HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN BA (MUSIC) CBCS Syllabus 2011 Document code : SYLLABUS BAMUS2011 Revision No: 00 Name of Faculty ARTS Faculty Code AR Programme Name : Programme Code : BAMUS Effective from: JUNE-2011 Sem CC Old Paper Code New Paper Code Paper Type Name Marking scheme Credit Remarks External Internal The Pra The Pra 1 CCM 101 BAMUS101CC CC Principles Of Music- I (POI) 70 30 100 1 CCM 102 BAMUS1S02CC CC Detail Of Raag – I (DSI) 70 30 100 1 CCM 103 BAMUS1013CC CC History Of – I (HOI) 70 30 100 1 CCM/PRA 104 BAMUS101PR PR Practical Paper – I (Basic Study) (PRI) 70 30 100 Any One Paper From BAMUS101PR- BAMUS103PR 1 CCM/PRA 105 BAMUS102PR PR Practical – II (Extensive Study) (PII) 70 30 100 Any One From BAMUS101PR- BAMUS103PR 1 CCM/PRA 106 BAMUS103PR PR Practical Paper – III (Light Classical Varieties) (III) 70 30 100 Any One Paper From BAMUS101PR- BAMUS103PR Old Paper Code New Paper Code Paper Name Marking scheme Total Credit Remarks External Internal
The Pra The Pra 2 CCM 201 BAMUS201CC CC Principles Of Music- II (PII) 70 30 100 2 CCM 202 BAMUS202CC CC Detail Study Of Raag – II (DII) 70 30 100 2 CCM 203 BAMUS203CC CC History Of Music – II (HII) 70 30 100 2 CCM/PRA 204 BAMUS 201PR PR Practical Paper – I (Basic Study) (PRI) 70 30 100 Any One Paper From BAMUS201PR- BAMUS203PR 2 CCM/PRA 205 BAMUS202PR PR Practical Paper – II (Extensive Study) (PII) 70 30 100 Any One From BAMUS201PR- BAMUS203PR 2 CCM/PRA 206 BAMUS203PR PR (Light Classical Varieties) (III) 70 30 100 Any One Paper From BAMUS201PR- BAMUS203PR Sem CC Old Paper Code New Paper Code Paper Type Paper Name Marking scheme Total Credit Remarks External Internal The Pra The Pra 3 CCM 301 BAMUS301CC CC Principles Of Music – III (POF) 70 30 100 3 CCM 302 BAMUS302CC CC Detail Study Of Raag – III (DSR) 70 30 100 3 CCM 303 BAMUS303CC CC History Of – III (HOF) 70 30 100 3 CCM/PRA 304 BAMUS301PR PR Practical Paper – I (Basic Study) (PRI) 70 30 100 Any One Paper From BAMUS301PR- BAMUS303PR 3 CCM/PRA 305 BAMUS302PR PR Practical Paper – II 70 30 100 Any One Paper
(Extensive Study) (PII) From BAMUS301PR- BAMUS303PR 3 CCM/PRA 306 BAMUS303PR PR Practical Paper – III (Light Classical Varieties) (III) 70 30 100 Any One Paper From BAMUS301PR- BAMUS303PR Sem CC Old Code New Paper Code Paper Type Paper Name Marking scheme TotaL Credit Remarks External Internal The Pra The Pra 4 CCM 401 BAMUS401CC CC Principles Of Music – IV (PIV) 70 30 100 4 CCM 402 BAMUS402CC CC Detail Of Raag – IV (DIV) 70 30 100 4 CCM 403 BAMUS403CC CC History Of Music – IV (HIV) 70 30 100 4 CCM/PRA 404 BAMUS401PR PR Practical Paper – I (Basic Study) (PRI) 70 30 100 Any One Paper From BAMUS401PR- BAMUS403PR 4 CCM/PRA 405 BAMUS402PR PR Practical Paper – II (Extensive Study) (PII) 70 30 100 Any One Paper From BAMUS401PR- BAMUS403PR 4 CCM/PRA 406 BAMUS403PR PR Classical Varieties) (III) 70 30 100 Any One From BAMUS401PR- BAMUS403PR Sem CC Old Paper Code New Paper Code Paper Type Name Marking scheme Total Credit Remarks External Internal The Pra The Pra 5 CCM 501 BAMUS501CC CC Principles Of Music (POV) 70 30 100
5 CCM 502 BAMUS502CC CC Detail Study Of Raag (DSV) 70 30 100 5 CCM 503 BAMUS503CC CC History Of (HOV) 70 30 100 5 CCM/PRA 504 BAMUS501PR PR Practical Paper – I (PRI) 70 30 100 Any One Paper From BAMUS501PR- BAMUS503PR 5 CCM/PRA 505 BAMUS502PR PR Practical Paper – II (PII) 70 30 100 Any One Paper From BAMUS501PR- BAMUS503PR 5 CCM/PRA 506 BAMUS503PR PR Practical – III (III) 70 30 100 Any One From BAMUS501PR- BAMUS503PR Sem CC Old Paper Code New Paper Code Paper Type Paper Name Marking scheme Total Credit Remarks External Internal The Pra The Pra 6 CCM 601 BAMUS601CC CC Principles Of Music (PVI) 70 30 100 6 CCM 602 BAMUS602CC CC Detail Study Of Raag (DVI) 70 30 100 6 CCM 603 BAMUS603CC CC History Of (HVI) 70 30 100 6 CCM/PRA 604 BAMUS601PR PR Practical Paper – I (Basic Study) (PRI) 70 30 100 Any One From BAMUS601PR- BAMUS603PR 6 CCM/PRA 605 BAMUS602PR PR Practical Paper – II (Extensive Study) (PII) 70 30 100 Any One From BAMUS601PR- BAMUS603PR 6 CCM/PRA 606 BAMUS603PR PR Practical Paper – III (Light Classical 70 30 100 Any One Paper From BAMUS601PR- BAMUS603PR
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS102CC Semester : 1 Detail Study Of Raag – I (DSA) Course type : Core Complusory Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory (hrs) Practical (hrs) Internal (Marks) External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. Marks W + % Credit 1 0.1 Detailed study of all the prescribed Raags for the practical study. 04 2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags. 3 0.3 Swarvistar, Aalap, Taans, of different varities in the prescribed Raags. 4 0.4 Writing Notations of Cheezes ( Badakhayal & Chhota Khayal) & Taals as prescribed Raags. 5 0.5 Detailed knowledge of Taals under practical study with Dugun. 6 0.6 of Taals : Dadra, Kaharwa, TreeTaal, Ektal, HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : Programme Name : Music Course Code BAMUS103CC Semester : 1 History Of Music – I (HOI) Course type : Core Complusory Credit : 04 Teaching time (hours) Examination Marking scheme Theory Practical Internal External
(hrs) (hrs) (Marks) (Marks) (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. W + % Credit 1 0.1 (sangeet) – Defination, Interrelation between Gayan, Vadand & Nartan. 04 2 0.2 The two Systems of Indian Music (Hindustani & Karnatic) & their main characteristics. 3 0.3 Different opinions (Mythological & other) about the origin of Music. The relation between Folk Music & Classical Music. 4 0.4 Forms of composition in the modern age- Drupad, Dhamar(Hori), Khayal, & Thumri. 5 0.5 Musicians & Musicologists of modern age & their Life Sketches – Pt. Bhatkhande, Pt. Paluskar, Pt. Omkarnath Thakur, Pt. Ravishankar & Ut. Ahemed Jaan Thirakwa. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : Programme Name : Music Course Code BAMUS101PR Semester : 1 Practical Paper – I (Basic Study) (PRI) Course type : Practical Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory (hrs) Practical (hrs) Internal (Marks) External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. Marks W + % Credit 1 0.1 Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat. (i) Yaman (ii) Bihag 04
Scales. Arithmetic relations of shruties. Fundamental and overtones. Stroboscopic disc. 2 Section – II PRINCIPLES OF MUSIC (THEORY) (Marks for Section – II is 35) 2.1 Detailed study of the Time theory of raags, its principles & relation to aesthetics, raaag – samay siddhant, classification of raag according to the gayan Samay, Ardhwadarshak Swar, Raag Samay Chakra. 2.2 Classification of Raags (a) Raag-raagini, (b) Mela-Raag (c) Raagang raag (d) Shuddh Chhayalag Sankirna. 2.3 10 Principles of Raag according to the old treatises of Hindustani Music – Graha, Ansh, Nyas, Apanyas, Mandra, Taar, Alpatva, Bahutva, Shadatva, Audatva. Its relation with the modern system. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS302CC Semester : 1 Detail Study Of Raag – III (DSR) Course type : Core Complusory Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory (hrs) Practical (hrs) Internal External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. Marks W + % Credit 1 0.1 Detailed theoretical of the Raags prescribed for the Practical. 14 04 2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags prescribed for the Practical. 14 3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study. 14 4 0.4 Writing Notations of Cheezes (Gat for Instrumental Music) & Taals as prescribed. 14 5 0.5 Detailed study of the Taals studied up till now with Tigun, Dugun & Chaugun. (Study of Taals : Tilwada, Dhamar, Sultal) 14
1 0.1 Study of rendering different Tala-Aksharas on tabla in simple Tree Taal, Dadara, 04 2 0.2 Study of the following Talas with their bols ; All the Taals learnt in FY & Deepchandi,Roopak, 3 0.3 Voice culture & Swar Gyan through (i)Sargam Exercises (ii) Sargams Patterns to study Rhythms (iii) Scale Exercise (iv) Alankar (v) Practice in singing written Music (Sight singing or playing and writing notation), (vi) Application of Alankaras to Ragas (vii) Simple Bol-Taana Exercises 4 0.4 One Dhrupad and One Dhamar with Alap and Gayaki in : Hindol, Shankara, Adana, 5 0.5 VOCAL : (a) One Thumari with suitable improvisation in Raag Khamaj. 6 0.6 INSTRUMENTAL: Thumari / Dhun with improvisation in Raag Khamaj. 7 0.7 Bhajans or Folk Songs or light songs, out of which one should be in Raag Kalingada and another in Tilang. HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS401CC Semester : 1 Principles Of Music – IV (PIV) Course type : Core Complusory Total Credit : 04 Teaching time Examination Marking scheme Theory (hrs) Practical (hrs) Internal (Marks) External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. No. Content Hrs. W + % Credit 1 Section – I Applied Physics (Marks for Section – I is 35) 04 1.1 Sound – General Relationship Elementary idea of Doppler’s Principle, Physical significance of Harmony & Discord structure of human throat and ear. General principles of acoustics of buildings. Principles of radio and television.Experiments: (Practical) (Non Evaluative)
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags prescribed for the Practical. 14 3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study. 14 4 0.4 Writing Notations of Cheezes (Gat for Instrumental & Taals as prescribed 14 5 0.5 Detailed study of the Taals studied up till now with Tigun, Dugun & Chaugun. (Study of Taals : Deepchandi, Tiwra, Panjabi, Dhumali) 14 HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : BAMUS Programme Name : Music Course Code BAMUS403CC Semester : 1 History Of Music – IV (HIV) Course type : Core Complusory Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory (hrs) Practical (hrs) Internal (Marks) External Total 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. W + % Credit 1 0.1 Study of the Granthkars of the medieval period- Pt.Lochana, Pt.Ahobal, Pt.Hridaynarayan Deva, and Pt.Shrinivas with reference to their Shruti-Swar arrangement, length of swaras on an open string. arrangement. 04 2 0.2 Study of “Shrimallakshangitam” by Pt. Bhatkhande and contribution of Pt. Bhatkhande and Pt. Paluskar to Hindustani Music. 3 0.3 Short Life sketch and contribution of the following musicians and musicologists. Ut. Allaudin Khan, Ut. Nasiruddin Khan(Dagar), Ut. Natthukhan, Ut.Natthukhan, Ut.Munir khan.
(hrs) (hrs) (Marks) (Marks) (Marks) 4 X 15 = 60 30 70 ( of 3 hrs) 100 Unit No. Topic No. Content Hrs. Marks W + % Credit 1 0.1 One Bada Khayal or Masitkhani Gat & one Chhota Khayal with Aalap & Taan in Miya Malhar (ii) Multani 04 2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan in (i) Gaud Sarang (ii) Bahar HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN Programme code : Programme Name : Music Course Code BAMUS503PR Semester : 1 Practical – III (III) Course type : Practical Total Credit : 04 Teaching time (hours) Examination Marking scheme Theory (hrs) Practical (hrs) Internal (Marks) External (Marks) Total (Marks) 4 X 15 = 60 30 70 ( Paper of 3 hrs) 100 Unit No. Topic No. Content Hrs. Marks W + % Credit 1 0.1 Study of the following taals with practical rendering of Thekas : (i) Vilambit & Drut Tree Taal 04 2 0.2 (i) Training of Meend & Swar – Andolan (ii) Training Nom Tom Aalap (iii) Practice of 3 swar & 4 swar Taans (iv) Practice of Advanced Taans & Bol Taans 3 0.3 VOCAL: One Dhrupad and One Dhamar with Alap and Gayaki in : Gaud Malhar, Hamir, INSTRUMENTAL: Compositions set in taal other than tree taal in the following raags : Gaud Sarang, Multani, Jayjaywanti, 4 0.4 VOCAL: One Thumri with proper expression in : Khamaj and One Thumari with simple rendering in Jogiya, Three Bhajans or Folk Songs or Light Songs in Gujarati/Hindi
Unit No. Topic No. Content Hrs. W + % Credit 1 0.1 Study of the following taals with practical rendering of Thekas : (i) Vilambit & Drut Ektaal (iii) Vilambit & Drut Zumara 04 2 0.2 (i) Training of Meend & Swar – Andolan (ii) Training Nom Tom Aalap (iii) Practice of 3 swar & 4 swar Taans (iv) Practice of Advanced Taans & Bol Taans 3 0.3 VOCAL: One Dhrupad and One Dhamar with Alap and Gayaki in : Jaijaiwanti, Miya Malhar, Sohini, Malkauns, Todi INSTRUMENTAL: Compositions set in taal other than tree taal in the following raags : Sohini, Miya Malhar, Malkauns 4 0.4 VOCAL: One Thumri with proper expression in : BHAIRAVI and One Thumari with simple rendering in PILOO, Three Bhajans or Folk Songs or Light Songs in Gujarati/Hindi