, in no need of 'proof', more a matter of 'silence' and as Sartre says more 'in the realm of what is not said' (Sartre [0000] 0000: 00). For Sartre, philosophy in the novel and in art instructs the absurd descriptively, using 'substance', 'content', 'presentation', 'image' and 'perception' to convey 'idea' or 'meaning'. This is the template that 