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it never bothers to question why somebody might devote time to see it
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independent film
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real snooze .
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enact a sort of inter-species parody of a vh1 behind the music episode
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nearly terminal case
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falls neatly into the category of good stupid fun .
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unlimited access
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seems suited neither to kids or adults .
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match their own creations for pure venality -- that 's giving it the old college try
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a dim-witted and lazy spin-off of the animal planet documentary series , crocodile hunter is entertainment opportunism at its most glaring .
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the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard .
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is still worth
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` unfaithful ' cheats on itself and retreats to comfortable territory .
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about an unsympathetic character and someone who would not likely be so stupid as to get
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a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland
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mysterious , sensual ,
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better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals
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gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection .
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projects onto the screen -- loud , violent and mindless
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recommend big bad love
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after one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here , it 's a matter of finding entertainment in the experiences of zishe and the fiery presence of hanussen .
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terribly funny
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goes right over the edge and kills every sense of believability
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the kind of quirkily appealing minor movie she might not make for a while
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-- conrad l. hall 's cinematography will likely be nominated for an oscar next year -- there 's something impressive and yet lacking about everything .
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has just as many scenes that are lean and tough enough to fit in any modern action movie
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keep the proceedings as funny for grown-ups as for rugrats
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the screenplay , but rather
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reworking to aim the film at young males in the throes of their first full flush of testosterone
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significantly less charming than listening to a four-year-old with a taste for exaggeration
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in this tepid genre offering
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develop her own film language with conspicuous success
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of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure
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a nasty aftertaste but little clear memory of its operational mechanics
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of a depressed fifteen-year-old 's suicidal poetry
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stephen rea , aidan quinn , and alan bates play desmond 's legal eagles , and when joined by brosnan , the sight of this grandiloquent quartet lolling in pretty irish settings is a pleasant enough thing , ` tis .
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never feels derivative
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gives us mostly fool 's gold
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can read the subtitles ( the opera is sung in italian ) and you like ` masterpiece theatre ' type costumes
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offers no easy , comfortable resolution
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a french film with a more down-home flavor .
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smart , sassy interpretation of the oscar wilde play
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undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject
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simplistic and more than a little pretentious
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crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing .
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it 's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists .
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viewed as pure composition and form --
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sven wollter as the stricken composer and viveka seldahl as his desperate violinist wife
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treads heavily
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is a movie that puts itself squarely in the service of the lovers who inhabit it .
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fails to satisfactorily exploit its gender politics , genre thrills or inherent humor .
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denied her own athleticism by lighting that emphasizes every line and sag
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emotional force
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arresting little ride
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helps make great marching bands half the fun of college football games
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judging by those standards , ` scratch ' is a pretty decent little documentary .
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incredibly flexible
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precocious smarter-than-thou wayward teen
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lets her complicated characters be unruly , confusing and , through it all , human
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's neither as funny nor as charming as it thinks it is
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almost completely dry of humor , verve and fun
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( gosling 's ) combination of explosive physical energy and convincing intelligence
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an exceptionally
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a worthy addition to the cinematic canon , which , at last count , numbered 52 different versions
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a decomposition
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makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
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a formula comedy redeemed by its stars
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the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama
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the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed .
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's unlikely we 'll see a better thriller this year
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the final product is a ghost
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the movie is hardly a masterpiece
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does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency
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by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material
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the boobs are fantasti
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though overall an overwhelmingly positive portrayal , the film does n't ignore the more problematic aspects of brown 's life .
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in the new release of cinema paradiso , the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned .
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could have been much stronger
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offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes
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be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble
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is a diverting -- if predictable -- adventure suitable for a matinee , with a message that cautions children about disturbing the world 's delicate ecological balance .
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will probably be in wedgie heaven .
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go see this delightful comedy
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to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
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, you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard .
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to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
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for most of its footage , the new thriller proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo .
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fill the hot chick , the latest gimmick from this unimaginative comedian
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a period story about a catholic boy who tries to help a jewish friend get into heaven by sending the audience straight to hell .
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whose sharp
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in this engaging film about two men who discover what william james once called ` the gift of tears
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offers no new insight on the matter , nor do its characters exactly spring to life .
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a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely
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fierce grandeur
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drag an audience
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it can not even be dubbed hedonistic
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exceptionally
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because the film deliberately lacks irony , it has a genuine dramatic impact ;
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takes a simple premise and carries it to unexpected heights .
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guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
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