Jerome J. McGann, The Beauty of Inflections: Literary Investigations in Historical Method and Theory (Oxford University Press, 1988), especially the following chapter ‘The Monks and the Giants: Textual and Bibliographical Studies and the Interpretation of Literary Works’ General, Introductory, Theoretical and Reference Works Bajetta, Carlo M. “The Authority of Editing: Thoughts on the Function(s) of Textual Criticism,” Textus 19 (2006), 305–22. Barnard, John, and McKenzie, D. F., with Bell, Maureen, eds., The Cambridge History of the Book in Britain, Vol. 4: 1557-1695. Cambridge, 2002. Barney, Stephen, ed., Annotation and its Texts (New York and Oxford: Oxford University Press, 1991) Roland Barthes, ‘The Death of the Author’, in Image-Music-Text, tr. Stephen Heath (London: Fontana, 1977), 142-8. Sarah Brouillette, Postcolonial Writers in the Global Literary Marketplace (Palgrave Macmillan, 2007) Caroline Davis, Creating Postcolonial Literature: African Writers and British Publishers (Palgrave Macmillan, 2013) Dillon, Janette. “Is There a Performance in This Text?”, Shakespeare Quarterly 45 (1994), 74–86 Eisenstein, Elizabeth L. The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-modern Europe. (Cambridge: Cambridge University Press, 1979). Simon, Andrew Nash, and Ian Willison, eds. Literary Cultures and the Material Book (The British Library, 2007). Finneran, Richard J., ed. The Literary Text in the Digital Age (Ann Arbor: University of Michigan Press, 1996). Michel Foucault, ‘What Is An Author’, in The Foucault Reader, ed. Paul Rabinow (New York: Random House, 1984), 101-20. Gabler, Hans Walter. “Beyond Author-Centricity in Scholarly Editing,” Journal of Early Modern Studies 1.1 (2012), 15–35. Philip Gaskell, A New Introduction to Bibliography (OUP, 1972, rev edn 1974) Genette, Gérard, Paratexts: Thresholds of Interpretation, tr. Jane E. Lewin, (Cambridge: Cambridge University Press, 1997) D. C. Greetham, Textual Scholarship: An Introduction (New York: Garland, 1994)
Walter W. Greg, “The Rationale of Copy-Text,” Studies in Bibliography 3 (1950–1), 19–36. Philip Hamburger, ‘The Development of the Law of Seditious Libel and the Control of the Press’ Stanford Law Review 37 (1984-1985), 661-765 Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making (Chicago: University of Chicago Press, 1998). Jerome J. McGann, A Critique of Modern Textual Criticism (Chicago: University of Chicago Press, 1983) D. F. McKenzie, Bibliography and the Sociology of Texts (CUP, 1999) McKenzie, D. F., Making Meaning: ‘Printers of the Mind’ and Other Essays, Studies in Print Culture and the History of the Book (Amherst: University Of Massachusetts Press, 2002) McClaverty, ‘The Concept of Authorial Intention in Textual Criticism’ The Library, Sixth Series, 6 (1984), pp. 121-138 Jerome J. McGann, The Textual Condition (Princeton UP, 1991) Moretti, Franco, Graphs, Maps, Trees: Abstract Models for a Literary History (London: Verso, 2005) Raven, James, The Business of Books: Booksellers and the English Book Trade, (New Haven: Yale University Press, 2007) Schreibman, Susan, Ray Siemens, and John Unsworth, eds. A Companion to Digital Humanities online here: Shillingsburg, Peter L. From Gutenberg to Google: Electronic Representation of Literary Texts (Cambridge: Cambridge University Press, 2006). Tanselle, G. Thomas. A Rationale of Textual Criticism (Philadelphia: University of Pennsylvania Press, 1989) Tanselle, G. Thomas, “The Editorial Problem of Final Authorial Intention,” Studies in Bibliography 29 (1976), 167–211 Tanselle, G. Thomas, “Editing without a Copy-Text,” Studies in Bibliography 47 (1994), Rpt. in Tanselle, Literature and Artifacts (Charlottesville: Bibliographical Society of the University of Virginia, 1998), 236–57. Taylor, Gary. “The Rhetoric of Textual Criticism,” TEXT 4 (1988), 39–57 Wells, Stanley, and Gary Taylor with John Jowett and William Montgomery, William Shakespeare: A Textual Companion (Oxford: Oxford University Press, 1987)
Williams, William Proctor, and Craig S. Abbott. An Introduction to Bibliographical and Textual Studies (New York: The Modern Language Association of America, 1999). Interesting Editions and Discussions of Specific Authors / Texts Andrew Bennett, Wordsworth Writing (CUP, 2007) Briggs, ‘Between the Texts: Virginia Woolf’s Acts of Revision’, TEXT, 12 (1999), 143-65 Fraistat, Neil. “Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance,” PMLA 110 (May 1994), 409–23. Gabler, Hans Walter, ed. Ulysses: A Critical and Synoptic Edition (New York: Garland), 1984. Lernout, Geert, “Controversial Editions: Hans Walter Gabler’s Ulysses,” Text: An Interdisciplinary Annual of Textual Studies 16 (2006), 229–41. James McLaverty, Pope, Print, and Meaning (OUP, 2001) James McLaverty, ‘The Mode of Existence of Literary Works of Art: The Case of the “Dunciad Variorum”’ Studies in Bibliography 37 (1984), pp. 82-105 Sutherland, Kathryn, Jane Austen’s Textual Lives: From Aeschylus to Bollywood (Oxford: Oxford University Press, 2005). Thompson, Ann, and Neil Taylor, eds., Hamlet: The Texts of 1603 and 1623, 2 vols. (London: Arden Shakespeare, 2006). Stephen Urkowitz, ‘Well-sayd olde mole’: Burying Hamlets in Modern Editions,’ in Shakespeare Study Today, ed. by Georgianna Ziegler (New York: AMS Press, 1986), 37-80 Viscomi, Joseph, and the Idea of the Book (Princeton: Princeton University Press, 1993) Werstine, Paul. “The Textual Mystery of Hamlet,” Shakespeare Quarterly 39 (1988), 1–26. Online The William Blake Archive Emily Dickinson, Dickinson Electronic Archives The Walt Whitman Archive The Complete Writings and Pictures of Dante Gabriel Rossetti: A Hypermedia Archive Jane Austen’s Fiction Manuscripts: An online ‘collation’ tool: