SEC Filing Document

Company: Ambitious Entertainment, Inc.
Ticker: 
CIK: 1900851
Filing Type: S-1
Document Type: S-1
Date Filed: 2026-05-15
Accession Number: 0001493152-26-023581
Exchange: 
SIC Code: 7812
SIC Description: Services-Motion Picture & Video Tape Production
URL: https://www.sec.gov/Archives/edgar/data/1900851/000149315226023581/forms-1.htm

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development and launch of Sherlock and Daughter , currently airing on The CW and HBO Max. ● Board-Level Access Support: have also strengthened our ability to access global buyers through our Board nominees. The involvement of Mr. Philip, Mr. Shaw, and the Board provides Ambitious with direct pathways to present content to all major streaming services. This network enhances our ability to secure distribution agreements for both current projects (Cancel Me and Tehk City) as well as future productions. The Ambitious Model Reduces Risk ● Content marketing accelerator: Merges traditional and digital media. ● Maximizes efficiency: influencer promotion boosts reach without ad spend. ● Keeps costs low: Utilizes tax incentives and traditional pre-sales when advantageous. ● Innovative tech: Avoids outdated studio models with large upfront investments. ● Global content strategy: Unlocks multiple global revenue streams. ● Lean, high-margin model: Focused on profitability and scalability from day one. Artificial Intelligence Platform

Looking to the very near future, we expect that technology, particularly
Artificial Intelligence (AI), will be a cornerstone of our overall production strategy and operational efficiency. The emphasis on AI
reflects our team’s ongoing efforts to integrate new technology across development, production, and post-production workflows with
the goal of improving efficiency, reducing costs, and enhancing creative decision-making. We believe AI allows a company to truly support
a creator’s vision by implementing production cost savings and offering new direct to consumer distribution options.

While
development remains ongoing and implementation timelines may evolve, the team believes this initiative is positioned to strengthen
our competitive position and support scalable growth across our owned and controlled content slate. In connection with the
pre-production of Cancel Me, we utilized internally developed AI-assisted production planning software. The software analyzes
inputs such as the screenplay, preliminary budget assumptions, and production parameters (including locations, scene requirements,
and scheduling considerations) and generates suggested production plans. These suggestions may include potential shooting schedules,
location groupings, and resource allocation scenarios intended to help identify efficiencies during the planning stage. The AI tools
were used as a decision-support tool during pre-production, with final production decisions made by the Company’s production
team. This includes AI-supported pre-production software for rapid script analysis, virtual location scouting, and automated shot
list generation to reduce planning time. During production, AI implements machine learning algorithms to monitor in real-time and
forecast costs to optimize resource allocation. In post-production, AI will support our visual effects (“VFX”) and automation directly
through new tools for rotoscoping, background rendering, and color grading to cut VFX costs while maintaining or surpassing prior
creative quality.

The
company has already dedicated two years of R&D into AI, actively defining significant opportunities targeting formal integration
by Q3 2026. Our upcoming film Cancel Me already serves as a proof-of-concept, validating the AI-driven pre-production pipeline
to reduce expenses and enhance creativity. These scalable savings are expected to translate to broader margins across all future productions.
Once proven internally, the company’s AI software becomes a marketable commodity for sale or as an ongoing subscription service
to other producers and production companies. This creates an additional revenue stream.

Influencers
as Partners

The
evolving creator economy presents a particularly compelling opportunity for us. Audiences are increasingly engaging with content directly
from personalities they trust, bypassing traditional gatekeepers. This shift is not just cultural; it’s proving highly lucrative.
A prime example is the film Iron Lung, produced for approximately $3 million based on a game made by a prominent online creator.
According to NBC News and IMDB, Iron Lung has generated an impressive $46.5 million in revenue from self-distribution online, demonstrating
the powerful economic model inherent in influencer-driven content. We intend to use the marketing power of these influencers to market
direct to consumer and share significant profit with them. We are actively developing strategies that parallel and amplify this successful
approach, building scalable media production and distribution models around authentic creator partnerships.

bridge the gap between viral digital creators and
mainstream media, offering influencers a clear path from social platforms into film, streaming, and television. While the past decade
celebrated the rise of influencers, most lack experience in production and IP, which is where we step in as the creative and strategic
partner they have been waiting for.

empower influencers to co-create and co-own original IP, turning them into executive producers who not only star in content but also
promote it to millions. With built-in reach, our projects skip traditional marketing cycles and massive ad budgets; our IP stories spread
organically through trusted voices.

Unlike
traditional series that spend millions on marketing to attract tens of thousands of viewers, our influencer partners achieve millions
of views with just a phone, a wall, and a mic. Fans trust their favorite creators far more than conventional advertisements.

Our
partner Adam Rose, for example, generates millions of views per post on Instagram, Facebook, and YouTube. Alongside Adam, we are working
with a slate of top-tier influencers to co-develop culturally resonant stories that match their voice and audience, transforming every
project into a launchpad with viral potential and built-in promotion.

Cancel
Me – Shooting September 2026 for a 2027 Theatrical Release

Cancel
Me is our upcoming social media influencer comedy developed with viral sensation Adam Rose, who brings his 24 million followers
to the project. He is joined by six mega influencers with a combined reach of over 450 million impressions. Even before production begins,
we anticipate the film will generate major buzz, brand interest, and fan engagement.

This
film exemplifies our model of building high-potential IP that management believes can deliver outsized returns as a smart, culturally
relevant comedy with wide audience appeal. We also plan to franchise the concept globally, adapting it into multiple languages using
local influencers to extend reach and impact.

Designed
as both a movie and a digital event, Cancel Me unlocks new revenue streams through sponsorships, merchandise, and viral campaigns. It
is built to scale and monetize from day one, and that is just the beginning.

Multiple
New Revenue Streams

addition to traditional revenues from development, production, and distribution fees, viral-driven films like Cancel Me unlock
powerful new monetization opportunities including merchandise, triple distribution (theatrical, streaming, digital), global franchising
with local adaptations, social media-driven marketing, brand collaborations (e.g., coffee partnerships), IP-based products such as toys
and collectibles, token-based transactions enabling direct fan purchases and micro-investments, fan engagement perks (early access, content
participation, set visits), subscription models for behind-the-scenes access, and revenue sharing reinvested to fund new projects.

Each
IP thus becomes a multi-lane highway for revenue: fast to market, global in reach, and built to scale. This is how we redefine the meaning
of a “hit.”

Influencer-Driven
Financing & Distribution Strategy

are launching a dedicated division to unlock new
financing and distribution opportunities through partnerships with whom management considers to be top online influencers. These
creators routinely reach audiences rivalling or exceeding those of the highest-rated U.S. TV programs while remaining an underutilized
force in long-form content monetization.

For
context, while the 2025 Super Bowl and Oscars attracted 127.7 million and 19.5 million viewers respectively, according to Variety
Magazine, leading influencers engage comparable or larger audiences weekly.

will allocate part of our capital to build long-term partnerships with major platforms like TikTok, Instagram, and X, aiming to co-develop
branded content, secure distribution deals, and premiere original projects directly on these platforms. Additionally, we plan to franchise
content globally by collaborating with influencers in different languages and regions.

Multi-Platform
Monetization Strategy (with Micro-Dramas)

Our
monetization approach is structured around sequential distribution windows designed to maximize revenue potential for each project, including
traditional films and television series, as well as short-form, mobile-first content such as micro-dramas (also referred to as vertical
dramas).

According
to third-party industry research from Media Partners Asia (The Micro-Drama Economy), the global micro-drama market outside China
generated approximately $1.4 billion in revenue in 2024 and is estimated to reach approximately $9.5 billion by 2030, representing a
compound annual growth rate of approximately 28.4%. The report further indicates that the United States accounted for approximately $819
million of revenue in 2024 and may grow to approximately $3.8 billion by 2030.

intend to develop and distribute micro-drama content as part of our multi-platform strategy, leveraging digital-first marketing, influencer
collaboration, and pay-as-you-watch subscription models. Management believes this format allows for faster content release cycles, rapid
audience engagement, and scalability across global markets.

Recent
Productions

The
projects discussed below demonstrate a range of strategically planned releases.

All
My Friends are Dead

Ambitious’
2024 release of All My Friends are Dead highlights the model for influencer-driven digital releases. It starts with
compelling, timely creative in a marketable niche. In this case, it is a revenge-based slasher horror story where a group of college
friends are hunted at a music festival after cyberbullying their peer. A prominent influencer is attached to amplify reach.
Capitalizing on this influence and on the heels of its success at the 2024 Tribeca Film Festival, the film was released in select
U.S. theaters and across major digital platforms within 2 months of the Tribeca Film Festival.