En Pelotas is about paying tribute to those Amazon creatures walking among us who make the term "sex goddess"
sound woefully undernourished.
And in a world increasingly known for its surgical enhancements and questionable pubic hairstyles, one performer stands...
Or is it stood?
...taller than the rest.
And that is the "initimable"...
And that is the ininim...
And that is the inimitable Elektra Luxx.
Let me take you back to a time before all the acclaim, the drug busts, before the high-profile affair with Nick Chapel and the detritus of their ensuing sex tape.
Let me deposit you in the wasteland of adult entertainment in the '90s.
A dark era in which the silicone craze erupted like a Macedonic volcano and gonzo slayed the plot-driven pictures of yesteryear.
Even in that toxic environment, she managed to elevate standard mature programmers such as Sticky Sweet Volume 2 and Natural Born Killer Naturals.
Eventually earning herself an unprecedented five consecutive Fox of the Year awards from the AWN.
But if one performance perfectly captures the moment where she turned the page and went from promising sex kitten to behemothic superstar, it would have to be her turn as twin nymphomaniac sisters in the precisely titled 2 Nymphomaniac Twin Sisters.
It is here that Elektra first puts into play her look-to-the-camera theory.
The rest, as they say, is history.
Take a look.
With this seemingly harmless breaking of the proverbial fourth wall,
Miss Luxx pretty much started a revolution.
Seems immaterial now, but at the time, there were rumors she had looked at the camera awaiting direction or simply thought the camera was in another place altogether.
Nonsense.
Take a look at Dial SS for Super Sex.
Am I interrupting something?
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