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Deér, The Dynastic Porphyry Tombs of the Norman Period in Sicily, trans. G.A. Gillhoff, Cambridge, Mass., 1959 Cesare D’Onofrio, Visitiamo Roma mille anni fa. La città dei Mirabilia, Rome, 1988 Maurizio Campanelli, “Monuments and Histories: Ideas and Images of Antiquity in Some Descriptions of Rome,” in Rome Across Time and Space: Cultural Transmission and the Exchange of Ideas c. 500-1400, ed. Claudia Bolgia, Rosamond McKitterick, John Osborne, Cambridge, 2011, pp. 35-51 The Antique in the Middle Ages H. Wentzel, “Antiken-Imitationen des 12. und 13. Jahrhunderts in Italien,” Zeitschrift für Kunstwissenschaft, 9, 1955, pp. 29-72 Herbert Bloch, “The New Fascination with Ancient Rome,” in R. L. Benson and G. Constable, eds., Renaissance and Renewal in the Twelfth Century, Cambridge, Mass. 1982, pp. 615-636 Beryl Smalley, English Friars and Antiquity in the Early Fourteenth Century, Oxford, 1960 Erwin Panofsky, Renaissance and Renascences in Western Art, Stockholm, 1960 Louis Duchesne, “Vaticana. Notes sur la topographie de Rome au moyen-âge,” Mélanges de l’Ecole Française de Rome, 22, 1902; 25, 1905; 34, 1914; 35, 1915 Louis Duchesne, Scripta minora. Etudes de Topographie romaine et de géographie ecclésiastique (Colection de l’Ecole Française de Rome, 13), Rome, 1973 Michael Greenhalgh, The Survival of Roman Antiquities in the Middle Ages, London, 1989. Review by Arnold Esch, in Quellen und Forschungen aus Italienischen Archiven und Bibliotheken, 70/1990, pp. 556-572 Michael Greenhalgh, Marble Past, Monumental Present: Building with Antiquities in the Medieval Mediterranean, Leiden and Boston, 2009 Chiara Frugoni, A Distant City. Images of Urban Experience in the Medieval World (1983), trans. W. McCuaig, Princeton, 1991
Spolia in Constantinople R.M. Dawkins, “Ancient Statues in Mediaeval Constantinople,” Folklore, 35, 1924,, pp. 209-48 Cyril Mango, “Antique Statuary and the Byzantine Beholder,” Dumbarton Oaks Papers, 17, 1963, pp. 53-75 Cyril Mango, “Ancient Spolia in the Great Palace of Constantinople,” Byzantine East, Latin West. Art-historical Studies in Honor of Kurt Weitzmann, eds. Christopher Moss and Katherine Kiefer, Princeton, 1995, pp. 645-57 S.E. Bassett, “‘Omnium Paene Urbium Nuditate’: the Reuse of Antiquities in Constantinople, Fourth through Sixth Centuries,” diss., Bryn Mawr College, 1984 S. Guberti-Bassett, “The Antiquities in the Hippodrome of Constantinople,” Dumbarton Oaks Papers, 45, 1991, pp. 87-96 Helen Saradi, “The Use of Ancient Spolia in Byzantine Monuments: The Archaeological and Literary Evidence,” International Journal of the Classical Tradition, 3, 1997, pp. 395-423 Filippomaria Pontani, “EKLELEIMMENA EREIPIA. I bizantini e le rovine antiche,” in Walter Cupperi, ed., Senso delle rovine e riuso dell’antico (Annali della Scuola Normale Superiore di Pisa, ser. IV, Quaderni, 14, 2002), pp. 45-53 The Orders John Onians, Bearers of Meaning. The Classical Orders in Antiquity, the Middle Ages, and the Renaissance, Princeton, 1988 John Onians, “The System of the Orders in Renaissance Architectural Thought,” in Jean Guillaume, ed., Les traités d’architecture de la Renaissance (conference 1981), Paris, 1988, pp. 169-178 Jean Guillaume, ed., L’emploi des ordres dans l’architecture de la Renaissance (1986), Paris, 1992 James Ackerman, “The Tuscan/Rustic Order: A Study in the Metaphorical Language of Architecture,” JSAH, XLII, 1983, pp.
Rinascimento italiano ed europeo (2006), ed. Francesco Ceccarelli and Marco Folin, Florence, 2009, pp. 423-48 General Ruin and Untergang Literature William Hecksher, Die Romruinen. Die geistigen Voraussetzungen ihrer Wertung im Mittelalter und in der Renaissance, diss. Hamburg, 1936 W. Rehm, Der Untergang Roms im abenländischen Denken, 1966 Thomas Greene, “Resurrecting Rome: The Double Task of the Humanist,” in P.A. Ramsey, ed., Rome in the Renaissance: The City and the Myth, Binghamton, 1982, pp. 41-54 Francesco Orlando, Obsolete Objects in Literary Imagery: Ruins, Relics, Rarities, Bric-à-brac, Deserted Places, and Hidden Treasures, trans. Gabriel Pihas and Daniel Seidel, New Haven, 2006 (Translation of Gli oggetti desueti nelle immagini della letteratura. Rovine, reliquie, rarità, robaccia, luoghi inabitati e tesori nascosti, Turin, 1993) Horst Bredekamp, Sankt Peter in Rom und das Prinzip der produktiven Zerstörung. Bau und Abbau von Bramante bis Bernini, Berlin, 2000 Petrarch A. Mazzocco, ...Petrarch-Poggio-Biondo..., in A. Scaglione, ed., Francesco Petrarch Six Centuries ...., 1975, pp. 353-63 A. Mazzocco, .....Antiquarianism of Petrarch...., in Journal of Medieval and Renaissance Studies, 7, 1977, pp. 203-24 Francesco Petrarca, Letters on Familiar Matters. Rerum familiarium libri XVII-XXIV, trans. Aldo S. Bernardo, Baltimore and London, 1985. PQ4496 E29 E23 1975 3vols. Avignon & Naples. Italy in France - France in Italy in the Fourteenth Century, eds., Marianne Pade, Hannemarie Ragn Jensen and Lene Waage Petersen, Rome, 1997 Poggio Bracciolini
Filarete J. M. Huskinson, “The Crucifixion of St. Peter: A Fifteenth-Century Topographical Problem,” JWCI, XXXII, 1969, pp. 135-61 John Spencer, “Filarete, the Medallist of the Roman Emperors,” Art Bulletin, LXI, 1979, pp. 550-561 Cyriacus of Ancona Charles Mitchell, “Archaeology and Romance in Renaissance Italy,” in E.F. Jacob, ed., Italian Renaissance Studies, London, 1960, pp. 455-83 Charles Mitchell, “Ex libris Kiriaci Anconitani,” Italia Medioevale et Humanistica, V, 1962, pp. 283-299 Christine Smith, “Cyriacus of Ancona’s Seven Drawings of Hagia Sophia,” Art Bulletin, LXIX, 1987, pp. 16-32 Christian Hülsen, La Roma antica di Ciriaco d’Ancona. Disegni inediti del secolo XV, Rome, 1907 Christian Hülsen, “Il circo di Nerone al Vaticano secondo la descrizione inedita nel codice Ambrosiano di Giacomo Grimaldi,” Miscellanea Ceriani, Milan, 1910, pp. 255-278. Th. Mommsen, “Uber die Berliner Excerptenhandschrift des Petrus Donatus,” Jahrbuch der Königlich preussischen Kunstsammlungen, IV, 1883, pp. 73-89. Emil Reisch, “Die Zeichnungen des Cyriacus im Codex Barberini des Giuliano di San Gallo,” Mittheilungen des kaiserlich deutschen Archaeologischen Instituts. Athenische Abtheilung, XIV, 1889, pp. 217-228. R. Sabbadini, “Ciriaco d’Ancona e la sua descrizione autografa del Peloponneso trasmessa da Leonardo Botta,” Miscellanea Ceriani, Milan, 1910, pp. 181-243. Andreas Grüner, “Archäologie als Kapital – Die medialen Strategien des Cyriacus von Ancona (1390–1452),” in Münchner Jahrbuch der bildenden Kunst, 63, 2012, pp. 7-36
Maria Losito, “Pirro Ligorio e il Casino di Paolo IV nei giardini vaticani,” Regnum Dei, 125, Jan.-Dec. 1999, pp. 123-54 Maria Losito, Pirro Ligorio e il Casino di Paolo IV in Vaticano. L’“essempio” delle “cose passate”, Rome, 2000 Robert Gaston, “Merely Antiquarian: Pirro Ligorio and the Critical Tradition of Antiquarian Scholarship,” in The Italian Renaissance in the Twentieth Century (1999), eds. Allen Grieco, Michael Rocke, Fiorella Superbi, Florence, 2002, pp. 355-73 David Coffin, Pirro Ligorio: The Renaissance Artist, Architect, and Antiquarian, University Park, PA, 2004 (review by Nicola Courtright in JSAH, 65, 2006, pp.299-301 Alessandra Ten, Libro dell’antica città di Tivoli e di alcune famose ville, Rome, 2005 Claudia Via, “Tempus vincit omnia: Pirro Ligorio fra Roma e Ferrara,” in Programme et invention dans l’art de la Renaissance (Collection d’histoire de l’art de l’Académie de France à Rome, 7), eds. M. Hochmann, J. Kliemann, J. Koering, P. Morel, Rome and Paris, 2008, pp. Ian Campbell, “The ‘Minerva Medica’ and the Schola Medicorum: Pirro Ligorio and Roman Toponymy,” Papers of the British School at Rome, 79, 2011, pp. 299-328 Sarah McPhee and Margaret Duval Shufeldt, eds., Antichità Teatro Magnificenza: Renaissance & Baroque Images of Rome (exhib. cat.), Atlanta, 2013 Naples Nicolas Bock, “Antiken- und Florenzrezeption in Neapel,” in Klaus Bergdolt and Giorgio Bonsanti, eds., Opere e giorni. Studi su mille anni di arte europea dedicate a Max Seidel, Venice, 2001, pp.241-52 Bianca de Devitiis, “New Evidence for Sculptures from Diomede Carafa’s Collection of Antiquities,” JWCI, 70, 2007, pp. 99-117 Coins and Numismatics
Antikensammlungen des europäischen Adels im 18. Jahrhundert als Ausdruck einer europäischen Identität (1996), Dietrich Boschung and Henner von Hesberg, eds., Mainz, 2000 Bruce Redford, Venice and the Grand Tour, New Haven and London, 1996 Jeffrey Collins, “Non tenuis gloria: The Quirinal Obelisk from Theory to Practice,” Memoirs of the American Academy in Rome, 42, 1997, pp. 187-245 Frank Salmon, Building on Ruins. The Rediscovery of Rome and English Architecture, Aldershot and Burlington, VT, 2000 Bernard Frischer and Iain Gordon Brown, eds., Allan Ramsay and the Search for Horace’s Villa, Aldershot and Burlington, VT, 2001 Ilaria Bignamini and Clare Hornsby, with additional research by Irma Della Giovampaola and Jonathan Yarker, Digging and Dealing in Eighteenth-Century Rome, 2 vols., New Haven and London, 2010 Ilaria Bignamini, “Introduction. The British Conquest of the Marbles of Ancient Rome: Aspects of the Material and Cultural Conquests,” in Ilaria Bignamini and Clare Hornsby, with additional research by Irma Della Giovampaola and Jonathan Yarker, Digging and Dealing in Rome, 2 vols., New Haven and London, 2010, pp. 1-16 Daniela Gallo, ed., Filippo Buonarroti e la cultura antiquaria sotto gli ultimi Medici (ex. cat.), Florence, Casa Buonarroti, 1986 Ruth Guilding, Owning the Past: why the English Colleced Antique Sculpture, 1640-1840, New Haven, 2014 Pierre de la Ruffinière du Prey, Hawksmoor’s London Churches: Architecture and Theology, Chicago and London, 2000, ch. 1: “Wren, Hawksmoor, and gtheWonders of the World,” pp. Vaughan Hart, Nicholas Hawksmoor: Rebuilding Ancient Wonders, New Haven and London, 2002, ch. 2: “‘Perfectly skill’d in the History of Architecture…in every part of the world’: Hawksmoor and Exotic Architecture,” pp. 38-64 Francesco Bianchini (1662-1729)