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Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Abel grew vegetables in his backyard.
Initial Context: One Saturday, he took them to the local farmers market.
Original Ending: He had the best selection, so he got lots of customers. He sold a pretty girl a cucumber. He asked her what she was gonna do with it, and she said not eat it.
Counterfactual Context: One Saturday, he took them into his kitchen to cook a nice meal.
Output:
| [
"He had the best selection, so he got a nice meal. He also gave his neighbor a cucumber. He asked her what she was gonna do with it, and she said she will eat it. "
] | task269-87c6ddba066048599d778a7281cec9b6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rodney went to the fair very early.
Initial Context: He wanted to try all the rides at least once.
Original Ending: When he has tried all of them, he was hungry. He bought a corn dog and drank a soda. Rodney didn't think twice and went back in a ride and was sick.
Counterfactual Context: He wanted to try all the rides after he just finished eating a corn dog.
Output:
| [
"When he has tried all of them, he was hungry again. He bought another corn dog and drank a soda. Rodney didn't think twice and went back in a ride and was sick. "
] | task269-1dcf72fa34914f5f9560050548a3eb44 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Devan took his new bike downtown.
Initial Context: He left the bike unlocked in front of a store.
Original Ending: When he came out of the store his bike was gone. Devan looked around frantically. He reported his bike stolen to the police.
Counterfactual Context: He locked his bike in front of a store.
Output:
| [
"When he came out of the store he thought his bike was gone. Devan looked around frantically. He reported his bike stolen to the police but soon realized the bike was right behind him, locked in front of the store. "
] | task269-b2f89b1d57154432896ffa7568a38474 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sam noticed a bad smell in his apartment.
Initial Context: He tried to figure out what it was.
Original Ending: Eventually he noticed it was the trash. He was tired but decided to take it out anyway. It got rid of the smell.
Counterfactual Context: He figured out it was a dead mouse.
Output:
| [
"Eventually he became bothered by the smell. He was tired but decided to clean it up anyway. It got rid of the smell. "
] | task269-f2b26de85422458dbad8d41ebb417527 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: After purchasing my motorcycle, I inspected all of its parts.
Initial Context: After checking everything, I went for a ride.
Original Ending: The traffic was clear and I was able to reach move smoothly. I arrived at my friends house to show him my motorcycle. He gave me a pat on the back.
Counterfactual Context: The seat was missing so I couldnt ride it.
Output:
| [
"I took my car instead traffic was clear and I was able to reach move smoothly. I arrived at my friends house. He gave me a pat on the back. "
] | task269-008a4f28ad734129ba5821ddc7c366bf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rael was driving home alone one night.
Initial Context: Suddenly she heard a strange bumping noise.
Original Ending: She checked and saw that her tire had gone flat! A passing stranger saw her distress and stopped. He helped ael get her spare tire on the car safely.
Counterfactual Context: Suddenly the radio turned on.
Output:
| [
"She knew she hadn't turned on the radio and pulled over because she was scared! A passing stranger saw her distress and stopped. He helped calm her down. "
] | task269-e6f1580d4a1e4fadb3a21d5850366e7a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kris loved water sports.
Initial Context: He was excited to go on his first rafting trip.
Original Ending: It was with a group of friends. During the rapids he almost fell over. Luckily his friends caught him and they finished.
Counterfactual Context: He was excited to go on his first scuba diving trip.
Output:
| [
"It was with a group of friends. During the dive he almost lost consciousness. Luckily his friends caught him and safely brought him up. "
] | task269-5afe236f475b4de7b8a37a217a136b6f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kelly was excited to go ice skating.
Initial Context: She headed over to the rink and started skating.
Original Ending: She was having a lot of fun until she fell. She fell right on her leg. Thankfully she got back up but was in a lot of pain.
Counterfactual Context: She headed over to the rink and sat watching for hours.
Output:
| [
"She decided to skate to then she fell. She fell right on her leg. Thankfully she got back up but was in a lot of pain. "
] | task269-e8e2a83d93984cd992b26b6367e84aa8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Madison and Ryan are brother and sister.
Initial Context: They love to go dancing every Friday.
Original Ending: Last Friday Madison could not go dancing because she had homework. Next week, she worked hard on Thursday and finished all of her work. She was able to go and dance with her brother that Friday!
Counterfactual Context: They love to do homework every Friday.
Output:
| [
"Last Friday Madison could not do any homework because she was going dancing. Next week, she danced on Thursday. She was able to do homework with her brother that Friday! "
] | task269-c11f1499b232444ab42d29b4c74afc99 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Egypt is my strong and fast cat.
Initial Context: My neighbor mentioned that she had a mouse in the house.
Original Ending: I offered my cat to get the mouse and trap it for her. I took my cat there and let her rip. Within 10 minutes, she had the mouse on her mouth, dead.
Counterfactual Context: My cat is afraid of mice.
Output:
| [
"I would never put my cat near a mouse. I took my cat to the park and let her play. Within 10 minutes, she had made two new cat friends. "
] | task269-f747d90c90b44276a7237fcf08e3db34 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Billy loved fire trucks for as long as he could remember.
Initial Context: The class was going to take a field trip to the fire house.
Original Ending: Billy was very excited. The class arrived at the firehouse. Billy had a great time that day.
Counterfactual Context: Billy got the measles so he missed the class field trip and was very sad.
Output:
| [
"Billy was very upset. The class arrived at the firehouse. Billy had an awful time that day at home while seeing pictures of his friends at the firehouse. "
] | task269-158e9c4cb26649d0b24826f471893920 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I read an article about a man finding a bear in his dumpster.
Initial Context: He was carrying a gun and shot it off to scare the bear.
Original Ending: I asked why would anyone need a gun to empty the rubbish. The comment started a long string of often vitriolic comments. It was an amusing article.
Counterfactual Context: He made a lot of noise so the bear ran away and the man had to pick up all the trash.
Output:
| [
"I asked why would anyone need to make a lot of noise to empty the rubbish. The comment started a long string of often vitriolic comments. It was an amusing article. "
] | task269-ccd52ef728d14c5fb72d7c85519152f5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Isobel went on an airplane trip to Honolulu.
Initial Context: When she landed, Isobel took a cab to the beach.
Original Ending: While she sat on the sand, a little girl started crying. Isobel went up to her and saw she had been stung by a jellyfish. Isobel put an ointment on the girl's foot and saved the day!
Counterfactual Context: When she landed, Isobel took a cab to the hotel.
Output:
| [
"While she sat on the sand at her hotel, a little girl started crying. Isobel went up to her and saw she had been stung by a jellyfish. Isobel put an ointment on the girl's foot and saved the day! "
] | task269-07d622c0f4f84518b298fb1a41779dbb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Olga had been afraid of the water all of her life.
Initial Context: When her grandchildren began to learn to swim she felt it was time.
Original Ending: Olga took lessons at the community center. Once she got over the fear she picked up the skill rapidly. Olga surprised her grandchildren by jumping in the pool last week.
Counterfactual Context: She still taught her grandchildren to swim.
Output:
| [
"First Olga took lessons at the community center. Once she got over the fear she picked up the skill rapidly. Olga surprised her grandchildren by jumping in the pool and teaching them. "
] | task269-2fbcb1b9664047658793ce4ca475509f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Nessa had failed math class.
Initial Context: She hoped her parents did not know.
Original Ending: But when she got home, they were waiting for her. They said they had already seen her report card. They grounded Nessa until her grades improved.
Counterfactual Context: She told her parents right away about the test.
Output:
| [
"Her parents were disappointed. They said they had already seen her report card. They grounded Nessa until her grades improved. "
] | task269-6a24e8b759db489795188c6650b3b320 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I played in a very important basketball game in high school.
Initial Context: It was the state championships.
Original Ending: I was very nervous before the game. Every one told me not to worry about it. We ended up winning the game!
Counterfactual Context: It was the state championships and I had broken my foot the week prior.
Output:
| [
"I was very nervous about playing with my cast. Everyone told me not to worry about it. We ended up losing the game. "
] | task269-2ceab400a0f442b5a52e29601500b690 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I had a job picking cherries during the summer.
Initial Context: The job was much tougher than I thought it would be.
Original Ending: I had to climb up and down the ladder while carrying bags of cherries. Eventually, I made only about $5 an hour since I was so slow. The only thing I liked about it were the free cherries I received.
Counterfactual Context: The job was super easy.
Output:
| [
"I had to climb up and down the ladder while carrying bags of cherries. Eventually, I made only about $15 an hour since I was so slow. The only thing I liked about it were the free cherries I received. "
] | task269-a80c450be0cf4b988e4a6916d2cefe64 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sarah was afraid of swimming underwater.
Initial Context: Her friends were all going snorkeling on Saturday.
Original Ending: Sarah did not want to be left out of the big snorkeling day. She decided to face her fears and she dove into the water! Looking back, Sarah wondered what she ever was afraid of.
Counterfactual Context: Her friends went snorkeling without her.
Output:
| [
"Sarah did not want to be left out of the big snorkeling day. But she could not face her fears and dive into the water! Looking back, Sarah wondered what she ever was afraid of. "
] | task269-84f29b5b439a40b2b24b3068d8cb4914 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Pat was at a race.
Initial Context: He wanted to win badly.
Original Ending: He ran until he fell and hurt his knee. Pat decided to hop on one leg to finish. The entire crowd was impressed with his perseverance.
Counterfactual Context: He didn't care that much about winning.
Output:
| [
"He ran until he fell and hurt his knee. Pat decided to hop on one leg to the medical tent. The entire crowd was impressed he made it to the tent. "
] | task269-1eb9fc407c8d4019b799824e35d0ae47 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gina wanted to get another book from the library.
Initial Context: But she realized she should finish the book she already had.
Original Ending: She sat down to read the book she'd started. Two pages later she remembered why she hadn't finished the book. Gina disliked the plot and decided to returned the book half read.
Counterfactual Context: She had already finished the books she had taken out last week.
Output:
| [
"She got another book she had once started but not finished, and sat down to read it. Two pages later she remembered why she hadn't finished the book. Gina disliked the plot and decided to returned the book half read. "
] | task269-dca49fa804f04fa2a8b0ebbee0afbbc8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mandy was on a camping trip.
Initial Context: Someone had given all of the kids glow sticks.
Original Ending: Mandy's stick had begun to die. She ran up to her mom and asked for a new one. Her mom gave her a new stick.
Counterfactual Context: Someone had given all of the kids flashlights.
Output:
| [
"Mandy's flashlight had begun to die. She ran up to her mom and asked for a new one. Her mom gave her a new battery, "
] | task269-920d869402ea4b2db0dcdff6d6f6d5f9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Don parked his camper at a busy campground.
Initial Context: Don talked to people passing by about his religion.
Original Ending: One family was interested in what he had to say. The family joined Don's religion. Don reported his success to the local parish.
Counterfactual Context: His car was broken into.
Output:
| [
"One family was interested in helping him. The family joined Don in cleaning up the car. Don reported the crime to the local police station. "
] | task269-31e431fa7be54d6abc7eaf0795844e98 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Feeling fatigued after a long day of work, Catherine needed to relax.
Initial Context: She went upstairs and started a bath.
Original Ending: She then added some bubbles and oils. This was exactly what she needed. Catherine felt better already.
Counterfactual Context: She decided to go right to bed.
Output:
| [
"She then added some soft music and eye mask. This was exactly what she needed. Catherine felt better already. "
] | task269-0dc7c54e27c348ef82ce01583dc37433 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mary loved coffee, her parents made it every morning.
Initial Context: One day her parents left without making any.
Original Ending: Taking matters into her own hands, she brewed a pot. Happily she poured her coffee and took a sip. Mary spit it out, learning the hard way that brewing was an art.
Counterfactual Context: She never learned how to make it.
Output:
| [
"Taking matters into her own hands, she brewed a pot for the first time. Happily she poured her coffee and took a sip. Mary spit it out, learning the hard way that brewing was an art. "
] | task269-f9fe226adf2a4078bd9c0763076ceb7a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ryan dated his girlfriend for several years.
Initial Context: After they moved in together, he realized he wanted to marry her.
Original Ending: Ryan bought a large, impressive engagement ring. He planned a surprise proposal. Ryan's girlfriend was surprised and accepted his proposal happily.
Counterfactual Context: After they moved in together, he realized he didn't lover her.
Output:
| [
"Ryan told her they had to talk. Ryan broke up for her. Ryan's girlfriend was surprised and started crying. "
] | task269-98f22112090449bea7ef274f6dcbead9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: It was December 24th.
Initial Context: The kids in the neighborhood were too excited to sleep.
Original Ending: They expected Santa to come to their houses that night! They all finally fell into a restless sleep. When they awoke, their trees had gifts under them!
Counterfactual Context: The kids in the neighborhood were too excited to sleep and stayed up till late morning.
Output:
| [
"They expected Santa to come to their houses that night! When it was late into the night, they all pretended to sleep. When they opened their eyes, they saw Santa putting gifts under their tree! "
] | task269-93afea9eab634ecda06d66f5bc39a081 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My brother had a baseball game last night.
Initial Context: My family attended to cheer him on.
Original Ending: The game was tied at the bottom of the ninth. My brother hit in the winning run! We all jumped and cheered.
Counterfactual Context: He hit two homeruns and stole 5 bases.
Output:
| [
"The game was tied at the bottom of the ninth. My brother hit in the winning run! We all jumped and cheered. "
] | task269-62bb0dfe50c44e09b1d1e586c5d20ad4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: We went to Be Our Guest restaurant while we were in Disney.
Initial Context: The decorations inside were amazing.
Original Ending: We were seated in a dark room that had the rose in the glass. Every so often a petal would fall from the rose. It was a great meal and a great experience for us all.
Counterfactual Context: The service was terrible.
Output:
| [
"We were seated in a dark room that had the rose in the glass. Every so often a petal would fall from the rose. It was a great meal but a bad overall experience for us all. "
] | task269-6f19ed6bb8a5452091eadddb491033ab |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jim was tired of sitting around the house.
Initial Context: He came up with a plan.
Original Ending: He decided to go on an adventure. He went hiking. He went to the mountains and had fun.
Counterfactual Context: He saw a commercial for volunteering.
Output:
| [
"He decided to go and volunteer. He went and signed up. He volunteered in the mountains and had fun. "
] | task269-3a317f11d8aa4ae48b5550d033ae694f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My girlfriend and I were watching a movie at night.
Initial Context: While watching the movie, my girlfriend felt something on her neck.
Original Ending: She reached back and a screamed as she threw a spider onto our laps. I got up to find something to squish the spider. I squashed the spider and we went back to the movie.
Counterfactual Context: While watching the movie, I felt something on my neck.
Output:
| [
"I reached back and a screamed as I threw a spider onto our laps. I got up to find something to squish the spider. I squashed the spider and we went back to the movie. "
] | task269-2bca617b3c374a579db7145798918485 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gina was playing a hot song on her radio.
Initial Context: You could hear the song as you walked past her house.
Original Ending: Her cousins came over to visit and heard the song playing. They were jealous they didn't have the song. That was what Gina had intended all along.
Counterfactual Context: She turned the song off when her cousins came over.
Output:
| [
"Her cousins came over to visit and she turned the song ogg. They had a really nice chat without distractions. That was what Gina had intended all along. "
] | task269-86793b8f85eb4c86b136b39c56308a0d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Meg's company instituted a generous maternity leave.
Initial Context: She joked to co-workers that she'd be starting a family now.
Original Ending: The next week, Meg heard her co-workers planning a baby shower. When she didn't get an invitation, Meg was miffed. Meg felt mortified when the shower recipient turned out to be her.
Counterfactual Context: She joked to co-workers that she'd never get pregnant ever.
Output:
| [
"The next week, Meg surprisingly got pregnant. Her co-workers laughed at her. Meg was embarrassed. "
] | task269-b55125f9024d4cb899fe18144a2cae23 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kori went for a walk in the park.
Initial Context: While she was there, she ran into a friend.
Original Ending: They started to talk to each other. Suddenly, they realized it was dark. They had talked for hours!
Counterfactual Context: She walked around the lake and went back home.
Output:
| [
"She hears someone talk to her. Suddenly, she realized it was her friend. They then talked for hours! "
] | task269-b68ababa043d4f49b1972f15cd7cf43c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jimmy Asked the family if they can meet up in the living room.
Initial Context: When they met up, they were already suspicious.
Original Ending: Jimmy announced that he's homosexual. Despite the fact that the family was surprised, they were not mad. His parents told him that they respect his decisions anyways.
Counterfactual Context: When they met up, they already knew what he was going to say.
Output:
| [
"Jimmy announced that he's homosexual. Despite the fact that the family already knew, they acted surprised. His parents told him that they respect his decisions. "
] | task269-8f443860a30b41a6ac47b087df0e7faf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Seamus wanted to become a hairdresser.
Initial Context: Seamus applied to beauty school.
Original Ending: Seamus was rejected. Seamus applied for a job at an actual salon. He got the job.
Counterfactual Context: Seamus applied for a job at a salon.
Output:
| [
"Seamus was rejected Seamus applied to beauty school He was accepted. "
] | task269-1964b50024b04baead713c41b2241389 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tom really wanted a tattoo.
Initial Context: His friends convinced him to get on on his arm.
Original Ending: It was a painful process. When it was done, tom thought it was ugly. He later went to get it removed.
Counterfactual Context: His friends convinced him not to get one.
Output:
| [
"He went anyway, and it was a painful process. When it was done, tom thought it was ugly. He later went to get it removed. "
] | task269-8e927ddc98ca45a8a7b72a4a02de270d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Anna loves chocolate.
Initial Context: For her birthday she ordered a large chocolate cake.
Original Ending: At the party, she cut into the cake and was shocked to see vanilla. The bakery had made a terrible mistake. Anna was very disappointed about the birthday cake.
Counterfactual Context: For her birthday she ordered a box of chocolate cookies.
Output:
| [
"At the party, she opened the box of cookies and was shocked to see vanilla. The bakery had made a terrible mistake. Anna was very disappointed about the birthday cookies. "
] | task269-44759f91ed5549fabf384ce528d07667 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jon's friends told him he had a secret valentine.
Initial Context: He got excited and bought chocolates for his secret valentine.
Original Ending: His friends said she will come to his house on Valentine's Day. On V-Day, his friends came to his house and revealed it a prank. Jon angrily kicked his friend out and ate candy by himself.
Counterfactual Context: He got excited and bought flowers for his secret valentine.
Output:
| [
"His friends said she will come to his house on Valentine's Day. On V-Day, his friends came to his house and revealed it a prank. Jon angrily kicked his friend out and threw the flowers out. "
] | task269-a64f744394454da48f2bc8f41253967f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mel was nine and wanted grow tall.
Initial Context: He decided to take vitamins and eat healthy.
Original Ending: He did special stretching exercises, too. On his tenth birthday he was measured again. He was ecstatic to see he had grown half a foot!
Counterfactual Context: But he still didn't want to take vitamins or eat healthy.
Output:
| [
"He did special stretching exercises instead. On his tenth birthday he was measured again. He was ecstatic to see he had grown half a foot! "
] | task269-e960a9e186404bd29183b36daa65281b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gwen was married to Gavin.
Initial Context: One day, Gwen met Blake.
Original Ending: She decided she didn't want to be married to Gavin anymore. They divorced. Now Gwen is in a relationship with Blake.
Counterfactual Context: One day, Gwen discovered she was lesbian.
Output:
| [
"She decided she didn't want to be married to Gavin anymore. They divorced. Now Gwen is in a relationship with Kara. "
] | task269-2fa86bfe81924bce8d57ae238b9375d4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sam had an important job interview.
Initial Context: He had to clean his suit before the interview.
Original Ending: He took his suit to the dry cleaners. He picked it up a few hours later. He was able to ace his job interview with his fresh look.
Counterfactual Context: He had a clean suit ironed and ready to go.
Output:
| [
"He went to get a fresh haircut. He put on his suite and felt great. He was able to ace his job interview with his fresh look. "
] | task269-5ffe9ca5754f414984b18ae51cf511a3 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kelly loved straightening her hair.
Initial Context: She loved how smooth she made it.
Original Ending: Yet unfortunately it damaged her hair. Kelly had to get it cut off. She was upset about it.
Counterfactual Context: She loved it but it took too long to do it regularly.
Output:
| [
"The few times she straightened her hair caused heat damage. Kelly had to get it cut off. She was upset about it. "
] | task269-0f5fee7543a6453fb0516c2e6f76659d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Judy loved her cat.
Initial Context: The cat was brown with white spots.
Original Ending: Judy tried to take the cat for a walk. But most cats don't like being on a leash. The cat got scared and wouldn't go with Judy.
Counterfactual Context: The cat died.
Output:
| [
"Judy tried to take her dog for a walk. But most dogs don't like being on a leash. The dog got scared and wouldn't go with Judy. "
] | task269-87308b0dc31b4336b9d743c000328b2c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Anna wanted a puppy.
Initial Context: she asked her parents for one.
Original Ending: They agreed! So Anna went to the pet store and bought herself a puppy. She was so happy with her new pet!
Counterfactual Context: Anna asked her Dad for two puppies.
Output:
| [
"He agreed. So Anna went to the pet store and bought herself two puppies. She was so happy with her new pets. "
] | task269-3c3a59ff55824f958ff21789defd8b88 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I was drinking some soda out of a cup.
Initial Context: I set the cup on my desk next to another cup, which contained water.
Original Ending: I got thirsty and picked up a cup to take a drink. It tasted weird! I had expected soda, but drank the water by mistake.
Counterfactual Context: I dropped my cup near my desk.
Output:
| [
"I got thirsty and bought a new cup to take a drink. It tasted weird! I had expected soda, but bought water by mistake. "
] | task269-433a7f34a9234266b83a89df5b8fbfe5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: May was walking down the beach.
Initial Context: Suddenly a strange object got stuck in her toenail.
Original Ending: She bent down and discovered it was a silver coin. She dug around the sand. She found many more silver coins, with no explanation!
Counterfactual Context: Suddenly a strange object crumbled under her toe.
Output:
| [
"She bent down and discovered it was a crumpled dollar. She dug around the sand. She found many more crumpled dollars, with no explanation! "
] | task269-524ab0eca55f45fb9f70858033754c17 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Veronica was primping in the mirror.
Initial Context: She had a hot date scheduled.
Original Ending: She was meeting him at a fancy restaurant. Veronica put on her fanciest dress. She strutted into the restaurant feeling very confident.
Counterfactual Context: She thought she was really too hot for this guy but he never showed up so she couldn't prove it to him.
Output:
| [
"She was going to meet him at a fancy restaurant. Veronica had put on her fanciest dress. She had strutted into the restaurant feeling very confident. "
] | task269-8eace4e9efce46d69251edce6d5e1749 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: May really wanted to go to the concert that was playing next week.
Initial Context: She tried to buy tickets online, but they were sold out.
Original Ending: She looked on auction sites, but they were too expensive. Finally, she put an ad in her local newspaper. A kind reader wrote back to offer her two free tickets to the concert!
Counterfactual Context: May was able to buy tickets online.
Output:
| [
"She needed an extra set for her friends, but when she looked on auction sites, but they were too expensive. Finally, she put an ad in her local newspaper. A kind reader wrote back to offer her two free tickets to the concert! "
] | task269-b52be982db9b4660b8a1ceb65ccbf27e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Max wrote a poem about meteorites.
Initial Context: His mom loved his poem so much, she shared it with a poetry club.
Original Ending: The poetry club gave the poem a prize, they liked it so much. Max refused to go, because he felt betrayed his poem was shared. Max regrets not going, now knowing his mom shared it out of love.
Counterfactual Context: His mom loved his poem so much, they kept it together as their own secret.
Output:
| [
"She hung it on her wall, she liked it so much. Max was glad his poem wasn't shared. Max's mom loves it, knowing Max shared it out of love. "
] | task269-0097ec29b1404bbc9666b0b138605604 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Fran wanted to be more flexible.
Initial Context: She bought a book on yoga.
Original Ending: With determination and discipline she practiced postures every day. Fran became so skilled she was able to open her own yoga studio. She enjoys teaching others how to be more flexible.
Counterfactual Context: She teaches yoga but always want to improve.
Output:
| [
"With determination and discipline she practiced postures every day. Fran is very skilled and she has her own yoga studio. She enjoys teaching others how to be more flexible too. "
] | task269-6505ac4feaa348b0aefb87d16e4b6ad3 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Today, Bella wore her leotard, tights, and ballet slippers.
Initial Context: She walked nervously to the center of the wooden studio floor.
Original Ending: She was very happy to see a friend in the class with her. They danced and twirled around for an hour. She cannot wait to return next week.
Counterfactual Context: she walked into the studio floor while feeling nervous.
Output:
| [
"She was very happy to see a friend in the class with her, so she became less nervous. They danced and twirled around for an hour. She cannot wait to return next week. "
] | task269-238c68f0e77f443184db3bd54179d758 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I knew a strange kid named Matt in elementary school.
Initial Context: Other kids would bully Matt because he was so different.
Original Ending: One day I saw Matt being bullied on the playground. Suddenly, Matt took a swing at the bully, hitting him in the face. Matt never got bullied again.
Counterfactual Context: Other kids would be very friendly to Matt because he was so different.
Output:
| [
"One day I saw Matt being bullied on the playground. Suddenly, everybody came and stood up for Matt. Matt never got bullied again. "
] | task269-0264b0e914bb4f0a8268cce572e35bff |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mike is a freelance photographer.
Initial Context: He was contracted to shoot a local music festival.
Original Ending: It was extremely hot the day Mike was supposed to shoot. Mike went to the festival to perform his job duties. Mike didn't think the reward was worth his efforts.
Counterfactual Context: He hadn't had work in months.
Output:
| [
"It was an extremely hot day. Mike went to a festival. Mike didn't think it was worth coming. "
] | task269-80f3064c00584748a37c4604c0510e4e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The small orange cat was looking for a place to sleep.
Initial Context: He jumped up onto a shelf where several paint cans were kept.
Original Ending: As he jumped, he accidentally knocked over a paint can and spilled it. The cat jumped back down and landed in a puddle of blue paint. He ran up the stairs, leaving a trail of blue paw prints.
Counterfactual Context: The homeless cat slept under a garbage can.
Output:
| [
"When he woke up, he jumped onto a shelf and accidentally knocked over a paint can and spilled it. The cat jumped back down and landed in a puddle of blue paint. He ran up the stairs, leaving a trail of blue paw prints. "
] | task269-df4449c3e91743b5bbaf6f5935e67f7d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Justin asked Abby to the dance.
Initial Context: Abby looked surprised at Justin.
Original Ending: Justin started to walk away. Abby ran up to him. Abby put his hand in hers.
Counterfactual Context: Abby told him sure.
Output:
| [
"Justin started to smile. Abby hugged him. Abby put his hand in hers. "
] | task269-c10e8c9bade34d859cdd79dffd5bb36e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gustaf sent his friend a joke at work.
Initial Context: The joke was in poor taste.
Original Ending: His friend's boss read the joke. The boss was not amused. Gustaf received a formal warning about inappropriate emails.
Counterfactual Context: The joke was good-natured and suitable for kids.
Output:
| [
"His friend's boss read the joke. The boss chuckled to himself. Gustaf received an offer to tell jokes at the company's employee appreciation day. "
] | task269-3dd3d7c400414f44a1057c9d136c1afb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Their kitchen was a pretty unremarkable place.
Initial Context: It was like many other kitchens, but their was one exception.
Original Ending: Helen's mom was cooking here and she was amazing. She baked a pie today and the smell was intoxicating. Helen was finally able to taste the pie and it was sensational.
Counterfactual Context: It was like many other kitchens but had no stove yet.
Output:
| [
"Helen's mom was cooking at her house and she was amazing. She baked a pie today and the smell was intoxicating. Helen was finally able to taste the pie and it was sensational. "
] | task269-c1dda5ac31204cc6b7404f6f119ffd08 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kerry placed cheese and macaroni onto a pan.
Initial Context: She placed it in the oven.
Original Ending: When it was taken out, the top layer was completely burned. I tried to take one bite of the food. I threw up after swallowing it.
Counterfactual Context: She forgot to turn on the oven and it didn't get cooked in time for dinner.
Output:
| [
"When it was taken out, it was still completely raw. I tried to make her feel better about the food. I offered to make grilled cheese instead. "
] | task269-5d79a280092d45638afed8a6def5e928 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Cho and Margo hated walking the dogs.
Initial Context: They were both very lazy.
Original Ending: This morning neither wanted to. They played rocks, papers, scissors over it. Margo lost and had to walk the dogs.
Counterfactual Context: They both wanted to take them alone.
Output:
| [
"This morning neither wanted to. They played rocks, papers, scissors over it. Margo lost and had to walk the dogs. "
] | task269-99275aa5d7c44225aca19b0594f6c960 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Nick and his friend started their bicycle race down the street.
Initial Context: Panting, Nick pedaled as fast as he could.
Original Ending: His friend slowly began to pass him. In the end, Nick's friend won the race. Nick blamed his loss on how old his bicycle was.
Counterfactual Context: Panting, Nick pedaled as fast as he could but couldn't keep up with his friend.
Output:
| [
"His friend slowly began to gain more distance. In the end, Nick's friend won the race. Nick blamed his loss on how old his bicycle was. "
] | task269-b50edac36c354ec2842766325c29cbfc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Yesterday I went to the doctor.
Initial Context: I had to get a round of shots.
Original Ending: I hate getting shots. When I was done with the Doctor, I got candy. The candy was a reward.
Counterfactual Context: I didn't need any shots.
Output:
| [
"I hate getting shots. When I was done with the Doctor, I got lunch. The lunch was great. "
] | task269-e281071146b14bdd8a1c4528662779c4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Zach bought his friend a gift.
Initial Context: We wrapped the gift in Christmas paper.
Original Ending: He gave his friend the present on his birthday. His friend complained that it wasn't Christmas. Zach reminded him that it was birthday paper for Jesus.
Counterfactual Context: We wrapped the gift in brown paper.
Output:
| [
"He gave his friend the present on his birthday. His friend complained that it wasn't Christmas. Zach reminded him that gifts can be given any time of year. "
] | task269-de3fe4bd5a6741749b4f4710ca7b1a35 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I was walking to my class.
Initial Context: I ran into a stranger who said hi to me.
Original Ending: Since I didn't know who he was, I asked him for his name. He told me that he was in one of my high school classes. He was a janitor at the school.
Counterfactual Context: I ran into my best friend who said hi to me.
Output:
| [
"Since I didn't have time to stop, I asked him to call me later. He told me that he was in the same class. He was in the same degree program at the school. "
] | task269-0d9e4cee609d4f979f9aa4fe8a076af7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Annie had a test in the morning.
Initial Context: She studied hard the night before.
Original Ending: When the test was handed out, she drew a deep breathe. She was happy to see she knew all the answers! Annie did great on the test.
Counterfactual Context: She didn't study the night before.
Output:
| [
"When the test was handed out, she drew a deep breath. She was happy to see she knew all the answers anyway. Annie did great on the test. "
] | task269-16e4664675c8477ea51a2b20ef53adc3 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sam and Mel never went out since their son was born.
Initial Context: Then they decided to plan a date night.
Original Ending: Every month they decided to schedule one night to themselves. They went to dinner and then saw movies. Sam and Mel said date night was the best night of the month!
Counterfactual Context: Then they decided to plan a bed and breakfast getaway.
Output:
| [
"Every month they set a schedule to save money. They didn't go out to dinner and or saw movies. Sam and Mel said the savings was enough for the getaway! "
] | task269-a50af8d03d5b49aeb1718a85f1c29f6e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The company reduced its emissions.
Initial Context: Their was a cost associated.
Original Ending: Two board members requested a report. The report said they would make the money back. The report suggested carbon credits to do this.
Counterfactual Context: Their was a tax credit promised and they ended making more money for it.
Output:
| [
"Two board members requested a report. The report said they had made the money back. The report suggested other companies to do this. "
] | task269-c7208babb27a49589a2962739588c039 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Shane was working hard in his bathroom.
Initial Context: He was removing his shower and tiling it.
Original Ending: He'd selected a tiny mosaic tile. It was going to take a lot of work but it would be worth it. Shane couldn't wait to see the final product!
Counterfactual Context: He was removing his shower and tiling it but will never select a tiny mosaic tile.
Output:
| [
"He'd selected a large mosaic tiles. It was going to take a lot of work but it would be worth it. Shane couldn't wait to see the final product! "
] | task269-91ab7060479842a4987e0a94d5f20750 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Archie put on his new clothes for picture day at school.
Initial Context: On his way to school he stopped to pet a puppy.
Original Ending: Now Tom had to run to school because he was late. He tripped and fell into a giant mud puddle. Tom's school picture didn't come out too good!
Counterfactual Context: He got to school early so he'd be first.
Output:
| [
"Now Tom had to run to school because he was late. He tripped and fell into a giant mud puddle. Tom's school picture didn't come out as good as Archie's. "
] | task269-3628cd309e4a4531928e1cb0514a4409 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ian wanted to buy a coffee beans.
Initial Context: And he found a good deal online.
Original Ending: He was excited for them to arrive. But when he opened it, the package had a tear. Ian then reluctantly bought coffee beans at a market.
Counterfactual Context: And he found a good deal at the store across the street.
Output:
| [
"He was excited to go buy them. But when he opened it, the package had a tear. Ian then reluctantly bought coffee beans online. "
] | task269-bad3f08f2ffa4771bca6106beb491003 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tyrone had a big job interview in an hour.
Initial Context: He decided to wear a gaudy Christmas tree tie to the interview.
Original Ending: The interviewer noticed Tyrone's gaudy tie. The interviewer used to dress up as Santa Claus on Christmas. Tyrone was hired on the spot because of his gaudy tie.
Counterfactual Context: He decided not to wear a gaudy Christmas tree tie to the interview.
Output:
| [
"The interviewer noticed Tyrone's plain tie. The interviewer used to wear similar ties. Tyrone was hired on the spot because of his plain tie. "
] | task269-98adbfbdb42f4c6f9552ed7658b8c424 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gina lived in Syria.
Initial Context: When the rebels began to take over, her family fled to Turkey.
Original Ending: Once in Turkey, Gina's family applied for asylum in the United States. The application process took two years. Finally they were approved and now live in New York.
Counterfactual Context: When the rebels began to take over, her family fled to India.
Output:
| [
"Once in India, Gina's family applied for asylum in the United States. The application process took two years. Finally they were approved and now live in New York. "
] | task269-8d39f99756d248a3b6294cc6575d339f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Leah was in a car accident.
Initial Context: She broke her foot in several places.
Original Ending: She has been walking in a cast since the accident. Today she is getting her cast taken off. When the cast is removed, her foot looks very different than before.
Counterfactual Context: She was not injured and felt very lucky.
Output:
| [
"Her passenger was injured and she has been walking in a cast since the accident. Today she is getting her cast taken off. When the cast is removed, her foot looks very different than before. "
] | task269-3ffa7bd5b92c49a49715908da3e5508e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jane lived a very boring life.
Initial Context: Until one day she met a boy named Joe.
Original Ending: He took her on many adventures. Jane loved him very much. They got married and Jane was never bored again.
Counterfactual Context: Until one day she got a dog named Joe.
Output:
| [
"She took him on many adventures. Jane loved him very much. Jane was never bored again. "
] | task269-95f35fc2db9047d7b0099619f9e53b8a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Dan went to the beach to surf.
Initial Context: But suddenly a shark came up near him.
Original Ending: Dan was afraid because he never encountered a shark before. Dan wondered whether he should stay or move fast away from the shark. Dan chose to stay and the shark went away.
Counterfactual Context: But suddenly an inflatable tube came up near him.
Output:
| [
"Dan was interested because he never encountered an inflatable tube before. Dan wondered whether he should stay and play with the inflatable tube or drag it to shore. Dan chose to drag it to shore. "
] | task269-195b841b257a44f4909f11b1855f06ee |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: David was shopping one day.
Initial Context: He see's a sign for the powerball.
Original Ending: He decides to buy a ticket. He goes home and goes to sleep. The next day he wakes up and checks his ticket and won!
Counterfactual Context: He see's a sign for the carnival.
Output:
| [
"He decides to buy a ticket. He spends all day there, then goes home and goes to sleep. The next day he wakes up and sees that his ticket allows admission for a second day! "
] | task269-0402c5e6db3544b8a28360bc4a8f2cee |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sarah had termites in her house.
Initial Context: She called the exterminator.
Original Ending: They came the next day. They sprayed chemicals inside her house. They were able to kill all the termites.
Counterfactual Context: They were there because she studied insects for a living.
Output:
| [
"They died the next day. Someone had sprayed chemicals inside her house. They were able to kill all the termites. "
] | task269-02719906c82a46c8b57b82662be9762e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bert enjoyed playing in the mud.
Initial Context: He would often go to a watering hole in a cow pasture to play.
Original Ending: He would come home with very smell mud caking his feet. One day he noticed his toenails had an unusual color. A doctor needed to remove the toenails to stop the infection.
Counterfactual Context: He would often go to a watering hole and clean his feet off.
Output:
| [
"He would come home with very wet feet. One day he noticed his toenails had an unusual color. A doctor needed to remove the toenails to stop the infection. "
] | task269-f352312d85c742f1bc13c3756b508a4d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Leon needed a venue for an upcoming event.
Initial Context: He called every hotel in the city, but they were booked.
Original Ending: He called every venue. Every place he rang seemed to be booked but one. In the end, Leon decided a desert was a terrible place for a wedding.
Counterfactual Context: He called one hotel and was able to make a reservation.
Output:
| [
"He didn't have to call everywhere else. The hotel seemed to be a great place. In the end, Leon decided a desert was a great place for a wedding. "
] | task269-fdd511b1cbef491f8f7e6cfc4e3f0c74 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My wife treated my sister in law and myself to dinner at IHOP.
Initial Context: The food was very tasty.
Original Ending: My sister in law and wife had fried chicken and I had pot roast. The service was slow, and the waiter was hard to find. My sister in law is going to complain on yelp.
Counterfactual Context: The dinner went very well.
Output:
| [
"My sister in law and wife had fried chicken and I had pot roast. The service was fast, and the waiter was friendly. My sister in law is going to write a good review on yelp. "
] | task269-b163af363b2f412484edd1f659ef0313 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Giorgio watched the baseball game on television.
Initial Context: He told his friend he knew the next batter would hit a homerun.
Original Ending: His friend bet him that he was wrong. A small group watched on tv as the batter struck out. His friend laughed as Giorgio payed him his winnings.
Counterfactual Context: He really wanted his team to win so he prayed for a homerun and the batter hit a homerun.
Output:
| [
"His friend bet him that his team would still loose. A small group watched on tv as the next batter struck out. His friend laughed at Giorgio for the strike. "
] | task269-a087ce8a3f22407fa4ae26102b275416 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ali sat on the swing at recess crying.
Initial Context: A girl had thrown sand in her eyes.
Original Ending: Ali had no idea why the girl threw the sand. She was hurt, and confused by the act. Ali's friend June decided to tell a teacher about the incident.
Counterfactual Context: A girl had thrown a stick at her.
Output:
| [
"Ali had no idea why the girl threw the stick. She was hurt, and confused by the act. Ali's friend June decided to tell a teacher about the incident. "
] | task269-a55cf390a6824fe1901f12b5be426053 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Aya wanted to see the whole universe.
Initial Context: She dreamed of flying through space exploring.
Original Ending: Her parents told her to be realistic. But then Aya went to cosmonaut school! Now, she lives her dream every day.
Counterfactual Context: She dreamed of going to the planetarium.
Output:
| [
"Her parents told her to be realistic, but let her go to the planetarium. After, Aya went to cosmonaut school! Now, she lives her dream every day. "
] | task269-97d2b405dd1b4f549227b46025b4967b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Steven was in a rush.
Initial Context: He was driving to work and he was almost late.
Original Ending: He passed a red light on accident. A cop stopped him. He was late to work.
Counterfactual Context: He was trying to get home to watch his favorite show before he missed it.
Output:
| [
"He passed a red light on accident. A cop stopped him. He missed his show. "
] | task269-7f6f14bf9ab64354a0700b9b811e4c54 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My mom made me clean up my room yesterday.
Initial Context: She said I couldn't go outside until I was finished.
Original Ending: It took me all morning but I finally cleaned my room. She looked over my room and was happy with the work I did. I was finally able to go outside and play with my friends.
Counterfactual Context: She said I could outside before I was finished so I never finished cleaning my room.
Output:
| [
"My mom got angry with me She looked over my room and was unhappy with the work I did. I was punished from being able to go outside and play with my friends. "
] | task269-dfb1ad94d2ca4e7aa0740e748bef3558 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My Armenian girlfriend accompanied me to the South of France.
Initial Context: It was only one in a series of business trips we would make that year.
Original Ending: Natives were impressed with her grasp of the language. She had been exposed to the culture in various ways growing up. In turn, my being exposed to this made me an expert without textbooks.
Counterfactual Context: While I was in a conference, she went sightseeing and met and fell in love with someone and left me.
Output:
| [
"French men were impressed with her grasp of the language. She had been exposed to the culture in various ways growing up. In turn, my not being exposed to this made our relationship doomed from the start. "
] | task269-b274650d39c648cd93f759bd55a85c3f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A great general once found himself visiting an isolated village.
Initial Context: He had only a few guards with him while his army camped miles away.
Original Ending: Suddenly a large force of his enemies appeared over the hill. The general opened the gates of the village and sat in the street. The army, fearing a trap from the wily general, retreated.
Counterfactual Context: He was so feared the army retreated as soon as he was in sight.
Output:
| [
"Suddenly a large force of his enemies appeared over the hill. The general opened the gates of the village and sat in the street. The army fought back. "
] | task269-eebb282d51794917817fb034e473d4f1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rick was opening up his birthday presents.
Initial Context: He had received 2 of the same presents!
Original Ending: 2 of his friends had gotten him the same video game. Rick was able to return one of the games at the store the next day. Rick bought a new game controller with the money.
Counterfactual Context: He had received all different presents.
Output:
| [
"2 of his friends had gotten him video games. Rick was able to return one of the games at the store the next day. Rick bought a new game controller with the money. "
] | task269-9eef0a21ad284a5294e3dd50b82aabcc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Playing in the rain was one of Ashley's favorite things to do.
Initial Context: Her mother always urged her not to, but Ashley never listened.
Original Ending: One day Ashley developed a cough and fever after playing in the rain. Her mother insisted she had been right all along. But no matter how sick she got, Ashley though it was worth it.
Counterfactual Context: One day lightning hit a tree few hundred yards away from where she was standing.
Output:
| [
"She was scared and ran back into the house. Her mother insisted she had been right all along. Ashley thought it was worth it even though her mother disapproved. "
] | task269-6e5942d419b54e59a514baa636de9557 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jordan took her friends out for mini golf.
Initial Context: They were slowly going through the course.
Original Ending: Soon, they were really bored. They decided to play hide and seek in the course. Soon an attendant noticed and kicked them out.
Counterfactual Context: They were excited to go home soon.
Output:
| [
"On their way out, the golf cart they were riding went out of gas. So while waiting, they decided to play hide and seek in the course. Soon an attendant noticed and kicked them out. "
] | task269-a2d79fd197314014b2bd2eb99f2226a5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kya took a cooking class one evening.
Initial Context: At the class, she learned they would be making Indian dishes.
Original Ending: Her and other students followed the instructions for cooking each dish The food came out great, and the students ate. Kya went home.
Counterfactual Context: At class, Kya found out no one would be able to cook due to a health safety issue.
Output:
| [
"Her and the other students were disappointed. The cooking class was rescheduled for tomorrow. Kya went home. "
] | task269-5bf1ff64145f41b98813eaa54f27ec17 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Brian wanted to go on vacation.
Initial Context: He started saving extra money here and there.
Original Ending: Soon he had several hundred dollars. He and his wife booked tickets for Florida. They had a great time on their vacation!
Counterfactual Context: He was still not able to save any money for the vacation and kept spending it at the club.
Output:
| [
"Soon he was several hundred dollars in debt. He and his wife never booked tickets for Florida. They never had a great time on their vacation! "
] | task269-07f3be3657fa40be95bc84ad8f7d43cf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Luke lived in the desert with his aunt and uncle.
Initial Context: They were friends with an old man named Ben.
Original Ending: One morning, Luke got in an argument with his uncle and ran away. He become lost in the canyons of the surrounding desert. Ben, along with his friends, rescued Luke and brought him safely home.
Counterfactual Context: They had a stuffed bear named Ben.
Output:
| [
"One morning, Luke got in an argument with his uncle and ran away. He become lost in the canyons of the surrounding desert. His uncle along with his friends rescued Luke and and brought him safely home. "
] | task269-ec7fbcd9d82c474ba83ebd96c2dd4233 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: One summer, I was thinking about what to do for fun.
Initial Context: My parents told me to pack my things and get ready to go.
Original Ending: We flew to Florida the next day. My parents decided to take us to Disney World. We had so much fun and made great memories.
Counterfactual Context: My parents told me to they were going on a trip and leaving the house all to me.
Output:
| [
"They flew to Florida the next day. My parents went to Disney World. They had a great time and it made me want to book a trip there. "
] | task269-cebe149ccab5426fa3a5670037933ced |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Clara had saved for months so she could buy a new phone.
Initial Context: She went to the store and had just the amount of money for the phone.
Original Ending: When they gave her the phone, months of hard work had paid off. On the way home, she dropped the phone on the sidewalk. The phone cracked and Clara was very upset.
Counterfactual Context: She went to the store but still didn't have enough for the phone.
Output:
| [
"They explained that the phone could be paid in installments, so it could still be taken home with her that day On he way home, she dropped the phone on the sidewalk. The phone cracked and Clara was very upset. "
] | task269-56f51ed02d714f708ae7d253e62349b1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The family went on a road trip across the country.
Initial Context: They stopped at the grand canyon to view the scenery.
Original Ending: They took pictures posing next to the canyons. The dad dropped the camera and it shattered. He was able to buy another one to snap more pictures on their trip.
Counterfactual Context: They stopped the trip early due to emergencies.
Output:
| [
"They took pictures of whatever they could look at while heading home. The dad dropped the camera while stopped and it shattered. He didn't buy another camera until the next trip. "
] | task269-34743a3bd19a46b4bd37a8ff3f403791 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Meg bought new stiletto shoes so she could be tall as a model.
Initial Context: She wobbled around at work in the six-inch heels, feeling super.
Original Ending: Then Meg tripped on a curb in the wobbly heels. The doctor had to put a cast on her broken foot. Meg put on a sneaker and put the stilettos in the back of her closet.
Counterfactual Context: She walked around at work with six inch heels, never tripping.
Output:
| [
"But when she left work Meg tripped on a curb in the wobbly heels. The doctor had to put a cast on her broken foot. Meg put on a sneaker and put the stilettos in the back of her closet. "
] | task269-e28b4e104b4d4f02abe504f19bf9ede6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jerry had an unfortunate case of the sniffles.
Initial Context: He had no other symptoms apart from the sniffles.
Original Ending: He would blow his nose. He would keep tissues ready. The sniffles persisted for weeks, and he was forced to see a doctor.
Counterfactual Context: He had quickly lost the sniffles from self-care.
Output:
| [
"He would not need to blow his nose. He would keep tissues ready. The sniffles were gone, and he never saw a doctor. "
] | task269-b424adf1b07f46078410f61a2d6b2392 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A new frozen yogurt place opened up near me.
Initial Context: I decided to check it out.
Original Ending: When I got there I tried a sample. It was amazing. I ordered a large and I loved it.
Counterfactual Context: I decided to avoid it.
Output:
| [
"My friend tried a sample. It was amazing. I was tempted to go and order a large. "
] | task269-5d14375383d0469ca8581f8f34b779d9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The cashier began to scan the food for Joe the customer.
Initial Context: Joe was impatient but it seemed to be going quickly.
Original Ending: Joe saw the bag boy slowly attempt to put all the food in one bag. Joe was mad as he saw the bag boy take out the food and start over. Joe snatched the bags from the bag boy and stormed out of the store.
Counterfactual Context: Joe waited patiently.
Output:
| [
"Joe saw the bag boy slowly attempt to put all the food in one bag. Joe was amused as he saw the bag boy take out the food and start over. Joe took the filled bag from the bag boy and walked out of the store. "
] | task269-4cda5bddafa84c7cb971178f13943be9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: We had mice in our condo one year.
Initial Context: They squeezed in where the hot water pipes fed the baseboards.
Original Ending: I bought an electric mouse trap. One day my son heard a popping sound. We opened the trap to find an electrocuted mouse.
Counterfactual Context: We hired an exterminator and never saw any mice again.
Output:
| [
"I bought an electric lamp. One day my son heard a popping sound. We opened the door to find an electrocuted bird. "
] | task269-82de58f200954ee6b534ce8dc3304d32 |