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The world premiere was held in London, the first American sound production to do so. | Adunia ta ditazarat tassinta gor Londre, igi an takalt wazaran in Amerique. |
Perfect Understanding, a 1933 sound production comedy, was the only film produced by this company. | Perfect Understanding (Tadiwt ta-tiknat), igui an takalt dag sasto gor 1933, yé kal silma iyat tazizgar alzamagat. |
She began appearing in stage productions and starred in The Gloria Swanson Hour on WPIX-TV in 1948. | Tassanta azagor gor igui nadal izar tatif edag dag Gloria Swanson alwak fal Wpix-Tv gor 1948. |
The storyline of the film follows a faded silent movie actress Norma Desmond (Swanson), in love with a failed screenwriter Joe Gillis (William Holden). | Tebadé an silma talkam yé temagit an silma mazougat hin tokayat, Norma Desmond (Swanson), temarhit nemagui nimechlane ekchadane, Joe Gillis (William Holden). |
"Norma plays a card game of bridge with a group of actors also known as ""the Waxworks""." | ."Norma tadal dag alzamagat an masosta atiwazaynen fal issim an ""Waxworks"" |
Norma dreams of a comeback are subverted, and when Gillis tries to break up with her, she threatens to kill herself, but instead kills him. | Emanaw-naw gor arakone ən Norma amlalayane, tizarat Gillis oram ebadi dis, tahad ya tangu imaness machene tangué dag edag iness. |
Although Swanson had objected to enduring a screen test for the film, she had been glad to be making much more money than she had been in television and on stage. | Darat as Swanson war tarda adabara na-twirim iss tisset an silma tikna tedawit na tigriw azrouf aguen fal talbizont. |
Swanson later hosted Crown Theatre with Gloria Swanson, a television anthology series in which she occasionally acted. | Swanson tomar darat awen samando nan mechalane dag Gloria Swanson,tartit tamizazarat dag tidal. |
"She was the ""mystery guest"" on What's My Line." | "Takal tanaftak" an dekat tabaratine What's My Line. |
She made a notable appearance in a 1966 episode of The Beverly Hillbillies, in which she plays herself. | Gad azagor atiwagrahan dag tedaguit tan gor 1966 The Beverly Hillbillies dag tadal achegal ən ness. |
"Actor and playwright Harold J. Kennedy, who had learned the ropes at Yale and with Orson Wells' Mercury Theatre, suggested Swanson do a road tour of ""Reflected Glory"", a comedy that had run on the Broadway stage with Tallulah Bankhead as its star." | Massis an mechlane Harold J. Kennedy wa issanane itaran nachagal gor Yale ad Mercury Theatre an Orson Wells, ""Reflected Glory"" assorda yé Swanson igui nadal wan amrumar" fal edague wan taberat dag Tallulah sund tafaré" |
After her success with Sunset Boulevard, she starred on Broadway in a revival of Twentieth Century with José Ferrer, and in Nina with David Niven. | Darat amukine dag Sunset Boulevard, tadal gor Broadway dag amissougal ən Twentieth Century ad José Ferrer, dag Nina ad dag Dvid Niven. |
As a Republican she supported the 1940 and 1944 campaigns for president of Wendell Willkie and the 1964 presidential campaign of Barry Goldwater. | Falas taqual walat amass, talil yé campaytan win 1940 ad win 1944 faltanaya tan Wendell Willkie ad campay an manokalan wan 1964 wan Barry Goldwater. |
Taking medication given to her by Beery, purported to be for morning sickness, she aborted the fetus and was taken unconscious to the hospital. | Darat as tigraw assafar was kala tatinfa Beery, as bahu infan tinhiten tin tifawt, takšad tassaness izar tamidkal dad iban anyat as laktor. |
In 1923, she adopted 1-year-old Sonny Smith, whom she renamed Joseph Patrick Swanson after her father. | Gor 1923, tassidwal ara Sonny Smith, ilan awatay iyan, is ga issim Joseph Patrick Swanson, sund tiss. |
She had conceived a child with him before her divorce from Somborn was final, a situation that would have led to a public scandal and possible end of her film career. | Tohar dis ara dat amizi inta Somborn, alwak adiwayan ataraka ya dinatad samando intahaguit an cinima. |
Following a four-month recuperation from her abortion, they returned to the United States as European nobility. | Darat ifri ness akoz oran adoraw agachad ən tassa, aqualan gor Etats-Unis istakal tamanokalt Europe. |
He became a film executive representing Pathé (USA) in France. | Equal awadam an cinima ihan edag ən Pathé (USA) dag Afrance |
"Swanson described herself as a ""mental vampire"", someone with a searching curiosity about how things worked, and who pursued the possibilities of turning those ideas into reality." | "Swanson timal iman win-ness sund " enametine" awadam imogan ya wa siglan haratan izar ilkaman yé tadabit na sunad na niyat astidit." |
They met by chance in Paris when Swanson was being fitted by Coco Chanel for her 1931 film Tonight or Never. | Amokassan dag iban ituss dag Paris, mašane Swanson kanu anufli dag Coco in silma ehad meg ibaness (1931) |
Her friends, some of whom openly disliked him, thought she was making a mistake. | Imidiwan ness, iyad war tarhen, ordan as tamitala. |
Swanson had initially thought she was going to be able to retire from acting, but the marriage was troubled by Davey's alcoholism from the start. | Swanson ǎɣel dǎɣ santo atudabat at tizgir tamudre tan temagit, mašan azli nes eqal ašadan səs səmid wan Davey dǎɣ santo. |
He was the co-author (ghostwriter) of Billie Holiday's autobiography Lady Sings the Blues, the author of Sugar Blues, a 1975 best-selling health book still in print, and the author of the English version of Georges Ohsawa's You Are All Sanpaku. | Eqal emag ən (emag ən) wan tamuzuq tan Billue Holiday, Lady Sings the Bleues, emag wan Sugar Bleues, əlkitab wan asaxat nagaraw wan 1975 harkuk dax nazan, əd emag nəmək wan anglais wan You Are All Sanpaku ən Georges Ohsawa. |
Swanson and her husband first got to know John Lennon and Yoko Ono because they were fans of Dufty's work. | Swanson dahalis-ness animazayan dag John Lennon ad Yoko Ono falas amossane imarhan nichagal win M. Dufty. |
She was cremated and her ashes interred at the Episcopal Church of the Heavenly Rest on Fifth Avenue in New York City, attended by only a small circle of family. | Tatwasarga izar izidawan atwambalan dag lagriss wan Heavenly Rest fal taberat tass simossat gor New York,gor ila afarag nalgayal gass. |
In 1974, Swanson was one of the honorees of the first Telluride Film Festival. | Gor 1974, Swanson awadam atiwaflassan gor adal wazaran an silma wan Telluride |
Due to the erotic nature of her performances, Nielsen's films were censored in the United States, and her work remained relatively obscure to American audiences. | Dag tidit na dunya ta tahusket an tafrint,silma tan Nielsen at wazaman gor Etats-Unis, azar temachagalt tasohat yé alzamagat tan Amerique. |
Nielsen's family moved several times during her childhood while her father sought employment. | Algayal wan Nielsen iga ihinane agotnen gor tamadrit- iness assiga awen tiss imague ya achagal. |
Nielsen's father died when she was fourteen years old. | Tiss ən Nielsen abati gor awatay was maraw adikoz əness. |
In 1901, 21-year-old Nielsen became pregnant and gave birth to a daughter, Jesta. | Gor 1901, 21 Nielsen, təkrach sanatat timirwen nawatay ad diyan, tassamraw izar toraw tamat, Jesta. |
Nielsen graduated from the Theater school in 1902. | Nielsen ikna tegarẻ dag lekol tan adal gor 1902. |
Nielsen's minimalist acting style was evidenced in her successful portrayal of a naive young woman lured into a tragic life. | Temašagalt gadohat əntina tan Nielsen takal sokni dag segbar iknan adiwayan taɣrist ye tamawat. |
Nielsen and Gad married, then made four more films together. | Nielsen ad Gad azləyən, izar gan silma assinən. |
I realised that the age of short film was past. | Elmadag as azaman tagazolat tamutay. |
It was international film sales that provided Union with eight Nielsen films per year. | Amoss enazi gar kalan ən silma wi dossanen Union atam silma win Nielsen dag ayor. |
"I used every available means – and devised many new ones – in order to bring the Asta Nielsen films to the world.""" | ." Ikalag tidabit kul ta titəlat -izar aznazgameg hulen -yad zuzuyag silma win Asta Nielsen ya dunia." |
In a Russian popularity poll of 1911, Nielsen was voted the world's top female movie star, behind Linder and ahead of her Danish compatriot Valdemar Psilander. | Dag umag ən tamuzie russe gor 1911, Nielsen takal tamanhuyt ən deden dag cinema tan adunia, darat Linda ad dat tamidit iness danoise Valdemar Psilander. |
In 1921, Nielsen, through her own film distribution company of Asta Films, appeared in the Svend Gade and Heinz Schall directed Hamlet. | Dax 1921, Nielsen, daɣ təsəba ən manes tidawt tan tizunawen ən silmatan, Asta Films, izgarid daɣ silma Hamlet, tigat əs Svend Gad əd Heinz Schall. |
However, scholarly works such as the authoritative filmography published by Filmarchiv Austria in 2010 make no mention of such a film. | Harkuk, temašagalt ta təknat sund silma tagat azagor Filmarchiv Austria gor 2010 war səknin sund wa silma. |
She worked in German films until the start of sound movies. | Tašegal dag silma allemands har sənto ən silma təzarat. |
Thereafter, Nielsen acted only on stage. | "Dag alkum, Nielsen war |
Understanding the implications, Nielsen declined and left Germany in 1936. | Tihra ən tartit, Nielsen ungəy di fal Allemagne gor 1936. |
They were divorced by 1919 when Nielsen married the Swedish shipbuilder Freddy Windgårdh. | Aməzayən gor 1919,assagat wendag adag təway Nielsen enamekrəss suédois Freddy Windgårdh. |
They began a long-term common-law marriage that lasted from 1923 until the late 1930s. | Ass namadadan azli zigren falass ahoga gor 1923 har saməndo nəwatay wan 1930. |
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, actor, singer, choreographer, and television presenter. | Fred Astaire ( iwa Frederick Austerlitz ; 10 mai 1899-22 Juin 1987 ) equal amadlal,emašesti, amanzar ,coregraf ad emassekni ən talbizon américain. |
He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. | Idal dag ogaran 10 nazaran nədalan win Broadway ad win West End, iga 31 ən silma wi na azar, akoz mazgaran ən salan ye talbizon ad sətkal agotnen. |
Astaire's mother was born in the US to Lutheran German immigrants from East Prussia and Alsace. | Mas na Astaire a dǎɣ tuwa États-Unis ən mudakan na allemands lutheriens wən Prusse oriental ən Alsace |
Fritz was seeking work in the brewing trade and moved to Omaha, Nebraska, where he was employed by the Storz Brewing Company. | Fritz imǎɣ ye əšəxil dǎɣ edag wan tazoliyawinen əd aqima dǎɣ Omaha, Nebraska, yur atwatkal ye Storz Brewing Company. |
"Johanna planned a ""brother and sister act"", common in vaudeville at the time, for her two children." | "Johanna asmatay ""adal ən madrayan ən təmadrayen"", tišilnen ehanin dax vaudeville, ye aratanes əsin". |
They began training at the Alviene Master School of the Theatre and Academy of Cultural Arts. | Əssətan alamad gor l’école tan adal Alviene Master ad Académie wan təmusnawen. |
They were taught dance, speaking, and singing in preparation for developing an act. | Tawassagren dalol, assəmusag da anazar ya sətən asgət ən numero. |
In an interview, Astaire's daughter, Ava Astaire McKenzie, observed that they often put Fred in a top hat to make him look taller. | Dag assostan iyan, walat Astaire, Ava Astaire Mckenzie,ikyad as tagan agud iyan Fred dag təkəbut tazwayat yad təkal ti makarat. |
As a result of their father's salesmanship, Fred and Adele landed a major contract and played the Orpheum Circuit in the Midwest, Western and some Southern cities in the US. | Fred ad Adelle igrawan ašagəl ahusken fal idəm ad tamusne ən tissan izar tadalan dag tedaguuit Orpheum dag Midwest, igadal ən tafuk ,ad kalan win Etats-Unis. |
In 1912, Fred became an Episcopalian. | Gor 1912, Fred ekal épiscopalien. |
From vaudeville dancer Aurelio Coccia, they learned the tango, waltz, and other ballroom dances popularized by Vernon and Irene Castle. | Əntaned da amadlal wan vaudeville Aurelio Coccia, lamadan dalol wan tango, valse ad dalolan iyad wi atwazaynen as Vernon ad Irene Castle. |
He first met George Gershwin, who was working as a song plugger for Jerome H. Remick's music publishing company, in 1916. | Amokass ad George Gershwin dag tizarat gor 1916, mašan ašegəl sund amanzar ye ehan wan izazgaran inazaran ən Jerome H. Remick. |
"Of their work in The Passing Show of 1918, Heywood Broun wrote: ""In an evening in which there was an abundance of good dancing, Fred Astaire stood out ... He and his partner, Adele Astaire, made the show pause early in the evening with a beautiful loose-limbed dance.""" | "Ašagəl dag The Passsing Show gor 1918, Heywood Broun iktab: ""Dag ehad wa gor aguit dalolan ahuskatnin, Fred Astaire izgarid ... Inta ad tamartit iness, Adele Astaire, nas mayakat dag santo nehad ad dalol iknan iss daran samednen.""" |
But by this time, Astaire's dancing skill was beginning to outshine his sister's. | Mašen alwaken dag, timusnawen ən madlalal win Astaire tarna win tamadrayt ines. |
Astaire's tap dancing was recognized by then as among the best. | Tifadelen tin Astaire atiwazaynat dag ti ahuskatnen. |
After the close of Funny Face, the Astaires went to Hollywood for a screen test (now lost) at Paramount Pictures, but Paramount deemed them unsuitable for films. | Darat saməndo wan Funny Face, ad Astaire ikanat Hollywood ye as anamawəl (achali ingas) gor Paramount Pictures, mašen Paramount ina war anmawalan as gor silma. |
The end of the partnership was traumatic for Astaire but stimulated him to expand his range. | Saməndo ən tartit ekal tamatert ye Astaire mašen amidagwas yad isiwad edag nasənt. |
They lent him for a few days to MGM in 1933 for his significant Hollywood debut in the successful musical film Dancing Lady. | Ifadast ye harat ən hadan gor MGM gor 1933 ye santotan gor Hollywood dag silma tiknat Dancing Lady. |
"He wrote his agent, ""I don't mind making another picture with her, but as for this 'team' idea, it's 'out!'" | Iktab ya amašagal iness : "arheg igui ən silma iyat dəris, mašen ye anyat wan alzamagat", “imda" |
The partnership, and the choreography of Astaire and Hermes Pan, helped make dancing an important element of the Hollywood film musical. | Tartit ten, ad timusnawen tin Astaire ad Hermès Pan, alilal ye igui dag dalol harat makoran ye adal anazar wan Hollywood. |
Six out of the nine Astaire–Rogers musicals became the biggest moneymakers for RKO; all of the films brought a certain prestige and artistry that all studios coveted at the time. | Sadis dag taza isasta win anazar Astaire-Rogers ekalan tassugušt makarat nazrif ye RKO ; silma kul tiwayd yarat infan azar ihak timbe stidiotan kul wi ad tihaznen. |
This gave the illusion of an almost stationary camera filming an entire dance in a single shot. | Awen ihaku anasgum an camera tazuket dakal dalol imdan dag iyan. |
Astaire's style of dance sequences allowed the viewer to follow the dancers and choreography in their entirety. | Temašagalt nam zizar an dalol wan Astaire igraw ye imuguha ya adalkiman imadlalal ad tamusne dag iman. |
Astaire's second innovation involved the context of the dance; he was adamant that all song and dance routines be integral to the plotlines of the film. | Assini was asinn an Astaire ibdad ibret an dalol,ekal yas imazaran kul ad mussanan ad agən ugišan silma. |
"One would be a solo performance by Astaire, which he termed his ""sock solo.""" | " Iyat disnat takal solo Astaire,wa igaru " solo wan chaussette" |
I think Ginger Rogers was. | Ordeg gas ekalti Ginger Rogers. |
She faked it an awful lot. | Tikna tagdart hulen. |
In 1976, British talk-show host Sir Michael Parkinson asked Astaire who his favorite dancing partner was on Parkinson. | Gor 1976, emadegwis wan Britanique Sir Michael Parkinson asistan Astaire indek amartay wa tarhed dag dalol. |
Despite their success, Astaire was unwilling to have his career tied exclusively to any partnership. | Gur amukan, Astaire war tarha as tahagit iness at təbdad gor tartit. |
Throughout this period, Astaire continued to value the input of choreographic collaborators. | Yur alwak wenda, Astaire tokay dag agarozat ya wa dewayan imilalan ən imussanan. |
"They starred in Broadway Melody of 1940, in which they performed a celebrated extended dance routine to Cole Porter's ""Begin the Beguine.""" | " Ədalan dag Broadway Melody gor 1940, wa dag əgan amussan asissakayan anazar ""Begin the Beguine " wan Cole Porter. """ |
He played alongside Bing Crosby in Holiday Inn (1942) and later Blue Skies (1946). | Idal edes ən Bing Crosby dag Holiday Inn ( 1942 ) izar darat awen Blue Skies ( 1946 ). |
"The latter film featured ""Puttin' On the Ritz"", an innovative song-and-dance routine indelibly associated with him." | "Silma wa ilkaman ihe " Puttin On the Ritz" numero an anazar ad dalol adisrayan has ebdan." |
The first film, You'll Never Get Rich (1941), catapulted Hayworth to stardom. | Silma wa azaran, ‘’war təkəlam idag azrif’’ ( 1941 ), catapulte Hayworth ibret an tamuzié |
"It featured a duet to Kern's ""I'm Old Fashioned,"" which became the centerpiece of Jerome Robbins's 1983 New York City Ballet tribute to Astaire." | "Ertay da sinn fal anazar ""I’m Old Fashioned,"" wan Kern, Ekal imraš ye Astaire New York City Ballet gor 1983, daw tanhat an Jerome Robbins." |
Astaire choreographed this film alone and achieved modest box office success. | Astaire tazazgar silma iyan izar tagraw amukan adaran gor box-office. |
The fantasy Yolanda and the Thief (1945) featured an avant-garde surrealistic ballet. | Anyat Yolanda ad emakrad ( 1945 )iga dag adal dalol iknan talabast. |
Always insecure and believing his career was beginning to falter, Astaire surprised his audiences by announcing his retirement during the production of his next film Blue Skies (1946). | Harkuk iflas inta aguel tahiguit santu anasmad, Astaire tagdar taməte ines talagat tasunfat ines aguden igui an silma ilkam ye Blue Skies (1946). |
Both of these films revived Astaire's popularity and in 1950 he starred in two musicals. | Assinn silma widag hakan muziat an Astaire izar gor 1950, idal dag asinn manzaran nadal. |
While Three Little Words did quite well at the box office, Let's Dance was a financial disappointment. | Aguden Three Little Words itašam hulan ye box-office, Let’s Dance ekal tamograzst. |
But because of its high cost, it failed to make a profit on its first release. | Dag tidit nasuhu,war ikna agaraw gor azagor wa azaran. |
Then, his wife Phyllis became ill and suddenly died of lung cancer. | Izar, haniss Phyllis tanid izar tənget torhina tan torawen šik . |
Daddy Long Legs only did moderately well at the box office. | Daddy Long Legs war ikna agaraw gor box-office. |
Similarly, Astaire's next project – his final musical at MGM, Silk Stockings (1957), in which he co-starred with Cyd Charisse, also lost money at the box office. | Sund, projet wan Astaire-samando nadal gor MGM, Silk Stocking (1957), dag itozan dag Cyd Charisse,igarin deg azruf gor box-office. |
"The first of these programs, 1958's An Evening with Fred Astaire, won nine Emmy Awards, including ""Best Single Performance by an Actor"" and ""Most Outstanding Single Program of the Year.""" | " Harat dag programtan ness wa azaran, An Evening With Fred Astaire (1958), igraw taza Emmy Awards,dag wi" ogarnen assahat amussan" ad " program wan awatay""". |
"The choice had a controversial backlash because many believed his dancing in the special was not the type of ""acting"" for which the award was designed." | " əssânafrin wa əsinkar tamadash, fal as aduniya agetnen əssanan as adalal wan ənes dǎɣ edag wa,werd eqal edag wa mossen a taha tamadash ta fal iga adagud wa." |
They restored the original videotape, transferring its contents to a modern format and filling in gaps where the tape had deteriorated with kinescope footage. | əntaned əgan telvision tan tidat,adkalan awa titihan kul əganti dǎɣ edag aynayan əzar assirtayan awa ibraran dǎɣ issuhag widǎɣ kul, kineskop. |
Astaire appeared in non-dancing roles in three other films and several television series from 1957 to 1969. | Astaire tatwaga dǎɣ edag wan aytedmen wis amos ward hen idalalan dǎɣ films tan karadat ad series tan ən 1957 ad 1969. |
Astaire's dance partner was Petula Clark, who played his character's skeptical daughter. | Tamidad tan Astaire dǎɣ adalan widǎɣ atawos Petula Clark,ənta a atagalat tarat tan adanlan win. |
Astaire continued to act in the 1970s. | Astaire tiga awa dǎɣ tizzay dǎɣ adalan dǎɣ iwitiyan win 1970. |
In the second compilation, aged seventy-six, he performed brief dance linking sequences with Kelly, his last dance performances in a musical film. | Dǎɣ awatay was asin, awatay was sadisat timurmen ad karat,anta tiga idalal agotnen ad Kelly,timusnawen tin nes dǎɣ adalan dǎɣ timuzax tidǎɣ n'inazaran widǎɣ. |
In 1978, he co-starred with Helen Hayes in a well received television film A Family Upside Down in which they played an elderly couple coping with failing health. | Dǎɣ 1978, azun isalan dər Helen Hayes dǎɣ silma tizgarat ahusken əd tasawt, alxayal išlayan, dǎɣ itagu əšəxil wan mukusa wašarnen igraw iban nasǎɣat wi nan ikna. |
Astaire asked his agent to obtain a role for him on Galactica because of his grandchildren's interest in the series and the producers were delighted at the opportunity to create an entire episode to feature him. | Astaire əsistan anaktib en nes adəs əgrew eddag dǎɣ Galactica amosan ihay agaraw ən aratan ənes,ən adanan ənes ad alfagitanes ənes igrazasen awen hulenen ən ad adawian tamusne taynayat fal ədag wan timuzaɣ. |
"Long after the photography for the solo dance number ""I Want to Be a Dancin' Man"" was completed for the 1952 feature The Belle of New York, it was decided that Astaire's humble costume and the threadbare stage set were inadequate and the entire sequence was reshot." | "Ahogan darat samando dakalan nahanay ən numéro wan dalon wa solo ""I Want to Be a Dancin' Man"" ye silma The Belle of New York wan 1952, abati ən sarho costume wan Astaire əd ədlagati is scène tšadat taqalat awinan ditis əd tazune təmdat at tamdǎɣalat." |
Frame for frame, the two performances are identical, down to the subtlest gesture. | əsurat fal əsurat, sanatat tidabiten ti əlah nat, had edag war ənbas abdanat əswala. |
His was a uniquely recognizable dance style that greatly influenced the American Smooth style of ballroom dance and set standards against which subsequent film dance musicals would be judged. | Adalal wan ənes,atiwazay dǎɣ san kul,ənta ikfa tęmbē idalalan win Amerika Smooth hargudi ənta ikfah adabaratan agotnen yę îîssuhax. |