Collins, F and Davis, T. 2004 Australian Cinema after Mabo Cambridge, UK. Cambridge University Press Combs, CS. 2014 Deathwatch: American Film, Technology, and the End of Life New York, NY, USA. Columbia University Press Cousins, M. 2011 The Story of Film: A Concise History of Film and an Odyssey of International Cinema London, UK. Pavilion Books Cresswell, T and Dixon, D. (Eds.) 2002 Engaging Film: Geographies of Mobility and Identity Lanham, MD, USA. Rowman & Littlefield Publishers Dennison, S and Lim, SH. (Eds.) 2006 Remapping World Cinema: Identity, Culture and Politics in Film London, UK. Wallflower Press DiPaolo, M. 2011 War, Politics and Superheroes: Ethics and Propaganda in Comics and Film Jefferson, NC, USA. McFarland & Company Downing, JDH. (Ed.) 1998 Film and Politics in the Third World Autonomedia Dyer, R. 1997 White: Essays on Race and Culture Abingdon, UK. Routledge Elsaesser, T. 2014 European Cinema: Face to Face with Hollywood Amsterdam, The Netherlands. Amsterdam University Press Finney, A. 2014 The International Film Business Abingdon, UK. Routledge
Lastra, J. 2000 Sound Technology and the American Cinema: Perception, Representation, Modernity New York, NY, USA. Columbia University Press Lobato, R. 2012 Shadow Economies of Cinema: Mapping Informal Film Distribution London, UK. British Film Institute Monaco, J. 1981 How to Read a Film: The Art, Technology, Language, History and Theory of Film and Media New York, NY, USA. Oxford University Press Monaco, J. 2009 How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory New York, NY, USA. Oxford University Press Naficy, H. 1999 Home, Exile, Homeland: Film, Media and the Politics of Place Abingdon, UK. Routledge Nagib, L, Perriam, C and Dudrah, R. (Eds.) 2012 Theorizing World Cinema New York, NY, USA. I.B. Tauris & Co Ltd. Parkinson, D. 2012 History of Film (World of Art) London, UK. Thames & Hudson Thompson, K and Bordwell, D. 2009 Film History: An Introduction New York, NY, USA. McGraw-Hill Education Turner, G. (Ed.) 2001 The Film Cultures Reader Abingdon, UK. Routledge Ulin, JC. 2013 The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World Burlington, MA, USA. Focal Press Utterson, A. (Ed.) 2005 Technology and Culture: The Film Reader Abingdon, UK. Routledge
Bibliography and useful resources Film elements Author Year Title Publisher Altman, R. 1984 “A Semantic/Syntactic Approach to Film Genre” Cinema Journal. Vol 23, number 3. Pp 6–18. Barker, M and Arthurs, J. 2001 The Crash Controversy: Censorship Campaigns and Film Reception London, UK. Wallflower Press Bordwell, D and Thompson, K. 2016 Film Art: An Introduction New York, NY, USA: Brown, B. 2002 Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers Burlington, MA, USA. Focal Press Brown, B. 2011 Cinematography: Theory and Practice: Image Making for Cinematographers and Directors Burlington, MA, USA. Focal Press Buscombe, E. 1970 “The Idea of Genre in American Cinema” Screen. Vol 11, number 2. Pp 33–45. Chapman, J, Glancy, M and Harper, S. 2007 The New Film History: Sources, Methods, Approaches London, UK. Palgrave MacMillan Chatman, S. 1980 Story and Discourse: Narrative Structure in Fiction and Film New York, NY, USA. Cornell University Press
Christie, I. (Ed.) 2014 Audiences: Defining and Researching Screen Entertainment Reception Amsterdam, The Netherlands. Amsterdam University Press Cook, DA. 2016 A History of Narrative Film New York, NY, USA. W.W. Norton & Company Davis, G, Dickinson, K, Patti, L and Villarejo, A. 2015 Film Studies: A Global Introduction Abingdon, UK. Routledge Dix, A. 2008 Beginning Film Studies Manchester, UK. Manchester University Press Fabe, M. 2014 Closely Watched Films: An Introduction to the Art of Narrative Film Technique Oakland, CA, USA. University of California Press Fife Donaldson, L. 2014 Texture In Film (Palgrave Close Readings in Film and Television) London, UK. Palgrave Macmillan Foster, TC. 2016 Reading the Silver Screen: A Film Lover’s Guide to Decoding the Art Form That Moves New York, NY, USA. Harper Perennial Gibbs, J. 2002 Mise-en-Scène: Film Style and Interpretation New York, NY, USA. Columbia University Press Hall, B. 2015 Understanding Cinematography Ramsbury, UK. The Crowood Press Ltd
Hill, J and Church Gibson, P. (Eds.) 2000 World Cinema: Critical Approaches Oxford, UK. Oxford University Press Hill, J and Church Gibson, P. (Eds.) 2002 The Oxford Guide To Film Studies New York, NY, USA. Oxford University Press Lenos, M and Ryan, M. 2012 An Introduction to Film Analysis: Technique and Meaning in Narrative Film New York, NY, USA. Bloomsbury Publishing Martin, A. 2014 Mise en Scène and Film Style: From Classical Hollywood to New Media Art London, UK. Palgrave Macmillan McClean, ST. 2008 Digital Storytelling: The Narrative Power of Visual Effects in Film Cambridge, MA, USA. The MIT Press McIver, G. 2016 Art History for Filmmakers London, UK and New York, NY, USA. Fairchild Books Moran, A and Aveyard, K. 2013 Watching Films: New Perspectives on Movie-going, Exhibition and Reception Bristol, UK. Intellect Books Nelmes, J. (Ed.) 2011 Introduction to Film Studies Abingdon, UK. Routledge Sikov, E. 2009 Film Studies: An Introduction New York, NY, USA: Columbia University Press
Lim, SH and Ward, J. (Eds.) 2011 The Chinese Cinema Book London, UK. British Film Institute Martin, S. 2011 New Waves in Cinema Harpenden, UK. Kamera Books Neupert, R. 2007 A History of the French New Wave Cinema Madison, WI, USA. The University of Wisconsin Press Pizzera, J. 2010 Cinéma du look: Spiegel einer Generation Saarbrücken, Germany. VDM Pop, D. 2014 Romanian New Wave Cinema: An Introduction Jefferson, NC, USA. McFarland & Company Rahbaran, S. 2015 Iranian Cinema Uncensored: Contemporary Film-makers Since the Islamic Revolution New York, NY, USA. I.B. Tauris & Co Rajadhyaksha, A and Willemen, P. (Eds.) 1999 Encyclopedia of Indian Cinema Abingdon, UK. Routledge Rich, BR. 1998 Chick Flicks: Theories and Memories of the Feminist Film Movement Durham, NC, USA. Duke University Press Roberts, I. 2008 German Expressionist Cinema: The World of Light and Shadow London, UK. Wallflower Press
Scheunemann, D. 2006 Expressionist Film — New Perspectives Rochester, NY, USA. Camden House Shiel, M. 2006 Italian Neorealism: Rebuilding the Cinematic City New York, NY, USA. Columbia University Press Stevenson, J. 2004 DOGME UNCUT: Lars Von Trier, Thomas Vinterberg, and the Gang that Took on Hollywood Santa Monica, CA, USA. Santa Monica Press Swann, P. 2008 British Documentary Film Movement, 1926–1946 Cambridge, UK. Cambridge University Press Tapper, R. 2002 The New Iranian Cinema: Politics, Representation and Identity New York, NY, USA. I.B. Tauris & Co Taylor, BF. 2012 The British New Wave: A Certain Tendency? Manchester, UK. Manchester University Press Temple, M and Witt, M. (Eds.) 2004 The French Cinema Book London, UK. British Film Institute Tweedie, J. 2013 The Age of New Waves: Art Cinema and the Staging of Globalization Oxford, UK. Oxford University Press Vincendeau, G. and Graham, P. 2009 The French New Wave: Critical Landmarks London, UK. British Film Institute
Osborne, R and Brew, A. 2014 Film Theory for Beginners London, UK. Zidane Press Stam, R. 2000 Film Theory: An Introduction Malden, UK. Publishing Film production roles—cinematographer Author Year Title Publisher Brown, B. 2011 Cinematography: Theory and Practice: Image Making for Cinematographers and Directors Burlington, MA, USA. Focal Press Frost, JB. 2009 Cinematography for Directors: A Guide for Creative Collaboration Studio City, CA, USA. Michael Wiese Productions Hall, B. 2015 Understanding Cinematography Ramsbury, UK. The Crowood Press Landau, D. 2014 Lighting for Cinematography New York, NY, USA. Bloomsbury Publishing Malkiewicz, K and Mullen, MD. 2005 Cinematography: Third Edition: The Classic Guide to Filmmaking New York, NY, USA. Fireside Stump, D. ASC 2014 Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows Burlington, MA, USA. Focal Press
Tomaric, JJ. 2015 Film Skills Cinematography: Master the Art and Craft of Light and the Lens n.p.: CreateSpace Independent Publishing Platform Film production roles—director Author Year Title Publisher Cox, A. 2016 Alex Cox’s Introduction to Film: A Director’s Perspective Harpenden, UK. Kamera Books Katz, SD. 1991 Film Directing Shot by Shot: Visualizing from Concept to Screen Studio City, CA, USA. Michael Wiese Productions Katz, SD. 2004 Film Directing: Cinematic Motion: A Workshop for Staging Scenes Studio City, CA, USA. Michael Wiese Productions Mackendrick, A and Cronin, P. 2004 On Film-Making: An introduction to the Craft of the Director New York, NY, USA. Faber & Faber Proferes, N. 2008 Film Directing Fundamentals: See Your Film Before Shooting Burlington, MA, USA. Focal Press Rabiger, M and M. 2013 Directing: Film Techniques and Aesthetics Burlington, MA, USA. Focal Press Russell, K. 2001 Directing Film: The Directors Art from Script to Cutting Room London, UK. Batsford
Film production roles—sound Author Year Title Publisher Beck, J and Grajeda, T. (Eds.) 2008 Lowering the Boom: Critical Studies in Film Sound Champaign, IL, USA. University of Illinois Press Holman, T. 2010 Sound for Film and Television Burlington, MA, USA. Focal Press Moroz, P. 2016 To Become a Sound Designer: Advice For Starting Up as a Sound Designer n.p.: CreateSpace Independent Publishing Platform Sonnenschein, D. 2001 Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema Studio City, CA, USA. Michael Wiese Productions Viers, R. 2008 The Sound Effects Bible: How to Create and Record Hollywood Style Sound Effects Studio City, CA, USA. Michael Wiese Productions Viers, R. 2012 Location Sound Bible: How to Record Professional Dialogue for Film and TV Studio City, CA, USA. Michael Wiese Productions Winters, P. 2016 Sound Design for Low and No Budget Films Burlington, MA, USA. Focal Press
Film production roles—writer Author Year Title Publisher Borders, M. (Ed.) 2013 Screenwriting 101 by Film Crit Hulk! n.p.: Bad Ass Digest Cowgill, LJ. 2005 Writing Short Films: Structure and Content for Screenwriters New York, NY, USA. Publications Davis, R. 2008 Writing Dialogue for Scripts: Effective Dialogue for Film, TV, Radio and Stage New York, NY, USA. Bloomsbury Publishing Field, S. 2005 Screenplay: The Foundations of Screenwriting: A Step-by-Step Guide from Concept to Finished Script New York, NY, USA. Bantam Dell Nash, P. 2012 Short Films: Writing the Screenplay (Creative Essentials) Harpenden, UK. Creative Essentials Walter, R. 2010 Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing London, UK. Penguin Books (Plume) Yorke, J. 2014 Into the Woods: How Stories Work and Why We Tell Them London, UK. Penguin Books