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“Shakespeare’s Romantic Comedies” and “Twelfth Night”. Shakespeare: An Oxford Guide, ed. Stanley Wells and Lena Cowen Orlin. Oxford: Oxford Univ. Press, 2003. “Theories of Kingship in Shakespeare’s England.” A Companion to Shakespeare’s Works: The Histories, ed. Richard Dutton and Jean E. Howard. Oxford: Blackwell, 2003. of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom.” Shakespeare Survey 55 (2002), 82-95. “Vagrancy.” A Companion to Renaissance ed. Arthur F. Kinney. Oxford: Blackwell, 2002. “Recent Studies in Tudor and Stuart Drama.” Studies in English Literature 41 (2001): 417-465. “Goodly Spotty Globe: Earth and Moon in Renaissance Literature.” Earth, Moon, and Planets: An International Journal of Solar System Science 85 (1999): 5-23. “Love's Lost.” Shakespeare’s World and Work: An Encyclopedia for Students, ed. John F. Andrews. New York: Scribner’s, 2001. “‘And love you ‘gainst the nature of love’: Ovid, Rape, and The Two Gentlemen of Verona.” Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems, ed. A. B. Taylor. Cambridge: Cambridge Univ. Press, 2000. “Description,” in Shakespeare’s Dramatic Language, ed. Lynette Hunter, Magnusson, and Ann Thompson. London: Arden, 2000. “Semiotic Slippage: Identity and Authority in the English Renaissance.” The European Legacy 2.2 (1997). Reprinted in Nominalism and Literary Discourse: New Perspectives, ed. Hugo Keiper, Christoph Bode and Richard J. Witz. Amsterdam: Rodopi, 1997. “Love's Labor’s Lost: A Modern Perspective,” in the New Folger Edition of Love’s Labor’s Lost, ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1996. “The Crisis of the Sign: Vagrancy and Authority in the English Renaissance.” Semiotica 108-3/4 (1996): 381-388. “The Author,” in Thomas Middleton, The Witch, ed. Elizabeth Schafer. London: A&C Black, 1994. [Reprint from Women Beware Women edition]
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