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1.  Every magician has a beautiful vision for the world. 
2.  Every system of magic is a single artists tool, used to reshape reality. 
3.  If you believe, it shall exist. 
4.  When you call, they will answer. 
5.  Success and failure, is one and the same: ignorance and depression is the enemy. 
6.  Be like all equally, and you shall unite; refuse and separate. 

Chapter 36.  Human Representatives of Attis. 

FROM INSCRIPTIONS it appears that both at Pessinus and Rome the high-priest of Cybele regularly bore the name of Attis.  It is therefore a reasonable conjecture that he played the part of his namesake, the legendary Attis, at the annual festival.  We have seen that on the Day of Blood he drew blood from his arms, and this may have been an imitation of the self-inflicted death of Attis under the pine-tree.  It is not inconsistent with this supposition that Attis was also represented at these ceremonies by an effigy; for instances can be shown in which the divine being is first represented by a living person and afterwards by an effigy, which is then burned or otherwise destroyed.  Perhaps we may go a step farther and conjecture that this mimic killing of the priest, accompanied by a real effusion of his blood, was in Phrygia, as it has been elsewhere, a substitute for a human sacrifice which in earlier times was actually offered.  1

A reminiscence of the manner in which these old representatives of the deity were put to death is perhaps preserved in the famous story of Marsyas.  He was said to be a Phrygian satyr or Silenus, according to others a shepherd or herdsman, who played sweetly on the flute.  A friend of Cybele, he roamed the country with the disconsolate goddess to soothe her grief for the death of Attis.  The composition of the Mothers Air, a tune played on the flute in honour of the Great Mother Goddess, was attributed to him by the people of Celaenae in Phrygia.  Vain of his skill, he challenged Apollo to a musical contest, he to play on the flute and Apollo on the lyre.  Being vanquished, Marsyas was tied up to a pine-tree and flayed or cut limb from limb either by the victorious Apollo or by a Scythian slave.  His skin was shown at Celaenae in historical times.  It hung at the foot of the citadel in a cave from which the river Marsyas rushed with an impetuous and noisy tide to join the Maeander.  So the Adonis bursts full-born from the precipices of the Lebanon; so the blue river of Ibreez leaps in a crystal jet from the red rocks of the Taurus; so the stream, which now rumbles deep underground, used to gleam for a moment on its passage from darkness to darkness in the dim light of the Corycian cave.  In all these copious fountains, with their glad promise of fertility and life, men of old saw the hand of God and worshipped him beside the rushing river with the music of its tumbling waters in their ears.  At Celaenae, if we can trust tradition, the piper Marsyas, hanging in his cave, had a soul for harmony even in death; for it is said that at the sound of his native Phrygian melodies the skin of the dead satyr used to thrill, but that if the musician struck up an air in praise of Apollo it remained deaf and motionless.  2

In this Phrygian satyr, shepherd, or herdsman who enjoyed the friendship of Cybele, practised the music so characteristic of her rites, and died a violent death on her sacred tree, the pine, may we not detect a close resemblance to Attis, the favourite shepherd or herdsman of the goddess, who is himself described as a piper, is said to have perished under a pine-tree, and was annually represented by an effigy hung, like Marsyas, upon a pine?  We may conjecture that in old days the priest who bore the name and played the part of Attis at the spring festival of Cybele was regularly hanged or otherwise slain upon the sacred tree, and that this barbarous custom was afterwards mitigated into the form in which it is known to us in later times, when the priest merely drew blood from his body under the tree and attached an effigy instead of himself to its trunk.  In the holy grove at Upsala men and animals were sacrificed by being hanged upon the sacred trees.  The human victims dedicated to Odin were regularly put to death by hanging or by a combination of hanging and stabbing, the man being strung up to a tree or a gallows and then wounded with a spear.  Hence Odin was called the Lord of the Gallows or the God of the Hanged, and he is represented sitting under a gallows tree.  Indeed he is said to have been sacrificed to himself in the ordinary way, as we learn from the weird verses of the Havamal, in which the god describes how he acquired his divine power by learning the magic runes:

I know that I hung on the windy tree

For nine whole nights,

Wounded with the spear, dedicated to Odin,

Myself to myself.

The Bagobos of Mindanao, one of the Philippine Islands, used annually to sacrifice human victims for the good of the crops in a similar way.  Early in December, when the constellation Orion appeared at seven oclock in the evening, the people knew that the time had come to clear their fields for sowing and to sacrifice a slave.  The sacrifice was presented to certain powerful spirits as payment for the good year which the people had enjoyed, and to ensure the favour of the spirits for the coming season.  The victim was led to a great tree in the forest; there he was tied with his back to the tree and his arms stretched high above his head, in the attitude in which ancient artists portrayed Marsyas hanging on the fatal tree.  While he thus hung by the arms, he was slain by a spear thrust through his body at the level of the armpits.  Afterwards the body was cut clean through the middle at the waist, and the upper part was apparently allowed to dangle for a little from the tree, while the under part wallowed in blood on the ground.  The two portions were finally cast into a shallow trench beside the tree.  Before this was done, anybody who wished might cut off a piece of flesh or a lock of hair from the corpse and carry it to the grave of some relation whose body was being consumed by a ghoul.  Attracted by the fresh corpse, the ghoul would leave the mouldering old body in peace.  These sacrifices have been offered by men now living.  3

In Greece the great goddess Artemis herself appears to have been annually hanged in effigy in her sacred grove of Condylea among the Arcadian hills, and there accordingly she went by the name of the Hanged One.  Indeed a trace of a similar rite may perhaps be detected even at Ephesus, the most famous of her sanctuaries, in the legend of a woman who hanged herself and was thereupon dressed by the compassionate goddess in her own divine garb and called by the name of Hecate.  Similarly, at Melite in Phthia, a story was told of a girl named Aspalis who hanged herself, but who appears to have been merely a form of Artemis.  For after her death her body could not be found, but an image of her was discovered standing beside the image of Artemis, and the people bestowed on it the title of Hecaerge or Far-shooter, one of the regular epithets of the goddess.  Every year the virgins sacrificed a young goat to the image by hanging it, because Aspalis was said to have hanged herself.  The sacrifice may have been a substitute for hanging an image or a human representative of Artemis.  Again, in Rhodes the fair Helen was worshipped under the title of Helen of the Tree, because the queen of the island had caused her handmaids, disguised as Furies, to string her up to a bough.  That the Asiatic Greeks sacrificed animals in this fashion is proved by coins of Ilium, which represent an ox or cow hanging on a tree and stabbed with a knife by a man, who sits among the branches or on the animals back.  At Hierapolis also the victims were hung on trees before they were burnt.  With these Greek and Scandinavian parallels before us we can hardly dismiss as wholly improbable the conjecture that in Phrygia a man-god may have hung year by year on the sacred but fatal tree.  4