问题：﻿为什么《傲慢与偏见》是经典？ 最近在回味一些以前读过的经典文学作品，发现大部分经典文学作品都能以小见大，反映 一个社会一个时代的变迁，或者反映作者深刻的洞察力。但是我用这个公式去套…
话题：﻿文学、傲慢与偏见（书籍）、中外名著、世界名著
回答：﻿【简奥斯汀：就是教你怎么谈恋爱呗！】来来来，看看吾的浅见，点一波关注哦！粘贴复制自：https://www.zhihu.com/question/21055801/answer/266971272?utm_source=com.miui.notes&utm_medium=social《无不傲慢，无不偏见》——浅谈主要角色的“傲慢”与“偏见”及形成过程Report:generalanalysisoftheprocessfrommainroles’prideandprejudice一，首先一个是有必要先强调电影视觉效果对原著文化气息和人文形态的补充和深化。Firstly,afterwatchingthemovieofthisnovel,I’dliketodiscussthecomplementandimprovementofculturalatmosphereandcharacterfeaturesbythevisualandsoundeffectsfromthisfilm.简单的谈，所谓好的电影，必定是能够在细节上营造真实感，从而贴切地还原出那股时代气息来。Simplyspeaking,thoseso-calledexcellentmoviesmustbeperfectincreatingtruefeelingsontheexperienceofappreciatingdetails,soitcanmakeithappenandweaudiencescouldlearntheairofthatage.应该最为普遍的讲，世界上任何一个国家和民族的文化基因里面都对舞蹈和音乐有着天然的敏感和领悟，对舞会的展现最能用来反映特色的乡镇文化，这一点在电影版本中无疑是展现的最为玲离尽致。Ofcourse,generallyviewing,allofthecountriesandnationshasthenaturalknowledgeofallergyandperceptiononmusicsanddances,anddefinitely,itisapparentthatmovieisbettertoshowthedancingpartyofalittlecounty’sculture.还有那些家居摆设，房间布局，吃穿用品，映入人们眼帘中的，是宁静乡村小镇的闲适生活，是羊鹅禽畜的躁乱吵闹，还有那些破旧书籍的沧桑感，钢琴回响的悠扬声，还有暖色的落日灿晖和欧式城堡肃重风格的明暗对比，那独属于年代的裙摆和发扎，还有那一幕漫步在田间、不自觉地微笑以致于弥漫到整个空气中的少女情怀，随风而飘的发丝似乎在象征着一种由内而生的自由与美好...Fromtheliteraldescription,wecanimaginethetotallayout,likethesettingofhousesandrooms,andthearticlesforuse.Whatemergedinoureyesaretheleisurelifestyleofthatpeacefulsmalltown,thenoisesofwalkingsheepandswimminggooses,andtheoldtasteofshabbybooksontheshelf,theechoesofpianoplayedbyaservant,andtheverycontrastbetweenthewarm-tonedrayoflightandthewesternsolemnbuildings,andalsothemostofimpressivescene,ayoungmaidwanderingaroundthefield,withasmilecomingfromthecornerofhermouth,whichcausesthewholeairfullofakindoffreedom,andherhairwavingbythebreezeseemstobefreeandnicefromtheinside.正如有“夏初阳”评论道，全片那种舒缓的节奏弥漫着浓厚的文艺气息，体现了典型的英国文艺电影的特色。就如同法国电影的欢快调皮的小清新，德国电影的历史和思考的沉重，自然、庄园、古典服饰和英国口音所构成的文艺成为了英国电影的标志。好的文学和好的电影都能够打动人心，甚至让人情不自禁想回到作品中的那个时代，成为作品中的某个人物。想来文学创作的最高状态，即是原型人物创造的活性特征。Justlikethecriticsremarkthattherewasacomfortablecharmofrichperfectiontoliterature,anddisplayedthetypicalaspectsofBritish.Andasthesamehigh-leveledasFrenchlovelinessandeasinessandGermanheavinessofthinkingitshistoryandfuture,theUKwordsalwayssymbolizeitselfbythenaturalclothesandspecialaccent.Weallknowthegoodliteratureandfilmcanbothtouchpeople,evenmakinguswanttogobacktothatromantictimeandtobeoneofthoseroles.二，其次是在于独特的英式口音、语言和当时的英国文化，包括其中所折射的婚姻观、爱情观和不同阶层间的社交礼仪（舞蹈和音乐，女性地位，社会潮流，）。Beside,thesecondpointisthepicturethatrevealsthelanguageandthecultureofmarriageandviewofloveandsocialrulesindifferentclassesatthattime.最为明显的是阶级差异感。以达西、槟利先生和凯瑟琳夫人为代表的所谓上层社会，穿着名贵，谈吐文雅，始终波澜不惊的面容，住宅的奢华，还有带假发的白人仆人，语言上的严谨和来自百年血脉所带来的贵族式骄傲，处处显示着一种身份和层次上的距离感.Themostuniqueisdifferenceofclassinsociety.Forinstance,liketheMr.DarcyandMrsCatherineonbehalfoftheupperclass,theyusuallydressedupproperlyanddecently,speakingwithpolitenessandgoodeducation,havingaunchangedface,andlivedarichlifeevenwiththewhitemenasservants,andtheprecisenessoflanguageandblue-bloodedprideinheritedformthehundredsofancientgenerations而小镇上的人则大多性格随性而平庸，或者想法势力、短见和爱慕虚荣，加之语言上的粗俗、浅薄，同时他们待人接物却显得真挚而诚信，到处散发着生活的亲切感，但又在宗教上面，贫困交加的底层人民则更愿意在耳边祷词声中继续着春秋大梦，更别提小女儿莉迪亚的私奔带给贝尼特家族名誉和经济上的损害——近乎病态的婚姻规则，凯瑟琳夫人对丽兹低贱出身的无情践踏和肆意嘲笑等等。However,thepeopleoflittertown,theywereeasyandordinary,orkindofsnobbishwithshortsightandfeveroffameandvanity,andmeanwhiletheytreatedotherssincerelyandhonestly,expressingtheclosenesstolife,butforthereligions,thelowerpoorgrassrootspreferredtoembracedreamsnotprayneartheirears,andnottomentionthedamageofreputationandeconomyforBenetfamilybyoneyoungerdaughter’signorantelopement——acrazycustomsofmarriage,andthosecruelsarcasticremarksandunreasonablelaughstoMs.Lizzy.至于平庸的柯林斯先生，他在舞会上不得已“孤芳自赏”的无奈处境则更加披露出当时社会看重名利的伪装与无情。Asforthecommonperson,Mr.Collins,hehadnochoicebutonlytotakecarehimself,andthishelplesssituationexposedmoreofthemercilessnesstopretendpayattentiontopersonalstatesandfameoffamily.当然了，对于柯林斯而言，最大的讽刺无非是被丽兹拒绝的那一段描述，纵使有着女性在财产继承上的歧视与弱势，而男权社会中的柯林斯先生有着法理上占有资产的权利和义务，却仍旧逃避不了被丽兹拒绝和被作者讽刺和嘲笑的命运.ofcourse,forMr.Collins,themostironicthingwashefailedtoproposetoMs.Elizabeth,andunlikethefactthatwomenarenaturallyvulnerableandtheysufferedthediscriminationformthewholesocietywithinaverylongtime,hehadthepriorityanddutyoftakingproperties,buthewasstillinvolvedintothefatetoberejectedbyLizzyandcriticizedbytheauthorandreaders.这种来自笃信教义、任务性质的婚姻建立与女性个人不肯屈服宿命的抗争所对立，以致于不免显得有些极端的行为表现也是独有的时代特色，否则小说中的贝尼特太太又何苦疲命于几个女儿的终身大事、只为求个好的婆家出身，倘若不是这样的近乎疯狂和势利，又哪里会有那么多的王子与公主的浪漫故事情节，又怎么能够平衡个人幸福与家族存亡之间的窘境，又如何去面对来自社会道德的批判。Thissortofbuildingmarriageforsomeone’sfaithtoGodandtaskoflifeisnotcompatiblewithstruggleforfemalestofightfortheirdestiny,soitseemstohaveabitofextremism.OrwhyMrs.Benetthrivedtomarryherfiveladiesonlyforagoodmarriage.Withoutthisalmostcrazyandnervousbehaviors,howpeoplecanmakeastorytotellsomanyromanticandfantasticplotsofprinceandprincess,tokeepabalancebetweentheindividualhappinessanddilemmaoffamily,andtoconfronttheremarksformthesocialmorality.果然就像后来又接受柯林斯先生的夏洛特小姐总结道“我应该像别人一样快乐，并不是每个人都经得起浪漫”，永远不要轻易质疑一个人的信仰，因为人们不知道它承载了多么沉重的绝望，这一点即使洒脱如丽兹也只有表示理解与祝福。Surelyenough,asMs.Charlottecomplainedinthemovie,wholateracceptMr.Collins,sayingthatitisnottrueforeveryonetoexperiencethatromanticfeverandishouldbehappylikeothers.Inthelightofthislesson,evenfreeandeasyasElizabethwas,whatshedidwasjusttounderstandandwishfriendabetterlife.Doneverdoubtoneperson’sbelief,becausenooneknowshowmuchhopelesspressureitcarried.对于最后的完美结局，在身世和环境的巨大裂缝面前，也只有靠作者的一笔之力来填补这道缝隙，当物质条件难以改变时，拉近思想、增进共识便成了豪门爱情的唯一解，在书中所涉及到待人接物、世俗礼仪的喜剧笑点，到处都是奥斯汀风格的幽默与讽刺，这或许也是作者本人想要通过集中批判旧时代禁绝人欲的婚姻制度来树立一个“愿天下有情人终成眷属”的幸福榜样。Fortheperfectending,standingonthefrontofhugegap,onlybytheauthor’spowerwithapentomakeitup,especially,whenmaterialconditioncannotbechangedandtheonlymethodforloversintherichandpowerfulfamiliesistodeepencommongroundandincreasetalks.AllthefunnypointslikehowtogreetpeopleandhowtosocializearefilledwithAustin’shumorandmockery.Maybe,theauthoralsowantstosetagoodexamplewithhappyendingbylovers,toconcentrateoncriticizingtheoutdatedandunfavorablemarriageofstoppingpersonalityanddesire.古往今来，多少爱恨情仇皆是如此情状，让人又不得不欣慰感叹于小说和影视里即便夸张但也少见的个性解放，从这个意义上讲，电影或者说小说原著，也有意无意地承担起了给予人们希望的教化功能，即便生活并不处处美好，但总有一块圣地能够暂作保留。Ofallages,endlesslessonsofloveandhatredhaveworkedlikeit,makingpeopletofeeltoughanddifficultfortheexaggeratedbutrareindividualliberation.Tothisextent,novelsandmoviestakeonthedutytoprovidepeoplewithhopeandmotivation.Althoughthelifeofbeautyisnoteverywhere,thereisalwaysapieceoftheGardenofEden.第三点则是对人物形象的浅解。Thelastoneissimpleanalysisofcharacters.上个世纪末的中国流行着这么一句话：城市好比一片森林，每一个男人都是猎人，每一女人都是陷阱。InthelastcenturyofChina,onesayinggoesthatthecityisjustlikeajungle,withhuntersforeverymanandtrapsforeverywoman.在爱情观上，不得不说来电很重要，譬如如金庸先生就对此是深有个人体会的，不然也难以辅就《倚天屠龙记》那样的经典。Ontheconceptofperceivingandinterpretinglove,wehavetoadmitthatgeneratingsparksamongyoungpeopleisabsolutelycritical.一个人只有在最为专心于一身特长的时候，其所爆发的魅力才会如黑洞般地吸引整个大厅的光华，也正是从这一刻起达西先生从不屑一瞥到默默关注，而对于什么是爱情催化剂的片刻交锋也在思想的舞台上开始把两个人关联到一起，是华而不实的诗歌还是洋溢着青春欢乐的舞蹈。Onlyonepersonfocusingontheanotherone’sspecialtylikedancingandsinging,itwouldbreakoutwithaintenseglamour,seeminglyastreakoflightacrossthedarksky,andablackholeattractthetotalbrillianceinthehall.当然，给暧昧感充电也很重要。第二次对年轻女性和傲慢字眼的讨论，达西倾向于女性应该拥有音乐、绘画、舞蹈、和学识还有个人魅力，而丽兹则认为达西表露出了潜在的歧视性，并且认为达西先生过度的、冷酷的骄傲自视反而是一种对他人的冒犯和错误。Becausekeepingthesenseofambiguityisalsoveryimportantbetweenrelationships.Thesecondtime,todiscusstheissueaboutyoungladiesandthemeaningsofpride,Darcywasinclinedtotheviewthatyoungfemalesshouldhavetheknowledgeofmusic,painting,dancingabilityandindividualcharms,butLizzyfeltthatMr.Darcyshowedapotentialimpolitediscriminationandheldthatitrevealedsomemistakesandoffenceforhisexcessiveandgrimcomments.因为对于久居上流的达西和长处于底层社会的伊丽莎白，二人的看法和见解、理解这个世界和对待他人的思维定式都是不可避免地限制于自身极其所代表的社会阶层，因为这种处处相对、处处摩擦的情况反倒是普遍的、正常的社会现状，上流社会有他们所谓笼中的高贵，而下层群体却也自持所谓的骄傲。而后来达西主动地搀扶伊丽莎白上马车，在双手触碰的那一刻间，这种看似展示礼貌但别有深意的举动，在千万观众看来却是爱情根种的萌发。这也就不难奇怪电影在此处给了两个特写，一个是丽兹的诧异眼神，另一个则是达西不禁触电的右手.Thatmakessomesensethatforthesetwoguys,onefromtheupperclassandanotherformtheground,theirfixedviewsandwaysofrecognizingandunderstandingthisworldandothersareinfluencedbytheclassandidentity,andthisinharmoniousconditionforeverylanguageandbehaviorisabsolutelynormalanduniversal.Theuphastheirowndignityincage,andalsothelowgrouphastheirso-calledpride.Furthermore,DarcyhelpedElizabethgetonthecarriagewithhislefthand,duringtheveryflashingmoment,thisself-evidentactionrepresentedtherootofloveinthousandsofaudiences’eyes,whichisverygentlemanbutdeeplymeaningful.Nowonderthatinthepart,themoviegivesaspecialclose-upshottounfoldthatfirstgrowingfirebeforepeople’shears.第三次交流，达西在舞会上主动邀请伊丽莎白跳一支舞。这对于极为自负的达西来说，的确是不可多得的破冰之举，同样在潜意识里性格自负的丽兹，也必然不会拒绝这进一步窥探和了解达西的好机会，而这一交流过程，料定又是一番言辞和思想上的争锋相对。Thethirdoneconversation,DarcytriedtoinvitedMs.Lizzytohaveadanceintheball,whichmustbesorareactionofice-breakingforthearrogantgentlemanDarcy,likewise,forLizzywhohadthearrogantpersonalityinsidehermind,shewouldnotrejectthisopportunitytogetanaccessoflearningMr.Darcy,andwithoutanydoubt,itmustbeafuriousdebateofviewsandprejudicesbyeachothers’languages.在维克汉姆的问题上，镜头极为明智的略去了所有的旁观者，把整个的舞台交托给两个年轻人，使得戏剧冲突从双方原本的尝试接触发展到两人终于产生了第一次观念上的裂痕，是背信弃义还是另有隐情。在黑暗角落的思考，让人看到外表随性而为的小女孩丽兹其实也有着属于自己成长道路上的心事和烦恼，与后来秋千上的独处如出一辙。UpontheissueofMr.Wickham,thecameraveiledallthespectatorsaroundthesetwoangryyoungpeople,havingthemperforminthewholestage,andturnedthedramaticconflictintoacrackinmindandthoughtsfromthefriendlytouchforbothatthefirststeps,thebetrayalanddishonesty,orsomethingmorebehindthelies.Thinkingaloneinthedarkcorner,peoplegotthatthelittlegirlLizzyalsohadtheworriesandtroublesontheadult-wayofgrowth,althoughwithcomfortableandlovelylook.第四次的碰面，对于丽兹而言，既有着填补空虚生活和继续探索神秘达西所带来的惊喜，又有与凯瑟琳夫人对于家事门风的小小辩驳，还有达西不请自来、得见伊人一面的突然拜访，还有之后二人在滂沱大雨中爆发的大冲突。Thenextmeeting,atleastforLizzy,shecanenjoytheprocessofrealizingMr.Darcy’smysteryandfillherlonelyandquietlife,withMrs.Catherinetotalkaboutthefamily’seducation,andlaterthesuddenvisitingbyMr.Darcywithoutcallingon,justforhavingalookonhisdreamedgirl,andfinally,theyburstoutquarrelingintheheavyrain.说来总是有些难以言表，两个人之间有哪怕是极为微弱的引力波，在经过一次次的语言和情绪交流后，最终也会因为越来越近的距离、越来越明显的势能而导致不可避免的碰撞。Verystrangely,evenwithaweakforceofattractingamongtwolovers,andaftertremendousemotionalcommunications,becauseofthecloserdistantanddetailedcognition,theywouldcrushintoeachotherattheend,bythepowerfulpotentialenergy.像达西和丽兹的这两种性格，除了坚定地维护自己的信仰外，也不遗余力地想要保证身边朋友和家人的幸福感，这种共性的潜在弊端则在于当二人的立场对立时，冲突也就不可避免。在那片淅沥沥、哗啦啦、纷纷扬的雨中，达西表露心意，情感上无以复加的积累还是打败了源自理性上的骄傲，但戏剧性的地方在于这份来之不易的表白却又被两个人自以为对朋友和家人的关怀照顾、对家事门风的表现给搅成碎片，或许到最后两个人也不清楚到底是在争吵着什么，是傲慢的性格和无知的见解，还是不对等的家庭环境和社会地位，又或者仅仅是内心长久以来关联到对方的、那种无法忍受和终于消解的冲动和渴望...而一封长信对误解的消融，仍旧是迟了一步，那滴眼泪还是流了下来。LikethetwocharactersofDarcyandLiz,inadditiontofirmlymaintainingtheirbeliefs,theyalsosparednoefforttoensurethehappinessoftheirfriendsandfamilymembers.Thepotentialdrawbackofthiscommonalityisthatwhentwopeoplestoodagainsteachother,conflictsareinevitable.Intherain,andtheraincamehurtlingup,Darcyshowedthefeelings,withemotionalaccumulationandthedefeatincapableoffurtherincreaseofthesourceofselfpride,butthedramaticturningisthatthisconfessionisnoteasilytowinthetwopersonfromthethoughtsoftakingcareoftheirfriendsandfamilies,andfamilynameofperformancetostirintopieces,perhapsforthelasttwopeoplewerenotclearintheend,whatweretheyreallyquarreled,thearrogantcharacterandtheignorantopinions,orthefamilyenvironmentandsocialstatus,orjustverysimplyabouttheheartsforalongtimetoendureandsuffersomethingrelatedtoeachother,whichisunbearableandfinallydispelledtheimpulseanddesire...ALonglettertothemisunderstandingsoftheablation,wasstilltoolate,thatteardropstillfelldown.第五次，可谓守得云开见月明。在拜访达西住所的时候，对比于过往的种种误解，伊丽莎白又看到了他生活的一面，深长的林荫道，清澈的湖水，高大宽敞的城堡，精美的宗教壁画和曲线优美的人身雕塑，还有独属于达西本人的传神雕像，睹物思人也不过如此了。当然了，最惊喜的就是两人再次相遇，自然是要免不了一番问短家常来结束这种稍显尴尬的偶遇，不经意的对话中仍然透露着对对方习惯与生活的关注和期待。在特写镜头里面，柔媚的阳光和整洁的装饰，色度和人物表情配合的恰到好处。似乎对于人们来说，能够看到万年不化的达西式笑容可以说是一件值得骄傲的事情，两个人的交流也逐渐变得更加真诚而自然。TheFifthcanbedescribedasgoodstart.WhilevisitingtheDarcy’sresidence,incontrasttothemisunderstandingsofthepast,Elizabethsawthesideofhislife,thelongavenue,theclearlake,andthetallandspaciouscastle,displayingwithsomereligiousmuralsandexquisitegraceful-curvedpersonalsculpture,anduniquetoDarcyhimselfvividstatues,lovesicknessisjustlikethisscene.Ofcourse,themostpleasantsurprisewasthattwopeoplemetagain.Naturally,it’sunavoidabletoasksuchashortgreetingstofinishthisembarrassingencounter.Incasualconversation,theystillrevealedtheirconcernsandexpectationsfortheirhabitsandlife.Inclose-up,gentlesunshineandcleandecoration,colorandcharacterexpressionarejustperfect.ItseemedtobeaproudthingforpeopletoseetheDarcy-stylesmilethatwasnotchangingforthousandsofyears.Thecommunicationbetweenthetwopeoplebecamemoresincereandnatural.得益于两座尖锐冰山的交融，生活正在逐渐变得更加美好，画面也逐渐地转变为两个男人商量着应当如何帮助对方找到真爱，焦躁，不适，紧张，出汗...细致到应该用什么样的言辞，应该保持怎样的礼仪，要怎么称呼，要怎样交谈，当然了还有适当的对话练习，这些事情可能是有史以来男人们一生之中最为考验和期待的乐事了。从这一刻起，故事情节终于走上了我们所一贯熟悉的追求者之旅。所以说有时候爱情来的太快就像龙卷风，历经坎坷的大女儿珍终于获得了自己的幸福。Thankstoathawforthetwoicebergs,lifewasbecomingmorebeautiful,thepicturewasgraduallychangingforthetwomentodiscusshowtohelpeachothertofindtruelove,anxiety,discomfort,nervousness,sweating...Carefullytothinkoverabouttheuseofwhatkindofwordsshouldbeandwhatkindofmanners,andhowtocallandhowtotalk,ofcoursetheyhadseveralproperpractices,allthesethingsmaybethehistoryofthemenintheirlivestoexperiencethemostfunandlookedforwardtothetest.Fromthismoment,thestorylinewasfinallyonthejourneywehavealwaysbeenfamiliarwith.Sosometimeslovecomestoofastlikeatornado,andthebiggestdaughter,Jane,finallygotherownhappiness.爱情是黑洞，是黑箱，是海森堡不确定性。任何曾经试图通过一系列的假设和原则来解析这一情感和身理生化反应的方法和过程，大多总是不可避免的困扰于外部参考信息的低效率处理，比如对达西从一段情感投入不对称的关系当中拯救好友槟格利先生的误解，比如军士维克汉姆先生通过陈述过去的部分事件而有意隐藏真实情况的欺骗性诱导，以营造己方弱势地位的手段试图干扰伊丽莎白对达西个人人品的客观判断，这便是典型的信息不透明；Loveisablackhole,ablackbox,andaHeisenberg'suncertainty.Anyonewhohasevertriedtoprocessthroughaseriesofassumptionsandprinciplestoanalyzetheemotionsandphysicalandbiochemicalreactions,areinevitablyblockedbytheinefficiencyofendlessinformation,suchastherelationshipwhichDarcysavedforhisfriendfromanunbalancedreaction,andtakethebehaviorofdeliberatelyhidingthetruthforexample,theSergeantMr.Wickhaminducedbystatingsomeeventsofthepast,tocreatehisownweakpositionofobjectivejudgement,tryingtodisruptElizabeth’sviewsonDarcy’scharacter,whichistypicaloftheinformationopacity.此外，还有来自思想上天然的不透明，对话双方在价值观的判断逻辑和语言理解上的冲突与矛盾，而这又包含了家庭教育、成长环境和认知结构上的差异，随之形成的对他人和对自身的不自信与怀疑、甚至是否定，不断地放大猜疑链以致于陷入沉重的精神枷锁，也失去了当初敏感锐利的判断力。人们往往在努力到一半的时候，却不知适当的煎熬会带给人思考的空间，并且让人与周围的同伴有所不同。Inaddition,therearefromthethoughtsofnaturaldialoguebetweenthetwosides,likeconflictsandcontradictionsinthevaluejudgmentoflogicandlanguageunderstanding,whichinturncontainsthedifferenceoffamilyeducation,environmentandcognitivestructure,withtheformationofothersandoftheirownself-confidenceanddoubts,evenif,constantlythatenlargesthesuspicionchainintoaheavymentalshackles,alsolosttheoriginalsensitivesharpjudgment.Peopleoftenmakeeffortstothehalf,butdonotknowthatthepropertormentwillbringpeoplethespacetothink,andmakepeopledifferentfromothersaround.过度标榜自信和对个人信条的偏执，从来不肯轻易的低头，如同“傲慢”与“偏见”，就仿佛两把利刃时刻割裂着情感上的包容与尊重。Toomuchprinciplesandinsistingonself-beliefaresostrong.Itisnevereasytobow.Asarroganceandprejudice,it'sasiftwoedgescutapartemotionaltoleranceandrespect.男主角达西那种不冷不热、略显冷漠的面部表情和出口即是讽刺与批判的腔调，女主人公伊丽莎白身上所隐含着的自立与刚强，凸显着喜怒分明的棱角——一个是严谨的，好于沉默、不喜欢解释缘由，不惧怕流言蜚语，另一个则是天生叛逆、性情活泼，热衷于探寻事实的真相，总好奇世事的变化多端;TheleadingactorDarcy,wasslightlycoldbeingneitherhotnorvariousfacialexpressions,andwhathespokeisalwaysthesatireandcriticismofthetone,andthecluestoElizabethhadimpliedindependenceandboldness,andhighlightedtheangular——oneisrigorous,silent,doesnotliketoexplainwhy,notafraidofrumorsandtale,andtheanotherisrebellious,withlivelytemperament,andkeentoexplorethetruth,wonderingthemostchangeableworld;还有身材矮小、不受待见的柯林斯先生，为了教职的名位和身份而不得不尴尬地奔波在舞厅的人潮中来寻找一位恰当的未来伴侣，还有受制于乡俗旧礼的大女儿凯蒂小姐，即便发现了中意的彬格利先生，却因为在自我情感表现上的些许懦弱、羞怯与被动而坐等痛失原本美好的爱情追求，甚至将其归结于所谓的阶层宿命论等等，看到这些阴差阳错，不禁让人嘀笑皆非，为之扼腕！AndtheunpopularMr.Collins,forthefacultyofrankandidentityembarrassingrushingintheballroominthecrowd,justwantedtofindasuitablepartnerinthefuture,moreover,beinglimitedtotheCustoms,thebiggestdaughterMs.Katie,evenifshefoundherselflikeMr.Bingley,butbecauseofthepoorperformanceofexpressingherinnerfeelings,shyandpassive,andwaitingfortheloss,anoriginalbeautifulpursuitoflove,evenwillbemisledbytheso-calledclassoffatalismandsoon.seeingthesepeoplecannothelpbutseeastrangecombinationofcircumstances,whatapityforthosemissedlovers!以上种种无一不在表达一个老生常谈的观点：爱情需要练习，需要双方的接力，需要一点一滴的积累。因为产生初始情感上的悸动很容易，维持这一份青涩的向往却很难，也正如影片间接地通过片中人物的角度坦诚道“没有对方适当的鼓励，何人敢于奋不顾身地坠入爱河”，这句话可算得上是教科书级别的金句良言。（所以说情商很重要！）Alloftheaboveistoexpressanoldpointofview:loveneedspractice,needstherelayingforbothsides,anditneedsalittlebitofaccumulation.Becausetheinitialemotionalthrobisveryeasy,buttryingtomaintainthiscongenialmoveisverydifficult,asthefilmindirectlyimpliedthroughthecharactersbytheviewfromGod,sayingthatifwithoutsides’properencouragement,whodarefallintrueloveregardlessofcountlessdangers,thissentencecanberegardedtouseinthetextbookLevel.(soit'simportanttosaythatEQisverycritical!)至于女主人公丽兹的幸福，那种格格不入于同时代的小女儿姿态，过早觉醒而成熟的性格一样会带给人迷茫和挣扎。天真烂漫式地抱有着对爱情自由的憧憬与渴望，甚至敢于在骨感的现实面前展露出自己的利爪；她有着社会底层的自卑感，也会因为他人的道听途说而作出错误的判断，她的品格并不是绝对地完美，她的见识也并非多么的广博；同样地具有虚荣心，也同样在乎别人的赞美和批判，她的傲慢和偏见让自己跳脱出了平庸的女性身份，却也正是这种傲慢和偏见给自己带来了无穷无尽的麻烦和困扰。AsforthehappinessofLizzy,thegesturethatdoesnotfitinthatage,thecharacterofawakeningmaturitywillbringpeopleconfusionandstruggle.Tohaveavisionofnaiveteandlongingforloveandfreedom,andeveninfrontoftheskinnyrealitytorevealherclaws;shehasalowersocialinferiority,alsobecauseofthehearsayandothersshemightmakewrongjudgments,hercharacterisnotabsolutelyperfect,herexperienceisnotsoextensive;andshecaresaboutotherpeople'spraiseandcriticismaswell,herprideandprejudicemakeherescapeformthemediocrefemaleidentity,butitisalsothekindofprideandPrejudicebringinghertroubleanddistresstothelike..对于伊丽莎白，那种极为复杂的矛盾性格，夹杂着自我天性的傲慢、对世俗的鄙夷和对现实的叛逆而又无力。而对于这种矛盾，也只有达西的深情告白能够再次为可能的突破点。因为表面的傲慢，两人彼此分离，因为内心的坚持，两人终成眷属。正如丽兹坦言道“他和我太像，我们都很固执”，现在看来，这一对同样固执、同样骄傲、同样坚持自我的人，两个人如此相像，倒真是天作之合的般配。ForElizabeth,theverycomplexcharacterofcontradictionismixedwiththearroganceofselfnature,thedisdainoftheworldlyandtherebellionagainstthereality.Butforthiskindofcontradiction,onlyDarcy'sdeepconfessioncanbeapossiblebreakthrough.Becauseofthesurfaceofarrogance,twopeopleseparatedfromeachother,becauseoftheheart'sinsistence,twopeoplegotmarried.AsLizzysaidthatwearealiketoomuch,andweareverystubborn.Nowitseemsthatthesamestubbornnessandequalpride,insistingforthemselves,twopeoplesoalike,reallydeservedtobeaheaven-madematch.最后定格回影片本身，最令人印象深刻的两个镜头莫过于，一个是伊丽莎白单纯乐观又好似狡黠聪慧的莞尔一笑，还有就是达西先生严肃又显一丝木讷的凝视目光，两者都是纯粹的，也都是诚挚的。Thefinalimpressionbacktothefilmitself,twoshotsofthemostimpressivethings,thatoneislovelyandinnocentElizabethsmilingsoftly,withacraftyhintofwit,andtheanotherisMr.Darcy’sseriousstare,lookingalitterdull,bothofwhicharepure,andaresincere.