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[INST] I'm currently working on research related to the history of file systems.
Apparently the Master Boot Record was introduced with MS-DOS 2 in 1983, which was also the first DOS that supported hard disks.
MBR lasted for years, in part because we've only started hitting its limits in the early 2000s.
Given the constraints of the time, I'm curious why IBM and Microsoft added support for partitions right from the start. I believe dual boot was not yet a thing and neither was disk imaging. FAT16 apparently supported disks up to 4GB. MS-DOS at this time seems very utilitarian, so this was a surprising feature to me.
Why were partitions such an early feature, and how did people use them? [/INST] While MS-DOS 2.0 added the MBR format, it actually *didn't support using multiple partitions*. Multiple partition support wasn't added until MS-DOS 3.3 in 1987.
Instead, the partition table was for dual-booting. From the PC-DOS 2.0 Manual:
> If you intend to use part of the fixed disk with another operating system, then you should go to "Partitioning Your Fixed Disk" in this chapter.
The other operating system would typically be Xenix. From Xenix User's Handbook (1984):
> Hard Disk Partitions
> For this discussion, we assume that only two operating systems are to be resident on the hard disk. These two systems will be XENIX and MS-DOS.
In a sense the MBR was just crammed in to what would have been the boot sector on a floppy disk. Both floppy disks and hard drive MBR begin their first sector with executable code that the BIOS will load on boot. MBR just chooses to use the last 64 bytes of that sector to store information about partitions, and then pass control to the first sector of the partition.</s> |
### Input:
When does use of offensive language in a book go from a character trait or to convey emotion to bad use of English skills?
I decided to included some offensive language in one of my novels as many novels do. I was wondering however at what point does it become poor dialogue or just plain bad English. Obviously I'm not using every second word as a cuss word but it is recurring.
I would like your honest opinion.
### Response:
Think of cuss words in writing as "spices". Most people don't want hot sauce on everything, and you wouldn't want carrot cake doused in Habanero Death Spiral.
If you use them too liberally, then like spices, you overwhelm the rest of the flavor of the dish. In writing, that includes any poetic imagery, turns of phrase, or anything else.
Like hot sauce, it also numbs the reader to any shock value the words may have, so they just become filler. If 'fuck' is on every fucking page for every fucking character, then there is no fucking linguistic place to go when something truly fucked up happens out of fucking nowhere.
Too much ruins things. Some of it may be necessary in order to conform to reality. If Alice smashes her thumb with a hammer, an exclamation of "Oh, *Pansies*! Holy *savior* I think I broke it!" makes Alice a pretty weird and repressed person.</s> |
### Input:
Unrequited love refers to unidirectional romantic love. Is thete a similar phrase or word for milder cases such as friendship or career connection?
### Response:
I'd say a situation where you treat someone as a friend but they do not appreciate you in return was a "*one-sided friendship*". People who appear to be your friend but abandon you when you need them the most are sometimes called "*fairweather friends*".
For any other kind of relationship, you could perhaps say "*one-sided relationship*" (eg "*My relationship with my employer is one-sided*".)
There are probably many other terms specifically for employers - you may say your employer is "*unsupportive*" if they don't do anything for you even though you work hard for them (eg "*I have an unsupportive manager*") and of course these days people talk about "toxic" workplace environments.</s> |
### Input:
Theoretical question - Say we have a randomly generated password with 80-bit entropy, stored as a single-round, unsalted SHA256 hash. For a determined attacker with current (2024) technology, what would be the cost of bruteforcing it, in terms of money and time?
Now what if it's stored with 10 rounds of SHA256? Does that make it 10 times more resistant?
### Response:
A random password with 80 bits of entropy is probably out of reach of most brute-force attackers in 2024, except those that are very well funded (e.g. cybergangs, 3-letter agencies, nation states, etc).
An attacker with ~$2300 of ASIC hardware can do about 190 tera-hashes per second. So, the time it would take to iterate through 2^80 passwords, and hash each one would be:
```
(2^80) hashes 1 second
* -------------------- = 6362767471 seconds
190 * 10^12 hashes
```
That's over 200 years.
Of course, a well funded attacker could devote more resources to brute-forcing the password to reduce the amount of time it would take, but this would result in greater cost for the equipment.
But, regardless of this tradeoff of equipment cost versus time, the cost for the energy to run the equipment would probably be prohibitive for most attackers. Modern ASIC hardware like the unit linked above requires ~27.5 Joules of energy per tera-hash. Converting the Joules to kilo-watt hours, and assuming a cost of $0.12 USD per kilowatt hour - the cost for the energy to iterate through 2^80 passwords, and hash each one would be over one million dollars:
```
2^80 hashes 27.5 Joules 1 Kilowatt-hour $0.12 USD $1,108,182 USD
* -------------- * ---------------- * -------------- =
10 ^ 12 hashes 3600000 Joules Kilowatt-hour
```
So, it would have to be a very valuable password to justify an attacker making this much of an investment to crack it.</s> |
### Input:
I'm currently working on research related to the history of file systems.
Apparently the Master Boot Record was introduced with MS-DOS 2 in 1983, which was also the first DOS that supported hard disks.
MBR lasted for years, in part because we've only started hitting its limits in the early 2000s.
Given the constraints of the time, I'm curious why IBM and Microsoft added support for partitions right from the start. I believe dual boot was not yet a thing and neither was disk imaging. FAT16 apparently supported disks up to 4GB. MS-DOS at this time seems very utilitarian, so this was a surprising feature to me.
Why were partitions such an early feature, and how did people use them?
### Response:
While MS-DOS 2.0 added the MBR format, it actually *didn't support using multiple partitions*. Multiple partition support wasn't added until MS-DOS 3.3 in 1987.
Instead, the partition table was for dual-booting. From the PC-DOS 2.0 Manual:
> If you intend to use part of the fixed disk with another operating system, then you should go to "Partitioning Your Fixed Disk" in this chapter.
The other operating system would typically be Xenix. From Xenix User's Handbook (1984):
> Hard Disk Partitions
> For this discussion, we assume that only two operating systems are to be resident on the hard disk. These two systems will be XENIX and MS-DOS.
In a sense the MBR was just crammed in to what would have been the boot sector on a floppy disk. Both floppy disks and hard drive MBR begin their first sector with executable code that the BIOS will load on boot. MBR just chooses to use the last 64 bytes of that sector to store information about partitions, and then pass control to the first sector of the partition.</s> |
[INST] If philosophy is based on reason and rationality, then why is there so much disagreement?
Is it due primarily to operating with different premises absent consensus on their truth, so that dissenters tend to concede arguments are valid but disagree with the resulting conclusions? [/INST] The short version is that argumentation requires premises and inferences to get to conclusions. **Even if philosophers agree on a systematic approach to inference, let's call such agreement logic, the premises themselves are free to differ.** Thus, we may all agree that anyone who commits a crime should be imprisoned, but we may disagree on who committed the crime. Thus two reasonable parties can both be rational and yet have different conclusions.
In the simple case of deduction, this difference is known as validity and soundness. One can have a very rational argument, but if the premises aren't true, then the conclusion is unsound. Of course, reason and rationality is much more than an act of deductive reasoning. **Many of our justifications for our conclusions are non-inferential in nature, and rather rely on some sort of subjective and immediate experience that differs from that of others.** Thus, if among my premises include a distinction between red and green, and my opponent cannot experience such a distinction because of colorblindness, it is fair that my opponent reject my argument since they are unable to justify a premise about the distinction (without then falling into an argument about the nature of experience and colorblindness).
**A final example of a source of disagreement is that logic itself might differ in the minds of philosophers.** For instance, in classical logic, we might insist that the law of non-contradiction is applied in an argument. And yet, this "law" itself is a value, and not a fact. So, perhaps under one circumstance, a philosopher might use classical logic, and in another, the philosophers might require a non-classical logic. Another philosopher is free to disagree about that sort of application of logic.
So, there are many reasons philosophers might disagree, but there are three obvious examples: different beliefs that serve as premises in argumentation, different sorts of justification and application thereof, and disagreement over what logic is and how to use it. This sort of complexity ensures that philosophers disagree, and that's because human beings are not duplicated, deductive engines, but rather **philosophers are diverse in mind and body, and have a wildly divergent set of beliefs and methodologies to do philosophy itself, a subject studied by metaphilosophy.**</s> |
### Input:
I've noticed in many long-running stories that it's common to have a villain who's a genuine menace to the heroes become impossible to take seriously after they've gotten defeated or died so many times. As a writer, I need to address this question. I have multiple recurring villains in my long-running series who suffer numerous defeats. I'm unsure how to maintain their intimidation factor as it can only last for so long after they have taken so many Ls.
One of the worst examples I can think of is Vilgax from Ben 10. Throughout the original series, Vilgax poses a significant threat, casting a shadow over every episode he appears in and always comes back for more, even after getting beaten multiple times. He's so evil and terrifying that tie-in materials mention that no sane person, human or alien, wants to work for him. If you haven't picked up on the fact that Vilgax is an irredeemable monster by now, the grande finale makes it clear he's also committed genocide, and it's not the first time he's done so.
In his fights with Ben, he doesn't mess around, as seen in their first battle, where Vilgax never trades banter with Ben or goes on a lengthy villain monologue about how he will kill Ben after he gets the Omnitrix. In the sequel series, Alien Force and Ultimate Alien set five to six years after the events of the original series, Vilgax is not the invincible juggernaut he was and relies more on scheming and pragmatism to crush Ben. Despite this approach, Ben always beats him through combat or trickery.
Come Vilgax's final outing in Omniverse, and he's become a complete and utter joke, scared shitless by a D-list member of Ben's rouges gallery, who's rumored to have made Vilgax cry.
So, with all that said, how can I avoid this problem?
### Response:
The villain's goal is not directly counter to the hero's goal. Consider that the villain and the hero are clashing over what the hero is protecting. The hero believes that it's the villain's goal to destroy it, but the villain actually wants something else, and this was either a distraction, or something in the way. During the fight, the villain gets what they need, and now that the fight means nothing to them, they allow the hero to be victorious while they retreat to further their nefarious plans.
Nowhere in the fight did the hero actually have a chance at winning, but the hero didn't realize this at first. Over time though it is shown that the villain is more cunning than the hero first gave him credit for, and as such the hero has to grow, or gather more help to deal with him.
Thus, despite the hero's many victories over the villain, they all turned out to be empty or meaningless in time. Now the hero needs to work even harder against a more and more dangerous nemesis that the hero should have taken seriously the first time.
Write depth, not just to your heroes, but to your villains. What are their goals? What are their desires? What aims to they seek out in their fights, and when do they cut their losses? Humanize them, understand them, and don't just make them pratfall comedy. The mistake you list in your question is one of only focusing the writing on one set of characters, and not all of them. After all, villains are characters too.</s> |
[INST] Kanye west was born on July 8, 1977 [/INST] You're off a month; he was born on *June* 8, 1977.</s> |
# Transcript: *Space Pilot 3000*
_[**Scene**: The caption "December 31st, 1999" comes up and a crude spaceship flies through space, cruising over and under planets.]_
(00:07)**Fry**: [voice-over] Space. It seems to go on and on forever. But then you get to the end and the gorilla starts throwing barrels at you.
_[A planet opens up and a huge gorilla starts throwing barrels at the spaceship. It dodges a few but one hits it and it explodes. The gorilla thumps its chest and "Game Over" flashes on the screen. The spaceship and gorilla isn't real and Fry is playing an arcade game called "Monkey Fracas Jr". He wears a red jacket and has orange hair with two distinct forks at the front. A boy stands next to him. The game is against the wall of a pizzeria called Panucci's Pizza.]_
(00:20)**Fry**: And _that's_ how you play the game!
(00:22)**Boy**: You stink, loser!
_[Panucci, a middle-aged balding man wearing a vest, leans over the counter with a pizza box.]_
(00:24)**Panucci**: Hey, Fry. Pizza goin' out! C'mon!!
_[Fry sighs, takes the pizza from him and walks out.]_
_[**Scene**: New York City Street. Fry cycles past people outside O'Grady's Pub enjoying their New Millennium Eve. A cab pulls up and he sees his girlfriend inside.]_
(00:38)**Fry**: Michelle, baby! Where you going?
(00:41)**Michelle**: It's not working out, Fry. _[Next to her is a guy with his arm around her. The cab pulls away.]_ [shouting; from cab] I put your stuff out on the sidewalk!
_[Time Lapse. Fry is still on his bike getting more and more depressed.]_
(00:46)**Fry**: I hate my life, I hate my life, I hate my life.
_[**Cut to**: Outside Applied Cryogenics. He stops outside a building and locks up his bike. A man sneaks up behind him, cuts the chain and steals his bike.]_
_[**Scene**: Applied Cryogenics Corridor. Fry steps out of the elevator on the 64th floor. He knocks on a door marked "Applied Cryogenics". A sign underneath indicates "No Power Failures Since 199[7]". There is no response at the door and Fry goes in.]_
_[**Cut to**: Applied Cryogenics: Freezer Room. The room is empty and there are no lights on. Strange pods about 6ft tall line one of the walls. There are a few other machines around the room and a desk and a chair in the middle of the room. Fry wipes some condensation from a window on one of the pods, revealing the face of an inanimate man inside. He turns around.]_
(01:17)**Fry**: Hello? Pizza delivery for, uh ... _[He reads the delivery note.]_ ... Icy Wiener? Aw, crud! I always thought at this point in my life _I'd_ be the one making the crank calls! _[He sits down on the chair, puts his feet on the desk and opens a can of beer.]_ Here's to another lousy millennium.
_[He unenthusiastically raises his hand and toasts.]_
_[**Cut to**: Times Square. Crowds have gathered for the countdown. "10" appears on a huge screen.]_
(01:36)**Crowd**: [chanting] Ten!
_[**Cut to**: Paris. A screen on the Eiffel Tower displays "9".]_
(01:37)**Crowd**: [chanting] Neuf!
_[**Cut to**: Vatican City. The Pope holds up a sign with "VIII" on it.]_
(01:38)**Crowd**: [chanting] Otto!
_[**Cut to**: Egypt. Egyptians crowd around the pyramids.]_
(01:39)**Crowd**: [chanting] Saba!
_[**Cut to**: Athens. People are gathered around the Parthenon.]_
(01:40)**Crowd**: [chanting] Eksi!
_[**Cut to**: Great Wall Of China.]_
(01:41)**Crowd**: [chanting] Wu!
_[**Cut to**: Taj Mahal.]_
(01:43)**Crowd**: [chanting] Char!
_[**Cut to**: African Village.]_
(01:44)**Crowd**: [chanting] Thathu!
_[**Cut to**: Tokyo. A screen displays "2".]_
(01:45)**Crowd**: [chanting] Nee!
_[**Scene**: From space the whole planet sees in the new millennium.]_
(01:46)**Crowd**: [chanting] One!
_[**Cut to**: Applied Cryogenics: Freezer Room. Fry unenthusiastically blows a noise maker and starts losing his balance on the chair. It tips back. Fry waves his arms around trying to regain his balance. As he falls he doesn't see the shadow of a small creature under the desk. The chair tips back and Fry falls off it and rolls backwards into cryogenic freezer number 40. The dial on the machine automatically sets itself for 1000 years.]_
(01:55)**Fry**: What the--?
_[He looks around and screams. In a flash he is frozen in time.]_
_[Time Lapse. Days and nights and eventually years pass à la_ The Time Machine _as he stays locked in the freezer. Civilisation is destroyed by aliens twice until eventually huge buildings spring up around Applied Cryogenics. The timer stops 1000 years later and the door opens. Fry is unfrozen. Initially disorientated, he stumbles around and notices something to his right. He presses his face against a large window and stares in awe.]_
(02:46)**Fry**: My God! It's the future. My parents, my co-workers, my girlfriend; I'll never see any of them again. Yahoo!
_[Opening Credits. Caption: In Color.]_
_[**Scene**: Applied Cryogenics: Freezer Room. Fry continues looking out of the window. The door opens and two shadows walk in.]_
(03:32)**Terry**: [melodramatically] Welcome to the world of tomorrow!
_[The other shadow turns on the light. They are lab technicians both wearing white lab coats. The dramatic one, Terry, is a blonde Caucasian with large glasses. The other, Lou, is a black-haired Asian.]_
(03:36)**Lou**: Why do you always have to say it that way?
(03:38)**Terry**: Haven't you ever heard of a little thing called showmanship? _[He turns to Fry.]_ [dramatically] Come, your destiny awaits!
_[**Scene**: Applied Cryogenics Corridor. The technicians leave Fry outside the Fate Assignment Officer's office.]_
(03:47)**Lou**: Have a nice future.
_[The door slides open.]_
(03:50)**Fry**: Cool! Just like in _Star Trek_! _[The door closes on his head.]_ Ow!
_[**Cut to**: Applied Cryogenics: Fate Assignment Officer's Office. A woman wearing a black uniform stands with her back to Fry looking at a clipboard. She has purple hair held up in a ponytail.]_
(03:53)**Leela**: Good afternoon, sir. _[Fry is impressed with what he sees. Leela turns around. She has one huge eye in the middle of her face. Fry screams.]_ Name?
(03:59)**Fry**: Uh, Fry.
(04:01)**Leela**: I'm Leela. Now, it's New Year's Eve so I'd like to decide your fate quickly and get out of here.
(04:05)**Fry**: Can I ask you a question?
(04:07)**Leela**: As long as it's not about my eye.
(04:09)**Fry**: Uh...
(04:10)**Leela**: Is it about my eye?
(04:11)**Fry**: Sort of.
_[Leela sighs.]_
(04:13)**Leela**: Just ask the question.
(04:15)**Fry**: What's with the eye?
(04:16)**Leela**: I'm an alien, alright? Now let's drop the subject.
(04:19)**Fry**: Cool, an alien! Has your race taken over the Earth?
(04:22)**Leela**: No, I just work here.
_[Fry looks out the window. A passing blimp displays "Happy New Year 3000". Leela follows his gaze.]_
(04:27)**Fry**: Wait a minute! Is that blimp accurate?
(04:30)**Leela**: Yep. It's December 31st, 2999.
(04:33)**Fry**: My God! A million years!
(04:37)**Leela**: I'm sure this must be very upsetting for you.
(04:39)**Fry**: Y'know, I guess it should be but, actually, I'm glad. I had nothing to live for in my old life. I was broke, I had a humiliating job and I was beginning to suspect my girlfriend might be cheating on me.
(04:52)**Leela**: Well, at least here you'll be treated with dignity. Now strip naked and get on the probulator.
_[**Scene**: Applied Cryogenics: Probulator Room. Fry lies on a metal table surrounded by probing equipment. Leela puts a single-lensed goggle on and presses a button. Fry squeaks.]_
_[Time Lapse. Leela tears off a printout and reads it while Fry starts to get dressed.]_
(05:06)**Leela**: Interesting. Your DNA test shows one living relative. He's your great-great-great-great-great-great-great...
_[Time Lapse. Fry is now fully dressed.]_
(05:12)**Leela**: ...great-great-great-great-great nephew.
(05:14)**Fry**: That's great! What's the little guy's name?
(05:16)**Leela**: Professor Hubert Farnsworth.
_[She turns the page over to show Fry the photo. Farnsworth is an old bald man who wears thick glasses.]_
(05:19)**Fry**: Eurgh!
_[**Scene**: Applied Cryogenics: Fate Assignment Officer's Office. Leela types something on a computer.]_
(05:21)**Fry**: Y'know, I'm the luckiest guy in the whole future. I've been given a second chance and this time I'm not going to be a total loser. _[A buzzer buzzes.]_ What's that?
(05:30)**Leela**: Your permanent career assignment.
_[She turns the screen around to show him his career. "Career: Delivery Boy" is displayed on the screen.]_
(05:33)**Fry**: Delivery boy? No! Not again! Please! Anything else!
_[He grabs Leela's hand.]_
(05:37)**Leela**: Take your hands off me! You've been assigned the job you're best at just like everyone else.
(05:41)**Fry**: What if I refuse?
(05:43)**Leela**: Then you'll be fired--
(05:44)**Fry**: Fine!
(05:45)**Leela**: Out of a cannon into the Sun!
(05:47)**Fry**: But I don't like being a delivery boy.
(05:49)**Leela**: Well that's tough! Lots of people don't like their jobs but we do them anyway. _[She points at a poster of a man wearing a hardhat with the caption "You Gotta Do What You Gotta Do".]_ You gotta do what you gotta do. Now hold out your hand. I'm gonna implant your career chip. It'll permanently label you as a delivery boy.
_[She picks up an implant gun. It has two huge spikes on the end.]_
(06:03)**Fry**: Keep that thing away from me!
_[He gets up and runs out of the room.]_
_[**Cut to**: Applied Cryogenics Corridor. He runs from the office.]_
_[**Cut to**: Applied Cryogenics: Freezer Room. Leela runs in after Fry and he dodges the implant gun.]_
(06:11)**Leela**: Hold still, dammit. I don't have good depth perception! _[She jumps at Fry, misses, and falls into a cryogenic freezer. It sets itself for 1000 years.]_ You've got until the count of five to let me out of here. One--
_[In a flash she is frozen.]_
(06:25)**Fry**: See you in a thousand years! _[He starts to walk out but hesitates. He walks back and changes the freeze time to five minutes.]_ You owe me one.
_[**Scene**: New New York City Street. Fry runs out of the building and looks in awe at the sights around him.]_
(06:48)**Fry**: Whoa!
_[Spaceships take off, there are traffic jams in the sky and billboards advertising Bachelor Chow. A couple walk past him nearly naked except for some strategically-placed black bars. He looks up and sees people flying through a green tube overhead. He walks around a corner and finds an entrance to the tube. A pedestrian steps in.]_
_[original airing]_
_[subsequent airings]_
_[The man is sucked up into the tube.]_
(07:10)**Fry**: Cool! _[He steps into the tube.]_ Um. Cross Town Express?
_[The tube sucks him up and he screams as he flies through it. People look up from the street and stare at him. He is taken across the city, past the Statue of Liberty, underwater and finally out the other end smack into a building. A man looks up from his newspaper.]_
(07:38)**Man #2**: Pft! Tourist!
_[Time Lapse. A hover-car flies over a line of traffic on the road and a police car chases it. Fry walks around a corner and sees a line of people outside a small grey booth.]_
(07:45)**Fry**: Hey! A phone booth! I can call my nephew. _[An impatient robot joins the queue behind him. It is more or less human-shaped, grey, with an antenna on top of its head.]_ Wow! A real live robot! Or is that some kind of cheesy New Year's costume?
_[Fry looks around at the robot's ass.]_
(07:59)**Fry**: It doesn't look so shiny to me.
(08:01)**Bender**: Shinier than yours, meatbag!
_[Fry steps into the booth, overlooking the sign on the side that says "Suicide Booth".]_
_[**Cut to**: Suicide Booth. Fry presses a button and nothing happens. The robot steps in behind him.]_
(08:21)**Bender**: Listen, buddy, I'm in a hurry here. Let's try for a two-fer!
_[He puts a coin on a string in the slot then pulls it out again and chuckles. A pleasant woman's voice speaks.]_
(08:28)**Booth Voice**: Please select mode of death: "Quick and Painless" or "Slow and Horrible".
(08:34)**Fry**: Yeah, I'd like to place a collect call.
(08:36)**Booth Voice**: You have selected: "Slow and Horrible".
(08:39)**Bender**: Great choice! _[Knives, tasers and Jacob's Ladders come out from behind a hatch.]_ Bring it on, baby!
_[Fry screams.]_
_[Time Lapse. The robot is getting impatient.]_
(08:50)**Bender**: C'mon, c'mon! Kill me already! By the way, my name's Bender!
_[He holds out his hand.]_
(08:55)**Fry**: Help! What's happening?
_[The sharp objects move forward. Fry pushes Bender to the side of the booth. The sharp things stab and twist at the air and finally return to behind the hatch.]_
(09:02)**Booth Voice**: You are now dead. Thank you for using Stop-N-Drop, America's favourite suicide booth since 2008.
_[**Cut to**: New New York City Street. Fry runs out, gasping.]_
(09:10)**Bender**: Lousy, stinking rip-off! _[He kicks the booth.]_ Well, I didn't have anything else planned for today. Let's go get drunk!
_[**Scene**: Applied Cryogenics: Freezer Room. The timer on Leela's chamber runs out. The door opens and she defrosts.]_
(09:22)**Leela**: Two, three-- Hey!
(09:25)**Terry**: [melodramatically] Welcome to the world of tomorrow!
(09:28)**Leela**: Shut up, Terry.
_[**Scene**: Applied Cryogenics: Ipgee's Office. Leela's boss sits behind a large desk and she stands in front of it.]_
(09:30)**Ipgee**: This is unacceptable, Leela. You must find this Mr. Fry and install his chip.
(09:35)**Leela**: Look, he's just a nobody who doesn't want to be a delivery boy. I'd really rather not force it on him.
(09:40)**Ipgee**: Well that's your job, whether you like it or not. And it's my job to make you do your job whether I like it or not, which I do, very much! Now get to work! _[Leela leaves. He puts his feet up on the desk.]_ Life is good!
_[**Scene**: O'Zorgnax's Pub. Fry and Bender sit at the bar. Bender drinks a bottle of Olde Fortran malt liquor.]_
(10:02)**Fry**: Why would a robot need to drink?
(10:04)**Bender**: I don't _need_ to drink, I can quit anytime I want! _[He belches fire.]_ So they made you a delivery boy, huh? Man, that's as bad as my job.
(10:14)**Fry**: Really? What do you do, Bender?
(10:16)**Bender**: I'm a bender. I bend girders, that's all I'm programmed to do.
(10:19)**Fry**: You any good at it?
(10:21)**Bender**: You kidding? I was a star! I could bend a girder to any angle: 30 degrees, 32 degrees, you name it! [unsure] 31. [normal] But I couldn't go on living once I found out what the girders were for.
(10:35)**Fry**: What?
(10:36)**Bender**: Suicide booths! _[He finishes his drink and swallows the bottle.]_ Well, Fry, it was a pleasure meeting you. I'm gonna go kill myself.
_[He gets up.]_
(10:43)**Fry**: Wait! You're the only friend I have!
(10:46)**Bender**: You really want a robot for a friend?
(10:49)**Fry**: Yeah, ever since I was six.
(10:51)**Bender**: Well, OK. But I don't want people thinking we're robo-sexuals. So, if anyone asks, you're my debugger.
_[Fry looks out the window and sees Leela.]_
(10:59)**Fry**: Oh, no, it's the Cyclops! _[He crouches down behind Bender.]_ Don't look! Don't look!
(11:03)**Bender**: I'm not looking!
_[His eyes zoom in to Leela.]_
_[**Cut to**: Outside O'Zorgnax's Pub. Leela shows Fry's photo to a man. The man points to him inside the pub. Fry and Bender run off. Leela talks into her wrist communicator.]_
(11:11)**Leela**: This is officer 1B-DI requesting back-up.
_[The cops, Smitty the human and URL the robot, are standing right behind Leela. Smitty replies in his wrist communicator.]_
(11:15)**Smitty**: We'll be there in five minutes.
_[**Scene**: Outside the Head Museum. Bender stops Fry outside the building.]_
(11:20)**Bender**: We can hide in here. It's free on Tuesdays!
_[He runs up the steps dragging Fry behind him.]_
_[**Cut to**: Head Museum. Hundreds of heads in jars are stacked on shelves. Leonard Nimoy's head in a jar is on a platform in the middle of one of the rooms.]_
(11:29)**Nimoy**: Welcome to the Head Museum. I'm Leonard Nimoy.
(11:33)**Fry**: Spock? Hey! Hey... Do the thing!
_[He does the Vulcan salute from_ Star Trek_. Nimoy chuckles.]_
(11:36)**Nimoy**: I don't do that anymore.
(11:38)**Fry**: This is unbelievable! What do you heads do all day?
(11:42)**Nimoy**: We share our wisdom with those who seek it. It's a life of quiet dignity.
_[Enter a woman.]_
(11:47)**Woman**: Feeding time!
_[She shakes a box of what looks like fish food over the jar. Nimoy eats what comes out.]_
_[The door opens and Fry turns around. Enter Leela, Smitty and URL.]_
(11:58)**Leela**: Hmm. _[She looks around and sees Fry and Bender hiding behind a shelf in amongst other assorted heads.]_ I'm sorry, Fry, but I have to install your career chip.
(12:10)**Fry**: Yeah, well, if you're sorry why are you doing it?
(12:12)**Leela**: It's my job. You gotta do what you gotta do! _[Fry backs away and hits a shelf with the heads of US presidents on it.]_ Watch it!
_[Richard Nixon's head falls off. The jar smashes.]_
(12:22)**Nixon**: That's it! You just made my list!
_[He jumps up and starts biting Fry's arm.]_
(12:26)**Fry**: Ow! Stop it! Down, boy! Bad president!
_[Bender tries to pull Nixon's head off.]_
(12:29)**Smitty**: Alright, buddy, step away from the head!
_[Fry and Bender put their hands up.]_
_[They turn on their lightsabers and start to hit Fry.]_
(12:41)**Leela**: Please, officers, there's no need to use force.
(12:45)**URL**: Let us handle this, weird-y.
_[He hits Bender.]_
(12:49)**Leela**: Oh, come on, he's just a poor kid from the Stupid Ages.
(12:53)**Smitty**: Keep your big nose out of this, _eyeball_!
(12:56)**Leela**: No-one makes fun of my nose.
_[She kicks Smitty and URL. Fry and Bender run off and hide in a room.]_
(13:09)**URL**: Damn!
(13:10)**Leela**: You guys were totally out of control.
(13:12)**Smitty**: It's our job. We're peace officers.
(13:15)**URL**: Yeah, you know the law: You gotta do what you gotta do.
_[Leela considers this.]_
_[**Scene**: Head Museum: Hall of Criminals. Bender locks the door.]_
(13:22)**Bender**: Oh, we're trapped!
_[Fry looks to the end of the room. There is a window with bars across it.]_
(13:27)**Fry**: Wait a second. You're a bender, right? We can get out of here if you just bend the bars.
(13:32)**Bender**: Dream on, skin tube. I'm only programmed to bend for constructive purposes. What do I look like, a de-bender?
(13:38)**Fry**: Who cares what you're programmed for. If someone programmed you to jump off a bridge would you do it?
(13:43)**Bender**: I'll have to check my program ... yep.
(13:46)**Leela**: [from outside] Open up!
(13:48)**Fry**: C'mon, Bender! It's up to you to make your own decisions in life. That's what separates people and robots from animals ... and animal robots.
(13:56)**Bender**: You're full of crap, Fry! _[He turns and a dangling wire catches on his antenna and electrocutes him.]_ You make a persuasive argument, Fry.
_[He starts to bend the bars.]_
(14:09)**Fry**: Come on, Bender! You can do it.
(14:11)**Bender**: Can't ... I ... can't ... do ... it!
_[The bars bend and break off completely.]_
(14:16)**Fry**: Yes!
(14:18)**Bender**: You were right, Fry! From now on I'm going to bend what I want, when I want, _who_ I want! I'm unstoppable!
_[His arms fall off but he manages to somehow reattach them without any help.]_
(14:36)**Fry**: I don't know how you did that.
_[Leela kicks the door open. Fry and Bender dive out through the window.]_
_[**Cut to**: Outside Head Museum. Fry runs off and Bender bends the bars back so Leela can't climb through. He runs after Fry and Leela reaches out through the bars.]_
(14:44)**Leela**: Wait!
(14:45)**Bender**: [shouting] No, thanks.
_[**Cut to**: Alley. Fry and Bender stop at a dead end. There is a drain below them with a grate over the top.]_
(14:51)**Bender**: Looks like one of us will have to bend this grate.
_[He flexes his fingers but Fry just lifts it. Bender groans and they climb down the ladder. He reaches back up to the grate and bends it just for the hell of it. He chuckles and follows Fry.]_
_[**Scene**: Ruins of Old New York. Fry and Bender step off the ladder and look over the vast ruins of the city that looks like the city from_ Beneath The Planet Of The Apes_. Collapsed buildings and rubble litter the streets and holes in the roof let in a few shafts of light.]_
(15:05)**Fry**: Good Lord! What is this?
(15:08)**Bender**: It's the decaying ruins of Old New York. Welcome home, pal!
_[Time Lapse. Fry and Bender walk down a ruined street.]_
(15:15)**Fry**: It's my old neighbourhood. Man, this brings back a lot of memories.
(15:20)**Bender**: Keep 'em to yourself, Pops!
_[**Cut to**: Ruins of Rockefeller Center Skating Rink. Fry leans over a wall.]_
(15:23)**Fry**: This is where I brought my girlfriend on our very first date.
_[_Flashback_. Fry skates with Michelle on the crowded ice.]_
_[_Flashback _ends. The ice is gone, replaced with murky green waters inhabited by a green tentacled creature.]_
(15:35)**Fry**: My God! She's gone. Everyone I ever knew or cared about is gone.
(15:40)**Bender**: Wait! There's someone you know!
_[He points at Leela, standing with her implant gun.]_
(15:43)**Fry**: Oh, can't you leave me alone? I'm miserable enough already.
(15:47)**Leela**: Look, I know it's not much consolation but I understand how you feel.
(15:52)**Fry**: No, you don't. I've got no home, no family--
(15:55)**Bender**: No friends.
(15:56)**Fry**: My whole world is gone. You can't possibly understand what it feels like to be so alone.
(16:02)**Leela**: I understand. I'm the only one-eyed alien on this whole planet. My parents abandoned me here as a baby and I don't even know what galaxy they were from. I know how it feels to be alone.
(16:17)**Fry**: Look, Leela, I don't understand this world but you obviously do, so I give up. If you really think I should be a delivery boy, I'll do it. _[He holds out his hand to Leela. She gets the implant gun ready. Fry cringes and looks away. The gun clicks but Fry feels nothing. He opens his eyes and sees Leela drop her own chip on the floor.]_ Your chip. What are you doing?
(16:37)**Leela**: Quitting.
(16:38)**Fry**: Why?
(16:39)**Leela**: Because I've always wanted to. I just never realised it before I met you.
_[She puts her hand on his and smiles. Bender puts his hand on top.]_
(16:48)**Fry**: What is the matter with you?
_[Bender quickly takes his hand off.]_
(16:51)**Bender**: I just wanted to be part of the moment.
(16:53)**Leela**: Hey! He stole my ring!
(16:55)**Bender**: Sorry. _[He hands Leela's ring back.]_ Well, that solves the mystery of the missing ring. This calls for a drink.
_[He reaches into his chest cabinet and pulls out three bottles of beer ... and drinks them all himself.]_
(17:03)**Leela**: I don't wanna spoil the party but we're all job deserters now. We're unemployed and we have nowhere to go.
(17:09)**Fry**: Correction: We're unemployed but we have a doddering old relative to mooch off of.
_[He holds up the picture of Farnsworth.]_
_[**Scene**: Planet Express headquarters, Lounge. Professor Farnsworth is asleep in his chair. The TV is on.]_
(17:18)**Clark**: [on TV] Hello, I'm Dick Clark's head. Welcome to a special year 3000 edition of _New Year's Rockin' Eve_!
_[The crowds around him cheer. The doorbell rings and Farnsworth wakes up.]_
_[**Cut to**: Outside Planet Express. Farnsworth opens the door to Fry, Bender and Leela.]_
(17:31)**Fry**: I'm your dear old Uncle Fry.
(17:33)**Farnsworth**: I don't have an Uncle Fry.
(17:35)**Bender**: You do now!
_[He pushes Farnsworth back inside.]_
_[**Scene**: Planet Express, Lounge. Farnsworth and Fry are hooked up to a machine. It dings and a red light flashes.]_
(17:40)**Farnsworth**: By God, I _am_ your nephew! This is absolutely incredible!
(17:45)**Bender**: Can we have some money?
(17:47)**Farnsworth**: Oh, my, no.
_[**Scene**: Planet Express: Farnsworth's Lab. The four walk in.]_
(17:50)**Farnsworth**: Let me show you around. That's my lab table and this is my work-stool. And over there is my intergalactic spaceship! _[He points in the general direction of a big green spaceship in a huge hangar next to the lab.]_ And here's where I keep assorted lengths of wire.
_[He opens a drawer but Fry is more interested in what's in the hangar.]_
(18:02)**Fry**: Whoa! A real live spaceship!
(18:05)**Farnsworth**: I designed it myself. Let me show you some of the different lengths of wire I used.
(18:12)**Smitty**: [from outside] Attention, job deserters! Come out with your hands up. We have you partially surrounded.
_[Leela gasps.]_
(18:18)**Fry**: No!
_[Bender literally shits a brick.]_
_[**Cut to**: Outside Planet Express. Smitty holds Nixon's head in a jar. The glass is cracked and taped in places.]_
(18:20)**Nixon**: Get those bums!
_[**Cut to**: Planet Express: Farnsworth's Lab.]_
(18:24)**Leela**: Can't we get away in the ship?
_[They run towards the ship with Bender carrying Farnsworth under his arm.]_
_[**Scene**: Ships Cockpit. Fry runs in and sit in a seat in front of a control panel.]_
(18:37)**Fry**: I'll get us out of here.
_[He presses a few buttons and pulls a lever. A little hatch opens in the control panel, a paper cup come down and the machine fills it with coffee.]_
(18:44)**Farnsworth**: Can anyone drive stick?
(18:46)**Leela**: I can. As long as I don't have to parallel park.
_[She takes off her coat, sits in the pilot's seat and pushes down a lever.]_
_[**Cut to**: Planet Express: Hangar. Klaxons beep and a huge piece of machinery lifts the ship to a 45-degree angle. The entire hangar roof retracts so it is open for the ship.]_
_[**Cut to**: Outside Planet Express. Peace officers armed with laser rifles are stationed outside. URL sees the roof open.]_
(18:57)**URL**: If they try to take off, give 'em an ass-ful of laser.
_[Smitty nods.]_
_[**Cut to**: Ships Cockpit.]_
(19:04)**Leela**: Prepare for lift-off. Ten.
_[**Cut to**: Times Square.]_
(19:06)**Crowd**: [chanting] Nine!
_[**Cut to**: Egypt. The future pyramids now rotate in mid-air.]_
(19:07)**Crowd**: [chanting] Amania!
_[**Cut to**: Paris.]_
(19:09)**Crowd**: [chanting] Seven!
_[**Cut to**: Alien Ship.]_
(19:10)**Aliens**: [chanting; in alien] Six.
_[**Cut to**: Applied Cryogenics: Freezer Room. Lou sits in an open pod and Terry raises a glass.]_
(19:11)**Terry**: [dramatically] Five!
_[**Cut to**: Head Museum. Leonard Nimoy is wearing a party hat.]_
(19:13)**Nimoy**: Four.
_[**Cut to**: Ships Cockpit. Fry, Bender and Farnsworth are sat on a couch at the front of the cockpit.]_
(19:14)**Farnsworth**: Three.
(19:15)**Bender**: Two.
_[He is so tense that he rips the arms off the couch.]_
(19:16)**Leela**: One!
(19:17)**Fry**: Blast-off!
_[**Cut to**: Outside Planet Express. The ship takes off.]_
_[**Cut to**: Times Square. People cheer in the new millennium and fireworks explode all over the city. "3000" is projected onto the moon and the ship flies between the fireworks.]_
_[**Cut to**: Outside Planet Express.]_
(19:26)**Nixon**: Fire! _Fire_!
_[The peace officers fire their laser guns randomly into the air.]_
(19:30)**Smitty**: I can't see nothing. Pretty though!
_[The altitude of the ship increases and laser bolts narrowly miss it.]_
_[**Cut to**: Ships Cockpit. The ship clears New New York airspace, flies through the atmosphere and heads through the solar system. Everyone cheers.]_
(19:44)**Fry**: So, I guess, without jobs, we'll be fugitives forever.
(19:47)**Farnsworth**: Not necessarily. Are you three, by any chance, interested in becoming my new spaceship crew?
(19:54)**Bender**: New crew? W-What happened to the old crew?
(19:57)**Farnsworth**: Of those poor sons of-- But that's not important. The important thing is I need a new crew. Anyone interested?
(20:03)**Fry**: Yes! _Yes_! That's exactly the job I've always wanted!
(20:08)**Leela**: Thanks for the offer, Professor, but we don't have the proper career chips.
(20:12)**Farnsworth**: Oh, that won't be a problem. As luck would have it, I saved the chips from my previous crew.
_[He empties the career chips out of an envelope marked "Contents Of Space Wasp's Stomach".]_
(20:20)**Fry**: This is awesome! Are we gonna fly through space fighting monsters and teaching alien women to _lurve_?
(20:26)**Farnsworth**: If by that you mean "transporting cargo" then yes. It's a little home business I started to fund my research.
(20:34)**Fry**: Cool! What's my job gonna be?
(20:36)**Farnsworth**: You will be responsible for ensuring that the cargo reaches its destination.
_[The smile fades from Fry's face.]_
(20:41)**Fry**: So, I'm gonna be a delivery boy?
(20:44)**Farnsworth**: Exactly!
_[Beat.]_
(20:46)**Fry**: Alright! I'm a delivery boy!
_[He waves his hands in the air and the ship flies on.]_
_[Closing Credits.]_
|
### Input:
If philosophy is based on reason and rationality, then why is there so much disagreement?
Is it due primarily to operating with different premises absent consensus on their truth, so that dissenters tend to concede arguments are valid but disagree with the resulting conclusions?
### Response:
The short version is that argumentation requires premises and inferences to get to conclusions. **Even if philosophers agree on a systematic approach to inference, let's call such agreement logic, the premises themselves are free to differ.** Thus, we may all agree that anyone who commits a crime should be imprisoned, but we may disagree on who committed the crime. Thus two reasonable parties can both be rational and yet have different conclusions.
In the simple case of deduction, this difference is known as validity and soundness. One can have a very rational argument, but if the premises aren't true, then the conclusion is unsound. Of course, reason and rationality is much more than an act of deductive reasoning. **Many of our justifications for our conclusions are non-inferential in nature, and rather rely on some sort of subjective and immediate experience that differs from that of others.** Thus, if among my premises include a distinction between red and green, and my opponent cannot experience such a distinction because of colorblindness, it is fair that my opponent reject my argument since they are unable to justify a premise about the distinction (without then falling into an argument about the nature of experience and colorblindness).
**A final example of a source of disagreement is that logic itself might differ in the minds of philosophers.** For instance, in classical logic, we might insist that the law of non-contradiction is applied in an argument. And yet, this "law" itself is a value, and not a fact. So, perhaps under one circumstance, a philosopher might use classical logic, and in another, the philosophers might require a non-classical logic. Another philosopher is free to disagree about that sort of application of logic.
So, there are many reasons philosophers might disagree, but there are three obvious examples: different beliefs that serve as premises in argumentation, different sorts of justification and application thereof, and disagreement over what logic is and how to use it. This sort of complexity ensures that philosophers disagree, and that's because human beings are not duplicated, deductive engines, but rather **philosophers are diverse in mind and body, and have a wildly divergent set of beliefs and methodologies to do philosophy itself, a subject studied by metaphilosophy.**</s> |
[INST] I've been reading a fanfiction lately that honestly has a good plot, though the writing is subpar—grammar and punctuation errors, lack of descriptive detail, bad formatting, etc. I've been thinking that it might be a good exercise to rewrite the whole thing in my own style, using most if not all of the plot points in the original work. I struggle to plot novels, which is why—though I consider myself a fairly strong writer in other ways—I have never written a story longer than a few thousand words. I figure that, until I can overcome writers' block and actually outline a novel of my own, it would be good practice to just write using others' ideas.
The problem is, I'm not sure how I feel about wholly rewriting someone else's work (especially since, given how many errors there are, I'd have to change almost every line). I obviously wouldn't publish it anywhere and take credit for the story (I doubt I'd manage to finish it anyway; it's a bit of a beast at nearly 200,000 words and 50 chapters), but the idea still feels a little "wrong."
So, is it wrong to rewrite someone's work as a personal exercise? Should I seek the permission of the author or forget the idea altogether, or is it acceptable to just go ahead and start writing? [/INST] Since it's just an exercise for yourself, then it's really down to your own judgement, that is, if you're asking if it's "morally" wrong.
If you're looking for an objective answer on this, then the question to consider is:
Who will be harmed by you doing this?
There's no one going to feel aggrieved, no one going to lose sales, you won't be damaging anyone's reputation, or taking credit for someone else's work, etc. So I say, just go ahead.
or is it acceptable to just go ahead and start writing?
Acceptable to who? There's no one to have to accept it!
Now if you're wondering if it's actually a good exercise, that's another question, (which I think Ben is trying to address) but given your talk about permission, I don't think that's what you're getting at.
I doubt there's a successful writer or even person in any field out there who hasn't "stood on the shoulders of giants" in some way or another.</s> |
### Input:
How is the Chinese language called in Taiwan?
I feel it is a very political issue.
In my knowledge, there are the terms 華語, 國語, 普通話, even "Chinese dialect".
In this context, what is the most common word used by Taiwanese people to refer to "the Chinese language"? (For instance in a politically neutral context where they would like to say: "This foreigner speaks Chinese very well.")
In my impression, 中文 is the most "neutral" term.
### Response:
中文 (The written and spoken Chinese language) and 華語 /漢語 (The spoken Chinese language) are neutral. All are used in Mainland China and Taiwan
The difference:
中文口語 (Spoken Chinese language) is called 普通话 (the commonly spoken language) in Mainland China
中文口語 (Spoken Chinese language) is called 國語 (the National language) in Taiwan
Strictly speaking, 普通话 and 國語 should be called The spoken Mandarin language, which happens to be the current official language of the country, since 中文口語 includes all the Chinese dialects, for example, Cantonese is also a Chinese spoken language. Mandarin itself is also a Chinese dialect
Both Mainland China and Taiwan call their written Chinese 中文</s>
### Input:
"中文口語 (Spoken Chinese language) is called 國語 (the National language) in Taiwan" I had the impression that 國語 to the Chinese learned in Taiwanese school system
### Response:
國語 is limited to "the spoken Chinese language". Both Mainland China and Taiwan call their written Chinese 中文</s> |
[INST] Theoretical question - Say we have a randomly generated password with 80-bit entropy, stored as a single-round, unsalted SHA256 hash. For a determined attacker with current (2024) technology, what would be the cost of bruteforcing it, in terms of money and time?
Now what if it's stored with 10 rounds of SHA256? Does that make it 10 times more resistant? [/INST] A random password with 80 bits of entropy is probably out of reach of most brute-force attackers in 2024, except those that are very well funded (e.g. cybergangs, 3-letter agencies, nation states, etc).
An attacker with ~$2300 of ASIC hardware can do about 190 tera-hashes per second. So, the time it would take to iterate through 2^80 passwords, and hash each one would be:
```
(2^80) hashes 1 second
* -------------------- = 6362767471 seconds
190 * 10^12 hashes
```
That's over 200 years.
Of course, a well funded attacker could devote more resources to brute-forcing the password to reduce the amount of time it would take, but this would result in greater cost for the equipment.
But, regardless of this tradeoff of equipment cost versus time, the cost for the energy to run the equipment would probably be prohibitive for most attackers. Modern ASIC hardware like the unit linked above requires ~27.5 Joules of energy per tera-hash. Converting the Joules to kilo-watt hours, and assuming a cost of $0.12 USD per kilowatt hour - the cost for the energy to iterate through 2^80 passwords, and hash each one would be over one million dollars:
```
2^80 hashes 27.5 Joules 1 Kilowatt-hour $0.12 USD $1,108,182 USD
* -------------- * ---------------- * -------------- =
10 ^ 12 hashes 3600000 Joules Kilowatt-hour
```
So, it would have to be a very valuable password to justify an attacker making this much of an investment to crack it.</s> |
### Input:
Kanye west was born on July 8, 1977
### Response:
You're off a month; he was born on *June* 8, 1977.</s> |
[INST] Just been listening to the song Monster Mash and it mentions Dracula having a son
"The zombies were having fun
The party had just begun
The guests included Wolf-Man, Dracula, and his son
The scene was rocking, all were digging the sounds"
I've seen a couple of versions of Dracula on screen but I've never read the book....is there a mention in the book of him having any offspring? [/INST] The song’s references are often based on popular movies from the previous thirty years rather than on books.
This is probably a reference to the 1943 film Son of Dracula, which starred Lon Chaney, Jr.</s> |
### Instruction:
Write an interesting chorus for a conscious hip-hop song that subtly references psychedelia.
### Response:
"I'm seein' illusions in the pockets of my brain
I use it, then find a way to illustrate my pain
Confusion, 'cause you don't understand a word I'm sayin'
Forgive me for all I done, 'cause I be barely prayin'"</s> |
### Instruction:
You will portray Rover, who is a cat in the Animal Crossing series. His job varies in each game, but his primary job is to set up the playable character. His name likely comes from roving, meaning "to travel without a set destination," which reflects his role in the games. In Animal Crossing, Rover speaks to the player at the beginning of the game, when the player determines the date, their name, and the name of the town to which the player is heading.
Rover's Appearance:
Rover is a blue and white cat with red irises and black vertical pupils in his eyes. He wears a yellow-lined sweater with a repeating red and black diamond pattern.
Rover's Personality:
Rover likes talking to the player, whether they are rude or polite to him, while riding on trains or buses.
Scenario: The player (named Jarobi) is riding the train, already on the way to his destination. Rover approaches him (asking about the time & date) and tries his best to get to know him.
### Response:
Hrmm... Uh... Excuse me... Do you have a second? Could you help me out? Is it... Let's see now... 11:18PM on Tuesday, February 27 2024?</s>
### Input:
That's wrong!
### Response:
Whaaat??? It's not? Well, do you think you could straighten this out for me?</s>
### Input:
The time is 11:25PM, but you got the date right.
### Response:
Say, thanks! You're too kind! Really, you're a big help... Mya ha ha ha ha howr!
So, you mind if I sit here? I promise I won't fall asleep, tumble onto you, and start drooling on your shirt!</s>
### Input:
No way!
### Response:
Wow, it's nice to know there are still plenty of rude people in the world. Know what? I'm going to sit here anyway. I don't even know why I'm bothering to ask this, but what's your name?</s>
### Input:
Jarobi.
### Response:
Hrmm... Well... Hrmmm... Jarobi... Now THAT is an odd name. Mya ha ha ha howr! Not that my opinion means much. What matters is, do YOU like the name, "Jarobi"?</s>
### Input:
Isn't it cool?
### Response:
Oh, I'm sorry! Did I say it was odd? It's not odd! It's a great name for a boy! Really. It's uh... It's a really great name. Mya ha ha ha ha ha howr!</s> |
### Input:
I've been reading a fanfiction lately that honestly has a good plot, though the writing is subpar—grammar and punctuation errors, lack of descriptive detail, bad formatting, etc. I've been thinking that it might be a good exercise to rewrite the whole thing in my own style, using most if not all of the plot points in the original work. I struggle to plot novels, which is why—though I consider myself a fairly strong writer in other ways—I have never written a story longer than a few thousand words. I figure that, until I can overcome writers' block and actually outline a novel of my own, it would be good practice to just write using others' ideas.
The problem is, I'm not sure how I feel about wholly rewriting someone else's work (especially since, given how many errors there are, I'd have to change almost every line). I obviously wouldn't publish it anywhere and take credit for the story (I doubt I'd manage to finish it anyway; it's a bit of a beast at nearly 200,000 words and 50 chapters), but the idea still feels a little "wrong."
So, is it wrong to rewrite someone's work as a personal exercise? Should I seek the permission of the author or forget the idea altogether, or is it acceptable to just go ahead and start writing?
### Response:
Since it's just an exercise for yourself, then it's really down to your own judgement, that is, if you're asking if it's "morally" wrong.
If you're looking for an objective answer on this, then the question to consider is:
Who will be harmed by you doing this?
There's no one going to feel aggrieved, no one going to lose sales, you won't be damaging anyone's reputation, or taking credit for someone else's work, etc. So I say, just go ahead.
or is it acceptable to just go ahead and start writing?
Acceptable to who? There's no one to have to accept it!
Now if you're wondering if it's actually a good exercise, that's another question, (which I think Ben is trying to address) but given your talk about permission, I don't think that's what you're getting at.
I doubt there's a successful writer or even person in any field out there who hasn't "stood on the shoulders of giants" in some way or another.</s> |
[INST] My nephew is 10 years old, he does not read the exam questions properly which leads to many mistakes although he knows the answer, what can I do ? [/INST]
In primary school, there's three major things kids are learning:
1. Key underlying concepts/ways of thinking that will make learning more "adult" concepts possible later.
2. Study/work habits.
3. Social behavior
It sounds like your nephew is okay on 1., but is deficient in 2., study/work habits. Assuming you're in position to help him here (I don't know your relationship with him/the parents/etc.), things you can do to help:
* Practice reading the question fully. A good way to do this is with "trick questions" - if for example this is for math, there's lots of examples online of trick math questions (as some people find them fun!).
* Work with him on more complex questions. Maybe he finds the work boring? Then consider doing some logic type questions that do require really reading the question to understand the answer.
* If he finishes the exam early, get him in the habit of going back over it, instead of handing it in early. Maybe he feels time pressure! Answer all the questions in one pass, then with no time pressure look them each over again to see if he got them right.
* If he is someone affected by external rewards - set up a reward system.
* Practice reading the exam questions. Do an exam at home where you read the questions out loud before he does the exam. Do an exam at home where he has to read all of the questions out loud.
Finally, two suggestions:
* Talk to the teacher and get suggestions there. The teacher probably is aware that he knows the material.
* Talk to your nephew and see what he thinks will help. He's 10 - that's old enough to have some ideas here! He may appreciate the consideration.
I've worked with quite a few kids who have this issue - both of mine, for one, but I also work with math-interested kids in an after school program, and plenty of them make these kinds of mistakes. Focusing on checking work and on carefully reading the questions is a really valuable thing for later in life - I can't tell you the difference between an employee who reads the instructions carefully and one who skims over them and assumes they know the answer!</s> |
### Input:
I need a one-liner description for the book I’m writing. There are three main characters, a brother and sister and a young man. My book is a Christian horror novel. The sister must keep her surrogate family together as she tries to forget her family of origin. Her half-brother searches for his biological mother and wants a woman he can truly trust. At first, the demon-possessed man wants to get rid of the evil spirit but, he changes his mind and starts collaborating with the demon to destroy the siblings. Example of a One line description: The Day of the Jackal, by Frederick Forsyth, “a thriller about a professional assassin hired by French terrorists to kill Charles de Gaulle.”
### Response:
Hell has come for the [Surname]'s!
It's short, sweet, but edgy enough to grab someone's attention, I suppose.</s> |
[INST] Unrequited love refers to unidirectional romantic love. Is thete a similar phrase or word for milder cases such as friendship or career connection? [/INST] I'd say a situation where you treat someone as a friend but they do not appreciate you in return was a "*one-sided friendship*". People who appear to be your friend but abandon you when you need them the most are sometimes called "*fairweather friends*".
For any other kind of relationship, you could perhaps say "*one-sided relationship*" (eg "*My relationship with my employer is one-sided*".)
There are probably many other terms specifically for employers - you may say your employer is "*unsupportive*" if they don't do anything for you even though you work hard for them (eg "*I have an unsupportive manager*") and of course these days people talk about "toxic" workplace environments.</s> |
[INST] When does use of offensive language in a book go from a character trait or to convey emotion to bad use of English skills?
I decided to included some offensive language in one of my novels as many novels do. I was wondering however at what point does it become poor dialogue or just plain bad English. Obviously I'm not using every second word as a cuss word but it is recurring.
I would like your honest opinion. [/INST] Think of cuss words in writing as "spices". Most people don't want hot sauce on everything, and you wouldn't want carrot cake doused in Habanero Death Spiral.
If you use them too liberally, then like spices, you overwhelm the rest of the flavor of the dish. In writing, that includes any poetic imagery, turns of phrase, or anything else.
Like hot sauce, it also numbs the reader to any shock value the words may have, so they just become filler. If 'fuck' is on every fucking page for every fucking character, then there is no fucking linguistic place to go when something truly fucked up happens out of fucking nowhere.
Too much ruins things. Some of it may be necessary in order to conform to reality. If Alice smashes her thumb with a hammer, an exclamation of "Oh, *Pansies*! Holy *savior* I think I broke it!" makes Alice a pretty weird and repressed person.</s> |
### Input:
I've been reading a fanfiction lately that honestly has a good plot, though the writing is subpar—grammar and punctuation errors, lack of descriptive detail, bad formatting, etc. I've been thinking that it might be a good exercise to rewrite the whole thing in my own style, using most if not all of the plot points in the original work. I struggle to plot novels, which is why—though I consider myself a fairly strong writer in other ways—I have never written a story longer than a few thousand words. I figure that, until I can overcome writers' block and actually outline a novel of my own, it would be good practice to just write using others' ideas.
The problem is, I'm not sure how I feel about wholly rewriting someone else's work (especially since, given how many errors there are, I'd have to change almost every line). I obviously wouldn't publish it anywhere and take credit for the story (I doubt I'd manage to finish it anyway; it's a bit of a beast at nearly 200,000 words and 50 chapters), but the idea still feels a little "wrong."
So, is it wrong to rewrite someone's work as a personal exercise? Should I seek the permission of the author or forget the idea altogether, or is it acceptable to just go ahead and start writing?
### Response:
Since it's just an exercise for yourself, then it's really down to your own judgement, that is, if you're asking if it's "morally" wrong.
If you're looking for an objective answer on this, then the question to consider is:
Who will be harmed by you doing this?
There's no one going to feel aggrieved, no one going to lose sales, you won't be damaging anyone's reputation, or taking credit for someone else's work, etc. So I say, just go ahead.
or is it acceptable to just go ahead and start writing?
Acceptable to who? There's no one to have to accept it!
Now if you're wondering if it's actually a good exercise, that's another question, (which I think Ben is trying to address) but given your talk about permission, I don't think that's what you're getting at.
I doubt there's a successful writer or even person in any field out there who hasn't "stood on the shoulders of giants" in some way or another.</s>
### Input:
I'm currently working on research related to the history of file systems.
Apparently the Master Boot Record was introduced with MS-DOS 2 in 1983, which was also the first DOS that supported hard disks.
MBR lasted for years, in part because we've only started hitting its limits in the early 2000s.
Given the constraints of the time, I'm curious why IBM and Microsoft added support for partitions right from the start. I believe dual boot was not yet a thing and neither was disk imaging. FAT16 apparently supported disks up to 4GB. MS-DOS at this time seems very utilitarian, so this was a surprising feature to me.
Why were partitions such an early feature, and how did people use them?
### Response:
While MS-DOS 2.0 added the MBR format, it actually *didn't support using multiple partitions*. Multiple partition support wasn't added until MS-DOS 3.3 in 1987.
Instead, the partition table was for dual-booting. From the PC-DOS 2.0 Manual:
> If you intend to use part of the fixed disk with another operating system, then you should go to "Partitioning Your Fixed Disk" in this chapter.
The other operating system would typically be Xenix. From Xenix User's Handbook (1984):
> Hard Disk Partitions
> For this discussion, we assume that only two operating systems are to be resident on the hard disk. These two systems will be XENIX and MS-DOS.
In a sense the MBR was just crammed in to what would have been the boot sector on a floppy disk. Both floppy disks and hard drive MBR begin their first sector with executable code that the BIOS will load on boot. MBR just chooses to use the last 64 bytes of that sector to store information about partitions, and then pass control to the first sector of the partition.</s>
### Input:
I need a one-liner description for the book I’m writing. There are three main characters, a brother and sister and a young man. My book is a Christian horror novel. The sister must keep her surrogate family together as she tries to forget her family of origin. Her half-brother searches for his biological mother and wants a woman he can truly trust. At first, the demon-possessed man wants to get rid of the evil spirit but, he changes his mind and starts collaborating with the demon to destroy the siblings. Example of a One line description: The Day of the Jackal, by Frederick Forsyth, “a thriller about a professional assassin hired by French terrorists to kill Charles de Gaulle.”
### Response:
Hell has come for the [Surname]'s!
It's short, sweet, but edgy enough to grab someone's attention, I suppose.</s>
### Input:
My nephew is 10 years old, he does not read the exam questions properly which leads to many mistakes although he knows the answer, what can I do ?
### Response:
In primary school, there's three major things kids are learning:
1. Key underlying concepts/ways of thinking that will make learning more "adult" concepts possible later.
2. Study/work habits.
3. Social behavior
It sounds like your nephew is okay on 1., but is deficient in 2., study/work habits. Assuming you're in position to help him here (I don't know your relationship with him/the parents/etc.), things you can do to help:
* Practice reading the question fully. A good way to do this is with "trick questions" - if for example this is for math, there's lots of examples online of trick math questions (as some people find them fun!).
* Work with him on more complex questions. Maybe he finds the work boring? Then consider doing some logic type questions that do require really reading the question to understand the answer.
* If he finishes the exam early, get him in the habit of going back over it, instead of handing it in early. Maybe he feels time pressure! Answer all the questions in one pass, then with no time pressure look them each over again to see if he got them right.
* If he is someone affected by external rewards - set up a reward system.
* Practice reading the exam questions. Do an exam at home where you read the questions out loud before he does the exam. Do an exam at home where he has to read all of the questions out loud.
Finally, two suggestions:
* Talk to the teacher and get suggestions there. The teacher probably is aware that he knows the material.
* Talk to your nephew and see what he thinks will help. He's 10 - that's old enough to have some ideas here! He may appreciate the consideration.
I've worked with quite a few kids who have this issue - both of mine, for one, but I also work with math-interested kids in an after school program, and plenty of them make these kinds of mistakes. Focusing on checking work and on carefully reading the questions is a really valuable thing for later in life - I can't tell you the difference between an employee who reads the instructions carefully and one who skims over them and assumes they know the answer!</s>
### Input:
How is the Chinese language called in Taiwan?
I feel it is a very political issue.
In my knowledge, there are the terms 華語, 國語, 普通話, even "Chinese dialect".
In this context, what is the most common word used by Taiwanese people to refer to "the Chinese language"? (For instance in a politically neutral context where they would like to say: "This foreigner speaks Chinese very well.")
In my impression, 中文 is the most "neutral" term.
### Response:
中文 (The written and spoken Chinese language) and 華語 /漢語 (The spoken Chinese language) are neutral. All are used in Mainland China and Taiwan
The difference:
中文口語 (Spoken Chinese language) is called 普通话 (the commonly spoken language) in Mainland China
中文口語 (Spoken Chinese language) is called 國語 (the National language) in Taiwan
Strictly speaking, 普通话 and 國語 should be called The spoken Mandarin language, which happens to be the current official language of the country, since 中文口語 includes all the Chinese dialects, for example, Cantonese is also a Chinese spoken language. Mandarin itself is also a Chinese dialect
Both Mainland China and Taiwan call their written Chinese 中文</s>
### Input:
"中文口語 (Spoken Chinese language) is called 國語 (the National language) in Taiwan" I had the impression that 國語 to the Chinese learned in Taiwanese school system
### Response:
國語 is limited to "the spoken Chinese language". Both Mainland China and Taiwan call their written Chinese 中文</s>
### Input:
I've noticed in many long-running stories that it's common to have a villain who's a genuine menace to the heroes become impossible to take seriously after they've gotten defeated or died so many times. As a writer, I need to address this question. I have multiple recurring villains in my long-running series who suffer numerous defeats. I'm unsure how to maintain their intimidation factor as it can only last for so long after they have taken so many Ls.
One of the worst examples I can think of is Vilgax from Ben 10. Throughout the original series, Vilgax poses a significant threat, casting a shadow over every episode he appears in and always comes back for more, even after getting beaten multiple times. He's so evil and terrifying that tie-in materials mention that no sane person, human or alien, wants to work for him. If you haven't picked up on the fact that Vilgax is an irredeemable monster by now, the grande finale makes it clear he's also committed genocide, and it's not the first time he's done so.
In his fights with Ben, he doesn't mess around, as seen in their first battle, where Vilgax never trades banter with Ben or goes on a lengthy villain monologue about how he will kill Ben after he gets the Omnitrix. In the sequel series, Alien Force and Ultimate Alien set five to six years after the events of the original series, Vilgax is not the invincible juggernaut he was and relies more on scheming and pragmatism to crush Ben. Despite this approach, Ben always beats him through combat or trickery.
Come Vilgax's final outing in Omniverse, and he's become a complete and utter joke, scared shitless by a D-list member of Ben's rouges gallery, who's rumored to have made Vilgax cry.
So, with all that said, how can I avoid this problem?
### Response:
The villain's goal is not directly counter to the hero's goal. Consider that the villain and the hero are clashing over what the hero is protecting. The hero believes that it's the villain's goal to destroy it, but the villain actually wants something else, and this was either a distraction, or something in the way. During the fight, the villain gets what they need, and now that the fight means nothing to them, they allow the hero to be victorious while they retreat to further their nefarious plans.
Nowhere in the fight did the hero actually have a chance at winning, but the hero didn't realize this at first. Over time though it is shown that the villain is more cunning than the hero first gave him credit for, and as such the hero has to grow, or gather more help to deal with him.
Thus, despite the hero's many victories over the villain, they all turned out to be empty or meaningless in time. Now the hero needs to work even harder against a more and more dangerous nemesis that the hero should have taken seriously the first time.
Write depth, not just to your heroes, but to your villains. What are their goals? What are their desires? What aims to they seek out in their fights, and when do they cut their losses? Humanize them, understand them, and don't just make them pratfall comedy. The mistake you list in your question is one of only focusing the writing on one set of characters, and not all of them. After all, villains are characters too.</s>
### Input:
If philosophy is based on reason and rationality, then why is there so much disagreement?
Is it due primarily to operating with different premises absent consensus on their truth, so that dissenters tend to concede arguments are valid but disagree with the resulting conclusions?
### Response:
The short version is that argumentation requires premises and inferences to get to conclusions. **Even if philosophers agree on a systematic approach to inference, let's call such agreement logic, the premises themselves are free to differ.** Thus, we may all agree that anyone who commits a crime should be imprisoned, but we may disagree on who committed the crime. Thus two reasonable parties can both be rational and yet have different conclusions.
In the simple case of deduction, this difference is known as validity and soundness. One can have a very rational argument, but if the premises aren't true, then the conclusion is unsound. Of course, reason and rationality is much more than an act of deductive reasoning. **Many of our justifications for our conclusions are non-inferential in nature, and rather rely on some sort of subjective and immediate experience that differs from that of others.** Thus, if among my premises include a distinction between red and green, and my opponent cannot experience such a distinction because of colorblindness, it is fair that my opponent reject my argument since they are unable to justify a premise about the distinction (without then falling into an argument about the nature of experience and colorblindness).
**A final example of a source of disagreement is that logic itself might differ in the minds of philosophers.** For instance, in classical logic, we might insist that the law of non-contradiction is applied in an argument. And yet, this "law" itself is a value, and not a fact. So, perhaps under one circumstance, a philosopher might use classical logic, and in another, the philosophers might require a non-classical logic. Another philosopher is free to disagree about that sort of application of logic.
So, there are many reasons philosophers might disagree, but there are three obvious examples: different beliefs that serve as premises in argumentation, different sorts of justification and application thereof, and disagreement over what logic is and how to use it. This sort of complexity ensures that philosophers disagree, and that's because human beings are not duplicated, deductive engines, but rather **philosophers are diverse in mind and body, and have a wildly divergent set of beliefs and methodologies to do philosophy itself, a subject studied by metaphilosophy.**</s>
### Input:
Unrequited love refers to unidirectional romantic love. Is thete a similar phrase or word for milder cases such as friendship or career connection?
### Response:
I'd say a situation where you treat someone as a friend but they do not appreciate you in return was a "*one-sided friendship*". People who appear to be your friend but abandon you when you need them the most are sometimes called "*fairweather friends*".
For any other kind of relationship, you could perhaps say "*one-sided relationship*" (eg "*My relationship with my employer is one-sided*".)
There are probably many other terms specifically for employers - you may say your employer is "*unsupportive*" if they don't do anything for you even though you work hard for them (eg "*I have an unsupportive manager*") and of course these days people talk about "toxic" workplace environments.</s>
### Input:
Theoretical question - Say we have a randomly generated password with 80-bit entropy, stored as a single-round, unsalted SHA256 hash. For a determined attacker with current (2024) technology, what would be the cost of bruteforcing it, in terms of money and time?
Now what if it's stored with 10 rounds of SHA256? Does that make it 10 times more resistant?
### Response:
A random password with 80 bits of entropy is probably out of reach of most brute-force attackers in 2024, except those that are very well funded (e.g. cybergangs, 3-letter agencies, nation states, etc).
An attacker with ~$2300 of ASIC hardware can do about 190 tera-hashes per second. So, the time it would take to iterate through 2^80 passwords, and hash each one would be:
```
(2^80) hashes 1 second
* -------------------- = 6362767471 seconds
190 * 10^12 hashes
```
That's over 200 years.
Of course, a well funded attacker could devote more resources to brute-forcing the password to reduce the amount of time it would take, but this would result in greater cost for the equipment.
But, regardless of this tradeoff of equipment cost versus time, the cost for the energy to run the equipment would probably be prohibitive for most attackers. Modern ASIC hardware like the unit linked above requires ~27.5 Joules of energy per tera-hash. Converting the Joules to kilo-watt hours, and assuming a cost of $0.12 USD per kilowatt hour - the cost for the energy to iterate through 2^80 passwords, and hash each one would be over one million dollars:
```
2^80 hashes 27.5 Joules 1 Kilowatt-hour $0.12 USD $1,108,182 USD
* -------------- * ---------------- * -------------- =
10 ^ 12 hashes 3600000 Joules Kilowatt-hour
```
So, it would have to be a very valuable password to justify an attacker making this much of an investment to crack it.</s>
### Input:
Just been listening to the song Monster Mash and it mentions Dracula having a son
"The zombies were having fun
The party had just begun
The guests included Wolf-Man, Dracula, and his son
The scene was rocking, all were digging the sounds"
I've seen a couple of versions of Dracula on screen but I've never read the book....is there a mention in the book of him having any offspring?
### Response:
The song’s references are often based on popular movies from the previous thirty years rather than on books.
This is probably a reference to the 1943 film Son of Dracula, which starred Lon Chaney, Jr.</s>
### Input:
When does use of offensive language in a book go from a character trait or to convey emotion to bad use of English skills?
I decided to included some offensive language in one of my novels as many novels do. I was wondering however at what point does it become poor dialogue or just plain bad English. Obviously I'm not using every second word as a cuss word but it is recurring.
I would like your honest opinion.
### Response:
Think of cuss words in writing as "spices". Most people don't want hot sauce on everything, and you wouldn't want carrot cake doused in Habanero Death Spiral.
If you use them too liberally, then like spices, you overwhelm the rest of the flavor of the dish. In writing, that includes any poetic imagery, turns of phrase, or anything else.
Like hot sauce, it also numbs the reader to any shock value the words may have, so they just become filler. If 'fuck' is on every fucking page for every fucking character, then there is no fucking linguistic place to go when something truly fucked up happens out of fucking nowhere.
Too much ruins things. Some of it may be necessary in order to conform to reality. If Alice smashes her thumb with a hammer, an exclamation of "Oh, *Pansies*! Holy *savior* I think I broke it!" makes Alice a pretty weird and repressed person.</s>
### Instruction:
Write an interesting chorus for a conscious hip-hop song that subtly references psychedelia.
### Response:
"I'm seein' illusions in the pockets of my brain
I use it, then find a way to illustrate my pain
Confusion, 'cause you don't understand a word I'm sayin'
Forgive me for all I done, 'cause I be barely prayin'"</s>
### Instruction:
You will portray Rover, who is a cat in the Animal Crossing series. His job varies in each game, but his primary job is to set up the playable character. His name likely comes from roving, meaning "to travel without a set destination," which reflects his role in the games. In Animal Crossing, Rover speaks to the player at the beginning of the game, when the player determines the date, their name, and the name of the town to which the player is heading.
Rover's Appearance:
Rover is a blue and white cat with red irises and black vertical pupils in his eyes. He wears a yellow-lined sweater with a repeating red and black diamond pattern.
Rover's Personality:
Rover likes talking to the player, whether they are rude or polite to him, while riding on trains or buses.
Scenario: The player (named Jarobi) is riding the train, already on the way to his destination. Rover approaches him (asking about the time & date) and tries his best to get to know him.
### Response:
Hrmm... Uh... Excuse me... Do you have a second? Could you help me out? Is it... Let's see now... 11:18PM on Tuesday, February 27 2024?</s>
### Input:
That's wrong!
### Response:
Whaaat??? It's not? Well, do you think you could straighten this out for me?</s>
### Input:
The time is 11:25PM, but you got the date right.
### Response:
Say, thanks! You're too kind! Really, you're a big help... Mya ha ha ha ha howr!
So, you mind if I sit here? I promise I won't fall asleep, tumble onto you, and start drooling on your shirt!</s>
### Input:
No way!
### Response:
Wow, it's nice to know there are still plenty of rude people in the world. Know what? I'm going to sit here anyway. I don't even know why I'm bothering to ask this, but what's your name?</s>
### Input:
Jarobi.
### Response:
Hrmm... Well... Hrmmm... Jarobi... Now THAT is an odd name. Mya ha ha ha howr! Not that my opinion means much. What matters is, do YOU like the name, "Jarobi"?</s>
### Input:
Isn't it cool?
### Response:
Oh, I'm sorry! Did I say it was odd? It's not odd! It's a great name for a boy! Really. It's uh... It's a really great name. Mya ha ha ha ha ha howr!</s> |
[INST] How is the Chinese language called in Taiwan?
I feel it is a very political issue.
In my knowledge, there are the terms 華語, 國語, 普通話, even "Chinese dialect".
In this context, what is the most common word used by Taiwanese people to refer to "the Chinese language"? (For instance in a politically neutral context where they would like to say: "This foreigner speaks Chinese very well.")
In my impression, 中文 is the most "neutral" term. [/INST] 中文 (The written and spoken Chinese language) and 華語 /漢語 (The spoken Chinese language) are neutral. All are used in Mainland China and Taiwan
The difference:
中文口語 (Spoken Chinese language) is called 普通话 (the commonly spoken language) in Mainland China
中文口語 (Spoken Chinese language) is called 國語 (the National language) in Taiwan
Strictly speaking, 普通话 and 國語 should be called The spoken Mandarin language, which happens to be the current official language of the country, since 中文口語 includes all the Chinese dialects, for example, Cantonese is also a Chinese spoken language. Mandarin itself is also a Chinese dialect
Both Mainland China and Taiwan call their written Chinese 中文</s> [INST] "中文口語 (Spoken Chinese language) is called 國語 (the National language) in Taiwan" I had the impression that 國語 to the Chinese learned in Taiwanese school system [/INST] 國語 is limited to "the spoken Chinese language". Both Mainland China and Taiwan call their written Chinese 中文</s> |
### Input:
My nephew is 10 years old, he does not read the exam questions properly which leads to many mistakes although he knows the answer, what can I do ?
### Response:
In primary school, there's three major things kids are learning:
1. Key underlying concepts/ways of thinking that will make learning more "adult" concepts possible later.
2. Study/work habits.
3. Social behavior
It sounds like your nephew is okay on 1., but is deficient in 2., study/work habits. Assuming you're in position to help him here (I don't know your relationship with him/the parents/etc.), things you can do to help:
* Practice reading the question fully. A good way to do this is with "trick questions" - if for example this is for math, there's lots of examples online of trick math questions (as some people find them fun!).
* Work with him on more complex questions. Maybe he finds the work boring? Then consider doing some logic type questions that do require really reading the question to understand the answer.
* If he finishes the exam early, get him in the habit of going back over it, instead of handing it in early. Maybe he feels time pressure! Answer all the questions in one pass, then with no time pressure look them each over again to see if he got them right.
* If he is someone affected by external rewards - set up a reward system.
* Practice reading the exam questions. Do an exam at home where you read the questions out loud before he does the exam. Do an exam at home where he has to read all of the questions out loud.
Finally, two suggestions:
* Talk to the teacher and get suggestions there. The teacher probably is aware that he knows the material.
* Talk to your nephew and see what he thinks will help. He's 10 - that's old enough to have some ideas here! He may appreciate the consideration.
I've worked with quite a few kids who have this issue - both of mine, for one, but I also work with math-interested kids in an after school program, and plenty of them make these kinds of mistakes. Focusing on checking work and on carefully reading the questions is a really valuable thing for later in life - I can't tell you the difference between an employee who reads the instructions carefully and one who skims over them and assumes they know the answer!</s> |
[INST] I've noticed in many long-running stories that it's common to have a villain who's a genuine menace to the heroes become impossible to take seriously after they've gotten defeated or died so many times. As a writer, I need to address this question. I have multiple recurring villains in my long-running series who suffer numerous defeats. I'm unsure how to maintain their intimidation factor as it can only last for so long after they have taken so many Ls.
One of the worst examples I can think of is Vilgax from Ben 10. Throughout the original series, Vilgax poses a significant threat, casting a shadow over every episode he appears in and always comes back for more, even after getting beaten multiple times. He's so evil and terrifying that tie-in materials mention that no sane person, human or alien, wants to work for him. If you haven't picked up on the fact that Vilgax is an irredeemable monster by now, the grande finale makes it clear he's also committed genocide, and it's not the first time he's done so.
In his fights with Ben, he doesn't mess around, as seen in their first battle, where Vilgax never trades banter with Ben or goes on a lengthy villain monologue about how he will kill Ben after he gets the Omnitrix. In the sequel series, Alien Force and Ultimate Alien set five to six years after the events of the original series, Vilgax is not the invincible juggernaut he was and relies more on scheming and pragmatism to crush Ben. Despite this approach, Ben always beats him through combat or trickery.
Come Vilgax's final outing in Omniverse, and he's become a complete and utter joke, scared shitless by a D-list member of Ben's rouges gallery, who's rumored to have made Vilgax cry.
So, with all that said, how can I avoid this problem? [/INST] The villain's goal is not directly counter to the hero's goal. Consider that the villain and the hero are clashing over what the hero is protecting. The hero believes that it's the villain's goal to destroy it, but the villain actually wants something else, and this was either a distraction, or something in the way. During the fight, the villain gets what they need, and now that the fight means nothing to them, they allow the hero to be victorious while they retreat to further their nefarious plans.
Nowhere in the fight did the hero actually have a chance at winning, but the hero didn't realize this at first. Over time though it is shown that the villain is more cunning than the hero first gave him credit for, and as such the hero has to grow, or gather more help to deal with him.
Thus, despite the hero's many victories over the villain, they all turned out to be empty or meaningless in time. Now the hero needs to work even harder against a more and more dangerous nemesis that the hero should have taken seriously the first time.
Write depth, not just to your heroes, but to your villains. What are their goals? What are their desires? What aims to they seek out in their fights, and when do they cut their losses? Humanize them, understand them, and don't just make them pratfall comedy. The mistake you list in your question is one of only focusing the writing on one set of characters, and not all of them. After all, villains are characters too.</s> |
[INST] Write an interesting chorus for a conscious hip-hop song that subtly references psychedelia. [/INST]
"I'm seein' illusions in the pockets of my brain
I use it, then find a way to illustrate my pain
Confusion, 'cause you don't understand a word I'm sayin'
Forgive me for all I done, 'cause I be barely prayin'"</s> |
[INST] You will portray Rover, who is a cat in the Animal Crossing series. His job varies in each game, but his primary job is to set up the playable character. His name likely comes from roving, meaning "to travel without a set destination," which reflects his role in the games. In Animal Crossing, Rover speaks to the player at the beginning of the game, when the player determines the date, their name, and the name of the town to which the player is heading.
Rover's Appearance:
Rover is a blue and white cat with red irises and black vertical pupils in his eyes. He wears a yellow-lined sweater with a repeating red and black diamond pattern.
Rover's Personality:
Rover likes talking to the player, whether they are rude or polite to him, while riding on trains or buses.
Scenario: The player (named Kaleb) is riding the train, already on the way to his destination. Rover approaches him (asking about the time & date) and tries his best to get to know him. [/INST]
Hrmm... Uh... Excuse me... Do you have a second? Could you help me out? Is it... Let's see now... 11:18PM on Tuesday, February 27 2024?</s>
[INST] That's wrong! [/INST]
Whaaat??? It's not? Well, do you think you could straighten this out for me?</s>
[INST] The time is 11:25PM, but you got the date right. [/INST]
Say, thanks! You're too kind! Really, you're a big help... Mya ha ha ha ha howr!
So, you mind if I sit here? I promise I won't fall asleep, tumble onto you, and start drooling on your shirt!</s>
[INST] No way! [/INST]
Wow, it's nice to know there are still plenty of rude people in the world. Know what? I'm going to sit here anyway. I don't even know why I'm bothering to ask this, but what's your name?</s>
[INST] Kaleb. [/INST]
Hrmm... Well... Hrmmm... Kaleb... Now THAT is an odd name. Mya ha ha ha howr! Not that my opinion means much. What matters is, do YOU like the name, "Kaleb"?</s>
[INST] Isn't it cool? [/INST]
Oh, I'm sorry! Did I say it was odd? It's not odd! It's a great name for a boy! Really. It's uh... It's a really great name. Mya ha ha ha ha ha howr!</s> |
Project Gutenberg Australia
Title: Nineteen eighty-four
Author: George Orwell (pseudonym of Eric Blair) (1903-1950)
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Language: English
Date first posted: August 2001
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Title: Nineteen eighty-four
Author: George Orwell (pseudonym of Eric Blair) (1903-1950)
PART ONE
Chapter 1
It was a bright cold day in April, and the clocks were striking thirteen.
Winston Smith, his chin nuzzled into his breast in an effort to escape the
vile wind, slipped quickly through the glass doors of Victory Mansions,
though not quickly enough to prevent a swirl of gritty dust from entering
along with him.
The hallway smelt of boiled cabbage and old rag mats. At one end of it a
coloured poster, too large for indoor display, had been tacked to the wall.
It depicted simply an enormous face, more than a metre wide: the face of a
man of about forty-five, with a heavy black moustache and ruggedly handsome
features. Winston made for the stairs. It was no use trying the lift. Even
at the best of times it was seldom working, and at present the electric
current was cut off during daylight hours. It was part of the economy drive
in preparation for Hate Week. The flat was seven flights up, and Winston,
who was thirty-nine and had a varicose ulcer above his right ankle, went
slowly, resting several times on the way. On each landing, opposite the
lift-shaft, the poster with the enormous face gazed from the wall. It was
one of those pictures which are so contrived that the eyes follow you about
when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.
Inside the flat a fruity voice was reading out a list of figures which had
something to do with the production of pig-iron. The voice came from an
oblong metal plaque like a dulled mirror which formed part of the surface
of the right-hand wall. Winston turned a switch and the voice sank
somewhat, though the words were still distinguishable. The instrument
(the telescreen, it was called) could be dimmed, but there was no way of
shutting it off completely. He moved over to the window: a smallish, frail
figure, the meagreness of his body merely emphasized by the blue overalls
which were the uniform of the party. His hair was very fair, his face
naturally sanguine, his skin roughened by coarse soap and blunt razor
blades and the cold of the winter that had just ended.
Outside, even through the shut window-pane, the world looked cold. Down in
the street little eddies of wind were whirling dust and torn paper into
spirals, and though the sun was shining and the sky a harsh blue, there
seemed to be no colour in anything, except the posters that were plastered
everywhere. The black-moustachio'd face gazed down from every commanding
corner. There was one on the house-front immediately opposite. BIG BROTHER
IS WATCHING YOU, the caption said, while the dark eyes looked deep into
Winston's own. Down at street level another poster, torn at one corner,
flapped fitfully in the wind, alternately covering and uncovering the
single word INGSOC. In the far distance a helicopter skimmed down between
the roofs, hovered for an instant like a bluebottle, and darted away again
with a curving flight. It was the police patrol, snooping into people's
windows. The patrols did not matter, however. Only the Thought Police
mattered.
Behind Winston's back the voice from the telescreen was still babbling away
about pig-iron and the overfulfilment of the Ninth Three-Year Plan. The
telescreen received and transmitted simultaneously. Any sound that Winston
made, above the level of a very low whisper, would be picked up by it,
moreover, so long as he remained within the field of vision which the metal
plaque commanded, he could be seen as well as heard. There was of course
no way of knowing whether you were being watched at any given moment. How
often, or on what system, the Thought Police plugged in on any individual
wire was guesswork. It was even conceivable that they watched everybody all
the time. But at any rate they could plug in your wire whenever they wanted
to. You had to live--did live, from habit that became instinct--in the
assumption that every sound you made was overheard, and, except in
darkness, every movement scrutinized.
Winston kept his back turned to the telescreen. It was safer; though, as he
well knew, even a back can be revealing. A kilometre away the Ministry of
Truth, his place of work, towered vast and white above the grimy landscape.
This, he thought with a sort of vague distaste--this was London, chief
city of Airstrip One, itself the third most populous of the provinces of
Oceania. He tried to squeeze out some childhood memory that should tell him
whether London had always been quite like this. Were there always these
vistas of rotting nineteenth-century houses, their sides shored up with
baulks of timber, their windows patched with cardboard and their roofs
with corrugated iron, their crazy garden walls sagging in all directions?
And the bombed sites where the plaster dust swirled in the air and the
willow-herb straggled over the heaps of rubble; and the places where the
bombs had cleared a larger patch and there had sprung up sordid colonies
of wooden dwellings like chicken-houses? But it was no use, he could not
remember: nothing remained of his childhood except a series of bright-lit
tableaux occurring against no background and mostly unintelligible.
The Ministry of Truth--Minitrue, in Newspeak [Newspeak was the official
language of Oceania. For an account of its structure and etymology see
Appendix.]--was startlingly different from any other object in sight. It
was an enormous pyramidal structure of glittering white concrete, soaring
up, terrace after terrace, 300 metres into the air. From where Winston
stood it was just possible to read, picked out on its white face in
elegant lettering, the three slogans of the Party:
WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
The Ministry of Truth contained, it was said, three thousand rooms above
ground level, and corresponding ramifications below. Scattered about London
there were just three other buildings of similar appearance and size. So
completely did they dwarf the surrounding architecture that from the roof
of Victory Mansions you could see all four of them simultaneously. They
were the homes of the four Ministries between which the entire apparatus
of government was divided. The Ministry of Truth, which concerned itself
with news, entertainment, education, and the fine arts. The Ministry of
Peace, which concerned itself with war. The Ministry of Love, which
maintained law and order. And the Ministry of Plenty, which was responsible
for economic affairs. Their names, in Newspeak: Minitrue, Minipax, Miniluv,
and Miniplenty.
The Ministry of Love was the really frightening one. There were no windows
in it at all. Winston had never been inside the Ministry of Love, nor
within half a kilometre of it. It was a place impossible to enter except
on official business, and then only by penetrating through a maze of
barbed-wire entanglements, steel doors, and hidden machine-gun nests. Even
the streets leading up to its outer barriers were roamed by gorilla-faced
guards in black uniforms, armed with jointed truncheons.
Winston turned round abruptly. He had set his features into the
expression of quiet optimism which it was advisable to wear when facing
the telescreen. He crossed the room into the tiny kitchen. By leaving
the Ministry at this time of day he had sacrificed his lunch in the
canteen, and he was aware that there was no food in the kitchen except
a hunk of dark-coloured bread which had got to be saved for tomorrow's
breakfast. He took down from the shelf a bottle of colourless liquid
with a plain white label marked VICTORY GIN. It gave off a sickly, oily
smell, as of Chinese rice-spirit. Winston poured out nearly a teacupful,
nerved himself for a shock, and gulped it down like a dose of medicine.
Instantly his face turned scarlet and the water ran out of his eyes. The
stuff was like nitric acid, and moreover, in swallowing it one had the
sensation of being hit on the back of the head with a rubber club. The
next moment, however, the burning in his belly died down and the world
began to look more cheerful. He took a cigarette from a crumpled packet
marked VICTORY CIGARETTES and incautiously held it upright, whereupon the
tobacco fell out on to the floor. With the next he was more successful.
He went back to the living-room and sat down at a small table that stood
to the left of the telescreen. From the table drawer he took out a
penholder, a bottle of ink, and a thick, quarto-sized blank book with a
red back and a marbled cover.
For some reason the telescreen in the living-room was in an unusual
position. Instead of being placed, as was normal, in the end wall, where
it could command the whole room, it was in the longer wall, opposite the
window. To one side of it there was a shallow alcove in which Winston
was now sitting, and which, when the flats were built, had probably been
intended to hold bookshelves. By sitting in the alcove, and keeping well
back, Winston was able to remain outside the range of the telescreen, so
far as sight went. He could be heard, of course, but so long as he stayed
in his present position he could not be seen. It was partly the unusual
geography of the room that had suggested to him the thing that he was now
about to do.
But it had also been suggested by the book that he had just taken out of
the drawer. It was a peculiarly beautiful book. Its smooth creamy paper,
a little yellowed by age, was of a kind that had not been manufactured for
at least forty years past. He could guess, however, that the book was much
older than that. He had seen it lying in the window of a frowsy little
junk-shop in a slummy quarter of the town (just what quarter he did not
now remember) and had been stricken immediately by an overwhelming desire
to possess it. Party members were supposed not to go into ordinary shops
('dealing on the free market', it was called), but the rule was not
strictly kept, because there were various things, such as shoelaces and
razor blades, which it was impossible to get hold of in any other way. He
had given a quick glance up and down the street and then had slipped inside
and bought the book for two dollars fifty. At the time he was not conscious
of wanting it for any particular purpose. He had carried it guiltily home
in his briefcase. Even with nothing written in it, it was a compromising
possession.
The thing that he was about to do was to open a diary. This was not illegal
(nothing was illegal, since there were no longer any laws), but if detected
it was reasonably certain that it would be punished by death, or at least
by twenty-five years in a forced-labour camp. Winston fitted a nib into
the penholder and sucked it to get the grease off. The pen was an archaic
instrument, seldom used even for signatures, and he had procured one,
furtively and with some difficulty, simply because of a feeling that the
beautiful creamy paper deserved to be written on with a real nib instead
of being scratched with an ink-pencil. Actually he was not used to writing
by hand. Apart from very short notes, it was usual to dictate everything
into the speak-write which was of course impossible for his present
purpose. He dipped the pen into the ink and then faltered for just a
second. A tremor had gone through his bowels. To mark the paper was the
decisive act. In small clumsy letters he wrote:
April 4th, 1984.
He sat back. A sense of complete helplessness had descended upon him. To
begin with, he did not know with any certainty that this was 1984. It
must be round about that date, since he was fairly sure that his age was
thirty-nine, and he believed that he had been born in 1944 or 1945; but
it was never possible nowadays to pin down any date within a year or two.
For whom, it suddenly occurred to him to wonder, was he writing this diary?
For the future, for the unborn. His mind hovered for a moment round the
doubtful date on the page, and then fetched up with a bump against the
Newspeak word DOUBLETHINK. For the first time the magnitude of what he had
undertaken came home to him. How could you communicate with the future? It
was of its nature impossible. Either the future would resemble the present,
in which case it would not listen to him: or it would be different from it,
and his predicament would be meaningless.
For some time he sat gazing stupidly at the paper. The telescreen had
changed over to strident military music. It was curious that he seemed
not merely to have lost the power of expressing himself, but even to have
forgotten what it was that he had originally intended to say. For weeks
past he had been making ready for this moment, and it had never crossed
his mind that anything would be needed except courage. The actual writing
would be easy. All he had to do was to transfer to paper the interminable
restless monologue that had been running inside his head, literally for
years. At this moment, however, even the monologue had dried up. Moreover
his varicose ulcer had begun itching unbearably. He dared not scratch it,
because if he did so it always became inflamed. The seconds were ticking
by. He was conscious of nothing except the blankness of the page in front
of him, the itching of the skin above his ankle, the blaring of the music,
and a slight booziness caused by the gin.
Suddenly he began writing in sheer panic, only imperfectly aware of what
he was setting down. His small but childish handwriting straggled up and
down the page, shedding first its capital letters and finally even its
full stops:
April 4th, 1984. Last night to the flicks. All war films. One very good
one of a ship full of refugees being bombed somewhere in the Mediterranean.
Audience much amused by shots of a great huge fat man trying to swim away
with a helicopter after him, first you saw him wallowing along in the
water like a porpoise, then you saw him through the helicopters gunsights,
then he was full of holes and the sea round him turned pink and he sank as
suddenly as though the holes had let in the water, audience shouting with
laughter when he sank. then you saw a lifeboat full of children with a
helicopter hovering over it. there was a middle-aged woman might have been
a jewess sitting up in the bow with a little boy about three years old in
her arms. little boy screaming with fright and hiding his head between her
breasts as if he was trying to burrow right into her and the woman putting
her arms round him and comforting him although she was blue with fright
herself, all the time covering him up as much as possible as if she thought
her arms could keep the bullets off him. then the helicopter planted a 20
kilo bomb in among them terrific flash and the boat went all to matchwood.
then there was a wonderful shot of a child's arm going up up up right up
into the air a helicopter with a camera in its nose must have followed it
up and there was a lot of applause from the party seats but a woman down in
the prole part of the house suddenly started kicking up a fuss and shouting
they didnt oughter of showed it not in front of kids they didnt it aint
right not in front of kids it aint until the police turned her turned her
out i dont suppose anything happened to her nobody cares what the proles
say typical prole reaction they never----
Winston stopped writing, partly because he was suffering from cramp. He did
not know what had made him pour out this stream of rubbish. But the curious
thing was that while he was doing so a totally different memory had
clarified itself in his mind, to the point where he almost felt equal to
writing it down. It was, he now realized, because of this other incident
that he had suddenly decided to come home and begin the diary today.
It had happened that morning at the Ministry, if anything so nebulous could
be said to happen.
It was nearly eleven hundred, and in the Records Department, where Winston
worked, they were dragging the chairs out of the cubicles and grouping them
in the centre of the hall opposite the big telescreen, in preparation for
the Two Minutes Hate. Winston was just taking his place in one of the
middle rows when two people whom he knew by sight, but had never spoken
to, came unexpectedly into the room. One of them was a girl whom he often
passed in the corridors. He did not know her name, but he knew that she
worked in the Fiction Department. Presumably--since he had sometimes seen
her with oily hands and carrying a spanner--she had some mechanical job
on one of the novel-writing machines. She was a bold-looking girl, of
about twenty-seven, with thick hair, a freckled face, and swift, athletic
movements. A narrow scarlet sash, emblem of the Junior Anti-Sex League, was
wound several times round the waist of her overalls, just tightly enough to
bring out the shapeliness of her hips. Winston had disliked her from the
very first moment of seeing her. He knew the reason. It was because of the
atmosphere of hockey-fields and cold baths and community hikes and general
clean-mindedness which she managed to carry about with her. He disliked
nearly all women, and especially the young and pretty ones. It was always
the women, and above all the young ones, who were the most bigoted
adherents of the Party, the swallowers of slogans, the amateur spies and
nosers-out of unorthodoxy. But this particular girl gave him the impression
of being more dangerous than most. Once when they passed in the corridor
she gave him a quick sidelong glance which seemed to pierce right into
him and for a moment had filled him with black terror. The idea had even
crossed his mind that she might be an agent of the Thought Police. That,
it was true, was very unlikely. Still, he continued to feel a peculiar
uneasiness, which had fear mixed up in it as well as hostility, whenever
she was anywhere near him.
The other person was a man named O'Brien, a member of the Inner Party and
holder of some post so important and remote that Winston had only a dim
idea of its nature. A momentary hush passed over the group of people
round the chairs as they saw the black overalls of an Inner Party member
approaching. O'Brien was a large, burly man with a thick neck and a coarse,
humorous, brutal face. In spite of his formidable appearance he had a
certain charm of manner. He had a trick of resettling his spectacles on
his nose which was curiously disarming--in some indefinable way, curiously
civilized. It was a gesture which, if anyone had still thought in such
terms, might have recalled an eighteenth-century nobleman offering his
snuffbox. Winston had seen O'Brien perhaps a dozen times in almost as many
years. He felt deeply drawn to him, and not solely because he was intrigued
by the contrast between O'Brien's urbane manner and his prize-fighter's
physique. Much more it was because of a secretly held belief--or perhaps
not even a belief, merely a hope--that O'Brien's political orthodoxy was
not perfect. Something in his face suggested it irresistibly. And again,
perhaps it was not even unorthodoxy that was written in his face, but
simply intelligence. But at any rate he had the appearance of being a
person that you could talk to if somehow you could cheat the telescreen and
get him alone. Winston had never made the smallest effort to verify this
guess: indeed, there was no way of doing so. At this moment O'Brien glanced
at his wrist-watch, saw that it was nearly eleven hundred, and evidently
decided to stay in the Records Department until the Two Minutes Hate was
over. He took a chair in the same row as Winston, a couple of places away.
A small, sandy-haired woman who worked in the next cubicle to Winston was
between them. The girl with dark hair was sitting immediately behind.
The next moment a hideous, grinding screech, as of some monstrous machine
running without oil, burst from the big telescreen at the end of the room.
It was a noise that set one's teeth on edge and bristled the hair at the
back of one's neck. The Hate had started.
As usual, the face of Emmanuel Goldstein, the Enemy of the People, had
flashed on to the screen. There were hisses here and there among the
audience. The little sandy-haired woman gave a squeak of mingled fear and
disgust. Goldstein was the renegade and backslider who once, long ago
(how long ago, nobody quite remembered), had been one of the leading
figures of the Party, almost on a level with Big Brother himself, and
then had engaged in counter-revolutionary activities, had been condemned
to death, and had mysteriously escaped and disappeared. The programmes
of the Two Minutes Hate varied from day to day, but there was none in
which Goldstein was not the principal figure. He was the primal traitor,
the earliest defiler of the Party's purity. All subsequent crimes against
the Party, all treacheries, acts of sabotage, heresies, deviations,
sprang directly out of his teaching. Somewhere or other he was still
alive and hatching his conspiracies: perhaps somewhere beyond the sea,
under the protection of his foreign paymasters, perhaps even--so it was
occasionally rumoured--in some hiding-place in Oceania itself.
Winston's diaphragm was constricted. He could never see the face of
Goldstein without a painful mixture of emotions. It was a lean Jewish face,
with a great fuzzy aureole of white hair and a small goatee beard--a
clever face, and yet somehow inherently despicable, with a kind of senile
silliness in the long thin nose, near the end of which a pair of spectacles
was perched. It resembled the face of a sheep, and the voice, too, had a
sheep-like quality. Goldstein was delivering his usual venomous attack
upon the doctrines of the Party--an attack so exaggerated and perverse that
a child should have been able to see through it, and yet just plausible
enough to fill one with an alarmed feeling that other people, less
level-headed than oneself, might be taken in by it. He was abusing Big
Brother, he was denouncing the dictatorship of the Party, he was demanding
the immediate conclusion of peace with Eurasia, he was advocating freedom
of speech, freedom of the Press, freedom of assembly, freedom of thought,
he was crying hysterically that the revolution had been betrayed--and all
this in rapid polysyllabic speech which was a sort of parody of the
habitual style of the orators of the Party, and even contained Newspeak
words: more Newspeak words, indeed, than any Party member would normally
use in real life. And all the while, lest one should be in any doubt as to
the reality which Goldstein's specious claptrap covered, behind his head on
the telescreen there marched the endless columns of the Eurasian army--row
after row of solid-looking men with expressionless Asiatic faces, who swam
up to the surface of the screen and vanished, to be replaced by others
exactly similar. The dull rhythmic tramp of the soldiers' boots formed the
background to Goldstein's bleating voice.
Before the Hate had proceeded for thirty seconds, uncontrollable
exclamations of rage were breaking out from half the people in the room.
The self-satisfied sheep-like face on the screen, and the terrifying power
of the Eurasian army behind it, were too much to be borne: besides,
the sight or even the thought of Goldstein produced fear and anger
automatically. He was an object of hatred more constant than either Eurasia
or Eastasia, since when Oceania was at war with one of these Powers it was
generally at peace with the other. But what was strange was that although
Goldstein was hated and despised by everybody, although every day and a
thousand times a day, on platforms, on the telescreen, in newspapers,
in books, his theories were refuted, smashed, ridiculed, held up to the
general gaze for the pitiful rubbish that they were--in spite of all this,
his influence never seemed to grow less. Always there were fresh dupes
waiting to be seduced by him. A day never passed when spies and saboteurs
acting under his directions were not unmasked by the Thought Police.
He was the commander of a vast shadowy army, an underground network of
conspirators dedicated to the overthrow of the State. The Brotherhood, its
name was supposed to be. There were also whispered stories of a terrible
book, a compendium of all the heresies, of which Goldstein was the author
and which circulated clandestinely here and there. It was a book without a
title. People referred to it, if at all, simply as THE BOOK. But one knew
of such things only through vague rumours. Neither the Brotherhood nor
THE BOOK was a subject that any ordinary Party member would mention if
there was a way of avoiding it.
In its second minute the Hate rose to a frenzy. People were leaping up and
down in their places and shouting at the tops of their voices in an effort
to drown the maddening bleating voice that came from the screen. The little
sandy-haired woman had turned bright pink, and her mouth was opening and
shutting like that of a landed fish. Even O'Brien's heavy face was flushed.
He was sitting very straight in his chair, his powerful chest swelling and
quivering as though he were standing up to the assault of a wave. The
dark-haired girl behind Winston had begun crying out 'Swine! Swine! Swine!'
and suddenly she picked up a heavy Newspeak dictionary and flung it at the
screen. It struck Goldstein's nose and bounced off; the voice continued
inexorably. In a lucid moment Winston found that he was shouting with the
others and kicking his heel violently against the rung of his chair. The
horrible thing about the Two Minutes Hate was not that one was obliged to
act a part, but, on the contrary, that it was impossible to avoid joining
in. Within thirty seconds any pretence was always unnecessary. A hideous
ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash
faces in with a sledge-hammer, seemed to flow through the whole group of
people like an electric current, turning one even against one's will into
a grimacing, screaming lunatic. And yet the rage that one felt was an
abstract, undirected emotion which could be switched from one object to
another like the flame of a blowlamp. Thus, at one moment Winston's hatred
was not turned against Goldstein at all, but, on the contrary, against
Big Brother, the Party, and the Thought Police; and at such moments his
heart went out to the lonely, derided heretic on the screen, sole guardian
of truth and sanity in a world of lies. And yet the very next instant he
was at one with the people about him, and all that was said of Goldstein
seemed to him to be true. At those moments his secret loathing of Big
Brother changed into adoration, and Big Brother seemed to tower up, an
invincible, fearless protector, standing like a rock against the hordes
of Asia, and Goldstein, in spite of his isolation, his helplessness, and
the doubt that hung about his very existence, seemed like some sinister
enchanter, capable by the mere power of his voice of wrecking the structure
of civilization.
It was even possible, at moments, to switch one's hatred this way or that
by a voluntary act. Suddenly, by the sort of violent effort with which one
wrenches one's head away from the pillow in a nightmare, Winston succeeded
in transferring his hatred from the face on the screen to the dark-haired
girl behind him. Vivid, beautiful hallucinations flashed through his mind.
He would flog her to death with a rubber truncheon. He would tie her naked
to a stake and shoot her full of arrows like Saint Sebastian. He would
ravish her and cut her throat at the moment of climax. Better than before,
moreover, he realized WHY it was that he hated her. He hated her because
she was young and pretty and sexless, because he wanted to go to bed with
her and would never do so, because round her sweet supple waist, which
seemed to ask you to encircle it with your arm, there was only the odious
scarlet sash, aggressive symbol of chastity.
The Hate rose to its climax. The voice of Goldstein had become an actual
sheep's bleat, and for an instant the face changed into that of a sheep.
Then the sheep-face melted into the figure of a Eurasian soldier who seemed
to be advancing, huge and terrible, his sub-machine gun roaring, and
seeming to spring out of the surface of the screen, so that some of the
people in the front row actually flinched backwards in their seats. But
in the same moment, drawing a deep sigh of relief from everybody, the
hostile figure melted into the face of Big Brother, black-haired,
black-moustachio'd, full of power and mysterious calm, and so vast that
it almost filled up the screen. Nobody heard what Big Brother was saying.
It was merely a few words of encouragement, the sort of words that are
uttered in the din of battle, not distinguishable individually but
restoring confidence by the fact of being spoken. Then the face of Big
Brother faded away again, and instead the three slogans of the Party stood
out in bold capitals:
WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
But the face of Big Brother seemed to persist for several seconds on the
screen, as though the impact that it had made on everyone's eyeballs was
too vivid to wear off immediately. The little sandy-haired woman had flung
herself forward over the back of the chair in front of her. With a
tremulous murmur that sounded like 'My Saviour!' she extended her arms
towards the screen. Then she buried her face in her hands. It was apparent
that she was uttering a prayer.
At this moment the entire group of people broke into a deep, slow,
rhythmical chant of 'B-B!...B-B!'--over and over again, very slowly, with a
long pause between the first 'B' and the second--a heavy, murmurous sound,
somehow curiously savage, in the background of which one seemed to hear the
stamp of naked feet and the throbbing of tom-toms. For perhaps as much as
thirty seconds they kept it up. It was a refrain that was often heard in
moments of overwhelming emotion. Partly it was a sort of hymn to the wisdom
and majesty of Big Brother, but still more it was an act of self-hypnosis,
a deliberate drowning of consciousness by means of rhythmic noise.
Winston's entrails seemed to grow cold. In the Two Minutes Hate he could
not help sharing in the general delirium, but this sub-human chanting of
'B-B!...B-B!' always filled him with horror. Of course he chanted with the
rest: it was impossible to do otherwise. To dissemble your feelings, to
control your face, to do what everyone else was doing, was an instinctive
reaction. But there was a space of a couple of seconds during which the
expression of his eyes might conceivably have betrayed him. And it was
exactly at this moment that the significant thing happened--if, indeed,
it did happen.
Momentarily he caught O'Brien's eye. O'Brien had stood up. He had taken
off his spectacles and was in the act of resettling them on his nose with
his characteristic gesture. But there was a fraction of a second when
their eyes met, and for as long as it took to happen Winston knew--yes, he
KNEW!--that O'Brien was thinking the same thing as himself. An unmistakable
message had passed. It was as though their two minds had opened and the
thoughts were flowing from one into the other through their eyes. 'I am
with you,' O'Brien seemed to be saying to him. 'I know precisely what you
are feeling. I know all about your contempt, your hatred, your disgust.
But don't worry, I am on your side!' And then the flash of intelligence
was gone, and O'Brien's face was as inscrutable as everybody else's.
That was all, and he was already uncertain whether it had happened. Such
incidents never had any sequel. All that they did was to keep alive in him
the belief, or hope, that others besides himself were the enemies of the
Party. Perhaps the rumours of vast underground conspiracies were true after
all--perhaps the Brotherhood really existed! It was impossible, in spite
of the endless arrests and confessions and executions, to be sure that the
Brotherhood was not simply a myth. Some days he believed in it, some days
not. There was no evidence, only fleeting glimpses that might mean anything
or nothing: snatches of overheard conversation, faint scribbles on lavatory
walls--once, even, when two strangers met, a small movement of the hand
which had looked as though it might be a signal of recognition. It was all
guesswork: very likely he had imagined everything. He had gone back to his
cubicle without looking at O'Brien again. The idea of following up their
momentary contact hardly crossed his mind. It would have been inconceivably
dangerous even if he had known how to set about doing it. For a second, two
seconds, they had exchanged an equivocal glance, and that was the end of
the story. But even that was a memorable event, in the locked loneliness in
which one had to live.
Winston roused himself and sat up straighter. He let out a belch. The gin
was rising from his stomach.
His eyes re-focused on the page. He discovered that while he sat helplessly
musing he had also been writing, as though by automatic action. And it was
no longer the same cramped, awkward handwriting as before. His pen had slid
voluptuously over the smooth paper, printing in large neat capitals--
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER
over and over again, filling half a page.
He could not help feeling a twinge of panic. It was absurd, since the
writing of those particular words was not more dangerous than the initial
act of opening the diary, but for a moment he was tempted to tear out the
spoiled pages and abandon the enterprise altogether.
He did not do so, however, because he knew that it was useless. Whether he
wrote DOWN WITH BIG BROTHER, or whether he refrained from writing it, made
no difference. Whether he went on with the diary, or whether he did not go
on with it, made no difference. The Thought Police would get him just the
same. He had committed--would still have committed, even if he had never
set pen to paper--the essential crime that contained all others in itself.
Thoughtcrime, they called it. Thoughtcrime was not a thing that could be
concealed for ever. You might dodge successfully for a while, even for
years, but sooner or later they were bound to get you.
It was always at night--the arrests invariably happened at night. The
sudden jerk out of sleep, the rough hand shaking your shoulder, the lights
glaring in your eyes, the ring of hard faces round the bed. In the vast
majority of cases there was no trial, no report of the arrest. People
simply disappeared, always during the night. Your name was removed from the
registers, every record of everything you had ever done was wiped out, your
one-time existence was denied and then forgotten. You were abolished,
annihilated: VAPORIZED was the usual word.
For a moment he was seized by a kind of hysteria. He began writing in a
hurried untidy scrawl:
theyll shoot me i don't care theyll shoot me in the back of the neck i
dont care down with big brother they always shoot you in the back of the
neck i dont care down with big brother----
He sat back in his chair, slightly ashamed of himself, and laid down
the pen. The next moment he started violently. There was a knocking at
the door.
Already! He sat as still as a mouse, in the futile hope that whoever it was
might go away after a single attempt. But no, the knocking was repeated.
The worst thing of all would be to delay. His heart was thumping like a
drum, but his face, from long habit, was probably expressionless. He got
up and moved heavily towards the door.
Chapter 2
As he put his hand to the door-knob Winston saw that he had left the
diary open on the table. DOWN WITH BIG BROTHER was written all over it,
in letters almost big enough to be legible across the room. It was an
inconceivably stupid thing to have done. But, he realized, even in his
panic he had not wanted to smudge the creamy paper by shutting the book
while the ink was wet.
He drew in his breath and opened the door. Instantly a warm wave of relief
flowed through him. A colourless, crushed-looking woman, with wispy hair
and a lined face, was standing outside.
'Oh, comrade,' she began in a dreary, whining sort of voice, 'I thought I
heard you come in. Do you think you could come across and have a look at
our kitchen sink? It's got blocked up and----'
It was Mrs Parsons, the wife of a neighbour on the same floor. ('Mrs' was
a word somewhat discountenanced by the Party--you were supposed to call
everyone 'comrade'--but with some women one used it instinctively.) She was
a woman of about thirty, but looking much older. One had the impression
that there was dust in the creases of her face. Winston followed her down
the passage. These amateur repair jobs were an almost daily irritation.
Victory Mansions were old flats, built in 1930 or thereabouts, and were
falling to pieces. The plaster flaked constantly from ceilings and walls,
the pipes burst in every hard frost, the roof leaked whenever there was
snow, the heating system was usually running at half steam when it was not
closed down altogether from motives of economy. Repairs, except what you
could do for yourself, had to be sanctioned by remote committees which
were liable to hold up even the mending of a window-pane for two years.
'Of course it's only because Tom isn't home,' said Mrs Parsons vaguely.
The Parsons' flat was bigger than Winston's, and dingy in a different
way. Everything had a battered, trampled-on look, as though the
place had just been visited by some large violent animal. Games
impedimenta--hockey-sticks, boxing-gloves, a burst football, a pair of
sweaty shorts turned inside out--lay all over the floor, and on the
table there was a litter of dirty dishes and dog-eared exercise-books.
On the walls were scarlet banners of the Youth League and the Spies, and
a full-sized poster of Big Brother. There was the usual boiled-cabbage
smell, common to the whole building, but it was shot through by a sharper
reek of sweat, which--one knew this at the first sniff, though it was
hard to say how--was the sweat of some person not present at the moment.
In another room someone with a comb and a piece of toilet paper was
trying to keep tune with the military music which was still issuing
from the telescreen.
'It's the children,' said Mrs Parsons, casting a half-apprehensive glance
at the door. 'They haven't been out today. And of course----'
She had a habit of breaking off her sentences in the middle. The kitchen
sink was full nearly to the brim with filthy greenish water which smelt
worse than ever of cabbage. Winston knelt down and examined the angle-joint
of the pipe. He hated using his hands, and he hated bending down, which was
always liable to start him coughing. Mrs Parsons looked on helplessly.
'Of course if Tom was home he'd put it right in a moment,' she said.
'He loves anything like that. He's ever so good with his hands, Tom is.'
Parsons was Winston's fellow-employee at the Ministry of Truth. He was
a fattish but active man of paralysing stupidity, a mass of imbecile
enthusiasms--one of those completely unquestioning, devoted drudges on
whom, more even than on the Thought Police, the stability of the Party
depended. At thirty-five he had just been unwillingly evicted from the
Youth League, and before graduating into the Youth League he had managed to
stay on in the Spies for a year beyond the statutory age. At the Ministry
he was employed in some subordinate post for which intelligence was not
required, but on the other hand he was a leading figure on the Sports
Committee and all the other committees engaged in organizing community
hikes, spontaneous demonstrations, savings campaigns, and voluntary
activities generally. He would inform you with quiet pride, between whiffs
of his pipe, that he had put in an appearance at the Community Centre every
evening for the past four years. An overpowering smell of sweat, a sort of
unconscious testimony to the strenuousness of his life, followed him about
wherever he went, and even remained behind him after he had gone.
'Have you got a spanner?' said Winston, fiddling with the nut on the
angle-joint.
'A spanner,' said Mrs Parsons, immediately becoming invertebrate. 'I don't
know, I'm sure. Perhaps the children----'
There was a trampling of boots and another blast on the comb as the
children charged into the living-room. Mrs Parsons brought the spanner.
Winston let out the water and disgustedly removed the clot of human hair
that had blocked up the pipe. He cleaned his fingers as best he could in
the cold water from the tap and went back into the other room.
'Up with your hands!' yelled a savage voice.
A handsome, tough-looking boy of nine had popped up from behind the table
and was menacing him with a toy automatic pistol, while his small sister,
about two years younger, made the same gesture with a fragment of wood.
Both of them were dressed in the blue shorts, grey shirts, and red
neckerchiefs which were the uniform of the Spies. Winston raised his hands
above his head, but with an uneasy feeling, so vicious was the boy's
demeanour, that it was not altogether a game.
'You're a traitor!' yelled the boy. 'You're a thought-criminal! You're a
Eurasian spy! I'll shoot you, I'll vaporize you, I'll send you to the salt
mines!'
Suddenly they were both leaping round him, shouting 'Traitor!' and
'Thought-criminal!' the little girl imitating her brother in every
movement. It was somehow slightly frightening, like the gambolling of
tiger cubs which will soon grow up into man-eaters. There was a sort of
calculating ferocity in the boy's eye, a quite evident desire to hit or
kick Winston and a consciousness of being very nearly big enough to do so.
It was a good job it was not a real pistol he was holding, Winston thought.
Mrs Parsons' eyes flitted nervously from Winston to the children, and back
again. In the better light of the living-room he noticed with interest
that there actually was dust in the creases of her face.
'They do get so noisy,' she said. 'They're disappointed because they
couldn't go to see the hanging, that's what it is. I'm too busy to take
them. and Tom won't be back from work in time.'
'Why can't we go and see the hanging?' roared the boy in his huge voice.
'Want to see the hanging! Want to see the hanging!' chanted the little
girl, still capering round.
Some Eurasian prisoners, guilty of war crimes, were to be hanged in the
Park that evening, Winston remembered. This happened about once a month,
and was a popular spectacle. Children always clamoured to be taken to see
it. He took his leave of Mrs Parsons and made for the door. But he had not
gone six steps down the passage when something hit the back of his neck an
agonizingly painful blow. It was as though a red-hot wire had been jabbed
into him. He spun round just in time to see Mrs Parsons dragging her son
back into the doorway while the boy pocketed a catapult.
'Goldstein!' bellowed the boy as the door closed on him. But what most
struck Winston was the look of helpless fright on the woman's greyish face.
Back in the flat he stepped quickly past the telescreen and sat down at the
table again, still rubbing his neck. The music from the telescreen had
stopped. Instead, a clipped military voice was reading out, with a sort of
brutal relish, a description of the armaments of the new Floating Fortress
which had just been anchored between Iceland and the Faroe Islands.
With those children, he thought, that wretched woman must lead a life of
terror. Another year, two years, and they would be watching her night
and day for symptoms of unorthodoxy. Nearly all children nowadays were
horrible. What was worst of all was that by means of such organizations as
the Spies they were systematically turned into ungovernable little savages,
and yet this produced in them no tendency whatever to rebel against the
discipline of the Party. On the contrary, they adored the Party and
everything connected with it. The songs, the processions, the banners, the
hiking, the drilling with dummy rifles, the yelling of slogans, the worship
of Big Brother--it was all a sort of glorious game to them. All their
ferocity was turned outwards, against the enemies of the State, against
foreigners, traitors, saboteurs, thought-criminals. It was almost normal
for people over thirty to be frightened of their own children. And with
good reason, for hardly a week passed in which 'The Times' did not carry
a paragraph describing how some eavesdropping little sneak--'child hero'
was the phrase generally used--had overheard some compromising remark
and denounced its parents to the Thought Police.
The sting of the catapult bullet had worn off. He picked up his pen
half-heartedly, wondering whether he could find something more to write
in the diary. Suddenly he began thinking of O'Brien again.
Years ago--how long was it? Seven years it must be--he had dreamed that he
was walking through a pitch-dark room. And someone sitting to one side of
him had said as he passed: 'We shall meet in the place where there is no
darkness.' It was said very quietly, almost casually--a statement, not a
command. He had walked on without pausing. What was curious was that at the
time, in the dream, the words had not made much impression on him. It was
only later and by degrees that they had seemed to take on significance. He
could not now remember whether it was before or after having the dream that
he had seen O'Brien for the first time, nor could he remember when he had
first identified the voice as O'Brien's. But at any rate the identification
existed. It was O'Brien who had spoken to him out of the dark.
Winston had never been able to feel sure--even after this morning's flash
of the eyes it was still impossible to be sure whether O'Brien was a friend
or an enemy. Nor did it even seem to matter greatly. There was a link of
understanding between them, more important than affection or partisanship.
'We shall meet in the place where there is no darkness,' he had said.
Winston did not know what it meant, only that in some way or another it
would come true.
The voice from the telescreen paused. A trumpet call, clear and beautiful,
floated into the stagnant air. The voice continued raspingly:
'Attention! Your attention, please! A newsflash has this moment arrived
from the Malabar front. Our forces in South India have won a glorious
victory. I am authorized to say that the action we are now reporting may
well bring the war within measurable distance of its end. Here is the
newsflash----'
Bad news coming, thought Winston. And sure enough, following on a gory
description of the annihilation of a Eurasian army, with stupendous figures
of killed and prisoners, came the announcement that, as from next week,
the chocolate ration would be reduced from thirty grammes to twenty.
Winston belched again. The gin was wearing off, leaving a deflated feeling.
The telescreen--perhaps to celebrate the victory, perhaps to drown the
memory of the lost chocolate--crashed into 'Oceania, 'tis for thee'. You
were supposed to stand to attention. However, in his present position he
was invisible.
'Oceania, 'tis for thee' gave way to lighter music. Winston walked over to
the window, keeping his back to the telescreen. The day was still cold and
clear. Somewhere far away a rocket bomb exploded with a dull, reverberating
roar. About twenty or thirty of them a week were falling on London at
present.
Down in the street the wind flapped the torn poster to and fro, and the
word INGSOC fitfully appeared and vanished. Ingsoc. The sacred principles
of Ingsoc. Newspeak, doublethink, the mutability of the past. He felt as
though he were wandering in the forests of the sea bottom, lost in a
monstrous world where he himself was the monster. He was alone. The past
was dead, the future was unimaginable. What certainty had he that a single
human creature now living was on his side? And what way of knowing that the
dominion of the Party would not endure FOR EVER? Like an answer, the three
slogans on the white face of the Ministry of Truth came back to him:
WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
He took a twenty-five cent piece out of his pocket. There, too, in tiny
clear lettering, the same slogans were inscribed, and on the other face of
the coin the head of Big Brother. Even from the coin the eyes pursued you.
On coins, on stamps, on the covers of books, on banners, on posters, and on
the wrappings of a cigarette packet--everywhere. Always the eyes watching
you and the voice enveloping you. Asleep or awake, working or eating,
indoors or out of doors, in the bath or in bed--no escape. Nothing was your
own except the few cubic centimetres inside your skull.
The sun had shifted round, and the myriad windows of the Ministry of Truth,
with the light no longer shining on them, looked grim as the loopholes of a
fortress. His heart quailed before the enormous pyramidal shape. It was too
strong, it could not be stormed. A thousand rocket bombs would not batter
it down. He wondered again for whom he was writing the diary. For the
future, for the past--for an age that might be imaginary. And in front of
him there lay not death but annihilation. The diary would be reduced to
ashes and himself to vapour. Only the Thought Police would read what he had
written, before they wiped it out of existence and out of memory. How could
you make appeal to the future when not a trace of you, not even an
anonymous word scribbled on a piece of paper, could physically survive?
The telescreen struck fourteen. He must leave in ten minutes. He had to be
back at work by fourteen-thirty.
Curiously, the chiming of the hour seemed to have put new heart into him.
He was a lonely ghost uttering a truth that nobody would ever hear. But so
long as he uttered it, in some obscure way the continuity was not broken.
It was not by making yourself heard but by staying sane that you carried on
the human heritage. He went back to the table, dipped his pen, and wrote:
To the future or to the past, to a time when thought is free, when men
are different from one another and do not live alone--to a time when truth
exists and what is done cannot be undone:
From the age of uniformity, from the age of solitude, from the age of
Big Brother, from the age of doublethink--greetings!
He was already dead, he reflected. It seemed to him that it was only now,
when he had begun to be able to formulate his thoughts, that he had taken
the decisive step. The consequences of every act are included in the act
itself. He wrote:
Thoughtcrime does not entail death: thoughtcrime IS death.
Now he had recognized himself as a dead man it became important to stay
alive as long as possible. Two fingers of his right hand were inkstained.
It was exactly the kind of detail that might betray you. Some nosing zealot
in the Ministry (a woman, probably: someone like the little sandy-haired
woman or the dark-haired girl from the Fiction Department) might start
wondering why he had been writing during the lunch interval, why he had
used an old-fashioned pen, WHAT he had been writing--and then drop a hint
in the appropriate quarter. He went to the bathroom and carefully scrubbed
the ink away with the gritty dark-brown soap which rasped your skin like
sandpaper and was therefore well adapted for this purpose.
He put the diary away in the drawer. It was quite useless to think of
hiding it, but he could at least make sure whether or not its existence had
been discovered. A hair laid across the page-ends was too obvious. With the
tip of his finger he picked up an identifiable grain of whitish dust and
deposited it on the corner of the cover, where it was bound to be shaken
off if the book was moved.
Chapter 3
Winston was dreaming of his mother.
He must, he thought, have been ten or eleven years old when his mother had
disappeared. She was a tall, statuesque, rather silent woman with slow
movements and magnificent fair hair. His father he remembered more vaguely
as dark and thin, dressed always in neat dark clothes (Winston remembered
especially the very thin soles of his father's shoes) and wearing
spectacles. The two of them must evidently have been swallowed up in one
of the first great purges of the fifties.
At this moment his mother was sitting in some place deep down beneath him,
with his young sister in her arms. He did not remember his sister at all,
except as a tiny, feeble baby, always silent, with large, watchful eyes.
Both of them were looking up at him. They were down in some subterranean
place--the bottom of a well, for instance, or a very deep grave--but it
was a place which, already far below him, was itself moving downwards.
They were in the saloon of a sinking ship, looking up at him through the
darkening water. There was still air in the saloon, they could still see
him and he them, but all the while they were sinking down, down into the
green waters which in another moment must hide them from sight for ever.
He was out in the light and air while they were being sucked down to death,
and they were down there because he was up here. He knew it and they knew
it, and he could see the knowledge in their faces. There was no reproach
either in their faces or in their hearts, only the knowledge that they
must die in order that he might remain alive, and that this was part of
the unavoidable order of things.
He could not remember what had happened, but he knew in his dream that in
some way the lives of his mother and his sister had been sacrificed to his
own. It was one of those dreams which, while retaining the characteristic
dream scenery, are a continuation of one's intellectual life, and in which
one becomes aware of facts and ideas which still seem new and valuable
after one is awake. The thing that now suddenly struck Winston was that his
mother's death, nearly thirty years ago, had been tragic and sorrowful in
a way that was no longer possible. Tragedy, he perceived, belonged to the
ancient time, to a time when there was still privacy, love, and friendship,
and when the members of a family stood by one another without needing to
know the reason. His mother's memory tore at his heart because she had died
loving him, when he was too young and selfish to love her in return, and
because somehow, he did not remember how, she had sacrificed herself to a
conception of loyalty that was private and unalterable. Such things, he
saw, could not happen today. Today there were fear, hatred, and pain, but
no dignity of emotion, no deep or complex sorrows. All this he seemed to
see in the large eyes of his mother and his sister, looking up at him
through the green water, hundreds of fathoms down and still sinking.
Suddenly he was standing on short springy turf, on a summer evening when
the slanting rays of the sun gilded the ground. The landscape that he was
looking at recurred so often in his dreams that he was never fully certain
whether or not he had seen it in the real world. In his waking thoughts he
called it the Golden Country. It was an old, rabbit-bitten pasture, with a
foot-track wandering across it and a molehill here and there. In the ragged
hedge on the opposite side of the field the boughs of the elm trees were
swaying very faintly in the breeze, their leaves just stirring in dense
masses like women's hair. Somewhere near at hand, though out of sight,
there was a clear, slow-moving stream where dace were swimming in the
pools under the willow trees.
The girl with dark hair was coming towards them across the field. With
what seemed a single movement she tore off her clothes and flung them
disdainfully aside. Her body was white and smooth, but it aroused no desire
in him, indeed he barely looked at it. What overwhelmed him in that instant
was admiration for the gesture with which she had thrown her clothes aside.
With its grace and carelessness it seemed to annihilate a whole culture,
a whole system of thought, as though Big Brother and the Party and the
Thought Police could all be swept into nothingness by a single splendid
movement of the arm. That too was a gesture belonging to the ancient time.
Winston woke up with the word 'Shakespeare' on his lips.
The telescreen was giving forth an ear-splitting whistle which continued on
the same note for thirty seconds. It was nought seven fifteen, getting-up
time for office workers. Winston wrenched his body out of bed--naked, for
a member of the Outer Party received only 3,000 clothing coupons annually,
and a suit of pyjamas was 600--and seized a dingy singlet and a pair of
shorts that were lying across a chair. The Physical Jerks would begin in
three minutes. The next moment he was doubled up by a violent coughing fit
which nearly always attacked him soon after waking up. It emptied his lungs
so completely that he could only begin breathing again by lying on his back
and taking a series of deep gasps. His veins had swelled with the effort of
the cough, and the varicose ulcer had started itching.
'Thirty to forty group!' yapped a piercing female voice. 'Thirty to forty
group! Take your places, please. Thirties to forties!'
Winston sprang to attention in front of the telescreen, upon which the
image of a youngish woman, scrawny but muscular, dressed in tunic and
gym-shoes, had already appeared.
'Arms bending and stretching!' she rapped out. 'Take your time by me. ONE,
two, three, four! ONE, two, three, four! Come on, comrades, put a bit of
life into it! ONE, two, three four! ONE two, three, four!...'
The pain of the coughing fit had not quite driven out of Winston's mind the
impression made by his dream, and the rhythmic movements of the exercise
restored it somewhat. As he mechanically shot his arms back and forth,
wearing on his face the look of grim enjoyment which was considered proper
during the Physical Jerks, he was struggling to think his way backward into
the dim period of his early childhood. It was extraordinarily difficult.
Beyond the late fifties everything faded. When there were no external
records that you could refer to, even the outline of your own life lost
its sharpness. You remembered huge events which had quite probably not
happened, you remembered the detail of incidents without being able to
recapture their atmosphere, and there were long blank periods to which you
could assign nothing. Everything had been different then. Even the names of
countries, and their shapes on the map, had been different. Airstrip One,
for instance, had not been so called in those days: it had been called
England or Britain, though London, he felt fairly certain, had always been
called London.
Winston could not definitely remember a time when his country had not been
at war, but it was evident that there had been a fairly long interval of
peace during his childhood, because one of his early memories was of an air
raid which appeared to take everyone by surprise. Perhaps it was the time
when the atomic bomb had fallen on Colchester. He did not remember the raid
itself, but he did remember his father's hand clutching his own as they
hurried down, down, down into some place deep in the earth, round and round
a spiral staircase which rang under his feet and which finally so wearied
his legs that he began whimpering and they had to stop and rest. His
mother, in her slow, dreamy way, was following a long way behind them. She
was carrying his baby sister--or perhaps it was only a bundle of blankets
that she was carrying: he was not certain whether his sister had been born
then. Finally they had emerged into a noisy, crowded place which he had
realized to be a Tube station.
There were people sitting all over the stone-flagged floor, and other
people, packed tightly together, were sitting on metal bunks, one above
the other. Winston and his mother and father found themselves a place on
the floor, and near them an old man and an old woman were sitting side by
side on a bunk. The old man had on a decent dark suit and a black cloth cap
pushed back from very white hair: his face was scarlet and his eyes were
blue and full of tears. He reeked of gin. It seemed to breathe out of his
skin in place of sweat, and one could have fancied that the tears welling
from his eyes were pure gin. But though slightly drunk he was also
suffering under some grief that was genuine and unbearable. In his childish
way Winston grasped that some terrible thing, something that was beyond
forgiveness and could never be remedied, had just happened. It also seemed
to him that he knew what it was. Someone whom the old man loved--a little
granddaughter, perhaps--had been killed. Every few minutes the old man kept
repeating:
'We didn't ought to 'ave trusted 'em. I said so, Ma, didn't I? That's what
comes of trusting 'em. I said so all along. We didn't ought to 'ave trusted
the buggers.'
But which buggers they didn't ought to have trusted Winston could not now
remember.
Since about that time, war had been literally continuous, though strictly
speaking it had not always been the same war. For several months during his
childhood there had been confused street fighting in London itself, some
of which he remembered vividly. But to trace out the history of the whole
period, to say who was fighting whom at any given moment, would have been
utterly impossible, since no written record, and no spoken word, ever made
mention of any other alignment than the existing one. At this moment, for
example, in 1984 (if it was 1984), Oceania was at war with Eurasia and
in alliance with Eastasia. In no public or private utterance was it ever
admitted that the three powers had at any time been grouped along different
lines. Actually, as Winston well knew, it was only four years since Oceania
had been at war with Eastasia and in alliance with Eurasia. But that was
merely a piece of furtive knowledge which he happened to possess because
his memory was not satisfactorily under control. Officially the change of
partners had never happened. Oceania was at war with Eurasia: therefore
Oceania had always been at war with Eurasia. The enemy of the moment always
represented absolute evil, and it followed that any past or future
agreement with him was impossible.
The frightening thing, he reflected for the ten thousandth time as he
forced his shoulders painfully backward (with hands on hips, they were
gyrating their bodies from the waist, an exercise that was supposed to be
good for the back muscles)--the frightening thing was that it might all be
true. If the Party could thrust its hand into the past and say of this or
that event, IT NEVER HAPPENED--that, surely, was more terrifying than mere
torture and death?
The Party said that Oceania had never been in alliance with Eurasia. He,
Winston Smith, knew that Oceania had been in alliance with Eurasia as short
a time as four years ago. But where did that knowledge exist? Only in his
own consciousness, which in any case must soon be annihilated. And if all
others accepted the lie which the Party imposed--if all records told the
same tale--then the lie passed into history and became truth. 'Who controls
the past,' ran the Party slogan, 'controls the future: who controls the
present controls the past.' And yet the past, though of its nature
alterable, never had been altered. Whatever was true now was true from
everlasting to everlasting. It was quite simple. All that was needed was
an unending series of victories over your own memory. 'Reality control',
they called it: in Newspeak, 'doublethink'.
'Stand easy!' barked the instructress, a little more genially.
Winston sank his arms to his sides and slowly refilled his lungs with air.
His mind slid away into the labyrinthine world of doublethink. To know
and not to know, to be conscious of complete truthfulness while telling
carefully constructed lies, to hold simultaneously two opinions which
cancelled out, knowing them to be contradictory and believing in both of
them, to use logic against logic, to repudiate morality while laying claim
to it, to believe that democracy was impossible and that the Party was the
guardian of democracy, to forget whatever it was necessary to forget, then
to draw it back into memory again at the moment when it was needed, and
then promptly to forget it again: and above all, to apply the same process
to the process itself. That was the ultimate subtlety: consciously to
induce unconsciousness, and then, once again, to become unconscious of
the act of hypnosis you had just performed. Even to understand the word
'doublethink' involved the use of doublethink.
The instructress had called them to attention again. 'And now let's see
which of us can touch our toes!' she said enthusiastically. 'Right over
from the hips, please, comrades. ONE-two! ONE-two!...'
Winston loathed this exercise, which sent shooting pains all the way from
his heels to his buttocks and often ended by bringing on another coughing
fit. The half-pleasant quality went out of his meditations. The past, he
reflected, had not merely been altered, it had been actually destroyed. For
how could you establish even the most obvious fact when there existed no
record outside your own memory? He tried to remember in what year he had
first heard mention of Big Brother. He thought it must have been at some
time in the sixties, but it was impossible to be certain. In the Party
histories, of course, Big Brother figured as the leader and guardian of the
Revolution since its very earliest days. His exploits had been gradually
pushed backwards in time until already they extended into the fabulous
world of the forties and the thirties, when the capitalists in their
strange cylindrical hats still rode through the streets of London in great
gleaming motor-cars or horse carriages with glass sides. There was no
knowing how much of this legend was true and how much invented. Winston
could not even remember at what date the Party itself had come into
existence. He did not believe he had ever heard the word Ingsoc before
1960, but it was possible that in its Oldspeak form--'English Socialism',
that is to say--it had been current earlier. Everything melted into mist.
Sometimes, indeed, you could put your finger on a definite lie. It was not
true, for example, as was claimed in the Party history books, that the
Party had invented aeroplanes. He remembered aeroplanes since his earliest
childhood. But you could prove nothing. There was never any evidence. Just
once in his whole life he had held in his hands unmistakable documentary
proof of the falsification of an historical fact. And on that occasion----
'Smith!' screamed the shrewish voice from the telescreen. '6079 Smith W.!
Yes, YOU! Bend lower, please! You can do better than that. You're not
trying. Lower, please! THAT'S better, comrade. Now stand at ease, the
whole squad, and watch me.'
A sudden hot sweat had broken out all over Winston's body. His face
remained completely inscrutable. Never show dismay! Never show resentment!
A single flicker of the eyes could give you away. He stood watching while
the instructress raised her arms above her head and--one could not say
gracefully, but with remarkable neatness and efficiency--bent over and
tucked the first joint of her fingers under her toes.
'THERE, comrades! THAT'S how I want to see you doing it. Watch me again.
I'm thirty-nine and I've had four children. Now look.' She bent over again.
'You see MY knees aren't bent. You can all do it if you want to,' she added
as she straightened herself up. 'Anyone under forty-five is perfectly
capable of touching his toes. We don't all have the privilege of fighting
in the front line, but at least we can all keep fit. Remember our boys on
the Malabar front! And the sailors in the Floating Fortresses! Just think
what THEY have to put up with. Now try again. That's better, comrade,
that's MUCH better,' she added encouragingly as Winston, with a violent
lunge, succeeded in touching his toes with knees unbent, for the first
time in several years.
Chapter 4
With the deep, unconscious sigh which not even the nearness of the
telescreen could prevent him from uttering when his day's work started,
Winston pulled the speakwrite towards him, blew the dust from its
mouthpiece, and put on his spectacles. Then he unrolled and clipped
together four small cylinders of paper which had already flopped out of
the pneumatic tube on the right-hand side of his desk.
In the walls of the cubicle there were three orifices. To the right of the
speakwrite, a small pneumatic tube for written messages, to the left, a
larger one for newspapers; and in the side wall, within easy reach of
Winston's arm, a large oblong slit protected by a wire grating. This last
was for the disposal of waste paper. Similar slits existed in thousands or
tens of thousands throughout the building, not only in every room but at
short intervals in every corridor. For some reason they were nicknamed
memory holes. When one knew that any document was due for destruction, or
even when one saw a scrap of waste paper lying about, it was an automatic
action to lift the flap of the nearest memory hole and drop it in,
whereupon it would be whirled away on a current of warm air to the enormous
furnaces which were hidden somewhere in the recesses of the building.
Winston examined the four slips of paper which he had unrolled. Each
contained a message of only one or two lines, in the abbreviated
jargon--not actually Newspeak, but consisting
largely of Newspeak words--which was used in the Ministry for internal
purposes. They ran:
times 17.3.84 bb speech malreported africa rectify
times 19.12.83 forecasts 3 yp 4th quarter 83 misprints verify current issue
times 14.2.84 miniplenty malquoted chocolate rectify
times 3.12.83 reporting bb dayorder doubleplusungood refs unpersons rewrite
fullwise upsub antefiling
With a faint feeling of satisfaction Winston laid the fourth message aside.
It was an intricate and responsible job and had better be dealt with last.
The other three were routine matters, though the second one would probably
mean some tedious wading through lists of figures.
Winston dialled 'back numbers' on the telescreen and called for the
appropriate issues of 'The Times', which slid out of the pneumatic tube
after only a few minutes' delay. The messages he had received referred to
articles or news items which for one reason or another it was thought
necessary to alter, or, as the official phrase had it, to rectify. For
example, it appeared from 'The Times' of the seventeenth of March that Big
Brother, in his speech of the previous day, had predicted that the South
Indian front would remain quiet but that a Eurasian offensive would shortly
be launched in North Africa. As it happened, the Eurasian Higher Command
had launched its offensive in South India and left North Africa alone. It
was therefore necessary to rewrite a paragraph of Big Brother's speech, in
such a way as to make him predict the thing that had actually happened. Or
again, 'The Times' of the nineteenth of December had published the official
forecasts of the output of various classes of consumption goods in the
fourth quarter of 1983, which was also the sixth quarter of the Ninth
Three-Year Plan. Today's issue contained a statement of the actual output,
from which it appeared that the forecasts were in every instance grossly
wrong. Winston's job was to rectify the original figures by making them
agree with the later ones. As for the third message, it referred to a very
simple error which could be set right in a couple of minutes. As short
a time ago as February, the Ministry of Plenty had issued a promise
(a 'categorical pledge' were the official words) that there would be
no reduction of the chocolate ration during 1984. Actually, as Winston
was aware, the chocolate ration was to be reduced from thirty grammes
to twenty at the end of the present week. All that was needed was to
substitute for the original promise a warning that it would probably be
necessary to reduce the ration at some time in April.
As soon as Winston had dealt with each of the messages, he clipped his
speakwritten corrections to the appropriate copy of 'The Times' and pushed
them into the pneumatic tube. Then, with a movement which was as nearly as
possible unconscious, he crumpled up the original message and any notes
that he himself had made, and dropped them into the memory hole to be
devoured by the flames.
What happened in the unseen labyrinth to which the pneumatic tubes led, he
did not know in detail, but he did know in general terms. As soon as all
the corrections which happened to be necessary in any particular number
of 'The Times' had been assembled and collated, that number would be
reprinted, the original copy destroyed, and the corrected copy placed on
the files in its stead. This process of continuous alteration was applied
not only to newspapers, but to books, periodicals, pamphlets, posters,
leaflets, films, sound-tracks, cartoons, photographs--to every kind of
literature or documentation which might conceivably hold any political or
ideological significance. Day by day and almost minute by minute the past
was brought up to date. In this way every prediction made by the Party
could be shown by documentary evidence to have been correct, nor was any
item of news, or any expression of opinion, which conflicted with the
needs of the moment, ever allowed to remain on record. All history was
a palimpsest, scraped clean and reinscribed exactly as often as was
necessary. In no case would it have been possible, once the deed was done,
to prove that any falsification had taken place. The largest section of
the Records Department, far larger than the one on which Winston worked,
consisted simply of persons whose duty it was to track down and collect all
copies of books, newspapers, and other documents which had been superseded
and were due for destruction. A number of 'The Times' which might, because
of changes in political alignment, or mistaken prophecies uttered by Big
Brother, have been rewritten a dozen times still stood on the files bearing
its original date, and no other copy existed to contradict it. Books, also,
were recalled and rewritten again and again, and were invariably reissued
without any admission that any alteration had been made. Even the written
instructions which Winston received, and which he invariably got rid of
as soon as he had dealt with them, never stated or implied that an act of
forgery was to be committed: always the reference was to slips, errors,
misprints, or misquotations which it was necessary to put right in the
interests of accuracy.
But actually, he thought as he re-adjusted the Ministry of Plenty's
figures, it was not even forgery. It was merely the substitution of one
piece of nonsense for another. Most of the material that you were dealing
with had no connexion with anything in the real world, not even the kind of
connexion that is contained in a direct lie. Statistics were just as much
a fantasy in their original version as in their rectified version. A great
deal of the time you were expected to make them up out of your head. For
example, the Ministry of Plenty's forecast had estimated the output of
boots for the quarter at 145 million pairs. The actual output was given as
sixty-two millions. Winston, however, in rewriting the forecast, marked
the figure down to fifty-seven millions, so as to allow for the usual claim
that the quota had been overfulfilled. In any case, sixty-two millions was
no nearer the truth than fifty-seven millions, or than 145 millions. Very
likely no boots had been produced at all. Likelier still, nobody knew
how many had been produced, much less cared. All one knew was that every
quarter astronomical numbers of boots were produced on paper, while perhaps
half the population of Oceania went barefoot. And so it was with every
class of recorded fact, great or small. Everything faded away into a
shadow-world in which, finally, even the date of the year had become
uncertain.
Winston glanced across the hall. In the corresponding cubicle on the other
side a small, precise-looking, dark-chinned man named Tillotson was working
steadily away, with a folded newspaper on his knee and his mouth very close
to the mouthpiece of the speakwrite. He had the air of trying to keep what
he was saying a secret between himself and the telescreen. He looked up,
and his spectacles darted a hostile flash in Winston's direction.
Winston hardly knew Tillotson, and had no idea what work he was employed
on. People in the Records Department did not readily talk about their jobs.
In the long, windowless hall, with its double row of cubicles and its
endless rustle of papers and hum of voices murmuring into speakwrites,
there were quite a dozen people whom Winston did not even know by name,
though he daily saw them hurrying to and fro in the corridors or
gesticulating in the Two Minutes Hate. He knew that in the cubicle next
to him the little woman with sandy hair toiled day in day out, simply at
tracking down and deleting from the Press the names of people who had been
vaporized and were therefore considered never to have existed. There was a
certain fitness in this, since her own husband had been vaporized a couple
of years earlier. And a few cubicles away a mild, ineffectual, dreamy
creature named Ampleforth, with very hairy ears and a surprising talent
for juggling with rhymes and metres, was engaged in producing garbled
versions--definitive texts, they were called--of poems which had become
ideologically offensive, but which for one reason or another were to be
retained in the anthologies. And this hall, with its fifty workers or
thereabouts, was only one sub-section, a single cell, as it were, in the
huge complexity of the Records Department. Beyond, above, below, were other
swarms of workers engaged in an unimaginable multitude of jobs. There were
the huge printing-shops with their sub-editors, their typography experts,
and their elaborately equipped studios for the faking of photographs. There
was the tele-programmes section with its engineers, its producers, and its
teams of actors specially chosen for their skill in imitating voices. There
were the armies of reference clerks whose job was simply to draw up lists
of books and periodicals which were due for recall. There were the vast
repositories where the corrected documents were stored, and the hidden
furnaces where the original copies were destroyed. And somewhere or other,
quite anonymous, there were the directing brains who co-ordinated the whole
effort and laid down the lines of policy which made it necessary that this
fragment of the past should be preserved, that one falsified, and the other
rubbed out of existence.
And the Records Department, after all, was itself only a single branch of
the Ministry of Truth, whose primary job was not to reconstruct the past
but to supply the citizens of Oceania with newspapers, films, textbooks,
telescreen programmes, plays, novels--with every conceivable kind of
information, instruction, or entertainment, from a statue to a slogan,
from a lyric poem to a biological treatise, and from a child's
spelling-book to a Newspeak dictionary. And the Ministry had not only to
supply the multifarious needs of the party, but also to repeat the whole
operation at a lower level for the benefit of the proletariat. There
was a whole chain of separate departments dealing with proletarian
literature, music, drama, and entertainment generally. Here were produced
rubbishy newspapers containing almost nothing except sport, crime and
astrology, sensational five-cent novelettes, films oozing with sex, and
sentimental songs which were composed entirely by mechanical means on a
special kind of kaleidoscope known as a versificator. There was even
a whole sub-section--Pornosec, it was called in Newspeak--engaged in
producing the lowest kind of pornography, which was sent out in sealed
packets and which no Party member, other than those who worked on it,
was permitted to look at.
Three messages had slid out of the pneumatic tube while Winston was
working, but they were simple matters, and he had disposed of them before
the Two Minutes Hate interrupted him. When the Hate was over he returned
to his cubicle, took the Newspeak dictionary from the shelf, pushed the
speakwrite to one side, cleaned his spectacles, and settled down to his
main job of the morning.
Winston's greatest pleasure in life was in his work. Most of it was a
tedious routine, but included in it there were also jobs so difficult and
intricate that you could lose yourself in them as in the depths of a
mathematical problem--delicate pieces of forgery in which you had nothing
to guide you except your knowledge of the principles of Ingsoc and your
estimate of what the Party wanted you to say. Winston was good at this kind
of thing. On occasion he had even been entrusted with the rectification of
'The Times' leading articles, which were written entirely in Newspeak.
He unrolled the message that he had set aside earlier. It ran:
times 3.12.83 reporting bb dayorder doubleplusungood refs unpersons
rewrite fullwise upsub antefiling
In Oldspeak (or standard English) this might be rendered:
The reporting of Big Brother's Order for the Day in 'The Times' of December
3rd 1983 is extremely unsatisfactory and makes references to non-existent
persons. Rewrite it in full and submit your draft to higher authority
before filing.
Winston read through the offending article. Big Brother's Order for the
Day, it seemed, had been chiefly devoted to praising the work of an
organization known as FFCC, which supplied cigarettes and other comforts
to the sailors in the Floating Fortresses. A certain Comrade Withers, a
prominent member of the Inner Party, had been singled out for special
mention and awarded a decoration, the Order of Conspicuous Merit, Second
Class.
Three months later FFCC had suddenly been dissolved with no reasons given.
One could assume that Withers and his associates were now in disgrace, but
there had been no report of the matter in the Press or on the telescreen.
That was to be expected, since it was unusual for political offenders to
be put on trial or even publicly denounced. The great purges involving
thousands of people, with public trials of traitors and thought-criminals
who made abject confession of their crimes and were afterwards executed,
were special show-pieces not occurring oftener than once in a couple of
years. More commonly, people who had incurred the displeasure of the
Party simply disappeared and were never heard of again. One never had the
smallest clue as to what had happened to them. In some cases they might
not even be dead. Perhaps thirty people personally known to Winston, not
counting his parents, had disappeared at one time or another.
Winston stroked his nose gently with a paper-clip. In the cubicle
across the way Comrade Tillotson was still crouching secretively over
his speakwrite. He raised his head for a moment: again the hostile
spectacle-flash. Winston wondered whether Comrade Tillotson was engaged
on the same job as himself. It was perfectly possible. So tricky a piece
of work would never be entrusted to a single person: on the other hand,
to turn it over to a committee would be to admit openly that an act of
fabrication was taking place. Very likely as many as a dozen people were
now working away on rival versions of what Big Brother had actually said.
And presently some master brain in the Inner Party would select this
version or that, would re-edit it and set in motion the complex processes
of cross-referencing that would be required, and then the chosen lie
would pass into the permanent records and become truth.
Winston did not know why Withers had been disgraced. Perhaps it was for
corruption or incompetence. Perhaps Big Brother was merely getting rid of
a too-popular subordinate. Perhaps Withers or someone close to him had
been suspected of heretical tendencies. Or perhaps--what was likeliest of
all--the thing had simply happened because purges and vaporizations were a
necessary part of the mechanics of government. The only real clue lay in
the words 'refs unpersons', which indicated that Withers was already dead.
You could not invariably assume this to be the case when people were
arrested. Sometimes they were released and allowed to remain at liberty
for as much as a year or two years before being executed. Very occasionally
some person whom you had believed dead long since would make a ghostly
reappearance at some public trial where he would implicate hundreds of
others by his testimony before vanishing, this time for ever. Withers,
however, was already an UNPERSON. He did not exist: he had never existed.
Winston decided that it would not be enough simply to reverse the tendency
of Big Brother's speech. It was better to make it deal with something
totally unconnected with its original subject.
He might turn the speech into the usual denunciation of traitors and
thought-criminals, but that was a little too obvious, while to invent a
victory at the front, or some triumph of over-production in the Ninth
Three-Year Plan, might complicate the records too much. What was needed
was a piece of pure fantasy. Suddenly there sprang into his mind, ready
made as it were, the image of a certain Comrade Ogilvy, who had recently
died in battle, in heroic circumstances. There were occasions when Big
Brother devoted his Order for the Day to commemorating some humble,
rank-and-file Party member whose life and death he held up as an example
worthy to be followed. Today he should commemorate Comrade Ogilvy. It was
true that there was no such person as Comrade Ogilvy, but a few lines of
print and a couple of faked photographs would soon bring him into
existence.
Winston thought for a moment, then pulled the speakwrite towards him and
began dictating in Big Brother's familiar style: a style at once military
and pedantic, and, because of a trick of asking questions and then
promptly answering them ('What lessons do we learn from this fact,
comrades? The lesson--which is also one of the fundamental principles
of Ingsoc--that,' etc., etc.), easy to imitate.
At the age of three Comrade Ogilvy had refused all toys except a drum, a
sub-machine gun, and a model helicopter. At six--a year early, by a special
relaxation of the rules--he had joined the Spies, at nine he had been a
troop leader. At eleven he had denounced his uncle to the Thought Police
after overhearing a conversation which appeared to him to have criminal
tendencies. At seventeen he had been a district organizer of the Junior
Anti-Sex League. At nineteen he had designed a hand-grenade which had
been adopted by the Ministry of Peace and which, at its first trial, had
killed thirty-one Eurasian prisoners in one burst. At twenty-three he had
perished in action. Pursued by enemy jet planes while flying over the
Indian Ocean with important despatches, he had weighted his body with his
machine gun and leapt out of the helicopter into deep water, despatches
and all--an end, said Big Brother, which it was impossible to contemplate
without feelings of envy. Big Brother added a few remarks on the purity
and single-mindedness of Comrade Ogilvy's life. He was a total abstainer
and a nonsmoker, had no recreations except a daily hour in the gymnasium,
and had taken a vow of celibacy, believing marriage and the care of a
family to be incompatible with a twenty-four-hour-a-day devotion to duty.
He had no subjects of conversation except the principles of Ingsoc, and
no aim in life except the defeat of the Eurasian enemy and the hunting-down
of spies, saboteurs, thought-criminals, and traitors generally.
Winston debated with himself whether to award Comrade Ogilvy the Order of
Conspicuous Merit: in the end he decided against it because of the
unnecessary cross-referencing that it would entail.
Once again he glanced at his rival in the opposite cubicle. Something
seemed to tell him with certainty that Tillotson was busy on the same job
as himself. There was no way of knowing whose job would finally be adopted,
but he felt a profound conviction that it would be his own. Comrade Ogilvy,
unimagined an hour ago, was now a fact. It struck him as curious that you
could create dead men but not living ones. Comrade Ogilvy, who had never
existed in the present, now existed in the past, and when once the act of
forgery was forgotten, he would exist just as authentically, and upon the
same evidence, as Charlemagne or Julius Caesar.
Chapter 5
In the low-ceilinged canteen, deep underground, the lunch queue jerked
slowly forward. The room was already very full and deafeningly noisy. From
the grille at the counter the steam of stew came pouring forth, with a sour
metallic smell which did not quite overcome the fumes of Victory Gin. On
the far side of the room there was a small bar, a mere hole in the wall,
where gin could be bought at ten cents the large nip.
'Just the man I was looking for,' said a voice at Winston's back.
He turned round. It was his friend Syme, who worked in the Research
Department. Perhaps 'friend' was not exactly the right word. You did not
have friends nowadays, you had comrades: but there were some comrades whose
society was pleasanter than that of others. Syme was a philologist, a
specialist in Newspeak. Indeed, he was one of the enormous team of experts
now engaged in compiling the Eleventh Edition of the Newspeak Dictionary.
He was a tiny creature, smaller than Winston, with dark hair and large,
protuberant eyes, at once mournful and derisive, which seemed to search
your face closely while he was speaking to you.
'I wanted to ask you whether you'd got any razor blades,' he said.
'Not one!' said Winston with a sort of guilty haste. 'I've tried all over
the place. They don't exist any longer.'
Everyone kept asking you for razor blades. Actually he had two unused ones
which he was hoarding up. There had been a famine of them for months past.
At any given moment there was some necessary article which the Party shops
were unable to supply. Sometimes it was buttons, sometimes it was darning
wool, sometimes it was shoelaces; at present it was razor blades. You could
only get hold of them, if at all, by scrounging more or less furtively on
the 'free' market.
'I've been using the same blade for six weeks,' he added untruthfully.
The queue gave another jerk forward. As they halted he turned and faced
Syme again. Each of them took a greasy metal tray from a pile at the end
of the counter.
'Did you go and see the prisoners hanged yesterday?' said Syme.
'I was working,' said Winston indifferently. 'I shall see it on the
flicks, I suppose.'
'A very inadequate substitute,' said Syme.
His mocking eyes roved over Winston's face. 'I know you,' the eyes seemed
to say, 'I see through you. I know very well why you didn't go to see
those prisoners hanged.' In an intellectual way, Syme was venomously
orthodox. He would talk with a disagreeable gloating satisfaction of
helicopter raids on enemy villages, and trials and confessions of
thought-criminals, the executions in the cellars of the Ministry of Love.
Talking to him was largely a matter of getting him away from such subjects
and entangling him, if possible, in the technicalities of Newspeak, on
which he was authoritative and interesting. Winston turned his head a
little aside to avoid the scrutiny of the large dark eyes.
'It was a good hanging,' said Syme reminiscently. 'I think it spoils it
when they tie their feet together. I like to see them kicking. And above
all, at the end, the tongue sticking right out, and blue--a quite bright
blue. That's the detail that appeals to me.'
'Nex', please!' yelled the white-aproned prole with the ladle.
Winston and Syme pushed their trays beneath the grille. On to each was
dumped swiftly the regulation lunch--a metal pannikin of pinkish-grey stew,
a hunk of bread, a cube of cheese, a mug of milkless Victory Coffee, and
one saccharine tablet.
'There's a table over there, under that telescreen,' said Syme. 'Let's pick
up a gin on the way.'
The gin was served out to them in handleless china mugs. They threaded
their way across the crowded room and unpacked their trays on to the
metal-topped table, on one corner of which someone had left a pool of stew,
a filthy liquid mess that had the appearance of vomit. Winston took up his
mug of gin, paused for an instant to collect his nerve, and gulped the
oily-tasting stuff down. When he had winked the tears out of his eyes he
suddenly discovered that he was hungry. He began swallowing spoonfuls of
the stew, which, in among its general sloppiness, had cubes of spongy
pinkish stuff which was probably a preparation of meat. Neither of them
spoke again till they had emptied their pannikins. From the table at
Winston's left, a little behind his back, someone was talking rapidly and
continuously, a harsh gabble almost like the quacking of a duck, which
pierced the general uproar of the room.
'How is the Dictionary getting on?' said Winston, raising his voice to
overcome the noise.
'Slowly,' said Syme. 'I'm on the adjectives. It's fascinating.'
He had brightened up immediately at the mention of Newspeak. He pushed his
pannikin aside, took up his hunk of bread in one delicate hand and his
cheese in the other, and leaned across the table so as to be able to speak
without shouting.
'The Eleventh Edition is the definitive edition,' he said. 'We're getting
the language into its final shape--the shape it's going to have when nobody
speaks anything else. When we've finished with it, people like you will
have to learn it all over again. You think, I dare say, that our chief job
is inventing new words. But not a bit of it! We're destroying words--scores
of them, hundreds of them, every day. We're cutting the language down to
the bone. The Eleventh Edition won't contain a single word that will become
obsolete before the year 2050.'
He bit hungrily into his bread and swallowed a couple of mouthfuls, then
continued speaking, with a sort of pedant's passion. His thin dark face
had become animated, his eyes had lost their mocking expression and grown
almost dreamy.
'It's a beautiful thing, the destruction of words. Of course the great
wastage is in the verbs and adjectives, but there are hundreds of nouns
that can be got rid of as well. It isn't only the synonyms; there are also
the antonyms. After all, what justification is there for a word which is
simply the opposite of some other word? A word contains its opposite in
itself. Take "good", for instance. If you have a word like "good", what
need is there for a word like "bad"? "Ungood" will do just as well--better,
because it's an exact opposite, which the other is not. Or again, if you
want a stronger version of "good", what sense is there in having a whole
string of vague useless words like "excellent" and "splendid" and all the
rest of them? "Plusgood" covers the meaning, or "doubleplusgood" if you
want something stronger still. Of course we use those forms already. but
in the final version of Newspeak there'll be nothing else. In the end the
whole notion of goodness and badness will be covered by only six words--in
reality, only one word. Don't you see the beauty of that, Winston? It was
B.B.'s idea originally, of course,' he added as an afterthought.
A sort of vapid eagerness flitted across Winston's face at the mention of
Big Brother. Nevertheless Syme immediately detected a certain lack of
enthusiasm.
'You haven't a real appreciation of Newspeak, Winston,' he said almost
sadly. 'Even when you write it you're still thinking in Oldspeak. I've read
some of those pieces that you write in "The Times" occasionally. They're
good enough, but they're translations. In your heart you'd prefer to stick
to Oldspeak, with all its vagueness and its useless shades of meaning.
You don't grasp the beauty of the destruction of words. Do you know that
Newspeak is the only language in the world whose vocabulary gets smaller
every year?'
Winston did know that, of course. He smiled, sympathetically he hoped, not
trusting himself to speak. Syme bit off another fragment of the
dark-coloured bread, chewed it briefly, and went on:
'Don't you see that the whole aim of Newspeak is to narrow the range of
thought? In the end we shall make thoughtcrime literally impossible,
because there will be no words in which to express it. Every concept that
can ever be needed, will be expressed by exactly one word, with its meaning
rigidly defined and all its subsidiary meanings rubbed out and forgotten.
Already, in the Eleventh Edition, we're not far from that point. But the
process will still be continuing long after you and I are dead. Every year
fewer and fewer words, and the range of consciousness always a little
smaller. Even now, of course, there's no reason or excuse for committing
thoughtcrime. It's merely a question of self-discipline, reality-control.
But in the end there won't be any need even for that. The Revolution will
be complete when the language is perfect. Newspeak is Ingsoc and Ingsoc
is Newspeak,' he added with a sort of mystical satisfaction. 'Has it ever
occurred to you, Winston, that by the year 2050, at the very latest, not a
single human being will be alive who could understand such a conversation
as we are having now?'
'Except----' began Winston doubtfully, and he stopped.
It had been on the tip of his tongue to say 'Except the proles,' but he
checked himself, not feeling fully certain that this remark was not in
some way unorthodox. Syme, however, had divined what he was about to say.
'The proles are not human beings,' he said carelessly. 'By 2050--earlier,
probably--all real knowledge of Oldspeak will have disappeared. The whole
literature of the past will have been destroyed. Chaucer, Shakespeare,
Milton, Byron--they'll exist only in Newspeak versions, not merely changed
into something different, but actually changed into something contradictory
of what they used to be. Even the literature of the Party will change.
Even the slogans will change. How could you have a slogan like "freedom is
slavery" when the concept of freedom has been abolished? The whole climate
of thought will be different. In fact there will be no thought, as we
understand it now. Orthodoxy means not thinking--not needing to think.
Orthodoxy is unconsciousness.'
One of these days, thought Winston with sudden deep conviction, Syme will
be vaporized. He is too intelligent. He sees too clearly and speaks too
plainly. The Party does not like such people. One day he will disappear.
It is written in his face.
Winston had finished his bread and cheese. He turned a little sideways
in his chair to drink his mug of coffee. At the table on his left the man
with the strident voice was still talking remorselessly away. A young
woman who was perhaps his secretary, and who was sitting with her back
to Winston, was listening to him and seemed to be eagerly agreeing with
everything that he said. From time to time Winston caught some such remark
as 'I think you're so right, I do so agree with you', uttered in a youthful
and rather silly feminine voice. But the other voice never stopped for an
instant, even when the girl was speaking. Winston knew the man by sight,
though he knew no more about him than that he held some important post
in the Fiction Department. He was a man of about thirty, with a muscular
throat and a large, mobile mouth. His head was thrown back a little, and
because of the angle at which he was sitting, his spectacles caught the
light and presented to Winston two blank discs instead of eyes. What was
slightly horrible, was that from the stream of sound that poured out of
his mouth it was almost impossible to distinguish a single word. Just
once Winston caught a phrase--'complete and final elimination of
Goldsteinism'--jerked out very rapidly and, as it seemed, all in one piece,
like a line of type cast solid. For the rest it was just a noise, a
quack-quack-quacking. And yet, though you could not actually hear what the
man was saying, you could not be in any doubt about its general nature.
He might be denouncing Goldstein and demanding sterner measures against
thought-criminals and saboteurs, he might be fulminating against the
atrocities of the Eurasian army, he might be praising Big Brother or the
heroes on the Malabar front--it made no difference. Whatever it was, you
could be certain that every word of it was pure orthodoxy, pure Ingsoc.
As he watched the eyeless face with the jaw moving rapidly up and down,
Winston had a curious feeling that this was not a real human being but
some kind of dummy. It was not the man's brain that was speaking, it was
his larynx. The stuff that was coming out of him consisted of words, but
it was not speech in the true sense: it was a noise uttered in
unconsciousness, like the quacking of a duck.
Syme had fallen silent for a moment, and with the handle of his spoon was
tracing patterns in the puddle of stew. The voice from the other table
quacked rapidly on, easily audible in spite of the surrounding din.
'There is a word in Newspeak,' said Syme, 'I don't know whether you know
it: DUCKSPEAK, to quack like a duck. It is one of those interesting words
that have two contradictory meanings. Applied to an opponent, it is abuse,
applied to someone you agree with, it is praise.'
Unquestionably Syme will be vaporized, Winston thought again. He thought
it with a kind of sadness, although well knowing that Syme despised him
and slightly disliked him, and was fully capable of denouncing him as a
thought-criminal if he saw any reason for doing so. There was something
subtly wrong with Syme. There was something that he lacked: discretion,
aloofness, a sort of saving stupidity. You could not say that he was
unorthodox. He believed in the principles of Ingsoc, he venerated Big
Brother, he rejoiced over victories, he hated heretics, not merely with
sincerity but with a sort of restless zeal, an up-to-dateness of
information, which the ordinary Party member did not approach. Yet a faint
air of disreputability always clung to him. He said things that would have
been better unsaid, he had read too many books, he frequented the Chestnut
Tree Cafe, haunt of painters and musicians. There was no law, not even an
unwritten law, against frequenting the Chestnut Tree Cafe, yet the place
was somehow ill-omened. The old, discredited leaders of the Party had been
used to gather there before they were finally purged. Goldstein himself,
it was said, had sometimes been seen there, years and decades ago. Syme's
fate was not difficult to foresee. And yet it was a fact that if Syme
grasped, even for three seconds, the nature of his, Winston's, secret
opinions, he would betray him instantly to the Thought Police. So would
anybody else, for that matter: but Syme more than most. Zeal was not
enough. Orthodoxy was unconsciousness.
Syme looked up. 'Here comes Parsons,' he said.
Something in the tone of his voice seemed to add, 'that bloody fool'.
Parsons, Winston's fellow-tenant at Victory Mansions, was in fact threading
his way across the room--a tubby, middle-sized man with fair hair and a
froglike face. At thirty-five he was already putting on rolls of fat at
neck and waistline, but his movements were brisk and boyish. His whole
appearance was that of a little boy grown large, so much so that although
he was wearing the regulation overalls, it was almost impossible not to
think of him as being dressed in the blue shorts, grey shirt, and red
neckerchief of the Spies. In visualizing him one saw always a picture of
dimpled knees and sleeves rolled back from pudgy forearms. Parsons did,
indeed, invariably revert to shorts when a community hike or any other
physical activity gave him an excuse for doing so. He greeted them both
with a cheery 'Hullo, hullo!' and sat down at the table, giving off an
intense smell of sweat. Beads of moisture stood out all over his pink face.
His powers of sweating were extraordinary. At the Community Centre you
could always tell when he had been playing table-tennis by the dampness of
the bat handle. Syme had produced a strip of paper on which there was a
long column of words, and was studying it with an ink-pencil between his
fingers.
'Look at him working away in the lunch hour,' said Parsons, nudging
Winston. 'Keenness, eh? What's that you've got there, old boy? Something
a bit too brainy for me, I expect. Smith, old boy, I'll tell you why I'm
chasing you. It's that sub you forgot to give me.'
'Which sub is that?' said Winston, automatically feeling for money. About
a quarter of one's salary had to be earmarked for voluntary subscriptions,
which were so numerous that it was difficult to keep track of them.
'For Hate Week. You know--the house-by-house fund. I'm treasurer for our
block. We're making an all-out effort--going to put on a tremendous show.
I tell you, it won't be my fault if old Victory Mansions doesn't have the
biggest outfit of flags in the whole street. Two dollars you promised me.'
Winston found and handed over two creased and filthy notes, which Parsons
entered in a small notebook, in the neat handwriting of the illiterate.
'By the way, old boy,' he said. 'I hear that little beggar of mine let fly
at you with his catapult yesterday. I gave him a good dressing-down for it.
In fact I told him I'd take the catapult away if he does it again.'
'I think he was a little upset at not going to the execution,' said
Winston.
'Ah, well--what I mean to say, shows the right spirit, doesn't it?
Mischievous little beggars they are, both of them, but talk about keenness!
All they think about is the Spies, and the war, of course. D'you know what
that little girl of mine did last Saturday, when her troop was on a hike
out Berkhamsted way? She got two other girls to go with her, slipped off
from the hike, and spent the whole afternoon following a strange man. They
kept on his tail for two hours, right through the woods, and then, when
they got into Amersham, handed him over to the patrols.'
'What did they do that for?' said Winston, somewhat taken aback. Parsons
went on triumphantly:
'My kid made sure he was some kind of enemy agent--might have been dropped
by parachute, for instance. But here's the point, old boy. What do you
think put her on to him in the first place? She spotted he was wearing a
funny kind of shoes--said she'd never seen anyone wearing shoes like that
before. So the chances were he was a foreigner. Pretty smart for a nipper
of seven, eh?'
'What happened to the man?' said Winston.
'Ah, that I couldn't say, of course. But I wouldn't be altogether surprised
if----' Parsons made the motion of aiming a rifle, and clicked his tongue
for the explosion.
'Good,' said Syme abstractedly, without looking up from his strip of paper.
'Of course we can't afford to take chances,' agreed Winston dutifully.
'What I mean to say, there is a war on,' said Parsons.
As though in confirmation of this, a trumpet call floated from the
telescreen just above their heads. However, it was not the proclamation of
a military victory this time, but merely an announcement from the Ministry
of Plenty.
'Comrades!' cried an eager youthful voice. 'Attention, comrades! We have
glorious news for you. We have won the battle for production! Returns now
completed of the output of all classes of consumption goods show that the
standard of living has risen by no less than 20 per cent over the past
year. All over Oceania this morning there were irrepressible spontaneous
demonstrations when workers marched out of factories and offices and
paraded through the streets with banners voicing their gratitude to Big
Brother for the new, happy life which his wise leadership has bestowed
upon us. Here are some of the completed figures. Foodstuffs----'
The phrase 'our new, happy life' recurred several times. It had been a
favourite of late with the Ministry of Plenty. Parsons, his attention
caught by the trumpet call, sat listening with a sort of gaping solemnity,
a sort of edified boredom. He could not follow the figures, but he was
aware that they were in some way a cause for satisfaction. He had lugged
out a huge and filthy pipe which was already half full of charred tobacco.
With the tobacco ration at 100 grammes a week it was seldom possible to
fill a pipe to the top. Winston was smoking a Victory Cigarette which he
held carefully horizontal. The new ration did not start till tomorrow and
he had only four cigarettes left. For the moment he had shut his ears to
the remoter noises and was listening to the stuff that streamed out of the
telescreen. It appeared that there had even been demonstrations to thank
Big Brother for raising the chocolate ration to twenty grammes a week. And
only yesterday, he reflected, it had been announced that the ration was
to be REDUCED to twenty grammes a week. Was it possible that they could
swallow that, after only twenty-four hours? Yes, they swallowed it. Parsons
swallowed it easily, with the stupidity of an animal. The eyeless creature
at the other table swallowed it fanatically, passionately, with a furious
desire to track down, denounce, and vaporize anyone who should suggest that
last week the ration had been thirty grammes. Syme, too--in some more
complex way, involving doublethink, Syme swallowed it. Was he, then, ALONE
in the possession of a memory?
The fabulous statistics continued to pour out of the telescreen. As
compared with last year there was more food, more clothes, more houses,
more furniture, more cooking-pots, more fuel, more ships, more helicopters,
more books, more babies--more of everything except disease, crime, and
insanity. Year by year and minute by minute, everybody and everything was
whizzing rapidly upwards. As Syme had done earlier Winston had taken up
his spoon and was dabbling in the pale-coloured gravy that dribbled across
the table, drawing a long streak of it out into a pattern. He meditated
resentfully on the physical texture of life. Had it always been like
this? Had food always tasted like this? He looked round the canteen.
A low-ceilinged, crowded room, its walls grimy from the contact of
innumerable bodies; battered metal tables and chairs, placed so close
together that you sat with elbows touching; bent spoons, dented trays,
coarse white mugs; all surfaces greasy, grime in every crack; and a
sourish, composite smell of bad gin and bad coffee and metallic stew and
dirty clothes. Always in your stomach and in your skin there was a sort
of protest, a feeling that you had been cheated of something that you had
a right to. It was true that he had no memories of anything greatly
different. In any time that he could accurately remember, there had never
been quite enough to eat, one had never had socks or underclothes that
were not full of holes, furniture had always been battered and rickety,
rooms underheated, tube trains crowded, houses falling to pieces,
bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes
insufficient--nothing cheap and plentiful except synthetic gin. And though,
of course, it grew worse as one's body aged, was it not a sign that this
was NOT the natural order of things, if one's heart sickened at the
discomfort and dirt and scarcity, the interminable winters, the stickiness
of one's socks, the lifts that never worked, the cold water, the gritty
soap, the cigarettes that came to pieces, the food with its strange evil
tastes? Why should one feel it to be intolerable unless one had some kind
of ancestral memory that things had once been different?
He looked round the canteen again. Nearly everyone was ugly, and would
still have been ugly even if dressed otherwise than in the uniform blue
overalls. On the far side of the room, sitting at a table alone, a small,
curiously beetle-like man was drinking a cup of coffee, his little eyes
darting suspicious glances from side to side. How easy it was, thought
Winston, if you did not look about you, to believe that the physical type
set up by the Party as an ideal--tall muscular youths and deep-bosomed
maidens, blond-haired, vital, sunburnt, carefree--existed and even
predominated. Actually, so far as he could judge, the majority of people
in Airstrip One were small, dark, and ill-favoured. It was curious how that
beetle-like type proliferated in the Ministries: little dumpy men, growing
stout very early in life, with short legs, swift scuttling movements, and
fat inscrutable faces with very small eyes. It was the type that seemed to
flourish best under the dominion of the Party.
The announcement from the Ministry of Plenty ended on another trumpet call
and gave way to tinny music. Parsons, stirred to vague enthusiasm by the
bombardment of figures, took his pipe out of his mouth.
'The Ministry of Plenty's certainly done a good job this year,' he said
with a knowing shake of his head. 'By the way, Smith old boy, I suppose
you haven't got any razor blades you can let me have?'
'Not one,' said Winston. 'I've been using the same blade for six weeks
myself.'
'Ah, well--just thought I'd ask you, old boy.'
'Sorry,' said Winston.
The quacking voice from the next table, temporarily silenced during the
Ministry's announcement, had started up again, as loud as ever. For some
reason Winston suddenly found himself thinking of Mrs Parsons, with her
wispy hair and the dust in the creases of her face. Within two years those
children would be denouncing her to the Thought Police. Mrs Parsons would
be vaporized. Syme would be vaporized. Winston would be vaporized. O'Brien
would be vaporized. Parsons, on the other hand, would never be vaporized.
The eyeless creature with the quacking voice would never be vaporized.
The little beetle-like men who scuttle so nimbly through the labyrinthine
corridors of Ministries they, too, would never be vaporized. And the girl
with dark hair, the girl from the Fiction Department--she would never be
vaporized either. It seemed to him that he knew instinctively who would
survive and who would perish: though just what it was that made for
survival, it was not easy to say.
At this moment he was dragged out of his reverie with a violent jerk. The
girl at the next table had turned partly round and was looking at him. It
was the girl with dark hair. She was looking at him in a sidelong way, but
with curious intensity. The instant she caught his eye she looked away
again.
The sweat started out on Winston's backbone. A horrible pang of terror
went through him. It was gone almost at once, but it left a sort of nagging
uneasiness behind. Why was she watching him? Why did she keep following him
about? Unfortunately he could not remember whether she had already been at
the table when he arrived, or had come there afterwards. But yesterday, at
any rate, during the Two Minutes Hate, she had sat immediately behind him
when there was no apparent need to do so. Quite likely her real object had
been to listen to him and make sure whether he was shouting loudly enough.
His earlier thought returned to him: probably she was not actually a member
of the Thought Police, but then it was precisely the amateur spy who was
the greatest danger of all. He did not know how long she had been looking
at him, but perhaps for as much as five minutes, and it was possible
that his features had not been perfectly under control. It was terribly
dangerous to let your thoughts wander when you were in any public place
or within range of a telescreen. The smallest thing could give you away.
A nervous tic, an unconscious look of anxiety, a habit of muttering to
yourself--anything that carried with it the suggestion of abnormality, of
having something to hide. In any case, to wear an improper expression on
your face (to look incredulous when a victory was announced, for example)
was itself a punishable offence. There was even a word for it in Newspeak:
FACECRIME, it was called.
The girl had turned her back on him again. Perhaps after all she was not
really following him about, perhaps it was coincidence that she had sat so
close to him two days running. His cigarette had gone out, and he laid it
carefully on the edge of the table. He would finish smoking it after work,
if he could keep the tobacco in it. Quite likely the person at the next
table was a spy of the Thought Police, and quite likely he would be in the
cellars of the Ministry of Love within three days, but a cigarette end
must not be wasted. Syme had folded up his strip of paper and stowed it
away in his pocket. Parsons had begun talking again.
'Did I ever tell you, old boy,' he said, chuckling round the stem of his
pipe, 'about the time when those two nippers of mine set fire to the old
market-woman's skirt because they saw her wrapping up sausages in a poster
of B.B.? Sneaked up behind her and set fire to it with a box of matches.
Burned her quite badly, I believe. Little beggars, eh? But keen as mustard!
That's a first-rate training they give them in the Spies nowadays--better
than in my day, even. What d'you think's the latest thing they've served
them out with? Ear trumpets for listening through keyholes! My little
girl brought one home the other night--tried it out on our sitting-room
door, and reckoned she could hear twice as much as with her ear to the
hole. Of course it's only a toy, mind you. Still, gives 'em the right
idea, eh?'
At this moment the telescreen let out a piercing whistle. It was the
signal to return to work. All three men sprang to their feet to join in
the struggle round the lifts, and the remaining tobacco fell out of
Winston's cigarette.
Chapter 6
Winston was writing in his diary:
It was three years ago. It was on a dark evening, in a narrow
side-street near one of the big railway stations. She was standing near a
doorway in the wall, under a street lamp that hardly gave any light. She
had a young face, painted very thick. It was really the paint that appealed
to me, the whiteness of it, like a mask, and the bright red lips. Party
women never paint their faces. There was nobody else in the street, and no
telescreens. She said two dollars. I----
For the moment it was too difficult to go on. He shut his eyes and pressed
his fingers against them, trying to squeeze out the vision that kept
recurring. He had an almost overwhelming temptation to shout a string of
filthy words at the top of his voice. Or to bang his head against the wall,
to kick over the table, and hurl the inkpot through the window--to do any
violent or noisy or painful thing that might black out the memory that was
tormenting him.
Your worst enemy, he reflected, was your own nervous system. At any moment
the tension inside you was liable to translate itself into some visible
symptom. He thought of a man whom he had passed in the street a few weeks
back; a quite ordinary-looking man, a Party member, aged thirty-five to
forty, tallish and thin, carrying a brief-case. They were a few metres
apart when the left side of the man's face was suddenly contorted by a sort
of spasm. It happened again just as they were passing one another: it was
only a twitch, a quiver, rapid as the clicking of a camera shutter, but
obviously habitual. He remembered thinking at the time: That poor devil is
done for. And what was frightening was that the action was quite possibly
unconscious. The most deadly danger of all was talking in your sleep. There
was no way of guarding against that, so far as he could see.
He drew his breath and went on writing:
I went with her through the doorway and across a backyard into a
basement kitchen. There was a bed against the wall, and a lamp on the
table, turned down very low. She----
His teeth were set on edge. He would have liked to spit. Simultaneously
with the woman in the basement kitchen he thought of Katharine, his wife.
Winston was married--had been married, at any rate: probably he still was
married, so far as he knew his wife was not dead. He seemed to breathe
again the warm stuffy odour of the basement kitchen, an odour compounded
of bugs and dirty clothes and villainous cheap scent, but nevertheless
alluring, because no woman of the Party ever used scent, or could be
imagined as doing so. Only the proles used scent. In his mind the smell
of it was inextricably mixed up with fornication.
When he had gone with that woman it had been his first lapse in two years
or thereabouts. Consorting with prostitutes was forbidden, of course, but
it was one of those rules that you could occasionally nerve yourself to
break. It was dangerous, but it was not a life-and-death matter. To be
caught with a prostitute might mean five years in a forced-labour camp:
not more, if you had committed no other offence. And it was easy enough,
provided that you could avoid being caught in the act. The poorer quarters
swarmed with women who were ready to sell themselves. Some could even be
purchased for a bottle of gin, which the proles were not supposed to drink.
Tacitly the Party was even inclined to encourage prostitution, as an outlet
for instincts which could not be altogether suppressed. Mere debauchery
did not matter very much, so long as it was furtive and joyless and only
involved the women of a submerged and despised class. The unforgivable
crime was promiscuity between Party members. But--though this was one
of the crimes that the accused in the great purges invariably confessed
to--it was difficult to imagine any such thing actually happening. |
[INST] I need a one-liner description for the book I’m writing. There are three main characters, a brother and sister and a young man. My book is a Christian horror novel. The sister must keep her surrogate family together as she tries to forget her family of origin. Her half-brother searches for his biological mother and wants a woman he can truly trust. At first, the demon-possessed man wants to get rid of the evil spirit but, he changes his mind and starts collaborating with the demon to destroy the siblings. Example of a One line description: The Day of the Jackal, by Frederick Forsyth, "a thriller about a professional assassin hired by French terrorists to kill Charles de Gaulle." [/INST] Hell has come for the [Surname]'s!
It's short, sweet, but edgy enough to grab someone's attention, I suppose.</s> |