SEC Filing Document

Company: Ambitious Entertainment, Inc.
Ticker: 
CIK: 1900851
Filing Type: DRS
Document Type: DRS
Date Filed: 2025-07-17
Accession Number: 0001493152-25-011282
Exchange: 
SIC Code: 7812
SIC Description: Services-Motion Picture & Video Tape Production
URL: https://www.sec.gov/Archives/edgar/data/1900851/000149315225011282/filename1.htm

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and Nicolas Cage, Gunslingers explores themes of redemption, loyalty, and the high price of justice in a world where the past never stays buried. addition to the above, the Company has also completed and scheduled the release of Viper (expected September 2025), which was recently presented but not discussed in detail herein. Why Investors Choose Ambitious Ambitious Entertainment is driven by a world-class producing team and advisory board with a proven history of identifying and monetizing over a billion dollars in IP for industry leaders like CBC, NBC, and CW. Now united under one vision, this elite team is focused on creating the next generation of hit franchises with global appeal and lasting impact. By pioneering cutting-edge technologies and innovative distribution models, Ambitious doesn’t just compete with the traditional studio system—we redefine it. Our approach unlocks entirely new revenue streams and expands market reach beyond what conventional players can access.

We have already secured premium IP
and are on track to launch multiple high-potential series and films in 2026. With full funding, Ambitious is uniquely positioned to scale
rapidly, driving exponential growth and delivering unmatched value through our expertise in IP acquisition, development, and monetization.
This is why investors choose Ambitious—to be at the forefront of the future of entertainment. We’ve already secured premium
IP and are on track to launch multiple new series and films in 2026.

Divisions
Overview

Feature
Film Division

We have successfully developed and produced
genre films for theatrical release followed by streaming. With strong performance in Westerns, we’re expanding into broader-appeal
films inspired by recent Best Picture winners like Anora
by Sean Baker. Our influencer strategy includes platform-exclusive premieres on TikTok within 12–24 months, building scalable models
for fan-driven financing and direct-to-platform distribution.

Our 2026 slate has ten movies prepping for
production and delivery. On April 11, 2025, we premiered our latest film in theatres, the western “Gunslinger” with
Nicolas Cage. Ambitious has two films green lit for immediate production in 2025-The Show and Cancel Me.

Division

Our experienced team maintains strong relationships
with major networks like CW, CBS, and Fox, expanding our TV division to adapt original IP for online and broadcast audiences in North
America. We focus on franchising content globally, starting with key markets like China and India, emphasizing scalable IP with broad
cross-border appeal.

Docu-series
Division

We actively develop and sell premium documentary
series that tap into cultural conversations, untold stories, and compelling characters. Partnering with experienced filmmakers and streaming
platforms, we create story-driven nonfiction content with global appeal and multi-platform potential to inform, entertain, and impact.
We have developed five documentary series including Snowblind, the Murder Behind the Cotton Club Movie.

Industry
Overview

Global Growth Trends:

The
global media and entertainment industry is
undergoing rapid transformation and expansion. According to market analysts, the sector is projected to grow at a compound
annual growth rate (CAGR) of 20.4% between 2024 and 2027. This growth is driven by:

●	The proliferation of streaming platforms and mobile-first
entertainment.

●	Global
demand for localized and original content.

●	Expansion
of internet access and connected devices, especially in emerging markets.

This
dynamic growth underscores the long-term value of IP creation and content ownership, as streaming services have overtaken traditional
Pay TV.

●	Based
on current industry projections, the global video streaming market is expected to reach USD
184.3 billion by 2027, growing at a 20.4% CAGR from 2020 to 2027.

of U.S. households subscribed to at least one
streaming service in 2021, surpassing traditional pay TV (Leichtman Research
Group, 2021).

of 2025, 83% of U.S. adults use streaming, while only 36% maintain cable or satellite subscriptions
(Statista, 2025; Pew Research Center, 2024).

●	Cord-cutting
continues to accelerate, particularly among younger demographics, who now expect on-demand,
ad-supported, and algorithm-personalized content (Deloitte Digital Media Trends, 2024).

of U.S. households now subscribe to at least one streaming service.

●	Cord-cutting
continues to accelerate, particularly among younger demographics.

●	Viewers
now expect on-demand, ad-supported, and algorithm-personalized content.

Estimated
2024 Content Spend

Platform
Estimated Spend in 2024

●	Netflix           $16
billion

Source:
Variety, 2024

●	Amazon
$7 billion (Excludes MGM/live sports)

Source:
The Information via Reuters, 2024

●	Hulu           $3
billion

Source:
eMarketer, Insider Intelligence, 2024

●	HBO Max                 $1
billion

Source:
Warner Bros. Discovery earnings call, Q1 2024

In 2023, Amazon’s total content spend, including Prime Video,
MGM, Freevee, and live sports, was approximately $18.9 billion, and a 2025 update indicates Netflix increased content spend to
$18 billion. The shift toward ad-supported content (AVOD) means platforms are more open to lower-cost, high-return content formats:
short-form, docuseries, and lower-budget scripted fare.

Competition

The
film and television industry is intensely competitive and rapidly evolving, driven by technology, shifting viewer habits, and global
demand.

Major
studios like Disney, Universal, and Warner Bros. dominate with vast IP libraries, global marketing power, and established distribution.
Streaming platforms—led by Netflix (260M+ subscribers, $18B content budget in 2025), Amazon Prime Video ($7B+ spend), Disney+,
Hulu, Max, Apple TV+—now lead content delivery, backed by advanced data analytics, personalization, and ecosystem control. The
rise of AVOD and FAST services adds further fragmentation and pricing pressure.

Most
competitors are larger, better funded, and vertically integrated, with access to top talent and global reach. Independent companies like
ours compete by focusing on:

●	Original
storytelling and unique IP

●	Niche
audiences and partnerships

●	Agile
production and creative financing

today’s landscape, success depends not just on content, but on our ability to adapt, market smartly, and form strategic alliances
across streaming and theatrical platforms.

Our
Competitive Advantage

Story to Screen IP Pipeline

Our competitive advantage lies in
knowing how to develop and package IP into scalable, high-demand content with viral market value.

Ambitious
secures top-tier creative talent, including popular online influencers, to develop fully market-ready pitch packages—complete with
scripts and director’s visions—positioned for rapid sale and production. Some projects arrive with a showrunner attached,
similar to how Dexter was developed. For others, Ambitious hand-selects the ideal showrunner and director to bring the concept
and characters to life. Our team then crafts compelling pitch decks that showcase the creative vision and commercial potential.

These
packages are actively pitched in one-on-one meetings with top streamers and studios, aiming for direct sales or co-production deals.
Upon sale, Ambitious recoups development costs and earns additional fees for production, distribution, and backend profits.

Most
capital raised will be directed toward acquiring and developing multiple new IPs into high-value, pitch-ready packages. For
high-return opportunities selected by the team and advisory board, Ambitious will fully produce and distribute these projects in-house
to maximize profit.

Team

Kirk – Co-President

With over 30 years of experience,
Kirk has produced more than 270 feature films and TV series. He has served as CEO and board member of multiple public companies and remains
a driving force in independent film and television. A key player behind The Hurt Locker and founder of Insight Studios—Canada’s
largest indie production house—Kirk brings global reach and hands-on leadership to every project.

Chris Philip – Co-President

A seasoned global entertainment executive,
Chris has produced acclaimed series including Sherlock, Daughter, and Departure. A Golden Palm winner at the Beverly
Hills Film Festival, he formerly served as VP of NBC Universal International, leading worldwide TV and film distribution. His career
includes senior roles at Televisa USA, Power TV (London), Electus-Engine, and co-founding Engine Entertainment.

George Furla–Executive
Producer

With a 30-year career and over 100
films produced, George is known for major films like Rambo, Lone Survivor, and Escape Plan. He serves on the advisory board of MetaWorks
Platforms and is a strategic advisor to Vuele, a pioneering Web3 film distribution platform.

Intellectual
Property

a general practice, we will rely upon patent, copyright, trademark and trade secret laws to protect and maintain our proprietary rights
for our products. There are no inherent factors or circumstances associated with this industry, or any of the products or services that
we expect to be providing that would give rise to any patent, trademark or license infringements or violations. We have not entered into
any franchise agreements or other contracts that have created or could create obligations or concessions. Our web domain and IP address
as well as company information will be protected by our domain host. We do not own, either legally or beneficially, any patents or trademarks.

Rights
to motion pictures are granted legal protection under the copyright laws of the United States and most foreign countries, including Canada.
These laws provide substantial civil and criminal penalties for unauthorized duplication and exhibition of motion pictures. Motion pictures,
musical works, sound recordings, artwork, and still photography are separately subject to copyright under most copyright laws. We plan
to take appropriate and reasonable measures to secure, protect, and maintain copyright protection for all our products under the laws
of the applicable jurisdictions. Motion picture piracy is an industry-wide problem.