Note: - Internal Assessment 20% in each theory paper based on the following criteria: (i) Two handwritten Assignments : 50% (1st Assignment after one month & 2nd after two months) Class Test (One period duration) : 25% (iii) Attendance : 25% Marks for attendance will be given as under:- (1) 91% onwards : 5 Marks (4) 70% to 74% : 2 Marks (2) 81% to 90% : 4 Marks (5) 65% to 69% : 1 Marks (3) 75% to 80% : 3 Marks Suggested books- 1 Masterpieces of Indian Bronze& Metal sculpture Rustam J. Mehta 2 Sculpting in steel and other metals- Arthur Zaidenberg 3 Modeling a figure in clay –Albert pounteney 4 Principles of metal casting – Richard W. Heine &Philip C. Rosenthal 5 Manual of Direct Metal Sculpture – Thames and Hudson 6 Sculpture of primitive man – Warner Muensterberger 7 George Segal – Sem hunter/Don howthorne 8 Chola Bronze – Dougles Barrett 9 Contemporary Stone Sculpture – Donaz DETAILED SYLLABUS (Practical) Examination: M.F.A. Second Semester Paper:- MFA-C-203 (Practical) Option I- Creative Sculpture, OR Option II- Figurative Sculpture Sessional Work No. of Assignments : 4+1 (Installation) sketches : 250 Examination: M.F.A. ( Second Semester) Paper: MFA-C 204 Display+ Viva-voce+Project Report Max Marks: 100 (50+25+25) Credit : 4 Instructions (i) Display of his/her own Art work done during 1st Semester will be conducted at the end of semester (ii) Viva-Voce will be conducted by Internal and External Examiner (iii) Project Report will be presented in Seminar Course of Study Project Historical Sites, National Monuments, Review of National Art Fairs, Exhibitions. Galleries, Advertising Agencies, Contemporary Art Issues. Review about his/her Art work.
Suggested Book Readings Graphic Art in since 1850 - Lalit Kala Academy Contemporary Art (Journal) – Kala Academy Water Based Screen Printing – Steve Hoskins Stone Lithography – Paul Croft Digital Printmaking – George and Naren Barfield. The Complete Printmaker (Techniques/Traditions/Innovations) – John Ross/Clare Romano/Tim Ross Block and Silk Screen Printing – G. Ahlberg and O. Jarneryd. Early Graphic Art in Bengal (Journal) – Lalit Kala Academy, Pranabranjan Roy. Three Graphic Artist (Journal) – Lalit Kala Academy, Geeta Kapoor. Graphic Art and Craft – D. Kauffmann. Silk Screen Techniques – Biegeleisen and Cohn The Art of the Print – Fritz Eichenberg. Print Making Today – Jules Heller Graphic Art of 18th Century – Jean Adhemer. A Half Century of American Print Making – A Fern Great Prints of the world – Peterdi Gabor Modern Japanese Prints – Oliver Statler. The Art of Lithography – D.C. Berri Offset Printing from stone and plates – Charles Harrap. Japanese Woodblock printing – Umetaro Azechi. Experiments in Wood Cut – Wodern Day. An Introduction to a History of Wood cut – A.M. Hind Wood Cut and Wood Engravings and How I make them – H.A. Mueller. The Collograph – David Bernard A History of Etching and Engraving – Arthur Hind Silk Screen Printing for the Artist – Roger Marsh Silk Screen Method of Reproduction – Bert Zahn Japanese wood cutting and wood cut printing – Mr. T. Tokuno. Hkkjrh; Nkikfp= dyk % Mk- lquhy dqekj Dictionary of Making Terms – Rosemary Simmons The complete print maker (Techniques/traditions/innovations) – John Ross/Clarc Romano/Tim Ross How to Identity Prints – Bamber Gaspogne Kurukshetra University, Kurukshetra