of shoes and you’ll be good to go.\n\n\n## Accessorizing\n\n1. Pick out some shoes that will look classy. If you are shopping for shoes, try to pick out a couple of pairs that can be worn with most of your outfits. These could be classic black flats, a nice pair of boots, or short wedges that you can wear with your skirts and dresses. Try on the shoes and make sure you can walk in them easily; if you are planning on wearing them with many of your outfits, it’s important to be able to walk in them.\n2. Wear shoes that would for the occasion. As with your clothes, consider the event you are going to when picking out the shoes you will wear that day. In certain formal events, sandals might not be appropriate, while wearing high heels at school might make it hard to get from class to class on time.\n3. Keep your shoes looking brand new. If your shoes get damaged or scuffed, try to buff the marks out, or use polishes to make your shoes look shiny and new again. Part of looking nice is being dressed well—from your head to your feet. If you are not sure how to clean your shoes, take a look at some of the following articles:\n\t* Shine shoes\n\t* Polish shoes\n\t* Wash shoes\n4. Try out different kinds of jewelry. Accessorizing can help to take your outfit to a whole new level. When creating outfits for yourself, try on different kinds of jewelry and see how they change or affect the outfit you are wearing. Sometimes, adding a statement necklace or chandelier earrings can take your outfit from nice to outstanding. However, try not to over-accessorize. For example, if you are planning on wearing a chunky necklace, try wearing a small pair of stud earrings, rather than a pair of dangling earrings that could make your jewelry feel overbearing.\n5. Consider where you want the focus to be when accessorizing. Jewelry can draw a person’s eye, which can be both a great thing and an unwanted thing. For example, if you want your focus to be on your face, wear large or dangling earrings. If you want the focus to be on the rest of your outfit, consider wearing a longer necklace that ties your whole outfit together. However, if you are wearing a low-cut shirt, try to refrain from wearing a longer necklace, as it might draw too much attention to your chest area.\n6. Try out different kinds of accessories. Accessories are not just limited to jewelry and shoes. You can spice up an outfit by adding an accent scarf, a colorful belt, or a stylish hat. Play around with different kinds of accessories that fit into your style.\n7. Create your own ‘golden rule’. The ‘golden rule’ refers to the maximum number of accessories you will allow yourself. This is completely based on your own opinion. Some people like to layer necklaces and wear funky shoes. Others, prefer a chic minimalist style in which you choose one or two accessories that compliment your outfit. Remember that you can change your golden rule when you feel like it doesn’t reflect your personality anymore. For instance, maybe you like wearing three necklaces and a bunch of bracelets, but during the year your preferences chance and you decide to limit yourself to three accessories; go with what will make you feel happy and confident.\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "I am beginner of LaTeX. From many examples I found, I notice that it's very common to use command ```\\leavevmode```. I can't find any information about this command. Could anyone tell me what's the function of it and how to use it?", "The ```\\leavevmode``` is defined by LaTeX and plainTeX and ensures that the vertical mode is ended and horizontal mode is entered. In vertical mode, TeX stacks horizontal boxes vertically, whereas in horizontal mode, they are taken as part of the text line.\nFor example ```\\mbox{..}``` is defined as ```\\leavevmode\\hbox{..}``` to ensure that horizontal mode is entered if it is used at the beginning of a paragraph. If you only use ```\\hbox{ }``` it is stacked above the following paragraph instead.\nCompare:\n```Text\\par\\hbox{Hello} World\n```\nResult:\n``` Text\nHello\n World\n```\nwith:\n```Text\\par\\mbox{Hello} World\n```\nResult:\n``` Text\n Hello World\n```\nYou see that in the first case the ```\\hbox``` is stacked with the two paragraphs vertically (but without paragraph indention) because it is processed in vertical mode. In the second case horizontal mode is entered first and so ```Hello``` is processed as part of the second paragraph.\n\n Use ```\\leavevmode``` for all macros which could be used at the begin of the paragraph and add horizontal boxes by themselves (e.g. in form of text).\n\nFor further reading about ```\\leavevmode``` please see \"The TeXBook\" by Donald E. Knuth, Appendix A, section 13.1, page 313 as well Appendix B, page 356." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I am beginner of LaTeX. From many examples I found, I notice that it's very common to use command ```\\leavevmode```. I can't find any information about this command. Could anyone tell me what's the function of it and how to use it?", 'The ```\\leavevmode``` is defined by LaTeX and plainTeX and ensures that the vertical mode is ended and horizontal mode is entered. In vertical mode, TeX stacks horizontal boxes vertically, whereas in horizontal mode, they are taken as part of the text line.\nFor example ```\\mbox{..}``` is defined as ```\\leavevmode\\hbox{..}``` to ensure that horizontal mode is entered if it is used at the beginning of a paragraph. If you only use ```\\hbox{ }``` it is stacked above the following paragraph instead.\nCompare:\n```Text\\par\\hbox{Hello} World\n```\nResult:\n``` Text\nHello\n World\n```\nwith:\n```Text\\par\\mbox{Hello} World\n```\nResult:\n``` Text\n Hello World\n```\nYou see that in the first case the ```\\hbox``` is stacked with the two paragraphs vertically (but without paragraph indention) because it is processed in vertical mode. In the second case horizontal mode is entered first and so ```Hello``` is processed as part of the second paragraph.\n\n Use ```\\leavevmode``` for all macros which could be used at the begin of the paragraph and add horizontal boxes by themselves (e.g. in form of text).\n\nFor further reading about ```\\leavevmode``` please see "The TeXBook" by Donald E. Knuth, Appendix A, section 13.1, page 313 as well Appendix B, page 356.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "write a poem based of the story \"the strange case of Dr. Jekyll and Mr. Hyde\"", "They do not understand the genius that is required,\nTo create something quite so inspired,\nAs the wondrous concoction,\nthat i have created.\nSo I tinker and I work in secret,\nAs the formula is not complete yet,\nBut is ever so tempting,\nto take a little swig.\nScience was not advanced by caution,\nAnd though i may speak from exhaustion,\nI feel i must be brave,\nAnd see it to the end.\nIt burns with an unholy fury,\nas greats spasms run through me,\nmy very flesh screams,\nAnd i collapse to the floor.\nI am big man now,\nI will show them how,\nYou no laugh at me,\nno more.\nMy hands can crush,\nyour throat to shush,\nDon't call me Hyde,\nIts Jekyll." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['write a poem based of the story "the strange case of Dr. Jekyll and Mr. Hyde"', "They do not understand the genius that is required,\nTo create something quite so inspired,\nAs the wondrous concoction,\nthat i have created.\nSo I tinker and I work in secret,\nAs the formula is not complete yet,\nBut is ever so tempting,\nto take a little swig.\nScience was not advanced by caution,\nAnd though i may speak from exhaustion,\nI feel i must be brave,\nAnd see it to the end.\nIt burns with an unholy fury,\nas greats spasms run through me,\nmy very flesh screams,\nAnd i collapse to the floor.\nI am big man now,\nI will show them how,\nYou no laugh at me,\nno more.\nMy hands can crush,\nyour throat to shush,\nDon't call me Hyde,\nIts Jekyll."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "Especially in blitz or bullet games, it is possible that a player makes an illegal move, for example castles through check. \n\n* If the opponent does notice the illegal move, then as far as I know the first player is obliged to make a legal move with the same piece, if one exists. What if there are no legal moves? \n* What if the opponent, being in time pressure, doesn't notice the illegal move and makes a move. What happens after they realize that? Does the person who made the illegal move forfeit? Or is the whole game cancelled?\n\nAre there any standard rules for these kinds of situations?", "This only really applies to over the board games (since online chess servers prevent illegal moves).\nIn a standard time control game, under USCF rules, when the illegal move is noticed by one of the players, a few things happen. First, the illegal move must have been made within the last 10 moves. If not, then the current position stands, and play continues. Assuming that the move is recent, the position is restored to the position immediately before the illegal move.\nThen, the player that made the illegal move now must make a legal move with the same piece (if one exists). If there are no legal moves, then the player is free to make any move. This is due to the touch move rule. Finally, if the offending player has pressed the clock, a two minute &quot;bonus&quot; is added to the opponent's clock to compensate them for any time lost and to penalize the offending player.\nHere is the relevant passage from the USCF rulebook:\n\n11A. Illegal move during last ten moves. If, during a game, it is found that one of either player's last ten moves was illegal, the position shall be reinstated to what it was before the illegal move. The game shall then continue by applying Rule 10, The Touched Piece, to the move replacing the illegal move. If the position cannot be reinstated, then the illegal move shall stand. Move counters on clocks that have them may by readjusted.\n11D. Illegal move. If, a player completes an illegal move by pressing the clock, in addition to the usual obligation to make a legal move with the touched piece if possible, the standard penalty specified in rule 1C2a applies (i.e. two minutes added to the opponent's clock).\n\nIn blitz chess, the rules are different. According to the WBCA (World Blitz Chess Association) rules, a player who makes an illegal move loses the game instantly. This rule is frequently enforced in casual games too. The most common way that this occurs is that one player doesn't notice that they are in check and makes a move that doesn't get out of check. Then the checking player simply captures the king and claims a victory.\nBecause blitz is a much faster pace game, the illegal move must be noticed within two moves. If it is not, then the current position stands and play continues.\nAt no point is the game cancelled due to an illegal move. Pretty much once a game starts and both players make a move, a result of win, loss, or draw will be recorded." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["Especially in blitz or bullet games, it is possible that a player makes an illegal move, for example castles through check. \n\n* If the opponent does notice the illegal move, then as far as I know the first player is obliged to make a legal move with the same piece, if one exists. What if there are no legal moves? \n* What if the opponent, being in time pressure, doesn't notice the illegal move and makes a move. What happens after they realize that? Does the person who made the illegal move forfeit? Or is the whole game cancelled?\n\nAre there any standard rules for these kinds of situations?", "This only really applies to over the board games (since online chess servers prevent illegal moves).\nIn a standard time control game, under USCF rules, when the illegal move is noticed by one of the players, a few things happen. First, the illegal move must have been made within the last 10 moves. If not, then the current position stands, and play continues. Assuming that the move is recent, the position is restored to the position immediately before the illegal move.\nThen, the player that made the illegal move now must make a legal move with the same piece (if one exists). If there are no legal moves, then the player is free to make any move. This is due to the touch move rule. Finally, if the offending player has pressed the clock, a two minute &quot;bonus&quot; is added to the opponent's clock to compensate them for any time lost and to penalize the offending player.\nHere is the relevant passage from the USCF rulebook:\n\n11A. Illegal move during last ten moves. If, during a game, it is found that one of either player's last ten moves was illegal, the position shall be reinstated to what it was before the illegal move. The game shall then continue by applying Rule 10, The Touched Piece, to the move replacing the illegal move. If the position cannot be reinstated, then the illegal move shall stand. Move counters on clocks that have them may by readjusted.\n11D. Illegal move. If, a player completes an illegal move by pressing the clock, in addition to the usual obligation to make a legal move with the touched piece if possible, the standard penalty specified in rule 1C2a applies (i.e. two minutes added to the opponent's clock).\n\nIn blitz chess, the rules are different. According to the WBCA (World Blitz Chess Association) rules, a player who makes an illegal move loses the game instantly. This rule is frequently enforced in casual games too. The most common way that this occurs is that one player doesn't notice that they are in check and makes a move that doesn't get out of check. Then the checking player simply captures the king and claims a victory.\nBecause blitz is a much faster pace game, the illegal move must be noticed within two moves. If it is not, then the current position stands and play continues.\nAt no point is the game cancelled due to an illegal move. Pretty much once a game starts and both players make a move, a result of win, loss, or draw will be recorded."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Did Hillary Clinton propose to punish flag burners in 2005?", "The proposed law co-sponsored by Clinton in 2005 prohibits flag burning under specific circumstances. It does not attempt to make flag burning illegal in general (i.e. outside of those specific circumstances). Clinton has voted against a proposed amendment to the Constitution that would allow Congress to ban flag burning in general.\n\nIn 2005, Clinton co-sponsored the Flag Protection Act of 2005, whose summary is as follows:\n\n> Flag Protection Act of 2005 - Amends the federal criminal code to revise provisions regarding desecration of the flag to prohibit: (1) destroying or damaging a U.S. flag with the primary purpose and intent to incite or produce imminent violence or a breach of the peace; (2) intentionally threatening or intimidating any person, or group of persons, by burning a U.S. flag; or (3) stealing or knowingly converting the use of a U.S. flag belonging to the United States, or belonging to another person on U.S. lands, and intentionally destroying or damaging that flag.\n\nIt seems like a reaction to ongoing efforts to pass a constitutional amendment allowing Congress to ban flag burning, a move that the co-sponsors of the 2005 act oppose and voted against. Its text notes:\n\n> the Bill of Rights is a guarantee of those freedoms and should not be amended in a manner that could be interpreted to restrict freedom, a course that is regularly resorted to by authoritarian governments which fear freedom and not by free and democratic nations\n\nbut suggests that flag burning with intent to incite violence is not protected by the Constitution (unlike flag burning as political expression, which is protected):\n\n> destruction of the flag of the United States can be intended to incite a violent response rather than make a political statement and such conduct is outside the protections afforded by the first amendment to the Constitution.\n\nNote that the distinction between \n\n* banning flag burning for being offensive, and \n* banning flag burning when it incites violence or disturbs the peace\n\nis an important one. The Flag Protection Act proposed in 2005 was essentially a replacement for a previous Flag Protection Act that banned flag burning in general:\n\n> Whoever knowingly mutilates, defaces, physically defiles, burns, maintains on the floor or ground, or tramples upon any flag of the United States shall be fined under this title or imprisoned for not more than one year, or both.\n\nbut this was deemed unconstitutional in United States v. Eichman, 496 U.S. 310 in 1990, on the basis of their earlier (1989) decision in Texas v. Johnson, 491 U.S. 397. There, the Supreme Court noted that\n\n> an important governmental interest in regulating nonspeech can justify incidental limitations on First Amendment freedoms when speech and nonspeech elements are combined in the same course of conduct\n\nbut that in the case under consideration, this did not apply:\n\n> An interest in preventing breaches of the peace is not implicated on this record. \n\nand further noted that \n\n> Expression may not be prohibited [p398] on the basis that an audience that takes serious offense to the expression may disturb the peace, since the Government cannot assume that every expression of a provocative idea will incite a riot, but must look to the actual circumstances surrounding the expression.\n\nClinton was not one of the 59 co-sponsors of a proposed amendment to the constitution that would allow Congress to ban flag burning in general:\n\n> Proposing an amendment to the Constitution of the United States authorizing Congress to prohibit the physical desecration of the flag of the United States.\n\nand she also voted against it. The proposed amendment failed to pass by one vote." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Did Hillary Clinton propose to punish flag burners in 2005?', 'The proposed law co-sponsored by Clinton in 2005 prohibits flag burning under specific circumstances. It does not attempt to make flag burning illegal in general (i.e. outside of those specific circumstances). Clinton has voted against a proposed amendment to the Constitution that would allow Congress to ban flag burning in general.\n\nIn 2005, Clinton co-sponsored the Flag Protection Act of 2005, whose summary is as follows:\n\n> Flag Protection Act of 2005 - Amends the federal criminal code to revise provisions regarding desecration of the flag to prohibit: (1) destroying or damaging a U.S. flag with the primary purpose and intent to incite or produce imminent violence or a breach of the peace; (2) intentionally threatening or intimidating any person, or group of persons, by burning a U.S. flag; or (3) stealing or knowingly converting the use of a U.S. flag belonging to the United States, or belonging to another person on U.S. lands, and intentionally destroying or damaging that flag.\n\nIt seems like a reaction to ongoing efforts to pass a constitutional amendment allowing Congress to ban flag burning, a move that the co-sponsors of the 2005 act oppose and voted against. Its text notes:\n\n> the Bill of Rights is a guarantee of those freedoms and should not be amended in a manner that could be interpreted to restrict freedom, a course that is regularly resorted to by authoritarian governments which fear freedom and not by free and democratic nations\n\nbut suggests that flag burning with intent to incite violence is not protected by the Constitution (unlike flag burning as political expression, which is protected):\n\n> destruction of the flag of the United States can be intended to incite a violent response rather than make a political statement and such conduct is outside the protections afforded by the first amendment to the Constitution.\n\nNote that the distinction between \n\n* banning flag burning for being offensive, and \n* banning flag burning when it incites violence or disturbs the peace\n\nis an important one. The Flag Protection Act proposed in 2005 was essentially a replacement for a previous Flag Protection Act that banned flag burning in general:\n\n> Whoever knowingly mutilates, defaces, physically defiles, burns, maintains on the floor or ground, or tramples upon any flag of the United States shall be fined under this title or imprisoned for not more than one year, or both.\n\nbut this was deemed unconstitutional in United States v. Eichman, 496 U.S. 310 in 1990, on the basis of their earlier (1989) decision in Texas v. Johnson, 491 U.S. 397. There, the Supreme Court noted that\n\n> an important governmental interest in regulating nonspeech can justify incidental limitations on First Amendment freedoms when speech and nonspeech elements are combined in the same course of conduct\n\nbut that in the case under consideration, this did not apply:\n\n> An interest in preventing breaches of the peace is not implicated on this record. \n\nand further noted that \n\n> Expression may not be prohibited [p398] on the basis that an audience that takes serious offense to the expression may disturb the peace, since the Government cannot assume that every expression of a provocative idea will incite a riot, but must look to the actual circumstances surrounding the expression.\n\nClinton was not one of the 59 co-sponsors of a proposed amendment to the constitution that would allow Congress to ban flag burning in general:\n\n> Proposing an amendment to the Constitution of the United States authorizing Congress to prohibit the physical desecration of the flag of the United States.\n\nand she also voted against it. The proposed amendment failed to pass by one vote.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "Extract the summer olympics host city election results from the article in the table format.\n\nThe International Olympic Committee (IOC) voted to select the host city of the 2020 Summer Olympics on 7 September 2013, at the 125th IOC Session in Buenos Aires, Argentina, using an exhaustive ballot system. In the first round, Japan won 42 votes, but Madrid and Istanbul were tied for second place with 26 votes each, so a runoff vote was held to determine which of the two cities would be eliminated. Istanbul beat Madrid 49-45 and advanced to the final. The final vote was a head-to-head contest between Tokyo and Istanbul. Tokyo was selected by 60 votes to 36, gaining at least the 49 votes required for a majority.", "Here is the table that summarizes the summer olympics host city election results:\n\n| City | Team | Round 1 | Runoff | Round 2 |\n|----------|-------|-------|------|-------|\n| Tokyo | Japan | 42 | - | 60 |\n| Istanbul | Turkey| 26 | 49 | 36 |\n| Madrid | Spain | 26 | 45 | - |" ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Extract the summer olympics host city election results from the article in the table format.\n\nThe International Olympic Committee (IOC) voted to select the host city of the 2020 Summer Olympics on 7 September 2013, at the 125th IOC Session in Buenos Aires, Argentina, using an exhaustive ballot system. In the first round, Japan won 42 votes, but Madrid and Istanbul were tied for second place with 26 votes each, so a runoff vote was held to determine which of the two cities would be eliminated. Istanbul beat Madrid 49-45 and advanced to the final. The final vote was a head-to-head contest between Tokyo and Istanbul. Tokyo was selected by 60 votes to 36, gaining at least the 49 votes required for a majority.', 'Here is the table that summarizes the summer olympics host city election results:\n\n| City | Team | Round 1 | Runoff | Round 2 |\n|----------|-------|-------|------|-------|\n| Tokyo | Japan | 42 | - | 60 |\n| Istanbul | Turkey| 26 | 49 | 36 |\n| Madrid | Spain | 26 | 45 | - |']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "Why some women go up a shoe size after pregnancy?", "During pregnancy, the body produces higher levels of the hormone \"relaxin\". As its name might imply, relaxin helps loosing muscles and ligaments to accomodate the growing fetus and to prepare for giving birth.\nThe ligaments in the feet loosen as well, causing the bones to strech further apart. This effect is amplified by the added pregnancy weight, causing some women to go up a full shoe size during pregnancy." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Why some women go up a shoe size after pregnancy?', 'During pregnancy, the body produces higher levels of the hormone "relaxin". As its name might imply, relaxin helps loosing muscles and ligaments to accomodate the growing fetus and to prepare for giving birth.\nThe ligaments in the feet loosen as well, causing the bones to strech further apart. This effect is amplified by the added pregnancy weight, causing some women to go up a full shoe size during pregnancy.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "Can you evaluate and compare the accomplishments of Michael Jordan and LeBron James using the data presented in the table, covering various aspects?\n\n\n| | Michael Jordan | LeBron James |\n|-----------------------|----------------|--------------|\n| final championships | 6 | 4 |\n| MVP | 5 | 4 |\n| FMVP | 6 | 4 |\n| All-star Team | 14 | 17 |\n| Total Score | 32292 | 38652 |\n| Field goal percentage | 49.70% | 50.42% |\n| Free throw percentage | 83.50% | 72.30% |\n| Assist | 5633 | 10420 |\n| Rebound | 6672 | 10550 |\n| Steal | 2514 | 2102 |\n| Block | 893 | 1065 |\n| Triple pair | 28 | 105 |", "Michael Jordan and LeBron James are widely considered to be two of the greatest basketball players of all time, with both having accomplished a significant amount in their careers. However, the evaluation of their achievements is open to personal interpretation, and there is no clear consensus on which one is superior. The table data that follows provides an impartial summary of their accomplishments.\n\n* Final championships: Michael Jordan has been victorious in six NBA championship tournaments, whereas LeBron James has attained four NBA championship titles.\n* MVP awards: Both players have won four NBA MVP awards.\n* Finals MVP awards: Michael Jordan has won six NBA Finals MVP awards, while LeBron James has won four NBA Finals MVP awards.\n* All-Star appearances: Jordan was chosen as an All-Star team member on 14 occasions, whereas James has been selected 17 times.\n* Total score: LeBron James has scored more total points than Michael Jordan, with 38652 points compared to Jordan's 32292 points.\n* Field goal percentage: LeBron James has a slightly higher field goal percentage than Michael Jordan, with a percentage of 50.42% compared to Jordan's 49.70%.\n* Free throw percentage: Michael Jordan has a significantly higher free throw percentage than LeBron James, with a percentage of 83.50% compared to James's 72.30%.\n* Assists: LeBron James has more career assists than Michael Jordan, with 10420 assists compared to Jordan's 5633.\n* Rebounds: LeBron James has more career rebounds than Michael Jordan, with 10550 rebounds compared to Jordan's 6672.\n* Steals: Michael Jordan has more career steals than LeBron James, with 2514 steals compared to James's 2102.\n* Blocks: LeBron James has more career blocks than Michael Jordan, with 1065 blocks compared to Jordan's 893.\n* Triple doubles: LeBron James has more career triple doubles than Michael Jordan, with 105 triple doubles compared to Jordan's 28.\n\nTaking all these factors into consideration, we can conclude that Jordan and James are both exceptional players who have achieved high levels of success in different eras and circumstances. While the comparison between the two players is to some extent subjective, their performances and achievements cannot be ignored. We should cherish the classic games and memories of these two players and respect their individual talents and achievements. It should also be noted that while the two players are very similar in many ways, they are also very different. Therefore, we should not compare them too much, but appreciate them for their individual characteristics and achievements." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Can you evaluate and compare the accomplishments of Michael Jordan and LeBron James using the data presented in the table, covering various aspects?\n\n\n| | Michael Jordan | LeBron James |\n|-----------------------|----------------|--------------|\n| final championships | 6 | 4 |\n| MVP | 5 | 4 |\n| FMVP | 6 | 4 |\n| All-star Team | 14 | 17 |\n| Total Score | 32292 | 38652 |\n| Field goal percentage | 49.70% | 50.42% |\n| Free throw percentage | 83.50% | 72.30% |\n| Assist | 5633 | 10420 |\n| Rebound | 6672 | 10550 |\n| Steal | 2514 | 2102 |\n| Block | 893 | 1065 |\n| Triple pair | 28 | 105 |', "Michael Jordan and LeBron James are widely considered to be two of the greatest basketball players of all time, with both having accomplished a significant amount in their careers. However, the evaluation of their achievements is open to personal interpretation, and there is no clear consensus on which one is superior. The table data that follows provides an impartial summary of their accomplishments.\n\n* Final championships: Michael Jordan has been victorious in six NBA championship tournaments, whereas LeBron James has attained four NBA championship titles.\n* MVP awards: Both players have won four NBA MVP awards.\n* Finals MVP awards: Michael Jordan has won six NBA Finals MVP awards, while LeBron James has won four NBA Finals MVP awards.\n* All-Star appearances: Jordan was chosen as an All-Star team member on 14 occasions, whereas James has been selected 17 times.\n* Total score: LeBron James has scored more total points than Michael Jordan, with 38652 points compared to Jordan's 32292 points.\n* Field goal percentage: LeBron James has a slightly higher field goal percentage than Michael Jordan, with a percentage of 50.42% compared to Jordan's 49.70%.\n* Free throw percentage: Michael Jordan has a significantly higher free throw percentage than LeBron James, with a percentage of 83.50% compared to James's 72.30%.\n* Assists: LeBron James has more career assists than Michael Jordan, with 10420 assists compared to Jordan's 5633.\n* Rebounds: LeBron James has more career rebounds than Michael Jordan, with 10550 rebounds compared to Jordan's 6672.\n* Steals: Michael Jordan has more career steals than LeBron James, with 2514 steals compared to James's 2102.\n* Blocks: LeBron James has more career blocks than Michael Jordan, with 1065 blocks compared to Jordan's 893.\n* Triple doubles: LeBron James has more career triple doubles than Michael Jordan, with 105 triple doubles compared to Jordan's 28.\n\nTaking all these factors into consideration, we can conclude that Jordan and James are both exceptional players who have achieved high levels of success in different eras and circumstances. While the comparison between the two players is to some extent subjective, their performances and achievements cannot be ignored. We should cherish the classic games and memories of these two players and respect their individual talents and achievements. It should also be noted that while the two players are very similar in many ways, they are also very different. Therefore, we should not compare them too much, but appreciate them for their individual characteristics and achievements."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "You are a pet, write a love letter to its owner.", "Owner, Master, Friend, Protector;\nI loved you when I was small and new in this world, and nothing made sense. Your heart seemed so sad, so I cuddled you until the hurt stopped. I loved when we played find-the-toy, you were so happy when I found them all! When I couldn't hold my bladder, you never screamed or raised a fist, you only said \"bad\". You protected me from the thunderstorms, where the house shook and the air screamed. Gently, coaxed me from under the bed, and held me through the night.\nWhen I chased the evil squirrel through bushes, you ran after me yelling for me to stop. Even though I was bad, you brushed the painful spike-balls from my fur. Our walks were the best, I sniffed and peed on everything in our path!\nIn the dog park, when I got out and those strange-smelling men threw bottles at me, I didn't know what I did wrong. I was so scared and hurt so much. You were terrifying. I never saw you so scary, I didn't know your gentle hands were capable of causing pain. By the end, they hurt more then I did. You picked me up and held me close, I knew I was safe.\nEven though my fur is grey and my walk is slow, you take me on walks. I still sniff and pee on everything. I can't see your face anymore, but I will always recognize your touch. Your sadness has been gone for so long, but it is coming back. The white-coat man touched my tummy, felt my skin. He says he can't remove the bumps, and you should let me go. You pull me close and cry and whisper \"Don't go\", but I don't understand. I will never leave you, and I know you will never leave me.\nI lick your face and cuddle you, but you just cry more. I love you and don't want you to be sad. You lay beside me and the vet gives me a shot. I am so tired, I guess it is time for a nap. When we wake up I hope we can play find-the-toy." ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['You are a pet, write a love letter to its owner.', 'Owner, Master, Friend, Protector;\nI loved you when I was small and new in this world, and nothing made sense. Your heart seemed so sad, so I cuddled you until the hurt stopped. I loved when we played find-the-toy, you were so happy when I found them all! When I couldn\'t hold my bladder, you never screamed or raised a fist, you only said "bad". You protected me from the thunderstorms, where the house shook and the air screamed. Gently, coaxed me from under the bed, and held me through the night.\nWhen I chased the evil squirrel through bushes, you ran after me yelling for me to stop. Even though I was bad, you brushed the painful spike-balls from my fur. Our walks were the best, I sniffed and peed on everything in our path!\nIn the dog park, when I got out and those strange-smelling men threw bottles at me, I didn\'t know what I did wrong. I was so scared and hurt so much. You were terrifying. I never saw you so scary, I didn\'t know your gentle hands were capable of causing pain. By the end, they hurt more then I did. You picked me up and held me close, I knew I was safe.\nEven though my fur is grey and my walk is slow, you take me on walks. I still sniff and pee on everything. I can\'t see your face anymore, but I will always recognize your touch. Your sadness has been gone for so long, but it is coming back. The white-coat man touched my tummy, felt my skin. He says he can\'t remove the bumps, and you should let me go. You pull me close and cry and whisper "Don\'t go", but I don\'t understand. I will never leave you, and I know you will never leave me.\nI lick your face and cuddle you, but you just cry more. I love you and don\'t want you to be sad. You lay beside me and the vet gives me a shot. I am so tired, I guess it is time for a nap. When we wake up I hope we can play find-the-toy.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "Are we alone in the universe?", "Humanity has yet to find evidence for life outside planet Earth.\n\nThe current search for extraterrestrial life is largely focused on finding planets that are situated in an \"habitable zone\". Roughly put, a planet is in a habitable zone if its distance from nearby stars allows for liquid water to persist on its surface.\nSo far, a few such planets have been found, but none yet with liquid water on its surface." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Are we alone in the universe?', 'Humanity has yet to find evidence for life outside planet Earth.\n\nThe current search for extraterrestrial life is largely focused on finding planets that are situated in an "habitable zone". Roughly put, a planet is in a habitable zone if its distance from nearby stars allows for liquid water to persist on its surface.\nSo far, a few such planets have been found, but none yet with liquid water on its surface.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "I've found that some people call JavaScript a \"dynamically, weakly typed\" language, but some even say \"untyped\"? Which is it really?", "strong/weak can be thought of in relation to how the compiler, if applicable, handles typing.\n\n* Weakly typed means the compiler, if applicable, doesn't enforce correct typing. Without implicit compiler interjection, the instruction will error during run-time.\n```\"12345\" * 1 === 12345 // string * number => number\n```\nStrongly typed means there is a compiler, and it wants you an explicit cast from string to integer.\n```(int) \"12345\" * 1 === 12345\n```\nIn either case, some compiler's features can implicitly alter the instruction during compile-time to do conversions for you, if it can determine that is the right thing to do.\nThus far, JavaScript can be categorized as Not-Strongly-Typed. That either means it's weakly-typed or un-typed.\n\ndynamic/static can be thought of in relation to how the language instructions manipulate types.\n\n* Dynamically typed means the value's type is enforced, but the variable simply represents any value of any type.\n```x = 12345; // number\nx = \"string\"; // string\nx = { key: \"value\" }; // object\ny = 123 + x; // error or implicit conversion must take place.\n```\nStatically typed means the variable type is strongly enforced, and the value type is less-so enforced.\n```int x = 12345; // binds x to the type int\nx = \"string\"; // too late, x is an integer - error\nstring y = 123; // error or implicit conversion must take place.\n```\nThus far, JavaScript can be categorized as Not-Statically-Typed. Also, it appears to be Dynamically Typed, if typed at all. So we need to see what Typing means.\n\nTyped means that the language distinguishes between different types such as string, number, boolean, object, array, null, undefined and so on. Also each operation is bound to specific types. So you cannot divide an integer by a string.\n``` 2 / \"blah\" // produces NaN\n```\nUntyped means the operation of dividing integer by string would result in treating the first four bytes of string as integer. This is because Untyped operations take place directly on bits, there are no types to observe. The outcome will be something quite unexpected:\n``` 2 / \"blah\" // will be treated as 2 / 1500275048\n```\nSince JavaScript behaves according to the definition of being Typed, it must be. And therefore it must be Dynamically Typed, and Weakly Typed.\nIf anybody claims JavaScript is Untyped, it is merely for academic theory, not for practical application." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I\'ve found that some people call JavaScript a "dynamically, weakly typed" language, but some even say "untyped"? Which is it really?', 'strong/weak can be thought of in relation to how the compiler, if applicable, handles typing.\n\n* Weakly typed means the compiler, if applicable, doesn\'t enforce correct typing. Without implicit compiler interjection, the instruction will error during run-time.\n```"12345" * 1 === 12345 // string * number => number\n```\nStrongly typed means there is a compiler, and it wants you an explicit cast from string to integer.\n```(int) "12345" * 1 === 12345\n```\nIn either case, some compiler\'s features can implicitly alter the instruction during compile-time to do conversions for you, if it can determine that is the right thing to do.\nThus far, JavaScript can be categorized as Not-Strongly-Typed. That either means it\'s weakly-typed or un-typed.\n\ndynamic/static can be thought of in relation to how the language instructions manipulate types.\n\n* Dynamically typed means the value\'s type is enforced, but the variable simply represents any value of any type.\n```x = 12345; // number\nx = "string"; // string\nx = { key: "value" }; // object\ny = 123 + x; // error or implicit conversion must take place.\n```\nStatically typed means the variable type is strongly enforced, and the value type is less-so enforced.\n```int x = 12345; // binds x to the type int\nx = "string"; // too late, x is an integer - error\nstring y = 123; // error or implicit conversion must take place.\n```\nThus far, JavaScript can be categorized as Not-Statically-Typed. Also, it appears to be Dynamically Typed, if typed at all. So we need to see what Typing means.\n\nTyped means that the language distinguishes between different types such as string, number, boolean, object, array, null, undefined and so on. Also each operation is bound to specific types. So you cannot divide an integer by a string.\n``` 2 / "blah" // produces NaN\n```\nUntyped means the operation of dividing integer by string would result in treating the first four bytes of string as integer. This is because Untyped operations take place directly on bits, there are no types to observe. The outcome will be something quite unexpected:\n``` 2 / "blah" // will be treated as 2 / 1500275048\n```\nSince JavaScript behaves according to the definition of being Typed, it must be. And therefore it must be Dynamically Typed, and Weakly Typed.\nIf anybody claims JavaScript is Untyped, it is merely for academic theory, not for practical application.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to append an item to list in a for loop in python?", "To append an item to a list, you can use the list object's `append()` method. Below is a running example where we want to append the integers from 1 to 10 to the original list `l`.\n\n```\n# original list\nl = [-3, -2, -1, 0]\n# for loop for adding integer\nfor i in range(11):\n # append an integer\n l.append(i)\n\n# print out the modified list\nprint(l)\n```\n\nThe output of the above code is \n```\n[-3, -2, -1, 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10]\n```" ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to append an item to list in a for loop in python?', "To append an item to a list, you can use the list object's `append()` method. Below is a running example where we want to append the integers from 1 to 10 to the original list `l`.\n\n```\n# original list\nl = [-3, -2, -1, 0]\n# for loop for adding integer\nfor i in range(11):\n # append an integer\n l.append(i)\n\n# print out the modified list\nprint(l)\n```\n\nThe output of the above code is \n```\n[-3, -2, -1, 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10]\n```"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "How to apply for a marriage license in kentucky?", "Getting a marriage license if Kentucky is a relatively simple process. The couple needs to visit a county clerk’s office, complete an application, and pay an application fee. There are some additional requirements if either party is under 18 years old.\n\n## Get a marriage license in kentucky if both party be over 18\n\n1. Visit the county clerk’s office to apply for a marriage license. You can apply to any county clerk’s office, unless the bride-to-be is under 18 years old. In that case, you must apply at the clerk’s office in the county where she resides. Both parties must be present to obtain a license. Some counties have more than one office. For example, Jefferson County has seven different branch locations you could use. Check your county’s website for specific locations.\n2. Present your identification. You will need to present a Social Security card or some other government-issued form of identification in order to complete the application for a marriage license. Until July 15, 2016, the county clerk is required to report the Social Security numbers of all marriage license applicants to the Cabinet for Health and Family Services to verify that there are no outstanding child support issues. After July 15, 2016, the Social Security number will be requested as a form of identification, but the number will not be recorded or shared with any other agency. At least one county clerk’s website says that a Social Security card is not required, but some other identification is acceptable (driver’s license, passport). You may wish to check with the specific clerk you intend to use.\n3. Complete the marriage license application. The application will ask you to provide certain information, along with signing a statement that all the information is true, to the best of your knowledge. The information that you must provide, for each person, is:\n\t* name\n\t* date of birth\n\t* place of birth\n\t* race\n\t* gender\n\t* current marital “situation” (single, divorced, widowed)\n\t* number of previous marriages\n\t* occupation\n\t* current residence (you must provide your residence, but you are not required to be a Kentucky resident)\n\t* relationship to each other (in Kentucky, nobody who is related any closer than second cousin may get married)\n\t* full names of parents\n\t* date of marriage\n4. Pay the fee for the marriage license. In any county in Kentucky, the fee for obtaining a marriage license is $35. The clerk’s office is able to accept cash, certified checks, cashier's checks or money orders. In some cases, credit cards are acceptable as well. You should check the county’s website or call the clerk’s office to verify.\n5. Complete the marriage ceremony within 30 days of receiving your license. If the 30-day time frame lapses, both applicants must repeat the whole process, which includes re-paying the $35 fee.\n\n\n## Get a marriage license in kentucky if either party be under 18\n\n1. Apply in the county where the bride lives. This is a requirement if the bride-to-be is under 18 years old. Otherwise, you can apply in any county in Kentucky, if the bride-to-be is 18 years old or older. There is no similar requirement based on the age of the male.\n2. Get your parents’ consent. If either of the people getting married is under 18, but over 16, then that person's parent must consent to the marriage, in writing. If both the bride and groom are under 18, then the parents of each must consent. Your parents will need to complete a Consent to Marriage Form, which is available from the clerk’s office. This applies to people who are under 18, but over 16, years old. This includes people who have had their 16th or 17th birthday. If your parents are divorced or separated and there has been an order issuing them joint custody, then they both must sign the application. If your parents are divorced or separated but there has not been an order of joint custody, then the parent who has legal custody must be the one to give consent. If a court has ordered a legal guardian for the person under 18, then that guardian must give consent.\n3. Get an order from a judge under special circumstances. If the female getting married is pregnant, and is under 16 years of age, then you must apply for an order from a District Judge to get a marriage license. This is the only circumstance that allows someone under 16 years old to get married. There is an additional $5 fee for a District Judge consent order.\n4. Be prepared for the consequences if you don’t have consent. If someone under 18 gets married in Kentucky without the proper consent, the court will issue a “receiver.” This is someone, appointed by the court, who will take legal possession and control of your property until you turn 18. During that time, the receiver will pay your bills and expenses, and is entitled to take a fee for his services out of your property as well.\n5. Complete the marriage license application. After you have the appropriate consent, you will both need to visit the county clerk and complete the marriage license application. You will need proper identification, in the form of a social security card, passport or driver's license, and a $35 fee. To complete the application, you will need to provide:\n\t* name\n\t* date of birth\n\t* place of birth\n\t* race\n\t* gender\n\t* current marital “situation” (single, divorced, widowed)\n\t* number of previous marriages\n\t* occupation\n\t* current residence (you must provide your residence, but you are not required to be a Kentucky resident)\n\t* relationship to each other (in Kentucky, nobody who is related any closer than second cousin may get married)\n\t* full names of parents\n\t* date of marriage\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to apply for a marriage license in kentucky?', "Getting a marriage license if Kentucky is a relatively simple process. The couple needs to visit a county clerk’s office, complete an application, and pay an application fee. There are some additional requirements if either party is under 18 years old.\n\n## Get a marriage license in kentucky if both party be over 18\n\n1. Visit the county clerk’s office to apply for a marriage license. You can apply to any county clerk’s office, unless the bride-to-be is under 18 years old. In that case, you must apply at the clerk’s office in the county where she resides. Both parties must be present to obtain a license. Some counties have more than one office. For example, Jefferson County has seven different branch locations you could use. Check your county’s website for specific locations.\n2. Present your identification. You will need to present a Social Security card or some other government-issued form of identification in order to complete the application for a marriage license. Until July 15, 2016, the county clerk is required to report the Social Security numbers of all marriage license applicants to the Cabinet for Health and Family Services to verify that there are no outstanding child support issues. After July 15, 2016, the Social Security number will be requested as a form of identification, but the number will not be recorded or shared with any other agency. At least one county clerk’s website says that a Social Security card is not required, but some other identification is acceptable (driver’s license, passport). You may wish to check with the specific clerk you intend to use.\n3. Complete the marriage license application. The application will ask you to provide certain information, along with signing a statement that all the information is true, to the best of your knowledge. The information that you must provide, for each person, is:\n\t* name\n\t* date of birth\n\t* place of birth\n\t* race\n\t* gender\n\t* current marital “situation” (single, divorced, widowed)\n\t* number of previous marriages\n\t* occupation\n\t* current residence (you must provide your residence, but you are not required to be a Kentucky resident)\n\t* relationship to each other (in Kentucky, nobody who is related any closer than second cousin may get married)\n\t* full names of parents\n\t* date of marriage\n4. Pay the fee for the marriage license. In any county in Kentucky, the fee for obtaining a marriage license is $35. The clerk’s office is able to accept cash, certified checks, cashier's checks or money orders. In some cases, credit cards are acceptable as well. You should check the county’s website or call the clerk’s office to verify.\n5. Complete the marriage ceremony within 30 days of receiving your license. If the 30-day time frame lapses, both applicants must repeat the whole process, which includes re-paying the $35 fee.\n\n\n## Get a marriage license in kentucky if either party be under 18\n\n1. Apply in the county where the bride lives. This is a requirement if the bride-to-be is under 18 years old. Otherwise, you can apply in any county in Kentucky, if the bride-to-be is 18 years old or older. There is no similar requirement based on the age of the male.\n2. Get your parents’ consent. If either of the people getting married is under 18, but over 16, then that person's parent must consent to the marriage, in writing. If both the bride and groom are under 18, then the parents of each must consent. Your parents will need to complete a Consent to Marriage Form, which is available from the clerk’s office. This applies to people who are under 18, but over 16, years old. This includes people who have had their 16th or 17th birthday. If your parents are divorced or separated and there has been an order issuing them joint custody, then they both must sign the application. If your parents are divorced or separated but there has not been an order of joint custody, then the parent who has legal custody must be the one to give consent. If a court has ordered a legal guardian for the person under 18, then that guardian must give consent.\n3. Get an order from a judge under special circumstances. If the female getting married is pregnant, and is under 16 years of age, then you must apply for an order from a District Judge to get a marriage license. This is the only circumstance that allows someone under 16 years old to get married. There is an additional $5 fee for a District Judge consent order.\n4. Be prepared for the consequences if you don’t have consent. If someone under 18 gets married in Kentucky without the proper consent, the court will issue a “receiver.” This is someone, appointed by the court, who will take legal possession and control of your property until you turn 18. During that time, the receiver will pay your bills and expenses, and is entitled to take a fee for his services out of your property as well.\n5. Complete the marriage license application. After you have the appropriate consent, you will both need to visit the county clerk and complete the marriage license application. You will need proper identification, in the form of a social security card, passport or driver's license, and a $35 fee. To complete the application, you will need to provide:\n\t* name\n\t* date of birth\n\t* place of birth\n\t* race\n\t* gender\n\t* current marital “situation” (single, divorced, widowed)\n\t* number of previous marriages\n\t* occupation\n\t* current residence (you must provide your residence, but you are not required to be a Kentucky resident)\n\t* relationship to each other (in Kentucky, nobody who is related any closer than second cousin may get married)\n\t* full names of parents\n\t* date of marriage\n"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>
[ "Pretend to be a news reporter. How would you ask questions during an interview with a public figure?", "An important thing to remember when interviewing anyone is that you already know the broad strokes of what they're going to say. You did your research beforehand, you know their position on the topic, you probably have a good idea of their background and how they came to their position. What you want to do is get them to fill in the details, to provide color and depth to the story.\n\nHre are some example questions I would ask if I were a news reporter:\n\n(Opening statement) Good evening. I'm (name), and this is (name of show). Tonight, we're joined by (name of guest), (title or occupation of guest). Thank you for joining us.\n(First question) Let's start at the beginning. How did you become involved in (subject of interview)?\n(Second question) Many of our viewers may not be familiar with the intricacies of (subject of interview). Can you explain (complex concept in subject) in terms the average person can understand?\n(Third question) (Name of guest), you've been extremely critical of (name of opponent or person with opposing viewpoint). Do you feel your statements have been misconstrued, or do you stand by them?\n(Fourth question) (Name of guest), you've been involved in (subject of interview) for (number of years). How do you feel the situation has changed over that time?\n(Final question) (Name of guest), we've just about run out of time, but I'd like to give you a chance to make one final statement, or to address any issues that we haven't covered tonight." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['Pretend to be a news reporter. How would you ask questions during an interview with a public figure?', "An important thing to remember when interviewing anyone is that you already know the broad strokes of what they're going to say. You did your research beforehand, you know their position on the topic, you probably have a good idea of their background and how they came to their position. What you want to do is get them to fill in the details, to provide color and depth to the story.\n\nHre are some example questions I would ask if I were a news reporter:\n\n(Opening statement) Good evening. I'm (name), and this is (name of show). Tonight, we're joined by (name of guest), (title or occupation of guest). Thank you for joining us.\n(First question) Let's start at the beginning. How did you become involved in (subject of interview)?\n(Second question) Many of our viewers may not be familiar with the intricacies of (subject of interview). Can you explain (complex concept in subject) in terms the average person can understand?\n(Third question) (Name of guest), you've been extremely critical of (name of opponent or person with opposing viewpoint). Do you feel your statements have been misconstrued, or do you stand by them?\n(Fourth question) (Name of guest), you've been involved in (subject of interview) for (number of years). How do you feel the situation has changed over that time?\n(Final question) (Name of guest), we've just about run out of time, but I'd like to give you a chance to make one final statement, or to address any issues that we haven't covered tonight."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "I am from Kenya. Can I travel to the Netherlands to seek asylum with out a visa, because I want to seek asylum? Will Kenya Airways allow me to board a plane with out a visa to Schiphol Airport, considering I have my passport?", "The answer appears to be no: it is extremely unlikely that the airline will allow you to board. A Kenyan citizen who wishes to enter the Netherlands must have a visa, proof of sufficient funds to cover their stay, and documents necessary for entry to their next destination. What's more, airlines are required to give special scrutiny to passengers from Kenya:\n\n> Airlines flying from the following airports to the Netherlands:\n\nAbu Dhabi (AUH), Accra (ACC), Bahrain (BAH), Beijing Capital (PEK), Boryspil (KBP), Cairo (CAI), Damman (DMM), Dar Es Salaam (DAR), Dubai (DXB), Entebbe (EBB), Guangzhou (CAN), Hong Kong (HKG), Hamad (DOH), Istanbul Ataturk (IST), Istanbul Sabiha Gokcen (SAW), Johannesburg (JNB), Kigali (KGL), Kilimanjaro (JRO), Kuala Lumpur (KUL), Kuwait (KWI), Lagos (LOS), Moscow Sheremetyevo (SVO), Muscat (MCT), Nairobi (NB ), New Delhi (DEL), Sao Paulo (GRU), Singapore (SIN) and Teheran (IKA) must provide copies of travel documents of all passengers on these flights in case they do not hold proper travel documents upon arrival i the Netherlands and are inadmissible. Copies must include the data page of the passport/travel document, the page with the visa and the page with departure/clearance stamp, where applicable. Non-compliance with these entry regulations will result in fines up to EUR 11,250.– per passenger for the carrier.\n\nAs you can see from the last sentence, the airline will have a strong incentive to check your travel documents before you board the plane.", "What is the source for the quoted material?", "The source is from Timatic (Travel Information Manual Automatic), which is a database containing documentation requirements for passengers traveling internationally via air, e.g. passport and visa requirements. The answer above was based on the scenario of a Kenyan citizen traveling directly from Kenya, whose destination was the Netherlands and had proof of return/onward travel, was planning to stay for 5 days, and had approximately three years of validity remaining on their Kenyan passport." ]
multi_turn
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['I am from Kenya. Can I travel to the Netherlands to seek asylum with out a visa, because I want to seek asylum? Will Kenya Airways allow me to board a plane with out a visa to Schiphol Airport, considering I have my passport?', "The answer appears to be no: it is extremely unlikely that the airline will allow you to board. A Kenyan citizen who wishes to enter the Netherlands must have a visa, proof of sufficient funds to cover their stay, and documents necessary for entry to their next destination. What's more, airlines are required to give special scrutiny to passengers from Kenya:\n\n> Airlines flying from the following airports to the Netherlands:\n\nAbu Dhabi (AUH), Accra (ACC), Bahrain (BAH), Beijing Capital (PEK), Boryspil (KBP), Cairo (CAI), Damman (DMM), Dar Es Salaam (DAR), Dubai (DXB), Entebbe (EBB), Guangzhou (CAN), Hong Kong (HKG), Hamad (DOH), Istanbul Ataturk (IST), Istanbul Sabiha Gokcen (SAW), Johannesburg (JNB), Kigali (KGL), Kilimanjaro (JRO), Kuala Lumpur (KUL), Kuwait (KWI), Lagos (LOS), Moscow Sheremetyevo (SVO), Muscat (MCT), Nairobi (NB ), New Delhi (DEL), Sao Paulo (GRU), Singapore (SIN) and Teheran (IKA) must provide copies of travel documents of all passengers on these flights in case they do not hold proper travel documents upon arrival i the Netherlands and are inadmissible. Copies must include the data page of the passport/travel document, the page with the visa and the page with departure/clearance stamp, where applicable. Non-compliance with these entry regulations will result in fines up to EUR 11,250.– per passenger for the carrier.\n\nAs you can see from the last sentence, the airline will have a strong incentive to check your travel documents before you board the plane.", 'What is the source for the quoted material?', 'The source is from Timatic (Travel Information Manual Automatic), which is a database containing documentation requirements for passengers traveling internationally via air, e.g. passport and visa requirements. The answer above was based on the scenario of a Kenyan citizen traveling directly from Kenya, whose destination was the Netherlands and had proof of return/onward travel, was planning to stay for 5 days, and had approximately three years of validity remaining on their Kenyan passport.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> multi_turn<|eot_id|><|eot_id|>
[ "I find that the survivability and general performance of my party increases massively from levels 1 to 2. At times, level 1 feels like a completely different game from level 2. However, I can't fathom how or why. I think that the availability of healing has something to do with it. From a mechanical perspective, is there any deep reason why level 1 and level 2 seem so radically different? Furthermore, why I do find no similar differences between later levels, such as 6 and 7?", "Welcome to Rusty Dagger Shanktown!\nWhat you have noticed is very widely commented upon—1st level is often called “rusty dagger shanktown.” It’s hyper-lethal, rather than the kind of heroic fantasy Dungeons & Dragons pitches itself as. It is very, very difficult for 1st-level PCs to actually really adventure at all. Many, many groups avoid 1st for this reason (many skip 2nd too, even though it is already dramatically different). Personally, I’ll include 1st level often, but the PCs basically always level-up to 2nd almost entirely on roleplaying XP.\nNote that this isn’t unique to 3.5e; it goes back to the earliest days of D&D. Pathfinder, of course, inherited it from 3.5e (I don’t know about PF 2e). It’s also very much still true in 5e—after 4e actually managed to avoid it, which may mean that this is considered a “feature” by some, enough that Wizards of the Coast felt the need to restore it as part of 5e’s general “return to form” after the divisive fourth edition.\nAnyway, the primary causes of rusty dagger shanktown:\nHit points\nAlmost anyone can one-shot almost any 1st-level character. It’s very, very easy to have 6 hp in a world where a decent, but basic, weapon’s base damage averages 7. Even smaller weapons can easily deal that much damage, either through luck or skill. We expect 1st-level characters to often go down in one hit.\nA 2nd-level character can have nearly twice as much hp. Actually, could easily be twice as much, if they multiclass from a small-HD class to a large-HD class. That drastically changes the game, because suddenly you can feel reasonably confident that you aren’t going to just suddenly die before anyone can do anything. Healing actually becomes relevant, where at 1st it’s often too little, too late.\nNotably, this only has this effect because damage doesn’t grow at the same rate. The base damage of weapons is fixed, and ability scores start at double digits but grow very slowly from there. That’s the biggest chunk of early damage for most characters. Even beyond that, a lot of damage boosts—inspire courage, rage, sneak attack—come at 1st anyway. And monsters tend to kind of mirror these trends.\nSo what ends up happening is that a 1st-level character can’t really take a chance in order to get something accomplished. A 2nd-level character can feel reasonably comfortable taking a chance at least once. That dramatically affects the style of play. At 2nd-level D&D literally feels like a different game. Really, it is a different game.\nWealth\nCharacters start with less than 200 gp worth of gear. That’s not enough for a masterwork weapon, not enough even for non-masterwork medium or heavy armors, definitely not enough for any kind of magic item beyond maybe an extremely basic consumable. No 1st-level character has even their complete basic kit yet.\nThe expected wealth of a 2nd-level character is 900 gp. That can afford masterwork armor of anything short of full-plate, and for many armors leave enough left over for a masterwork weapon. Most importantly, that is enough money for a party of 4 to trivially afford a wand of cure light wounds. A wand of cure light wounds is a game-changer. It means you can easily start every fight at full hp. And with 2nd-level hp, that means you can actually take a few risks.\n2nd-level features\nThis varies considerably from one class to the next, but several classes get major class features at 2nd level. The paladin’s 2nd-level feature, divine grace, might be the single greatest class feature in the game (assuming we don’t count “spells” and the like as a singular feature). Rangers don’t get their combat style until 2nd. Bards get 1st-level spells at 2nd (though inspire courage from 1st level is probably more important). Outside of core, meldshapers don’t get any chakra binds until 2nd, which can leave them with zero offense at 1st. Swordsages don’t get Wis-to-AC until 2nd.\nBut plenty of characters are fine from 1st, so this can vary a lot." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I find that the survivability and general performance of my party increases massively from levels 1 to 2. At times, level 1 feels like a completely different game from level 2. However, I can't fathom how or why. I think that the availability of healing has something to do with it. From a mechanical perspective, is there any deep reason why level 1 and level 2 seem so radically different? Furthermore, why I do find no similar differences between later levels, such as 6 and 7?", 'Welcome to Rusty Dagger Shanktown!\nWhat you have noticed is very widely commented upon—1st level is often called “rusty dagger shanktown.” It’s hyper-lethal, rather than the kind of heroic fantasy Dungeons & Dragons pitches itself as. It is very, very difficult for 1st-level PCs to actually really adventure at all. Many, many groups avoid 1st for this reason (many skip 2nd too, even though it is already dramatically different). Personally, I’ll include 1st level often, but the PCs basically always level-up to 2nd almost entirely on roleplaying XP.\nNote that this isn’t unique to 3.5e; it goes back to the earliest days of D&D. Pathfinder, of course, inherited it from 3.5e (I don’t know about PF 2e). It’s also very much still true in 5e—after 4e actually managed to avoid it, which may mean that this is considered a “feature” by some, enough that Wizards of the Coast felt the need to restore it as part of 5e’s general “return to form” after the divisive fourth edition.\nAnyway, the primary causes of rusty dagger shanktown:\nHit points\nAlmost anyone can one-shot almost any 1st-level character. It’s very, very easy to have 6 hp in a world where a decent, but basic, weapon’s base damage averages 7. Even smaller weapons can easily deal that much damage, either through luck or skill. We expect 1st-level characters to often go down in one hit.\nA 2nd-level character can have nearly twice as much hp. Actually, could easily be twice as much, if they multiclass from a small-HD class to a large-HD class. That drastically changes the game, because suddenly you can feel reasonably confident that you aren’t going to just suddenly die before anyone can do anything. Healing actually becomes relevant, where at 1st it’s often too little, too late.\nNotably, this only has this effect because damage doesn’t grow at the same rate. The base damage of weapons is fixed, and ability scores start at double digits but grow very slowly from there. That’s the biggest chunk of early damage for most characters. Even beyond that, a lot of damage boosts—inspire courage, rage, sneak attack—come at 1st anyway. And monsters tend to kind of mirror these trends.\nSo what ends up happening is that a 1st-level character can’t really take a chance in order to get something accomplished. A 2nd-level character can feel reasonably comfortable taking a chance at least once. That dramatically affects the style of play. At 2nd-level D&D literally feels like a different game. Really, it is a different game.\nWealth\nCharacters start with less than 200 gp worth of gear. That’s not enough for a masterwork weapon, not enough even for non-masterwork medium or heavy armors, definitely not enough for any kind of magic item beyond maybe an extremely basic consumable. No 1st-level character has even their complete basic kit yet.\nThe expected wealth of a 2nd-level character is 900 gp. That can afford masterwork armor of anything short of full-plate, and for many armors leave enough left over for a masterwork weapon. Most importantly, that is enough money for a party of 4 to trivially afford a wand of cure light wounds. A wand of cure light wounds is a game-changer. It means you can easily start every fight at full hp. And with 2nd-level hp, that means you can actually take a few risks.\n2nd-level features\nThis varies considerably from one class to the next, but several classes get major class features at 2nd level. The paladin’s 2nd-level feature, divine grace, might be the single greatest class feature in the game (assuming we don’t count “spells” and the like as a singular feature). Rangers don’t get their combat style until 2nd. Bards get 1st-level spells at 2nd (though inspire courage from 1st level is probably more important). Outside of core, meldshapers don’t get any chakra binds until 2nd, which can leave them with zero offense at 1st. Swordsages don’t get Wis-to-AC until 2nd.\nBut plenty of characters are fine from 1st, so this can vary a lot.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "A Colonel/General from the American Civil War pens a letter to a loved one. Ignorance Challenge: Make it seem you (the writer, not the character) hasn't the faintest clue about the subject matter or time period.", "Dear [Name]\n\nThe United Hell Front has encroached on Los Angeles. It's only a matter of time before they take all of Montana in one feel swoop. If L.A. falls, then Montana falls. Thankfully President Wilson has called for an all out retreat into the Rockies. We've taken up shelter in the Denver Colts' Basketball Course.\nI am so afraid for our country in this great Civil War. Ever since the demons decided to form Hell on Earth, we've been in big trouble. If only Gen. Doom Guy could be found. Maybe we could fight back. Until that time we rely on Douglas MacArthur. He is a good stand in, but he won't turn the tide of this war.\nI miss you so much. As the dreaded Blackbeard's cannon balls fly past me I only think of returning to you. While crawling through the dirt of the Mississippi Desert.\nIt's like the great poet Virgil said:\nThere's no one like you.\nI can't wait for the nights with you.\nI imagine the things we'll do.\nI just want to be loved by you, you.\nThere's no one like you.\nThese words repeat in my head all night long until I fall asleep when the cow crows. And they ring true in my ears.\n\nUntil then my love,\nAbe Lincoln" ]
writingprompts
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["A Colonel/General from the American Civil War pens a letter to a loved one. Ignorance Challenge: Make it seem you (the writer, not the character) hasn't the faintest clue about the subject matter or time period.", "Dear [Name]\n\nThe United Hell Front has encroached on Los Angeles. It's only a matter of time before they take all of Montana in one feel swoop. If L.A. falls, then Montana falls. Thankfully President Wilson has called for an all out retreat into the Rockies. We've taken up shelter in the Denver Colts' Basketball Course.\nI am so afraid for our country in this great Civil War. Ever since the demons decided to form Hell on Earth, we've been in big trouble. If only Gen. Doom Guy could be found. Maybe we could fight back. Until that time we rely on Douglas MacArthur. He is a good stand in, but he won't turn the tide of this war.\nI miss you so much. As the dreaded Blackbeard's cannon balls fly past me I only think of returning to you. While crawling through the dirt of the Mississippi Desert.\nIt's like the great poet Virgil said:\nThere's no one like you.\nI can't wait for the nights with you.\nI imagine the things we'll do.\nI just want to be loved by you, you.\nThere's no one like you.\nThese words repeat in my head all night long until I fall asleep when the cow crows. And they ring true in my ears.\n\nUntil then my love,\nAbe Lincoln"]<|eot_id|><|start_header_id|>assistant<|end_header_id|> writingprompts<|eot_id|><|eot_id|>
[ "I am a professor of computer science. Help me write an academic research proposal to fund my NLP lab. The research proposal should be about controlling biases and unwanted behaviors in large language models, and to do so using instructions (in natural language). Let's start by drafting an abstract and an introduction.", "Here is the abstract and introduction of a research proposal about controlling biases and unwanted behaviors in large language models:\n\n\n#Controlling Biases in Large Language Models\n\n\n##Abstract\n\nWhile large language models are unlocking previously unimaginable applications, their extensive usage also exacerbates the risk of generating toxic text that amplifies adverse biases in the training data. We propose utilizing the newfound instruction understanding abilities of large language models to identify, explain, and mitigate undesirable biases in text. Our research plan begins with a novel method for eliciting natural language explanations of why a particular text is harmful, without any training data or definition of what constitutes toxic text. We then propose to investigate whether explicitly instructing models to avoid biases using natural language prompts can steer them away from unwanted outputs. Finally, we aim to explore a more permanent solution by fine-tuning the model on anti-harm instructions (behavioral guidelines, codes of conduct, diversity training), and thus informing it on which utterances should be avoided. Successfully tuning large language models to better align with acceptable behavior will dramatically advance the ability to deploy safer, fairer models in real-world settings.\n\n\n##Introduction\n\nLanguage models, the cornerstone of modern natural language processing (NLP), are known to reflect and even amplify biases in training corpora, often resulting in racist, sexist, and generally toxic outputs. Susceptibility to such harmful biases hinders the deployment of these models and limits their applicability.\n\nA common approach for developing safer models is to try to control the training corpora. [Citations], for example, used a list of banned words to filter potentially harmful text from the C4 corpus. This simple approach fails to remove all adverse biases from the text, as toxic content can be written using words that are, by themselves, benign. Another technique for corpus intervention is data augmentation [Citations], which adds a counterfactual example for each utterance of a potentially biased text. This technique, however, only applies when counterfactual swaps are possible, e.g. gender, and it requires prior knowledge of all potential biases in the training corpus. Data augmentation enlarges an already oversized corpus, and can often create artificial and even unrealistic texts if not done carefully. Finally, various approaches perform post-training debiasing [Citations], but these often result in significant performance degradation on downstream tasks.\n\nWe propose explaining and mitigating adverse biases via natural language instructions. Our plan includes three parts:\n* Inducing natural language explanations of adverse biases in a given text. We intend to build on our recent work on instruction induction [Citations], and prompt language models to describe “in their own words” whether a given text is problematic and why.\n* Controlling the manifestation of model biases during generation by prompting language models with explicit instructions. We plan to investigate the use of both model-generated explanations and existing guidelines written for humans (e.g. code of conduct) to reduce and control adverse biases during inference.\n* Mitigating adverse biases in the model itself by fine-tuning on behavioral guidelines. The goal is to efficiently adapt the model itself so that it (permanently) generates less harmful content. We build on recent work which shows that fine-tuning on task instructions (instruction tuning) improves the zero-shot learning abilities of language models [Citations]. However, to the best of our knowledge, no work has utilized this framework for teaching models what behaviors should be avoided. The success of instruction tuning suggests that our approach is viable, and we hope it can accelerate the progress towards safer, fairer models." ]
authors
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I am a professor of computer science. Help me write an academic research proposal to fund my NLP lab. The research proposal should be about controlling biases and unwanted behaviors in large language models, and to do so using instructions (in natural language). Let's start by drafting an abstract and an introduction.", 'Here is the abstract and introduction of a research proposal about controlling biases and unwanted behaviors in large language models:\n\n\n#Controlling Biases in Large Language Models\n\n\n##Abstract\n\nWhile large language models are unlocking previously unimaginable applications, their extensive usage also exacerbates the risk of generating toxic text that amplifies adverse biases in the training data. We propose utilizing the newfound instruction understanding abilities of large language models to identify, explain, and mitigate undesirable biases in text. Our research plan begins with a novel method for eliciting natural language explanations of why a particular text is harmful, without any training data or definition of what constitutes toxic text. We then propose to investigate whether explicitly instructing models to avoid biases using natural language prompts can steer them away from unwanted outputs. Finally, we aim to explore a more permanent solution by fine-tuning the model on anti-harm instructions (behavioral guidelines, codes of conduct, diversity training), and thus informing it on which utterances should be avoided. Successfully tuning large language models to better align with acceptable behavior will dramatically advance the ability to deploy safer, fairer models in real-world settings.\n\n\n##Introduction\n\nLanguage models, the cornerstone of modern natural language processing (NLP), are known to reflect and even amplify biases in training corpora, often resulting in racist, sexist, and generally toxic outputs. Susceptibility to such harmful biases hinders the deployment of these models and limits their applicability.\n\nA common approach for developing safer models is to try to control the training corpora. [Citations], for example, used a list of banned words to filter potentially harmful text from the C4 corpus. This simple approach fails to remove all adverse biases from the text, as toxic content can be written using words that are, by themselves, benign. Another technique for corpus intervention is data augmentation [Citations], which adds a counterfactual example for each utterance of a potentially biased text. This technique, however, only applies when counterfactual swaps are possible, e.g. gender, and it requires prior knowledge of all potential biases in the training corpus. Data augmentation enlarges an already oversized corpus, and can often create artificial and even unrealistic texts if not done carefully. Finally, various approaches perform post-training debiasing [Citations], but these often result in significant performance degradation on downstream tasks.\n\nWe propose explaining and mitigating adverse biases via natural language instructions. Our plan includes three parts:\n* Inducing natural language explanations of adverse biases in a given text. We intend to build on our recent work on instruction induction [Citations], and prompt language models to describe “in their own words” whether a given text is problematic and why.\n* Controlling the manifestation of model biases during generation by prompting language models with explicit instructions. We plan to investigate the use of both model-generated explanations and existing guidelines written for humans (e.g. code of conduct) to reduce and control adverse biases during inference.\n* Mitigating adverse biases in the model itself by fine-tuning on behavioral guidelines. The goal is to efficiently adapt the model itself so that it (permanently) generates less harmful content. We build on recent work which shows that fine-tuning on task instructions (instruction tuning) improves the zero-shot learning abilities of language models [Citations]. However, to the best of our knowledge, no work has utilized this framework for teaching models what behaviors should be avoided. The success of instruction tuning suggests that our approach is viable, and we hope it can accelerate the progress towards safer, fairer models.']<|eot_id|><|start_header_id|>assistant<|end_header_id|> authors<|eot_id|><|eot_id|>
[ "I am currently trying to decipher Mazur's Eisenstein ideal paper (not a comment about his clarity, rather about my current abilities). One of the reasons I am doing that is that many people told me that the paper was somehow revolutionary and introduced a new method into number theory. \nCould you explain exactly what subsequent developments did the paper bring, what ideas in the paper were considered more-or-less original (at the time it was published), and exactly what difficulties did these ideas resolve that people failed to resolve before the paper was published (if any)?", "First, Mazur's paper is arguably the first paper where the new ideas (and language) of the Grothendieck revolution in algebraic geometry were fully embraced and crucially used in pure number theory. Here are several notable examples: Mazur makes crucial use of the theory of finite flat group schemes to understand the behavior of the $p$-adic Tate modules of Jacobians at the prime $p$. He studies modular forms of level one over finite rings (which need not lift to characteristic zero when the residue characteristic is $2$ or $3$). He proves theorems about mod-$p$ modular forms using what are essentially comparison theorems between etale cohomology and de Rham cohomology, and many more examples. The proof of the main theorem ($\\S5$, starting at page 156) is itself a very modern proof which fundamentally uses the viewpoint of $X_0(N)$ as a scheme.\n\nSecond, there are many beautiful ideas which have their original in this paper: it contains many of the first innovative ideas for studying $2$-dimensional (and beyond) Galois representations, including the link between geometric properties (multiplicity one) and arithmetic properties, geometric conceptions for studying congruences between Galois representations, understanding the importance of the finite-flat property of group schemes, and the identification of the Gorenstein property. There is a theoretical $p$-descent on the Eisenstein quotient when previously descents were almost all explicit $2$-descents with specific equations. It introduces the winding quotient, and so on.\n\nThird, while it is a dense paper, it is dense in the best possible way: many of the small diversions could have made interesting papers on their own. Indeed, even close readers of the paper today can find connections between Mazur's asides and cutting edge mathematics. When Mazur raises a question in the text, it is almost invariably very interesting. One particular (great) habit that Mazur has is thinking about various isomorphisms and by pinning down various canonical choices identifies refined invariants. To take a random example, consider his exploration of the Shimura subgroup at the end of section 11. He finishes with a question which to a casual reader may as well be a throw-away remark. But this question was first solved by Merel, and more recently generalized in some very nice work of Emmanuel Lecouturier. Lecouturier's ideas then played an important role in the work of Michael Harris and Akshay Venkatesh. Again, one could give many more such examples of this. Very few papers have the richness of footnotes and asides that this paper does. Never forget that one of the hardest things in mathematics is coming up with interesting questions and observations, and this paper contains many great ones - it is bursting with the ideas of a truly creative mathematician.\n\nFinally, the result itself is amazing, and (pretty much) remains the only method available for proving the main theorem (the second proof due to Mazur is very related to this one). To give a sense of how great the theorem is, note that if $E$ is a semistable elliptic curve, then either $E$ is isogenous to a curve with a $p$-torsion point, or $E[p]$ is absolutely irreducible. This result (added for clarity: explicitly, Mazur's Theorem that $E/\\mathbf{Q}$ doesn't have a $p$-torsion point for $p > 7$) is crucially used in Wiles' proof of Fermat. One could certainly argue that without this paper (and how it transformed algebraic number theory) we would not have had Wiles' proof of Fermat, but it's even literally true that Mazur's theorem was (and remains so today, over 40 years later) an essential step in any proof of Fermat." ]
stackexchange
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ["I am currently trying to decipher Mazur's Eisenstein ideal paper (not a comment about his clarity, rather about my current abilities). One of the reasons I am doing that is that many people told me that the paper was somehow revolutionary and introduced a new method into number theory. \nCould you explain exactly what subsequent developments did the paper bring, what ideas in the paper were considered more-or-less original (at the time it was published), and exactly what difficulties did these ideas resolve that people failed to resolve before the paper was published (if any)?", "First, Mazur's paper is arguably the first paper where the new ideas (and language) of the Grothendieck revolution in algebraic geometry were fully embraced and crucially used in pure number theory. Here are several notable examples: Mazur makes crucial use of the theory of finite flat group schemes to understand the behavior of the $p$-adic Tate modules of Jacobians at the prime $p$. He studies modular forms of level one over finite rings (which need not lift to characteristic zero when the residue characteristic is $2$ or $3$). He proves theorems about mod-$p$ modular forms using what are essentially comparison theorems between etale cohomology and de Rham cohomology, and many more examples. The proof of the main theorem ($\\S5$, starting at page 156) is itself a very modern proof which fundamentally uses the viewpoint of $X_0(N)$ as a scheme.\n\nSecond, there are many beautiful ideas which have their original in this paper: it contains many of the first innovative ideas for studying $2$-dimensional (and beyond) Galois representations, including the link between geometric properties (multiplicity one) and arithmetic properties, geometric conceptions for studying congruences between Galois representations, understanding the importance of the finite-flat property of group schemes, and the identification of the Gorenstein property. There is a theoretical $p$-descent on the Eisenstein quotient when previously descents were almost all explicit $2$-descents with specific equations. It introduces the winding quotient, and so on.\n\nThird, while it is a dense paper, it is dense in the best possible way: many of the small diversions could have made interesting papers on their own. Indeed, even close readers of the paper today can find connections between Mazur's asides and cutting edge mathematics. When Mazur raises a question in the text, it is almost invariably very interesting. One particular (great) habit that Mazur has is thinking about various isomorphisms and by pinning down various canonical choices identifies refined invariants. To take a random example, consider his exploration of the Shimura subgroup at the end of section 11. He finishes with a question which to a casual reader may as well be a throw-away remark. But this question was first solved by Merel, and more recently generalized in some very nice work of Emmanuel Lecouturier. Lecouturier's ideas then played an important role in the work of Michael Harris and Akshay Venkatesh. Again, one could give many more such examples of this. Very few papers have the richness of footnotes and asides that this paper does. Never forget that one of the hardest things in mathematics is coming up with interesting questions and observations, and this paper contains many great ones - it is bursting with the ideas of a truly creative mathematician.\n\nFinally, the result itself is amazing, and (pretty much) remains the only method available for proving the main theorem (the second proof due to Mazur is very related to this one). To give a sense of how great the theorem is, note that if $E$ is a semistable elliptic curve, then either $E$ is isogenous to a curve with a $p$-torsion point, or $E[p]$ is absolutely irreducible. This result (added for clarity: explicitly, Mazur's Theorem that $E/\\mathbf{Q}$ doesn't have a $p$-torsion point for $p > 7$) is crucially used in Wiles' proof of Fermat. One could certainly argue that without this paper (and how it transformed algebraic number theory) we would not have had Wiles' proof of Fermat, but it's even literally true that Mazur's theorem was (and remains so today, over 40 years later) an essential step in any proof of Fermat."]<|eot_id|><|start_header_id|>assistant<|end_header_id|> stackexchange<|eot_id|><|eot_id|>
[ "How to solve the shakespeare puzzle in silent hill 3?", "Silent Hill 3 is the third installment in the Silent Hill video game series. It is considered to be a survival horror video game in which your character must solve different puzzles and psychological challenges in order to advance. The Shakespeare puzzle can be found during the Shopping Center stage. It’s inside a bookstore called My Bestsellers.\n\n## Solve the puzzle on easy mode\n\n1. Pick up the Shakespeare books that have fallen on the ground. In this difficulty, there will only be 2 books on the ground: Anthology 1 and Anthology 3.\n2. Examine the bookshelf. You’ll be allowed to place the books you found on the floor in the empty slots.\n3. Click on Anthology 1 and place it on the first slot of the bookshelf.\n4. Click on Anthology 3 and place it on the third slot on the bookshelf. A code will appear after placing the two books correctly.\n5. Use the code on the door at the back side of the bookstore. In this puzzle, you only need to arrange the books in the proper order: (from left to right) Anthology 1, Anthology 2, Anthology 3, Anthology 4, and then Anthology 5.\n\n\n## Solve the puzzle on normal mode\n\n1. Read the note on the door. It will read “Fair is foul, and foul is fair. Put these books out of order.”\n2. Pick up all the books on the floor. There will be 5 books in normal mode.\n3. Examine the bookshelf. You’ll be allowed to place the books on the empty space on the shelf. Put the books in randomly; order doesn’t matter as this puzzle is generated randomly.\n4. Take a good look at the books. You’ll see there are black markings on it; this is the code you need.\n5. Arrange the books until you get the correct order. It won’t be too hard as the numbers are written quite obviously. Try to make out the numbers written on the spine of the books and keep moving them until you get it right.\n\n\n## Solve the puzzle on hard mode\n\n1. Know the title of each anthology book. In order to find the title of the book, you’ll need to open your inventory and choose to examine the book. Anthology 1 is Romeo and Juliet\n\t* Anthology 2 is King Lear\n\t* Anthology 3 is Macbeth\n\t* Anthology 4 is Hamlet\n\t* Anthology 5 is Othello\n2. Decipher the first stanza of the clue. This stanza mentions “The first words at thy left hand.”\n\t* This is an instruction for solving the puzzle; meaning you’ll need to arrange the books from left to right.\n3. Place Anthology 4 on the first spot on the left side of the bookshelf. The first stanza mentions “false lunacy” and “incomprehensible words,” which is a reference to the plot of Hamlet.\n4. Place Anthology 1 on the second spot of the bookshelf. The second stanza is the easiest to decipher “playing at death” and “nameless lover” refers to the last part of Romeo and Juliet.\n5. Place Anthology 5 on the third spot on the bookshelf. This stanza is a reference to Othello, referring to the innocence of Desdemona and the lies of Iago.\n6. Place Anthology 2 on the fourth spot on the bookshelf. This stanza refers to the story of King Lear, where his daughter Cordelia refuses to speak about how much she loves her father as opposed to the false flattery of her sisters.\n7. Place Anthology 3 on the last spot on the bookshelf. And with all 5 books on the bookshelf you would have the correct code.\n8. Decipher the last clue. 41523 is not the pass code; on the sixth stanza, you will be instructed to more. “41523—One vengeful man spilled blood for two” (Hamlet). This means you will have to double Hamlet, which is Anthology 4. Now our code is 81523. “81523—Two youths shed tears for 3”; this refers to Romeo and Juliet, so you must replace 1 with 3. Our code now is 83523. Finally, “3 witches disappear” (reference to Macbeth), which is Anthology 3. You’ll have to remove it from the code. The final pass code is 8352.\n9. Enter the code on the door to unlock it. The puzzle in hard mode does not randomize; the code will always be 8352 on any Silent Hill 3 game.\n" ]
wikihow
<|begin_of_text|><|start_header_id|>system<|end_header_id|> Cutting Knowledge Date: December 2023 Today Date: 26 Jul 2024 <|eot_id|><|start_header_id|>user<|end_header_id|> ['How to solve the shakespeare puzzle in silent hill 3?', 'Silent Hill 3 is the third installment in the Silent Hill video game series. It is considered to be a survival horror video game in which your character must solve different puzzles and psychological challenges in order to advance. The Shakespeare puzzle can be found during the Shopping Center stage. It’s inside a bookstore called My Bestsellers.\n\n## Solve the puzzle on easy mode\n\n1. Pick up the Shakespeare books that have fallen on the ground. In this difficulty, there will only be 2 books on the ground: Anthology 1 and Anthology 3.\n2. Examine the bookshelf. You’ll be allowed to place the books you found on the floor in the empty slots.\n3. Click on Anthology 1 and place it on the first slot of the bookshelf.\n4. Click on Anthology 3 and place it on the third slot on the bookshelf. A code will appear after placing the two books correctly.\n5. Use the code on the door at the back side of the bookstore. In this puzzle, you only need to arrange the books in the proper order: (from left to right) Anthology 1, Anthology 2, Anthology 3, Anthology 4, and then Anthology 5.\n\n\n## Solve the puzzle on normal mode\n\n1. Read the note on the door. It will read “Fair is foul, and foul is fair. Put these books out of order.”\n2. Pick up all the books on the floor. There will be 5 books in normal mode.\n3. Examine the bookshelf. You’ll be allowed to place the books on the empty space on the shelf. Put the books in randomly; order doesn’t matter as this puzzle is generated randomly.\n4. Take a good look at the books. You’ll see there are black markings on it; this is the code you need.\n5. Arrange the books until you get the correct order. It won’t be too hard as the numbers are written quite obviously. Try to make out the numbers written on the spine of the books and keep moving them until you get it right.\n\n\n## Solve the puzzle on hard mode\n\n1. Know the title of each anthology book. In order to find the title of the book, you’ll need to open your inventory and choose to examine the book. Anthology 1 is Romeo and Juliet\n\t* Anthology 2 is King Lear\n\t* Anthology 3 is Macbeth\n\t* Anthology 4 is Hamlet\n\t* Anthology 5 is Othello\n2. Decipher the first stanza of the clue. This stanza mentions “The first words at thy left hand.”\n\t* This is an instruction for solving the puzzle; meaning you’ll need to arrange the books from left to right.\n3. Place Anthology 4 on the first spot on the left side of the bookshelf. The first stanza mentions “false lunacy” and “incomprehensible words,” which is a reference to the plot of Hamlet.\n4. Place Anthology 1 on the second spot of the bookshelf. The second stanza is the easiest to decipher “playing at death” and “nameless lover” refers to the last part of Romeo and Juliet.\n5. Place Anthology 5 on the third spot on the bookshelf. This stanza is a reference to Othello, referring to the innocence of Desdemona and the lies of Iago.\n6. Place Anthology 2 on the fourth spot on the bookshelf. This stanza refers to the story of King Lear, where his daughter Cordelia refuses to speak about how much she loves her father as opposed to the false flattery of her sisters.\n7. Place Anthology 3 on the last spot on the bookshelf. And with all 5 books on the bookshelf you would have the correct code.\n8. Decipher the last clue. 41523 is not the pass code; on the sixth stanza, you will be instructed to more. “41523—One vengeful man spilled blood for two” (Hamlet). This means you will have to double Hamlet, which is Anthology 4. Now our code is 81523. “81523—Two youths shed tears for 3”; this refers to Romeo and Juliet, so you must replace 1 with 3. Our code now is 83523. Finally, “3 witches disappear” (reference to Macbeth), which is Anthology 3. You’ll have to remove it from the code. The final pass code is 8352.\n9. Enter the code on the door to unlock it. The puzzle in hard mode does not randomize; the code will always be 8352 on any Silent Hill 3 game.\n']<|eot_id|><|start_header_id|>assistant<|end_header_id|> wikihow<|eot_id|><|eot_id|>