SEC Filing Document

Company: Ambitious Entertainment, Inc.
Ticker: 
CIK: 1900851
Filing Type: S-1
Document Type: S-1
Date Filed: 2026-05-15
Accession Number: 0001493152-26-023581
Exchange: 
SIC Code: 7812
SIC Description: Services-Motion Picture & Video Tape Production
URL: https://www.sec.gov/Archives/edgar/data/1900851/000149315226023581/forms-1.htm

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Document Content:

film brings classic Western grit into a modern narrative of inner conflict and ultimate sacrifice. Gunslingers – Completed Production 2025 Directed and written by Brian Skiba, Gunslingers is a gritty, character-driven Western set in the lawless frontier town of Redemption. The story follows Keller, a reformed gunslinger, and Ben, a volatile genius, as they seek inner peace under the guidance of enigmatic spiritual leader Jericho. But as the men attempt to reconcile with their violent pasts, the fragile calm is shattered by vengeance, forcing them to choose between the peace they have found and the bloodshed they left behind. Starring Stephen Dorff, Heather Graham, and Nicolas Cage, Gunslingers explores themes of redemption, loyalty, and the high price of justice in a world where the past never stays buried. addition to the above, the Company has also completed and scheduled the release of Viper (expected April 2026). Why Investors Choose Ambitious

believe Ambitious Entertainment is driven by a world-class producing team and advisory board with a proven history of identifying and
monetizing over a billion dollars in IP for industry leaders like CBC, NBC, and CW. Now united under one vision, this elite team is focused
on creating the next generation of hit franchises with global appeal and lasting impact.

pioneering cutting-edge technologies and innovative distribution models, Ambitious doesn’t just aim to compete with the traditional
studio system—we aim to redefine it. Our approach aims to unlock new revenue streams and expand market reach beyond conventional
access.

have secured IP and are on track to launch multiple series and films in 2026. With full funding, Ambitious is uniquely positioned to
scale rapidly, driving exponential growth and delivering unmatched value through our expertise in IP acquisition, development, and monetization.
This is why investors choose Ambitious—to be at the forefront of the future of entertainment. We have secured premium IP
and are on track to launch multiple new series and films in 2026.

Divisions
Overview

Feature
Film

The
Film division is central to our growth strategy, guided by a clear desire to establish a distinct and respected position
in the market. We are encouraged by the successful models of companies like A24 and Neon, known for their consistent curation of high-quality,
compelling stories. Our goal is to build a similar reputation for excellence, focusing on commercially viable films with strong artistic
merit through a themed production slate. To achieve this efficiently and mitigate financial risk, we employ a strategic slate production
process. This involves identifying groups of projects with complementary commercial appeal, packaging them together, and marketing these
as cohesive similarly themed units. This method allows us to create a systematic pipeline of market-ready films, series, and documentaries,
enabling resource allocation across multiple projects rather than relying on the uncertain outcome of individual productions. This approach
significantly reduces per-project risk and accelerates our economy of scale.

Supporting
this slate strategy, we are actively pursuing key partnerships. This includes developing relationships with established domestic
distributors and specialized financing partners. These collaborations are designed to provide the necessary resources and creative
freedom to produce films that embody the quality and distinctiveness associated with leading independent studios. Following this
offering, we plan to initiate specific slate partnerships that combine distributor backing with dedicated funds, empowering us to
consistently develop and produce these higher-caliber projects. Our production strategy also integrates our core competency in
influencer engagement and emerging distribution channels. Currently, our development pipeline is robust, with ten films actively
preparing for production and delivery in 2026. We have already premiered a recent theatrical release and currently have one feature
film, Cancel Me, greenlit for immediate production starting in 2026.

Division

Cost-conscious
productions, mitigating risk from global pre-sales and attaching influencers as marketing partners bringing their power to help negotiate
better deals resulting in additional direct to consumer revenue.

The
team will leverage deep industry experience to cultivate strong, ongoing relationships with major networks and streamers. This
foundation allows us to quickly adapt original intellectual property (IP) for diverse audiences across online platforms and
traditional broadcast in North America and worldwide. We are also strategically focused on developing scalable series franchises
with inherent global appeal by actively targeting key international markets. This strong commitment to franchising IP ensures our
content resonates across borders and for years to come. To achieve this vision, we have established a robust development pipeline
featuring TV series designed for both domestic impact and international scalability, whether streamed or broadcast online. Already
in the pipeline are series from creators/writers on Burn Notice, Dexter, Sopranos, Bosch, Designated Survivor. Chief Operating
Officer Chris Philip has produced series for Amazon, HBO Max, CW, Netflix, NBC and SyFy.

Docu-series
Division

actively develop and sell premium documentary series that tap into cultural conversations, untold stories, and compelling characters.
Partnering with experienced filmmakers and streaming platforms, we create story-driven nonfiction content with global appeal and multi-platform
potential to inform, entertain, and impact. We have developed five documentary series, including Snowblind and the Murder Behind
the Cotton Club Movie.

Industry
Overview

Global
Growth Trends

The
global media and entertainment industry is undergoing rapid transformation and expansion. According to market analysts, the sector is
projected to grow at a compound annual growth rate (CAGR) of 20.4% between 2024 and 2027. This growth is driven by:

●	The
proliferation of streaming platforms and mobile-first entertainment.

●	Global
demand for localized and original content.

●	Expansion
of internet access and connected devices, especially in emerging markets.

This
dynamic growth underscores the long-term value of IP creation and content ownership, as streaming services have overtaken traditional
Pay TV.

highlighted below, recent media reports support continued market growth:

Global
Streaming Market & Media Industry Projections

●	The
global video streaming market is projected to reach $184.3 billion by 2027, growing at a CAGR of 20.4% from 2020 to 2027. (Businesswire,
https://www.businesswire.com/news/home/20200515005420/en/Global-Video-Streaming-Market-Forecast-to-Reach-USD-184.3-Billion-by-2027-Registering-a-CAGR-of-20.4—ResearchAndMarkets.com )

●	The
broader global entertainment & media (E&M) industry is expected to grow at a CAGR of 3.7%, reaching approximately $3.5 trillion
by 2029. (TV Tech, https://www.tvtechnology.com/news/study-global-m-and-e-industry-revenue-to-hit-usd3-5-trillion-by-2029 )

Streaming & Pay TV Adoption

2021, for the first time, a higher share of U.S. households subscribed to streaming (69%) than to traditional pay TV (65%).
(Tinuiti, https://tinuiti.com/blog/ott-ads/streaming-video-statistics/ )

of 2025, approximately 83% of U.S. households have at least one streaming service, which aligns with the broader data showing high
subscription video-on-demand (SVOD) penetration. (Exploding Topics, https://explodingtopics.com/blog/video-streaming-stats )

Content
Spending Estimates:

Netflix
(We have had three of our movies distributed on Netflix)

●	Netflix
plans to spend approximately $18 billion on content in 2025, up from $16.2 billion the prior year. (The Verge, https://www.theverge.com/news/626102/netflix-18-billion-content-spending )

Amazon
(We have had three of our movies distributed on Amazon)

2023, Amazon’s content spending, which includes video and music, increased 14% to $18.9 billion. (Cord Cutters News, https://cordcuttersnews.com/amazon-spent-almost-19-billion-on-content-in-2023 )

●	For
2024, The Information reported that Amazon’s total budget, which includes originals, licensed content, and live sports,
was approximately $7 billion. (Reuters, https://www.reuters.com/business/media-telecom/amazon-prime-video-shifts-focus-live-sports-boost-profits-information-reports-2025-01-24/ )

Platform
Estimated Spend in 2024

●	Netflix:
$16 billion (Variety, 2024)

●	Amazon:
$7 billion (excludes MGM/live sports) (The Information via Reuters, 2024)

●	Hulu:
$3 billion (eMarketer, Insider Intelligence, 2024)

●	HBO
Max: $1 billion (Warner Bros. Discovery earnings call, Q1 2024)

2023, Amazon’s total content spend, including Prime Video, MGM, Freevee, and live sports, was approximately $18.9 billion.3
As of 2025, Netflix’s content spending increased to approximately $18 billion.4 The shift toward ad-supported
content (AVOD) means platforms are more open to lower-cost, high-return content formats: short-form, docuseries, and lower-budget scripted
fare.

Management’s
expectations are based in part on industry reports and the Company’s analysis of market trends.

Competition

The
film and television industry is intensely competitive and rapidly evolving, driven by technology, shifting viewer habits, and global
demand.

Major
studios like Disney, Universal, and Warner Bros. dominate with vast IP libraries, global marketing power, and established distribution.
Streaming platforms have become central to content distribution, with Netflix leading and reporting over 260 million subscribers and
an estimated content budget of approximately $18 billion in 20255, Amazon Prime Video’s content budget was estimated
at over $7 billion for 20246. Other major platforms include Disney+, Hulu, HBO Max, Apple TV, among others.
These services are backed by advanced data analytics, personalization, and ecosystem control. The growth in ad-supported video-on-demand
(AVOD) and free ad-supported streaming television (FAST) services has added further fragmentation and pricing pressure.

The Wrap, “Amazon’s 2023 Content Spend,” available at https://www.thewrap.com/amazon-content-spend-2023.

4The
Verge, “Netflix’s plan to spend around $18 billion on content this year,” https://www.theverge.com/news/626102/netflix-18-billion-content-spending.

5The
Verge, “Netflix to Spend $18 Billion on Content in 2023,” available at https://www.theverge.com/news/626102/netflix-18-billion-content-spending.

6Reuters,
“Amazon Prime Video Shifts Focus to Live Sports to Boost Profits,” available at https://www.reuters.com/business/media-telecom/amazon-prime-video-shifts-focus-live-sports-boost-profits-information-reports-2025-01-24/.

Most
competitors are larger, better funded, and vertically integrated, with access to top talent and global reach. Independent companies like
ours compete by focusing on:

●	Original
storytelling and unique IP

●	Niche
audiences and partnerships

●	Agile
production and creative financing

today’s landscape, success depends not just on content but on our ability to adapt, market smartly, and form strategic alliances
across streaming and theatrical platforms.