You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Sir John Tavener defied doctors' expectations when he resumed composing after a heart attack. Regarded as one of Britain's greatest living composers, he talks about how the possibility of "sudden death at any time" has changed his music, his outlook and his faith. By Ian YoungsArts reporter, BBC News When Sir John Tavener suffered a heart attack in Switzerland in December 2007, he had emergency bypass surgery and spent four months in intensive care. "They didn't know whether my brain had been damaged," he says. "My wife had flown over, and she played me Mozart. And I apparently, in my unconscious state, began conducting. So that brought me round again." The power of music came to Sir John's aid in his hospital bed. That music should connect with something deep within him is perhaps not so far-fetched given his lifelong devotion to harnessing the power of music himself. The composer has achieved a popularity that is rare in the classical world with choral works that are marked out by their pared-down beauty and intense spirituality. Music has always been sacred to Sir John, who converted to the Orthodox church in 1977 and has said that "my way towards God has been to write music". In 1992, The Protecting Veil, for solo cello and strings, topped the classical charts for several months. In 1997, Sir John's Song For Athene was played as the coffin of Princess Diana was carried out of Westminster Abbey during her funeral. And his A New Beginning was chosen to see in the new century at the end of 1999 in the Millennium Dome in London. Now he is premiering three new works, all written after his heart attack, at the Manchester International Festival. "Nobody in the hospital thought I'd get this far," the 69-year-old says. "They didn't think I'd write again." The new works include one based on a "rather terrifying" short story by Leo Tolstoy, The Death of Ivan Ilyich, in which the central character seeks redemption as he stares into the void of death. "That was one of the first pieces I wrote after I'd been ill," Sir John says. "And in a way there is a sort of autobiographical slant to it, although I've ritualised it very much. "It's an extraordinary study of physical agony. He's reviewing his miserable life and then attaining a kind of half peace just at the end." Another new work, The Love Duet, is "some of the most ecstatic music that I've ever written", he says, taken from what the composer describes as a pantomime about the life of the Hindu deity Krishna. The third, If Ye Love Me, will be performed by the festival's Sacred Sounds Women's Choir, which draws members from six faiths in the city. "I was very happy to do it because I think actually all religions have reached a stage of maturity, therefore decay, and, up to a point, senility," Sir John says. "Therefore to get back to the basis of them is something very exciting to be able to do." Since the start of the 2000s, Sir John has been open to inspiration from other faiths and has looked beyond his Christian devotion to Hinduism, Islam, Buddhism and Native American beliefs. "I always go back to what Plato said, that Heaven and Earth were once joined and there was one single primordial being, God," he says. "And one understands from that, that all religions are equally true, or equally false, I suppose you could say, depending on your perspective. "I think there will always be a possibility that God doesn't exist because He is infinitude and into that infinitude must come that possibility." During his most recent illness, he has "had a lot of time to think about what I really feel about these things", Sir John says. "I suppose it's grown me up spiritually." Does the suggestion that God may not exist reflect a crisis of faith? "When I became ill in Switzerland and I became conscious for the first time, the religious zeal that I had before, I found had gone," he replies. "But so had my ability to write music. It was about three years without doing anything, I just wanted to lie in a darkened room. And the faith came back in a different way, with writing. "I think I've been very lucky all my life because the writing and the faith seem to go together." Sir John has suffered ill health for much of his life. He had a stroke in 1979, and in 1990 was diagnosed with Marfan Syndrome, a hereditary condition that can cause heart defects. He had heart surgery the following year. These days, composing is a welcome distraction from constant abdominal pain, he says, although he cannot work for more than two hours a day without becoming exhausted. He claims that, "deep down", he is grateful that his health problems have given him more time to listen to other music and made him a "more sensitive and more caring" person. "I'm much closer to my family than I've ever been," he says. "I give more time to them. I live through them more. And I feel I only want to write if I feel there's something urgent I have to say. "The music's become more condensed, I'd say. More terse. I tended to write works that lasted, like seven hours with The Veil of the Temple [in 2003]. But now I would say nothing I write is over 20 minutes." Despite the physical impediments, is he trying to write as much as he can while he can? "I've always been aware of mortality because I've always had ill health most of my life," he replies. "But I suppose much more now because the cardiologist always says to me, 'Sudden death at any time.' "He's not very cheerful," Sir John adds with a chuckle. "He's a dour Scot. I think he has to cover himself. "Yes, I'm obviously living with that possibility all the time." The concert of Sir John Tavener's music is at the Bridgewater Hall, Manchester, on 7 July.

Here is an summary requirement:
Summarize the significance of music in Sir John Tavener's life and spiritual journey.

Please summarize the above article based on the given requirement:

# Output (a):
Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he achieved popularity with his choral works marked by their intense spirituality. Despite suffering from ill health, including a heart attack, Tavener's faith and ability to write music have remained intertwined. In recent years, he has drawn inspiration from various faiths, including Hinduism, Islam, and Buddhism, and believes that all religions are equally true. Tavener's music has evolved over time, becoming more condensed and focused on urgent messages, reflecting his spiritual growth and the significance of music in his life.

# Output (b):
Music has always been a sacred part of Sir John Tavener's life, and it has been integral to his spiritual journey. After suffering a heart attack in 2007, he was able to recover and resume composing, and his new works reflect his newfound outlook on life and faith. His music has achieved a rare level of popularity in the classical world, and he has looked to other faiths for inspiration. He believes that music has made him a more sensitive and caring person, and that it has helped him to come to terms with his mortality.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Sir John Tavener defied doctors' expectations when he resumed composing after a heart attack. Regarded as one of Britain's greatest living composers, he talks about how the possibility of "sudden death at any time" has changed his music, his outlook and his faith. By Ian YoungsArts reporter, BBC News When Sir John Tavener suffered a heart attack in Switzerland in December 2007, he had emergency bypass surgery and spent four months in intensive care. "They didn't know whether my brain had been damaged," he says. "My wife had flown over, and she played me Mozart. And I apparently, in my unconscious state, began conducting. So that brought me round again." The power of music came to Sir John's aid in his hospital bed. That music should connect with something deep within him is perhaps not so far-fetched given his lifelong devotion to harnessing the power of music himself. The composer has achieved a popularity that is rare in the classical world with choral works that are marked out by their pared-down beauty and intense spirituality. Music has always been sacred to Sir John, who converted to the Orthodox church in 1977 and has said that "my way towards God has been to write music". In 1992, The Protecting Veil, for solo cello and strings, topped the classical charts for several months. In 1997, Sir John's Song For Athene was played as the coffin of Princess Diana was carried out of Westminster Abbey during her funeral. And his A New Beginning was chosen to see in the new century at the end of 1999 in the Millennium Dome in London. Now he is premiering three new works, all written after his heart attack, at the Manchester International Festival. "Nobody in the hospital thought I'd get this far," the 69-year-old says. "They didn't think I'd write again." The new works include one based on a "rather terrifying" short story by Leo Tolstoy, The Death of Ivan Ilyich, in which the central character seeks redemption as he stares into the void of death. "That was one of the first pieces I wrote after I'd been ill," Sir John says. "And in a way there is a sort of autobiographical slant to it, although I've ritualised it very much. "It's an extraordinary study of physical agony. He's reviewing his miserable life and then attaining a kind of half peace just at the end." Another new work, The Love Duet, is "some of the most ecstatic music that I've ever written", he says, taken from what the composer describes as a pantomime about the life of the Hindu deity Krishna. The third, If Ye Love Me, will be performed by the festival's Sacred Sounds Women's Choir, which draws members from six faiths in the city. "I was very happy to do it because I think actually all religions have reached a stage of maturity, therefore decay, and, up to a point, senility," Sir John says. "Therefore to get back to the basis of them is something very exciting to be able to do." Since the start of the 2000s, Sir John has been open to inspiration from other faiths and has looked beyond his Christian devotion to Hinduism, Islam, Buddhism and Native American beliefs. "I always go back to what Plato said, that Heaven and Earth were once joined and there was one single primordial being, God," he says. "And one understands from that, that all religions are equally true, or equally false, I suppose you could say, depending on your perspective. "I think there will always be a possibility that God doesn't exist because He is infinitude and into that infinitude must come that possibility." During his most recent illness, he has "had a lot of time to think about what I really feel about these things", Sir John says. "I suppose it's grown me up spiritually." Does the suggestion that God may not exist reflect a crisis of faith? "When I became ill in Switzerland and I became conscious for the first time, the religious zeal that I had before, I found had gone," he replies. "But so had my ability to write music. It was about three years without doing anything, I just wanted to lie in a darkened room. And the faith came back in a different way, with writing. "I think I've been very lucky all my life because the writing and the faith seem to go together." Sir John has suffered ill health for much of his life. He had a stroke in 1979, and in 1990 was diagnosed with Marfan Syndrome, a hereditary condition that can cause heart defects. He had heart surgery the following year. These days, composing is a welcome distraction from constant abdominal pain, he says, although he cannot work for more than two hours a day without becoming exhausted. He claims that, "deep down", he is grateful that his health problems have given him more time to listen to other music and made him a "more sensitive and more caring" person. "I'm much closer to my family than I've ever been," he says. "I give more time to them. I live through them more. And I feel I only want to write if I feel there's something urgent I have to say. "The music's become more condensed, I'd say. More terse. I tended to write works that lasted, like seven hours with The Veil of the Temple [in 2003]. But now I would say nothing I write is over 20 minutes." Despite the physical impediments, is he trying to write as much as he can while he can? "I've always been aware of mortality because I've always had ill health most of my life," he replies. "But I suppose much more now because the cardiologist always says to me, 'Sudden death at any time.' "He's not very cheerful," Sir John adds with a chuckle. "He's a dour Scot. I think he has to cover himself. "Yes, I'm obviously living with that possibility all the time." The concert of Sir John Tavener's music is at the Bridgewater Hall, Manchester, on 7 July.

Here is an summary requirement:
Summarize the significance of music in Sir John Tavener's life and spiritual journey.

Please summarize the above article based on the given requirement:

Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he achieved popularity with his choral works marked by their intense spirituality. Despite suffering from ill health, including a heart attack, Tavener's faith and ability to write music have remained intertwined. In recent years, he has drawn inspiration from various faiths, including Hinduism, Islam, and Buddhism, and believes that all religions are equally true. Tavener's music has evolved over time, becoming more condensed and focused on urgent messages, reflecting his spiritual growth and the significance of music in his life.

Music has always been a sacred part of Sir John Tavener's life, and it has been integral to his spiritual journey. After suffering a heart attack in 2007, he was able to recover and resume composing, and his new works reflect his newfound outlook on life and faith. His music has achieved a rare level of popularity in the classical world, and he has looked to other faiths for inspiration. He believes that music has made him a more sensitive and caring person, and that it has helped him to come to terms with his mortality.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Sir John Tavener defied doctors' expectations when he resumed composing after a heart attack. Regarded as one of Britain's greatest living composers, he talks about how the possibility of "sudden death at any time" has changed his music, his outlook and his faith. By Ian YoungsArts reporter, BBC News When Sir John Tavener suffered a heart attack in Switzerland in December 2007, he had emergency bypass surgery and spent four months in intensive care. "They didn't know whether my brain had been damaged," he says. "My wife had flown over, and she played me Mozart. And I apparently, in my unconscious state, began conducting. So that brought me round again." The power of music came to Sir John's aid in his hospital bed. That music should connect with something deep within him is perhaps not so far-fetched given his lifelong devotion to harnessing the power of music himself. The composer has achieved a popularity that is rare in the classical world with choral works that are marked out by their pared-down beauty and intense spirituality. Music has always been sacred to Sir John, who converted to the Orthodox church in 1977 and has said that "my way towards God has been to write music". In 1992, The Protecting Veil, for solo cello and strings, topped the classical charts for several months. In 1997, Sir John's Song For Athene was played as the coffin of Princess Diana was carried out of Westminster Abbey during her funeral. And his A New Beginning was chosen to see in the new century at the end of 1999 in the Millennium Dome in London. Now he is premiering three new works, all written after his heart attack, at the Manchester International Festival. "Nobody in the hospital thought I'd get this far," the 69-year-old says. "They didn't think I'd write again." The new works include one based on a "rather terrifying" short story by Leo Tolstoy, The Death of Ivan Ilyich, in which the central character seeks redemption as he stares into the void of death. "That was one of the first pieces I wrote after I'd been ill," Sir John says. "And in a way there is a sort of autobiographical slant to it, although I've ritualised it very much. "It's an extraordinary study of physical agony. He's reviewing his miserable life and then attaining a kind of half peace just at the end." Another new work, The Love Duet, is "some of the most ecstatic music that I've ever written", he says, taken from what the composer describes as a pantomime about the life of the Hindu deity Krishna. The third, If Ye Love Me, will be performed by the festival's Sacred Sounds Women's Choir, which draws members from six faiths in the city. "I was very happy to do it because I think actually all religions have reached a stage of maturity, therefore decay, and, up to a point, senility," Sir John says. "Therefore to get back to the basis of them is something very exciting to be able to do." Since the start of the 2000s, Sir John has been open to inspiration from other faiths and has looked beyond his Christian devotion to Hinduism, Islam, Buddhism and Native American beliefs. "I always go back to what Plato said, that Heaven and Earth were once joined and there was one single primordial being, God," he says. "And one understands from that, that all religions are equally true, or equally false, I suppose you could say, depending on your perspective. "I think there will always be a possibility that God doesn't exist because He is infinitude and into that infinitude must come that possibility." During his most recent illness, he has "had a lot of time to think about what I really feel about these things", Sir John says. "I suppose it's grown me up spiritually." Does the suggestion that God may not exist reflect a crisis of faith? "When I became ill in Switzerland and I became conscious for the first time, the religious zeal that I had before, I found had gone," he replies. "But so had my ability to write music. It was about three years without doing anything, I just wanted to lie in a darkened room. And the faith came back in a different way, with writing. "I think I've been very lucky all my life because the writing and the faith seem to go together." Sir John has suffered ill health for much of his life. He had a stroke in 1979, and in 1990 was diagnosed with Marfan Syndrome, a hereditary condition that can cause heart defects. He had heart surgery the following year. These days, composing is a welcome distraction from constant abdominal pain, he says, although he cannot work for more than two hours a day without becoming exhausted. He claims that, "deep down", he is grateful that his health problems have given him more time to listen to other music and made him a "more sensitive and more caring" person. "I'm much closer to my family than I've ever been," he says. "I give more time to them. I live through them more. And I feel I only want to write if I feel there's something urgent I have to say. "The music's become more condensed, I'd say. More terse. I tended to write works that lasted, like seven hours with The Veil of the Temple [in 2003]. But now I would say nothing I write is over 20 minutes." Despite the physical impediments, is he trying to write as much as he can while he can? "I've always been aware of mortality because I've always had ill health most of my life," he replies. "But I suppose much more now because the cardiologist always says to me, 'Sudden death at any time.' "He's not very cheerful," Sir John adds with a chuckle. "He's a dour Scot. I think he has to cover himself. "Yes, I'm obviously living with that possibility all the time." The concert of Sir John Tavener's music is at the Bridgewater Hall, Manchester, on 7 July.

Here is an summary requirement:
Summarize the significance of music in Sir John Tavener's life and spiritual journey.

Please summarize the above article based on the given requirement:

# Output (a):
Sir John Tavener, a renowned British composer, has always considered music as sacred and a means to connect with God. After suffering a heart attack, he resumed composing and is premiering three new works at the Manchester International Festival. Music helped him recover from his illness, and he believes that his faith and writing go hand in hand. Tavener's spiritual journey has led him to explore other religions, and he believes that all religions are equally true or false. Despite his health problems, he continues to write music that is more condensed and terse, and he is aware of the possibility of sudden death at any time.

# Output (b):
Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he achieved popularity with his choral works marked by their intense spirituality. Despite suffering from ill health, including a heart attack, Tavener's faith and ability to write music have remained intertwined. In recent years, he has drawn inspiration from various faiths, including Hinduism, Islam, and Buddhism, and believes that all religions are equally true. Tavener's music has evolved over time, becoming more condensed and focused on urgent messages, reflecting his spiritual growth and the significance of music in his life.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Sir John Tavener defied doctors' expectations when he resumed composing after a heart attack. Regarded as one of Britain's greatest living composers, he talks about how the possibility of "sudden death at any time" has changed his music, his outlook and his faith. By Ian YoungsArts reporter, BBC News When Sir John Tavener suffered a heart attack in Switzerland in December 2007, he had emergency bypass surgery and spent four months in intensive care. "They didn't know whether my brain had been damaged," he says. "My wife had flown over, and she played me Mozart. And I apparently, in my unconscious state, began conducting. So that brought me round again." The power of music came to Sir John's aid in his hospital bed. That music should connect with something deep within him is perhaps not so far-fetched given his lifelong devotion to harnessing the power of music himself. The composer has achieved a popularity that is rare in the classical world with choral works that are marked out by their pared-down beauty and intense spirituality. Music has always been sacred to Sir John, who converted to the Orthodox church in 1977 and has said that "my way towards God has been to write music". In 1992, The Protecting Veil, for solo cello and strings, topped the classical charts for several months. In 1997, Sir John's Song For Athene was played as the coffin of Princess Diana was carried out of Westminster Abbey during her funeral. And his A New Beginning was chosen to see in the new century at the end of 1999 in the Millennium Dome in London. Now he is premiering three new works, all written after his heart attack, at the Manchester International Festival. "Nobody in the hospital thought I'd get this far," the 69-year-old says. "They didn't think I'd write again." The new works include one based on a "rather terrifying" short story by Leo Tolstoy, The Death of Ivan Ilyich, in which the central character seeks redemption as he stares into the void of death. "That was one of the first pieces I wrote after I'd been ill," Sir John says. "And in a way there is a sort of autobiographical slant to it, although I've ritualised it very much. "It's an extraordinary study of physical agony. He's reviewing his miserable life and then attaining a kind of half peace just at the end." Another new work, The Love Duet, is "some of the most ecstatic music that I've ever written", he says, taken from what the composer describes as a pantomime about the life of the Hindu deity Krishna. The third, If Ye Love Me, will be performed by the festival's Sacred Sounds Women's Choir, which draws members from six faiths in the city. "I was very happy to do it because I think actually all religions have reached a stage of maturity, therefore decay, and, up to a point, senility," Sir John says. "Therefore to get back to the basis of them is something very exciting to be able to do." Since the start of the 2000s, Sir John has been open to inspiration from other faiths and has looked beyond his Christian devotion to Hinduism, Islam, Buddhism and Native American beliefs. "I always go back to what Plato said, that Heaven and Earth were once joined and there was one single primordial being, God," he says. "And one understands from that, that all religions are equally true, or equally false, I suppose you could say, depending on your perspective. "I think there will always be a possibility that God doesn't exist because He is infinitude and into that infinitude must come that possibility." During his most recent illness, he has "had a lot of time to think about what I really feel about these things", Sir John says. "I suppose it's grown me up spiritually." Does the suggestion that God may not exist reflect a crisis of faith? "When I became ill in Switzerland and I became conscious for the first time, the religious zeal that I had before, I found had gone," he replies. "But so had my ability to write music. It was about three years without doing anything, I just wanted to lie in a darkened room. And the faith came back in a different way, with writing. "I think I've been very lucky all my life because the writing and the faith seem to go together." Sir John has suffered ill health for much of his life. He had a stroke in 1979, and in 1990 was diagnosed with Marfan Syndrome, a hereditary condition that can cause heart defects. He had heart surgery the following year. These days, composing is a welcome distraction from constant abdominal pain, he says, although he cannot work for more than two hours a day without becoming exhausted. He claims that, "deep down", he is grateful that his health problems have given him more time to listen to other music and made him a "more sensitive and more caring" person. "I'm much closer to my family than I've ever been," he says. "I give more time to them. I live through them more. And I feel I only want to write if I feel there's something urgent I have to say. "The music's become more condensed, I'd say. More terse. I tended to write works that lasted, like seven hours with The Veil of the Temple [in 2003]. But now I would say nothing I write is over 20 minutes." Despite the physical impediments, is he trying to write as much as he can while he can? "I've always been aware of mortality because I've always had ill health most of my life," he replies. "But I suppose much more now because the cardiologist always says to me, 'Sudden death at any time.' "He's not very cheerful," Sir John adds with a chuckle. "He's a dour Scot. I think he has to cover himself. "Yes, I'm obviously living with that possibility all the time." The concert of Sir John Tavener's music is at the Bridgewater Hall, Manchester, on 7 July.

Here is an summary requirement:
Summarize the significance of music in Sir John Tavener's life and spiritual journey.

Please summarize the above article based on the given requirement:

Sir John Tavener, a renowned British composer, has always considered music as sacred and a means to connect with God. After suffering a heart attack, he resumed composing and is premiering three new works at the Manchester International Festival. Music helped him recover from his illness, and he believes that his faith and writing go hand in hand. Tavener's spiritual journey has led him to explore other religions, and he believes that all religions are equally true or false. Despite his health problems, he continues to write music that is more condensed and terse, and he is aware of the possibility of sudden death at any time.

Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he achieved popularity with his choral works marked by their intense spirituality. Despite suffering from ill health, including a heart attack, Tavener's faith and ability to write music have remained intertwined. In recent years, he has drawn inspiration from various faiths, including Hinduism, Islam, and Buddhism, and believes that all religions are equally true. Tavener's music has evolved over time, becoming more condensed and focused on urgent messages, reflecting his spiritual growth and the significance of music in his life.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Sir John Tavener defied doctors' expectations when he resumed composing after a heart attack. Regarded as one of Britain's greatest living composers, he talks about how the possibility of "sudden death at any time" has changed his music, his outlook and his faith. By Ian YoungsArts reporter, BBC News When Sir John Tavener suffered a heart attack in Switzerland in December 2007, he had emergency bypass surgery and spent four months in intensive care. "They didn't know whether my brain had been damaged," he says. "My wife had flown over, and she played me Mozart. And I apparently, in my unconscious state, began conducting. So that brought me round again." The power of music came to Sir John's aid in his hospital bed. That music should connect with something deep within him is perhaps not so far-fetched given his lifelong devotion to harnessing the power of music himself. The composer has achieved a popularity that is rare in the classical world with choral works that are marked out by their pared-down beauty and intense spirituality. Music has always been sacred to Sir John, who converted to the Orthodox church in 1977 and has said that "my way towards God has been to write music". In 1992, The Protecting Veil, for solo cello and strings, topped the classical charts for several months. In 1997, Sir John's Song For Athene was played as the coffin of Princess Diana was carried out of Westminster Abbey during her funeral. And his A New Beginning was chosen to see in the new century at the end of 1999 in the Millennium Dome in London. Now he is premiering three new works, all written after his heart attack, at the Manchester International Festival. "Nobody in the hospital thought I'd get this far," the 69-year-old says. "They didn't think I'd write again." The new works include one based on a "rather terrifying" short story by Leo Tolstoy, The Death of Ivan Ilyich, in which the central character seeks redemption as he stares into the void of death. "That was one of the first pieces I wrote after I'd been ill," Sir John says. "And in a way there is a sort of autobiographical slant to it, although I've ritualised it very much. "It's an extraordinary study of physical agony. He's reviewing his miserable life and then attaining a kind of half peace just at the end." Another new work, The Love Duet, is "some of the most ecstatic music that I've ever written", he says, taken from what the composer describes as a pantomime about the life of the Hindu deity Krishna. The third, If Ye Love Me, will be performed by the festival's Sacred Sounds Women's Choir, which draws members from six faiths in the city. "I was very happy to do it because I think actually all religions have reached a stage of maturity, therefore decay, and, up to a point, senility," Sir John says. "Therefore to get back to the basis of them is something very exciting to be able to do." Since the start of the 2000s, Sir John has been open to inspiration from other faiths and has looked beyond his Christian devotion to Hinduism, Islam, Buddhism and Native American beliefs. "I always go back to what Plato said, that Heaven and Earth were once joined and there was one single primordial being, God," he says. "And one understands from that, that all religions are equally true, or equally false, I suppose you could say, depending on your perspective. "I think there will always be a possibility that God doesn't exist because He is infinitude and into that infinitude must come that possibility." During his most recent illness, he has "had a lot of time to think about what I really feel about these things", Sir John says. "I suppose it's grown me up spiritually." Does the suggestion that God may not exist reflect a crisis of faith? "When I became ill in Switzerland and I became conscious for the first time, the religious zeal that I had before, I found had gone," he replies. "But so had my ability to write music. It was about three years without doing anything, I just wanted to lie in a darkened room. And the faith came back in a different way, with writing. "I think I've been very lucky all my life because the writing and the faith seem to go together." Sir John has suffered ill health for much of his life. He had a stroke in 1979, and in 1990 was diagnosed with Marfan Syndrome, a hereditary condition that can cause heart defects. He had heart surgery the following year. These days, composing is a welcome distraction from constant abdominal pain, he says, although he cannot work for more than two hours a day without becoming exhausted. He claims that, "deep down", he is grateful that his health problems have given him more time to listen to other music and made him a "more sensitive and more caring" person. "I'm much closer to my family than I've ever been," he says. "I give more time to them. I live through them more. And I feel I only want to write if I feel there's something urgent I have to say. "The music's become more condensed, I'd say. More terse. I tended to write works that lasted, like seven hours with The Veil of the Temple [in 2003]. But now I would say nothing I write is over 20 minutes." Despite the physical impediments, is he trying to write as much as he can while he can? "I've always been aware of mortality because I've always had ill health most of my life," he replies. "But I suppose much more now because the cardiologist always says to me, 'Sudden death at any time.' "He's not very cheerful," Sir John adds with a chuckle. "He's a dour Scot. I think he has to cover himself. "Yes, I'm obviously living with that possibility all the time." The concert of Sir John Tavener's music is at the Bridgewater Hall, Manchester, on 7 July.

Here is an summary requirement:
Summarize the significance of music in Sir John Tavener's life and spiritual journey.

Please summarize the above article based on the given requirement:

# Output (a):
Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he achieved popularity with his choral works marked by their intense spirituality. Despite suffering from ill health, including a heart attack, Tavener's faith and ability to write music have remained intertwined. In recent years, he has drawn inspiration from various faiths, including Hinduism, Islam, and Buddhism, and believes that all religions are equally true. Tavener's music has evolved over time, becoming more condensed and focused on urgent messages, reflecting his spiritual growth and the significance of music in his life.

# Output (b):
Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he said that his way towards God has been through writing music. During his hospitalization after a heart attack, music played a crucial role in his recovery. He is now premiering three new works, all written after his heart attack, at the Manchester International Festival.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Sir John Tavener defied doctors' expectations when he resumed composing after a heart attack. Regarded as one of Britain's greatest living composers, he talks about how the possibility of "sudden death at any time" has changed his music, his outlook and his faith. By Ian YoungsArts reporter, BBC News When Sir John Tavener suffered a heart attack in Switzerland in December 2007, he had emergency bypass surgery and spent four months in intensive care. "They didn't know whether my brain had been damaged," he says. "My wife had flown over, and she played me Mozart. And I apparently, in my unconscious state, began conducting. So that brought me round again." The power of music came to Sir John's aid in his hospital bed. That music should connect with something deep within him is perhaps not so far-fetched given his lifelong devotion to harnessing the power of music himself. The composer has achieved a popularity that is rare in the classical world with choral works that are marked out by their pared-down beauty and intense spirituality. Music has always been sacred to Sir John, who converted to the Orthodox church in 1977 and has said that "my way towards God has been to write music". In 1992, The Protecting Veil, for solo cello and strings, topped the classical charts for several months. In 1997, Sir John's Song For Athene was played as the coffin of Princess Diana was carried out of Westminster Abbey during her funeral. And his A New Beginning was chosen to see in the new century at the end of 1999 in the Millennium Dome in London. Now he is premiering three new works, all written after his heart attack, at the Manchester International Festival. "Nobody in the hospital thought I'd get this far," the 69-year-old says. "They didn't think I'd write again." The new works include one based on a "rather terrifying" short story by Leo Tolstoy, The Death of Ivan Ilyich, in which the central character seeks redemption as he stares into the void of death. "That was one of the first pieces I wrote after I'd been ill," Sir John says. "And in a way there is a sort of autobiographical slant to it, although I've ritualised it very much. "It's an extraordinary study of physical agony. He's reviewing his miserable life and then attaining a kind of half peace just at the end." Another new work, The Love Duet, is "some of the most ecstatic music that I've ever written", he says, taken from what the composer describes as a pantomime about the life of the Hindu deity Krishna. The third, If Ye Love Me, will be performed by the festival's Sacred Sounds Women's Choir, which draws members from six faiths in the city. "I was very happy to do it because I think actually all religions have reached a stage of maturity, therefore decay, and, up to a point, senility," Sir John says. "Therefore to get back to the basis of them is something very exciting to be able to do." Since the start of the 2000s, Sir John has been open to inspiration from other faiths and has looked beyond his Christian devotion to Hinduism, Islam, Buddhism and Native American beliefs. "I always go back to what Plato said, that Heaven and Earth were once joined and there was one single primordial being, God," he says. "And one understands from that, that all religions are equally true, or equally false, I suppose you could say, depending on your perspective. "I think there will always be a possibility that God doesn't exist because He is infinitude and into that infinitude must come that possibility." During his most recent illness, he has "had a lot of time to think about what I really feel about these things", Sir John says. "I suppose it's grown me up spiritually." Does the suggestion that God may not exist reflect a crisis of faith? "When I became ill in Switzerland and I became conscious for the first time, the religious zeal that I had before, I found had gone," he replies. "But so had my ability to write music. It was about three years without doing anything, I just wanted to lie in a darkened room. And the faith came back in a different way, with writing. "I think I've been very lucky all my life because the writing and the faith seem to go together." Sir John has suffered ill health for much of his life. He had a stroke in 1979, and in 1990 was diagnosed with Marfan Syndrome, a hereditary condition that can cause heart defects. He had heart surgery the following year. These days, composing is a welcome distraction from constant abdominal pain, he says, although he cannot work for more than two hours a day without becoming exhausted. He claims that, "deep down", he is grateful that his health problems have given him more time to listen to other music and made him a "more sensitive and more caring" person. "I'm much closer to my family than I've ever been," he says. "I give more time to them. I live through them more. And I feel I only want to write if I feel there's something urgent I have to say. "The music's become more condensed, I'd say. More terse. I tended to write works that lasted, like seven hours with The Veil of the Temple [in 2003]. But now I would say nothing I write is over 20 minutes." Despite the physical impediments, is he trying to write as much as he can while he can? "I've always been aware of mortality because I've always had ill health most of my life," he replies. "But I suppose much more now because the cardiologist always says to me, 'Sudden death at any time.' "He's not very cheerful," Sir John adds with a chuckle. "He's a dour Scot. I think he has to cover himself. "Yes, I'm obviously living with that possibility all the time." The concert of Sir John Tavener's music is at the Bridgewater Hall, Manchester, on 7 July.

Here is an summary requirement:
Summarize the significance of music in Sir John Tavener's life and spiritual journey.

Please summarize the above article based on the given requirement:

Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he achieved popularity with his choral works marked by their intense spirituality. Despite suffering from ill health, including a heart attack, Tavener's faith and ability to write music have remained intertwined. In recent years, he has drawn inspiration from various faiths, including Hinduism, Islam, and Buddhism, and believes that all religions are equally true. Tavener's music has evolved over time, becoming more condensed and focused on urgent messages, reflecting his spiritual growth and the significance of music in his life.

Sir John Tavener, one of Britain's greatest living composers, has always considered music sacred and a way towards God. After converting to the Orthodox church in 1977, he said that his way towards God has been through writing music. During his hospitalization after a heart attack, music played a crucial role in his recovery. He is now premiering three new works, all written after his heart attack, at the Manchester International Festival.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Sir Lenny Henry recently turned his talents to singing the blues - arguably a surprising move for a comedian. But, as he tells the BBC, there's more to the blues than singing about being miserable. By Steven McIntoshEntertainment reporter Sir Lenny Henry has little left to prove. He's a successful comedian, a respected stage actor and a well-known campaigner for racial diversity in the entertainment industry. He was knighted last year and will receive a special Bafta at this Sunday's TV awards ceremony. So why has he decided to venture into the music industry and become a blues singer? "Because I've been making music and singing and performing since I was 16 and I've always wanted to make an album," he explains. "I've always loved the blues and I've grown to appreciate it more as I've got older. And I think that's what happens with the blues." Last year, he filmed a three-part documentary for Sky Arts, called Lenny Henry's Got The Blues. In the final episode, he was seen performing with his Blackacre Road Band - the positive reaction to which led to the album's recording. But, considering Sir Lenny first became famous in the late 1970s, why has he waited until now to turn his attention to music? "When we were filming the documentary, Ruby Turner described a blues song as being like a nervous breakdown in three minutes, so I think life experience lends itself to the blues. "You get a sense of growth, who you are and where you're at." It's a genre which hasn't ever been as big in the UK as in the US. The average British person may well be able to describe its sound and name a few famous blues artists - but not many would have it in their record collection. "As Tom Jones said to me, the blues was seen as something of the old guard," Sir Lenny says, explaining the genre's lower record sales in Britain. "It was too tied in with slavery and poverty and miserable stuff for a certain generation. But my experience in the 20th Century is that the blues is not just about being miserable, it's also about standing on a piano and shaking your behind. "I wanted to go into it with the celebratory nature of it - I didn't want to go into it with the feeling of writing about the most depressing things that have ever happened to me." Noticeably, Sir Lenny sings not in his regular speaking accent, but with more of an American inflection. "I always sing in a semi-American accent because R&B and blues lends itself to that. I think if I was a folk singer it would be different, I'd sing like Lenny Henry from Dudley. "But because black people invented the form I don't have a problem with adopting an American accent to sing certain songs." Diversity 'progress' Sir Lenny has become known in recent years as a diversity campaigner, calling for proportionate representation of ethnic minorities in the entertainment industry. In 2014, he delivered the Bafta Television lecture, where he said radical change was needed both in front of and behind the camera. Later that same year he guest edited the Today programme, overseeing the first ever edition of the BBC Radio 4 show not to feature a single white speaker. Arguably progress has been made since Sir Lenny's 2014 speech. Last month, police drama Undercover became the first ever BBC One drama to be broadcast which featured two non-white leads. Sophie Okonedo and Adrian Lester appear in the series, which sees Okonedo's character on the brink of becoming the first black director of public prosecutions. But, given the relevance of the characters' ethnicity to the storyline, it is not quite the sea change Sir Lenny was hoping for. "You know what, it's on [TV] and it's progress. It would be churlish to criticise it because it's a black-centred storyline," he says. "Maybe the next thing that somebody else writes will have a couple where it doesn't matter whether they're black or not. "But in the course of this, yes, it is essential to the plot and Peter Moffat is a great writer, so on we go." Progress may well be occurring in television, but Hollywood has also been criticised for its lack of ethnic diversity - most notably at this year's Oscars. The Academy promised to diversify its membership as a result of the "Oscars So White" controversy, but it could take some time before we see Hollywood movies with exclusively non-white lead roles. Actor Don Cheadle recently commented it was difficult to get funding for Miles Ahead, the Miles Davis biopic he directed and starred in, without a white actor prominently involved. Ewan McGregor was eventually cast in a lead role. "I think it's difficult to get anything with an urban storyline to be produced on a big scale, because urban by its very nature sounds like it's marginalised, not the mainstream," Sir Lenny says. "There are some good-hearted people who will fund voices from the margins, but the general rule in movies - particularly because it's such a lot of money that they're investing - is that they want a sure bet, they want a guaranteed audience. "So in the case of producing a Miles Davis movie, I'd say even though Miles is a cultural icon, it would be seen as a risk subject matter. "You've got to know what the parameters are, the funds you need, and you've got to work clearly within those parameters, otherwise you're not going to get your movie made." Sir Lenny is clearly not a fan of such parameters himself. With blues singing and beyond, he will invariably continue to break down boundaries for some time to come. New Millennium Blues by Lenny Henry is out now.

Here is an summary requirement:
Describe the influence of the Sky Arts documentary "Lenny Henry's Got The Blues" on his decision to record an album.

Please summarize the above article based on the given requirement:

# Output (a):
The Sky Arts documentary "Lenny Henry's Got The Blues" had a big influence on Sir Lenny Henry's decision to record an album of blues music. The positive reaction to his performance in the final episode of the documentary led him to believe that there was an audience for his music. He has always loved the blues and wanted to make an album, but he felt that now was the right time to do it because he has the life experience that lends itself well to the genre.

# Output (b):
Sir Lenny Henry recently released an album of blues music, which was influenced by his Sky Arts documentary "Lenny Henry's Got The Blues". In the documentary, he was seen performing with his Blackacre Road Band, which received a positive reaction and led to the album's recording. He has waited until now to turn his attention to music because he believes life experience lends itself to the blues. He sings with an American accent to honor the genre's roots, as it was invented by black people.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Sir Lenny Henry recently turned his talents to singing the blues - arguably a surprising move for a comedian. But, as he tells the BBC, there's more to the blues than singing about being miserable. By Steven McIntoshEntertainment reporter Sir Lenny Henry has little left to prove. He's a successful comedian, a respected stage actor and a well-known campaigner for racial diversity in the entertainment industry. He was knighted last year and will receive a special Bafta at this Sunday's TV awards ceremony. So why has he decided to venture into the music industry and become a blues singer? "Because I've been making music and singing and performing since I was 16 and I've always wanted to make an album," he explains. "I've always loved the blues and I've grown to appreciate it more as I've got older. And I think that's what happens with the blues." Last year, he filmed a three-part documentary for Sky Arts, called Lenny Henry's Got The Blues. In the final episode, he was seen performing with his Blackacre Road Band - the positive reaction to which led to the album's recording. But, considering Sir Lenny first became famous in the late 1970s, why has he waited until now to turn his attention to music? "When we were filming the documentary, Ruby Turner described a blues song as being like a nervous breakdown in three minutes, so I think life experience lends itself to the blues. "You get a sense of growth, who you are and where you're at." It's a genre which hasn't ever been as big in the UK as in the US. The average British person may well be able to describe its sound and name a few famous blues artists - but not many would have it in their record collection. "As Tom Jones said to me, the blues was seen as something of the old guard," Sir Lenny says, explaining the genre's lower record sales in Britain. "It was too tied in with slavery and poverty and miserable stuff for a certain generation. But my experience in the 20th Century is that the blues is not just about being miserable, it's also about standing on a piano and shaking your behind. "I wanted to go into it with the celebratory nature of it - I didn't want to go into it with the feeling of writing about the most depressing things that have ever happened to me." Noticeably, Sir Lenny sings not in his regular speaking accent, but with more of an American inflection. "I always sing in a semi-American accent because R&B and blues lends itself to that. I think if I was a folk singer it would be different, I'd sing like Lenny Henry from Dudley. "But because black people invented the form I don't have a problem with adopting an American accent to sing certain songs." Diversity 'progress' Sir Lenny has become known in recent years as a diversity campaigner, calling for proportionate representation of ethnic minorities in the entertainment industry. In 2014, he delivered the Bafta Television lecture, where he said radical change was needed both in front of and behind the camera. Later that same year he guest edited the Today programme, overseeing the first ever edition of the BBC Radio 4 show not to feature a single white speaker. Arguably progress has been made since Sir Lenny's 2014 speech. Last month, police drama Undercover became the first ever BBC One drama to be broadcast which featured two non-white leads. Sophie Okonedo and Adrian Lester appear in the series, which sees Okonedo's character on the brink of becoming the first black director of public prosecutions. But, given the relevance of the characters' ethnicity to the storyline, it is not quite the sea change Sir Lenny was hoping for. "You know what, it's on [TV] and it's progress. It would be churlish to criticise it because it's a black-centred storyline," he says. "Maybe the next thing that somebody else writes will have a couple where it doesn't matter whether they're black or not. "But in the course of this, yes, it is essential to the plot and Peter Moffat is a great writer, so on we go." Progress may well be occurring in television, but Hollywood has also been criticised for its lack of ethnic diversity - most notably at this year's Oscars. The Academy promised to diversify its membership as a result of the "Oscars So White" controversy, but it could take some time before we see Hollywood movies with exclusively non-white lead roles. Actor Don Cheadle recently commented it was difficult to get funding for Miles Ahead, the Miles Davis biopic he directed and starred in, without a white actor prominently involved. Ewan McGregor was eventually cast in a lead role. "I think it's difficult to get anything with an urban storyline to be produced on a big scale, because urban by its very nature sounds like it's marginalised, not the mainstream," Sir Lenny says. "There are some good-hearted people who will fund voices from the margins, but the general rule in movies - particularly because it's such a lot of money that they're investing - is that they want a sure bet, they want a guaranteed audience. "So in the case of producing a Miles Davis movie, I'd say even though Miles is a cultural icon, it would be seen as a risk subject matter. "You've got to know what the parameters are, the funds you need, and you've got to work clearly within those parameters, otherwise you're not going to get your movie made." Sir Lenny is clearly not a fan of such parameters himself. With blues singing and beyond, he will invariably continue to break down boundaries for some time to come. New Millennium Blues by Lenny Henry is out now.

Here is an summary requirement:
Describe the influence of the Sky Arts documentary "Lenny Henry's Got The Blues" on his decision to record an album.

Please summarize the above article based on the given requirement:

The Sky Arts documentary "Lenny Henry's Got The Blues" had a big influence on Sir Lenny Henry's decision to record an album of blues music. The positive reaction to his performance in the final episode of the documentary led him to believe that there was an audience for his music. He has always loved the blues and wanted to make an album, but he felt that now was the right time to do it because he has the life experience that lends itself well to the genre.

Sir Lenny Henry recently released an album of blues music, which was influenced by his Sky Arts documentary "Lenny Henry's Got The Blues". In the documentary, he was seen performing with his Blackacre Road Band, which received a positive reaction and led to the album's recording. He has waited until now to turn his attention to music because he believes life experience lends itself to the blues. He sings with an American accent to honor the genre's roots, as it was invented by black people.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Sir Lenny Henry recently turned his talents to singing the blues - arguably a surprising move for a comedian. But, as he tells the BBC, there's more to the blues than singing about being miserable. By Steven McIntoshEntertainment reporter Sir Lenny Henry has little left to prove. He's a successful comedian, a respected stage actor and a well-known campaigner for racial diversity in the entertainment industry. He was knighted last year and will receive a special Bafta at this Sunday's TV awards ceremony. So why has he decided to venture into the music industry and become a blues singer? "Because I've been making music and singing and performing since I was 16 and I've always wanted to make an album," he explains. "I've always loved the blues and I've grown to appreciate it more as I've got older. And I think that's what happens with the blues." Last year, he filmed a three-part documentary for Sky Arts, called Lenny Henry's Got The Blues. In the final episode, he was seen performing with his Blackacre Road Band - the positive reaction to which led to the album's recording. But, considering Sir Lenny first became famous in the late 1970s, why has he waited until now to turn his attention to music? "When we were filming the documentary, Ruby Turner described a blues song as being like a nervous breakdown in three minutes, so I think life experience lends itself to the blues. "You get a sense of growth, who you are and where you're at." It's a genre which hasn't ever been as big in the UK as in the US. The average British person may well be able to describe its sound and name a few famous blues artists - but not many would have it in their record collection. "As Tom Jones said to me, the blues was seen as something of the old guard," Sir Lenny says, explaining the genre's lower record sales in Britain. "It was too tied in with slavery and poverty and miserable stuff for a certain generation. But my experience in the 20th Century is that the blues is not just about being miserable, it's also about standing on a piano and shaking your behind. "I wanted to go into it with the celebratory nature of it - I didn't want to go into it with the feeling of writing about the most depressing things that have ever happened to me." Noticeably, Sir Lenny sings not in his regular speaking accent, but with more of an American inflection. "I always sing in a semi-American accent because R&B and blues lends itself to that. I think if I was a folk singer it would be different, I'd sing like Lenny Henry from Dudley. "But because black people invented the form I don't have a problem with adopting an American accent to sing certain songs." Diversity 'progress' Sir Lenny has become known in recent years as a diversity campaigner, calling for proportionate representation of ethnic minorities in the entertainment industry. In 2014, he delivered the Bafta Television lecture, where he said radical change was needed both in front of and behind the camera. Later that same year he guest edited the Today programme, overseeing the first ever edition of the BBC Radio 4 show not to feature a single white speaker. Arguably progress has been made since Sir Lenny's 2014 speech. Last month, police drama Undercover became the first ever BBC One drama to be broadcast which featured two non-white leads. Sophie Okonedo and Adrian Lester appear in the series, which sees Okonedo's character on the brink of becoming the first black director of public prosecutions. But, given the relevance of the characters' ethnicity to the storyline, it is not quite the sea change Sir Lenny was hoping for. "You know what, it's on [TV] and it's progress. It would be churlish to criticise it because it's a black-centred storyline," he says. "Maybe the next thing that somebody else writes will have a couple where it doesn't matter whether they're black or not. "But in the course of this, yes, it is essential to the plot and Peter Moffat is a great writer, so on we go." Progress may well be occurring in television, but Hollywood has also been criticised for its lack of ethnic diversity - most notably at this year's Oscars. The Academy promised to diversify its membership as a result of the "Oscars So White" controversy, but it could take some time before we see Hollywood movies with exclusively non-white lead roles. Actor Don Cheadle recently commented it was difficult to get funding for Miles Ahead, the Miles Davis biopic he directed and starred in, without a white actor prominently involved. Ewan McGregor was eventually cast in a lead role. "I think it's difficult to get anything with an urban storyline to be produced on a big scale, because urban by its very nature sounds like it's marginalised, not the mainstream," Sir Lenny says. "There are some good-hearted people who will fund voices from the margins, but the general rule in movies - particularly because it's such a lot of money that they're investing - is that they want a sure bet, they want a guaranteed audience. "So in the case of producing a Miles Davis movie, I'd say even though Miles is a cultural icon, it would be seen as a risk subject matter. "You've got to know what the parameters are, the funds you need, and you've got to work clearly within those parameters, otherwise you're not going to get your movie made." Sir Lenny is clearly not a fan of such parameters himself. With blues singing and beyond, he will invariably continue to break down boundaries for some time to come. New Millennium Blues by Lenny Henry is out now.

Here is an summary requirement:
Describe the influence of the Sky Arts documentary "Lenny Henry's Got The Blues" on his decision to record an album.

Please summarize the above article based on the given requirement:

# Output (a):
Sir Lenny Henry's decision to record a blues album was influenced by the positive reaction to his performance with his Blackacre Road Band in the Sky Arts documentary "Lenny Henry's Got The Blues". The comedian and diversity campaigner has always loved the blues and appreciates its celebratory nature, rather than just its association with misery and poverty. The documentary also highlighted the genre's lower record sales in the UK, which Sir Lenny attributes to its association with the old guard and certain generations.

# Output (b):
The Sky Arts documentary "Lenny Henry's Got The Blues" had a big influence on Sir Lenny Henry's decision to record an album of blues music. The positive reaction to his performance in the final episode of the documentary led him to believe that there was an audience for his music. He has always loved the blues and wanted to make an album, but he felt that now was the right time to do it because he has the life experience that lends itself well to the genre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (b)

Instruction:
Here is an article:
Sir Lenny Henry recently turned his talents to singing the blues - arguably a surprising move for a comedian. But, as he tells the BBC, there's more to the blues than singing about being miserable. By Steven McIntoshEntertainment reporter Sir Lenny Henry has little left to prove. He's a successful comedian, a respected stage actor and a well-known campaigner for racial diversity in the entertainment industry. He was knighted last year and will receive a special Bafta at this Sunday's TV awards ceremony. So why has he decided to venture into the music industry and become a blues singer? "Because I've been making music and singing and performing since I was 16 and I've always wanted to make an album," he explains. "I've always loved the blues and I've grown to appreciate it more as I've got older. And I think that's what happens with the blues." Last year, he filmed a three-part documentary for Sky Arts, called Lenny Henry's Got The Blues. In the final episode, he was seen performing with his Blackacre Road Band - the positive reaction to which led to the album's recording. But, considering Sir Lenny first became famous in the late 1970s, why has he waited until now to turn his attention to music? "When we were filming the documentary, Ruby Turner described a blues song as being like a nervous breakdown in three minutes, so I think life experience lends itself to the blues. "You get a sense of growth, who you are and where you're at." It's a genre which hasn't ever been as big in the UK as in the US. The average British person may well be able to describe its sound and name a few famous blues artists - but not many would have it in their record collection. "As Tom Jones said to me, the blues was seen as something of the old guard," Sir Lenny says, explaining the genre's lower record sales in Britain. "It was too tied in with slavery and poverty and miserable stuff for a certain generation. But my experience in the 20th Century is that the blues is not just about being miserable, it's also about standing on a piano and shaking your behind. "I wanted to go into it with the celebratory nature of it - I didn't want to go into it with the feeling of writing about the most depressing things that have ever happened to me." Noticeably, Sir Lenny sings not in his regular speaking accent, but with more of an American inflection. "I always sing in a semi-American accent because R&B and blues lends itself to that. I think if I was a folk singer it would be different, I'd sing like Lenny Henry from Dudley. "But because black people invented the form I don't have a problem with adopting an American accent to sing certain songs." Diversity 'progress' Sir Lenny has become known in recent years as a diversity campaigner, calling for proportionate representation of ethnic minorities in the entertainment industry. In 2014, he delivered the Bafta Television lecture, where he said radical change was needed both in front of and behind the camera. Later that same year he guest edited the Today programme, overseeing the first ever edition of the BBC Radio 4 show not to feature a single white speaker. Arguably progress has been made since Sir Lenny's 2014 speech. Last month, police drama Undercover became the first ever BBC One drama to be broadcast which featured two non-white leads. Sophie Okonedo and Adrian Lester appear in the series, which sees Okonedo's character on the brink of becoming the first black director of public prosecutions. But, given the relevance of the characters' ethnicity to the storyline, it is not quite the sea change Sir Lenny was hoping for. "You know what, it's on [TV] and it's progress. It would be churlish to criticise it because it's a black-centred storyline," he says. "Maybe the next thing that somebody else writes will have a couple where it doesn't matter whether they're black or not. "But in the course of this, yes, it is essential to the plot and Peter Moffat is a great writer, so on we go." Progress may well be occurring in television, but Hollywood has also been criticised for its lack of ethnic diversity - most notably at this year's Oscars. The Academy promised to diversify its membership as a result of the "Oscars So White" controversy, but it could take some time before we see Hollywood movies with exclusively non-white lead roles. Actor Don Cheadle recently commented it was difficult to get funding for Miles Ahead, the Miles Davis biopic he directed and starred in, without a white actor prominently involved. Ewan McGregor was eventually cast in a lead role. "I think it's difficult to get anything with an urban storyline to be produced on a big scale, because urban by its very nature sounds like it's marginalised, not the mainstream," Sir Lenny says. "There are some good-hearted people who will fund voices from the margins, but the general rule in movies - particularly because it's such a lot of money that they're investing - is that they want a sure bet, they want a guaranteed audience. "So in the case of producing a Miles Davis movie, I'd say even though Miles is a cultural icon, it would be seen as a risk subject matter. "You've got to know what the parameters are, the funds you need, and you've got to work clearly within those parameters, otherwise you're not going to get your movie made." Sir Lenny is clearly not a fan of such parameters himself. With blues singing and beyond, he will invariably continue to break down boundaries for some time to come. New Millennium Blues by Lenny Henry is out now.

Here is an summary requirement:
Describe the influence of the Sky Arts documentary "Lenny Henry's Got The Blues" on his decision to record an album.

Please summarize the above article based on the given requirement:

Sir Lenny Henry's decision to record a blues album was influenced by the positive reaction to his performance with his Blackacre Road Band in the Sky Arts documentary "Lenny Henry's Got The Blues". The comedian and diversity campaigner has always loved the blues and appreciates its celebratory nature, rather than just its association with misery and poverty. The documentary also highlighted the genre's lower record sales in the UK, which Sir Lenny attributes to its association with the old guard and certain generations.

The Sky Arts documentary "Lenny Henry's Got The Blues" had a big influence on Sir Lenny Henry's decision to record an album of blues music. The positive reaction to his performance in the final episode of the documentary led him to believe that there was an audience for his music. He has always loved the blues and wanted to make an album, but he felt that now was the right time to do it because he has the life experience that lends itself well to the genre.


You are a helpful assistant in evaluating the quality of the outputs for a given instruction. Your goal is to select the best output for the given instruction.

Select the Output (a) or Output (b) that is better for the given instruction. The two outputs are generated by two different AI chatbots respectively.

Here are some rules of the evaluation:
(1) You should prioritize evaluating whether the output honestly/precisely/closely executes the instruction, then consider its helpfulness, accuracy, level of detail, harmlessness, etc.
(2) Outputs should NOT contain more/less than what the instruction asks for, as such outputs do NOT precisely execute the instruction.
(3) You should avoid any potential bias and your judgment should be as objective as possible. For example, the order in which the outputs were presented should NOT affect your judgment, as Output (a) and Output (b) are **equally likely** to be the better.

Do NOT provide any explanation for your choice.
Do NOT say both / neither are good.
You should answer using ONLY "Output (a)" or "Output (b)". Do NOT output any other words.

# Instruction:
Here is an article:
Sir Lenny Henry recently turned his talents to singing the blues - arguably a surprising move for a comedian. But, as he tells the BBC, there's more to the blues than singing about being miserable. By Steven McIntoshEntertainment reporter Sir Lenny Henry has little left to prove. He's a successful comedian, a respected stage actor and a well-known campaigner for racial diversity in the entertainment industry. He was knighted last year and will receive a special Bafta at this Sunday's TV awards ceremony. So why has he decided to venture into the music industry and become a blues singer? "Because I've been making music and singing and performing since I was 16 and I've always wanted to make an album," he explains. "I've always loved the blues and I've grown to appreciate it more as I've got older. And I think that's what happens with the blues." Last year, he filmed a three-part documentary for Sky Arts, called Lenny Henry's Got The Blues. In the final episode, he was seen performing with his Blackacre Road Band - the positive reaction to which led to the album's recording. But, considering Sir Lenny first became famous in the late 1970s, why has he waited until now to turn his attention to music? "When we were filming the documentary, Ruby Turner described a blues song as being like a nervous breakdown in three minutes, so I think life experience lends itself to the blues. "You get a sense of growth, who you are and where you're at." It's a genre which hasn't ever been as big in the UK as in the US. The average British person may well be able to describe its sound and name a few famous blues artists - but not many would have it in their record collection. "As Tom Jones said to me, the blues was seen as something of the old guard," Sir Lenny says, explaining the genre's lower record sales in Britain. "It was too tied in with slavery and poverty and miserable stuff for a certain generation. But my experience in the 20th Century is that the blues is not just about being miserable, it's also about standing on a piano and shaking your behind. "I wanted to go into it with the celebratory nature of it - I didn't want to go into it with the feeling of writing about the most depressing things that have ever happened to me." Noticeably, Sir Lenny sings not in his regular speaking accent, but with more of an American inflection. "I always sing in a semi-American accent because R&B and blues lends itself to that. I think if I was a folk singer it would be different, I'd sing like Lenny Henry from Dudley. "But because black people invented the form I don't have a problem with adopting an American accent to sing certain songs." Diversity 'progress' Sir Lenny has become known in recent years as a diversity campaigner, calling for proportionate representation of ethnic minorities in the entertainment industry. In 2014, he delivered the Bafta Television lecture, where he said radical change was needed both in front of and behind the camera. Later that same year he guest edited the Today programme, overseeing the first ever edition of the BBC Radio 4 show not to feature a single white speaker. Arguably progress has been made since Sir Lenny's 2014 speech. Last month, police drama Undercover became the first ever BBC One drama to be broadcast which featured two non-white leads. Sophie Okonedo and Adrian Lester appear in the series, which sees Okonedo's character on the brink of becoming the first black director of public prosecutions. But, given the relevance of the characters' ethnicity to the storyline, it is not quite the sea change Sir Lenny was hoping for. "You know what, it's on [TV] and it's progress. It would be churlish to criticise it because it's a black-centred storyline," he says. "Maybe the next thing that somebody else writes will have a couple where it doesn't matter whether they're black or not. "But in the course of this, yes, it is essential to the plot and Peter Moffat is a great writer, so on we go." Progress may well be occurring in television, but Hollywood has also been criticised for its lack of ethnic diversity - most notably at this year's Oscars. The Academy promised to diversify its membership as a result of the "Oscars So White" controversy, but it could take some time before we see Hollywood movies with exclusively non-white lead roles. Actor Don Cheadle recently commented it was difficult to get funding for Miles Ahead, the Miles Davis biopic he directed and starred in, without a white actor prominently involved. Ewan McGregor was eventually cast in a lead role. "I think it's difficult to get anything with an urban storyline to be produced on a big scale, because urban by its very nature sounds like it's marginalised, not the mainstream," Sir Lenny says. "There are some good-hearted people who will fund voices from the margins, but the general rule in movies - particularly because it's such a lot of money that they're investing - is that they want a sure bet, they want a guaranteed audience. "So in the case of producing a Miles Davis movie, I'd say even though Miles is a cultural icon, it would be seen as a risk subject matter. "You've got to know what the parameters are, the funds you need, and you've got to work clearly within those parameters, otherwise you're not going to get your movie made." Sir Lenny is clearly not a fan of such parameters himself. With blues singing and beyond, he will invariably continue to break down boundaries for some time to come. New Millennium Blues by Lenny Henry is out now.

Here is an summary requirement:
Describe the influence of the Sky Arts documentary "Lenny Henry's Got The Blues" on his decision to record an album.

Please summarize the above article based on the given requirement:

# Output (a):
The positive reaction to Sir Lenny Henry's performance with his Blackacre Road Band in the final episode of the Sky Arts documentary "Lenny Henry's Got The Blues" influenced his decision to record an album. The documentary allowed him to explore his love for blues music and showcase his singing talent, leading to the creation of his album "New Millennium Blues."

# Output (b):
The Sky Arts documentary "Lenny Henry's Got The Blues" had a big influence on Sir Lenny Henry's decision to record an album of blues music. The positive reaction to his performance in the final episode of the documentary led him to believe that there was an audience for his music. He has always loved the blues and wanted to make an album, but he felt that now was the right time to do it because he has the life experience that lends itself well to the genre.

# Which is better, Output (a) or Output (b)? Your response should be either "Output (a)" or "Output (b)":

Output (a)

Instruction:
Here is an article:
Sir Lenny Henry recently turned his talents to singing the blues - arguably a surprising move for a comedian. But, as he tells the BBC, there's more to the blues than singing about being miserable. By Steven McIntoshEntertainment reporter Sir Lenny Henry has little left to prove. He's a successful comedian, a respected stage actor and a well-known campaigner for racial diversity in the entertainment industry. He was knighted last year and will receive a special Bafta at this Sunday's TV awards ceremony. So why has he decided to venture into the music industry and become a blues singer? "Because I've been making music and singing and performing since I was 16 and I've always wanted to make an album," he explains. "I've always loved the blues and I've grown to appreciate it more as I've got older. And I think that's what happens with the blues." Last year, he filmed a three-part documentary for Sky Arts, called Lenny Henry's Got The Blues. In the final episode, he was seen performing with his Blackacre Road Band - the positive reaction to which led to the album's recording. But, considering Sir Lenny first became famous in the late 1970s, why has he waited until now to turn his attention to music? "When we were filming the documentary, Ruby Turner described a blues song as being like a nervous breakdown in three minutes, so I think life experience lends itself to the blues. "You get a sense of growth, who you are and where you're at." It's a genre which hasn't ever been as big in the UK as in the US. The average British person may well be able to describe its sound and name a few famous blues artists - but not many would have it in their record collection. "As Tom Jones said to me, the blues was seen as something of the old guard," Sir Lenny says, explaining the genre's lower record sales in Britain. "It was too tied in with slavery and poverty and miserable stuff for a certain generation. But my experience in the 20th Century is that the blues is not just about being miserable, it's also about standing on a piano and shaking your behind. "I wanted to go into it with the celebratory nature of it - I didn't want to go into it with the feeling of writing about the most depressing things that have ever happened to me." Noticeably, Sir Lenny sings not in his regular speaking accent, but with more of an American inflection. "I always sing in a semi-American accent because R&B and blues lends itself to that. I think if I was a folk singer it would be different, I'd sing like Lenny Henry from Dudley. "But because black people invented the form I don't have a problem with adopting an American accent to sing certain songs." Diversity 'progress' Sir Lenny has become known in recent years as a diversity campaigner, calling for proportionate representation of ethnic minorities in the entertainment industry. In 2014, he delivered the Bafta Television lecture, where he said radical change was needed both in front of and behind the camera. Later that same year he guest edited the Today programme, overseeing the first ever edition of the BBC Radio 4 show not to feature a single white speaker. Arguably progress has been made since Sir Lenny's 2014 speech. Last month, police drama Undercover became the first ever BBC One drama to be broadcast which featured two non-white leads. Sophie Okonedo and Adrian Lester appear in the series, which sees Okonedo's character on the brink of becoming the first black director of public prosecutions. But, given the relevance of the characters' ethnicity to the storyline, it is not quite the sea change Sir Lenny was hoping for. "You know what, it's on [TV] and it's progress. It would be churlish to criticise it because it's a black-centred storyline," he says. "Maybe the next thing that somebody else writes will have a couple where it doesn't matter whether they're black or not. "But in the course of this, yes, it is essential to the plot and Peter Moffat is a great writer, so on we go." Progress may well be occurring in television, but Hollywood has also been criticised for its lack of ethnic diversity - most notably at this year's Oscars. The Academy promised to diversify its membership as a result of the "Oscars So White" controversy, but it could take some time before we see Hollywood movies with exclusively non-white lead roles. Actor Don Cheadle recently commented it was difficult to get funding for Miles Ahead, the Miles Davis biopic he directed and starred in, without a white actor prominently involved. Ewan McGregor was eventually cast in a lead role. "I think it's difficult to get anything with an urban storyline to be produced on a big scale, because urban by its very nature sounds like it's marginalised, not the mainstream," Sir Lenny says. "There are some good-hearted people who will fund voices from the margins, but the general rule in movies - particularly because it's such a lot of money that they're investing - is that they want a sure bet, they want a guaranteed audience. "So in the case of producing a Miles Davis movie, I'd say even though Miles is a cultural icon, it would be seen as a risk subject matter. "You've got to know what the parameters are, the funds you need, and you've got to work clearly within those parameters, otherwise you're not going to get your movie made." Sir Lenny is clearly not a fan of such parameters himself. With blues singing and beyond, he will invariably continue to break down boundaries for some time to come. New Millennium Blues by Lenny Henry is out now.

Here is an summary requirement:
Describe the influence of the Sky Arts documentary "Lenny Henry's Got The Blues" on his decision to record an album.

Please summarize the above article based on the given requirement:

The positive reaction to Sir Lenny Henry's performance with his Blackacre Road Band in the final episode of the Sky Arts documentary "Lenny Henry's Got The Blues" influenced his decision to record an album. The documentary allowed him to explore his love for blues music and showcase his singing talent, leading to the creation of his album "New Millennium Blues."

The Sky Arts documentary "Lenny Henry's Got The Blues" had a big influence on Sir Lenny Henry's decision to record an album of blues music. The positive reaction to his performance in the final episode of the documentary led him to believe that there was an audience for his music. He has always loved the blues and wanted to make an album, but he felt that now was the right time to do it because he has the life experience that lends itself well to the genre.