Vietnam War, the Persian Gulf war and our wars in Afghanistan and Iraq — and still has several decades of martial possibilities in reserve. As the earlier of those wars recede into the past, their old soldiers fade away; and thus, commemorative rites for the veteran — by definition, the survivor — also tend to end, perversely, at graves. How to commemorate the living veteran? Again, some guidance can be found in epic, the crucible of heroic mores. Old Nestor, the iconographic veteran, is a teller of many tales of the many battles he once waged. “In my time I have dealt with better men than/you are, and never once did they disregard me,” he tells the entire Greek army in “The Iliad.” “I fought single-handed, yet against such men no one/could do battle.” Although he is a somewhat comic figure, his speeches are deadly earnest; Old Nestor knows that his is the only voice to keep memory of such past campaigns alive. One suspects such lengthy recitations are rare today. Rarer still is the respectful audience enjoyed by Nestor; impatience with such reminiscences began well before our age. “Menelaus bold/waxed garrulous, and sacked a hundred Troys/’Twixt noon and supper,” wrote Rupert Brooke, cynically, during the years leading up to a later Great War. Today, veterans’ tales are more likely to be safeguarded in books and replicated in movies than to a respectful throng. Detailed knowledge of the experience in which a veteran’s memories were forged is thus made common. To learn these stories is both civilian duty and commemoration. Death on the field and the voyage home — both are epic. Caroline Alexander is the author of “The Endurance,” “The Bounty” and, most recently, “The War That Killed Achilles: The True Story of Homer’s ‘Iliad’ and the Trojan War.” Identify 3 claims or points made in Article #2 in the order it is made Describe how each claim or point is developed and refined by particular phrases, sentences, paragraphs, or sections. (Use evidence from the article) Summarize how the evidence supports the claim Claim 1 Evidence
Claim 2 Evidence Claim 3 Evidence The Truth About Being a Hero Karl Marlantes on what makes men heroes—in their own hearts and in the eyes of others August 20, 2011 In 1968, at age 23, Karl Marlantes shipped off to Vietnam as a second lieutenant in charge of 40 Marines—an experience he later drew on for his novel "Matterhorn." In this excerpt from his forthcoming memoir, "What It Is Like to Go to War," he reflects on the motives and transcendent moments of heroism. We all want to be special, to stand out; there's nothing wrong with this. The irony is that every human being is special to start with, because we're unique to start with. But we then go through some sort of boot camp from the age of zero to about 18 where we learn everything we can about how not to be unique. This spawns an unconscious desire to prove yourself special, but now it's special in the eyes of your peers and it comes out in the form of being better than or having power over someone else. In the military I could exercise the power of being automatically respected because of the medals on my chest, not because I had done anything right at the moment to earn that respect. This is pretty nice. It's also a psychological trap that can stop one's growth and allow one to get away with just plain bad behavior. Looking even deeper, I realize now that I also had very mixed feelings about some of the medals on my chest. I knew many Marines had done brave deeds that no one saw and for which they got no medals at all. I was having a very hard time carrying those