乔瓦尼·费利切·桑切斯

**喬瓦尼・費利切・桑切斯**（義大利語：**Giovanni Felice Sances**，「**Sances**」也寫作「**Sancies**」「**Sanci**」「**Sanes**」或「**Sanchez**」，約 1600 年 - 1679 年 11 月 24 日），義大利歌唱家、巴洛克時期作曲家，在世時享譽歐洲。

1609 年 - 1614 年間，桑切斯在位於羅馬的日耳曼大學學習。1614 年，他曾在歌劇 _Amor pudico_ 中上台演出。他的職業生涯始於博洛尼亞與威尼斯這兩座城市。桑切斯的第一部歌劇 _Ermiona_ 於 1636 年首次亮相，其本人也親自登台演唱 Sances studied at the Collegio Germanico in Rome from 1609 to 1614. He appeared in the opera _Amor pudico_ in Rome in 1614. His career then took him to Bologna and Venice. His first opera _Ermiona_ was staged in Padua in 1636, in which he also sang.

1636 年，桑切斯前去維也納，在此地他最初受僱於皇家宮廷，成為一名男高音。在 1649 年斐迪南三世統治期間，他委任副宮廷樂長，此時正樂長為安東尼奧・貝塔利。二人相互協作，定期將義大利歌劇搬上舞台。桑切斯還創作了如 _sepolcri_、聖樂及室內樂這些類型的作品。In 1636 he moved to Vienna, where he was initially employed at the imperial court chapel as a tenor. In 1649, during the reign of Ferdinand III he was appointed vice-_Kapellmeister_ under Antonio Bertali. He collaborated with Bertali to stage regular performances of Italian opera. He also composed _sepolcri_, sacred works and chamber music.

1669 年貝塔利去世後，他成功任命宮廷樂長一職。出於健康原因，從 1673 年始，他的副手約翰・海因里希・施梅爾策逐漸承擔他的工作。1679 年，桑切斯逝於維也納。In 1669 he succeeded to the post of Imperial _Kapellmeister_ upon Bertali's death. From 1673, due to poor health, many of his duties were undertaken by his deputy Jodhann Heinrich Schmelzer. He died in Vienna in 1679.

## 作品

### 宗教音樂作品 Sacred works

#### 出版的經文歌集 Published motet collections

* Motetti a una, due, tre, e quattro voci (1638)
* Motetti a 2, 3, 4, a cinque voci con Litania della BVM (1642) dedicated to Guglielmo Slavata chancellor
* Salmi a 8 voci (1643) dedicated to Archduke Leopold Wilhelm
* Salmi brevi a 4 v. concertate (1647, Cardano) dedicated to Ferdinand IV, King of the Romans
* Antiphonae sacrae una voce decantandae (1648, Cardano) dedicated to Antonio Spindler abbot of the Schottenkirche
* Motetti a quattro voci ; Venice, 1658

#### Various works

* 60 Mass settings including
  * _Missa Sanctae Maria Magdalenae_ (for 6 wind instruments, 6 string instruments, 7 voices, and organ)
  * _Missa Solicita_
* _Stabat Mater_ (1670)
* _O Domine Jesu_
* _O Deus Meus_
* _O Maria Dei genetrix_
* _Caro Mea_
* _Improperium expectavit cor meum_
* _Vulnerasti cor meum_
* _Domine quid multiplicati sunt_
* _Plagae tuae Domine_
* _Iste confessor_

### 世俗音樂作品 Secular works

Six operas, of which three lost

* Opera: _L』Ermiona_ (1636) - lost - libretto by Pio Enea degli Obizzi (1592–1674) on the story of Cadmus and Hermione, performed as an introduction to a tournament.
* Oratorios: _Lachrime di San Pietro_ (1666) La morte de bellata (1669), Sette consolazioni a Maria Vergine per la morte di Cristo (1670), Il trionfo della Croce (1671), Il Paradiso aperto per la morte di Cristo (1672), L' ingiustitia della sentenza di Pilato (1676)

#### Published secular music

* Cantatas book I - lost (date unknown)
* Cantatas for one voice (Venice 1633)
* Cantatas for two voices (Venice 1633)
* Il Quarto Libro, cantatas for one voice, with two duets and one for three voices. (Venice 1636)
* Capricci Poetici, 23 works (Venice 1649)
* Trattenimenti musicali per camera, (Venice, 1657), 16 works

#### Various

* _Mi fai peccato_ (for 2 voices & basso continuo)
* _Si fera s'uccida_, (for 2 voices, strings & basso continuo)
* _Misera, hor si ch'il pianto_
* _Chi sa amare e tracer mercede aspetti_ (_canzonetta_ for 2 voices)
* _Presso l'onde tranquille_ (for voice & basso continuo)
* _Traditorella che credi_ (for voice & basso continuo)
* _Perché Vechia gli dissi_ (for voice & basso continuo)
* _Che sperasti ò mio cor_ (for voice & basso continuo)
* Cantata: _Lagrimosa beltà (ciaccona)_ (for 2 voices)
* Cantata: _Non sia chi mi riprende_ (1636)
* _Dialogo a due. Pastor e Ninfa_ (1649)
* Pianto della Madonna cantata per alto e organo

## 參考資料

* _Il quarto libro delle cantate et arie a voce sola_, Venetia, Vincetini, 1636
* _Capricci poetici di Gioan Felice Sances_, Venetia, Gardano, 1649
* Carter, Stewart, "Trombone Obbligatos in Viennese Oratorios of the Baroque", Historic Brass Society Journal, p55, July 1, 1990.
* Sadie, Julie Anne, ed., "Companion to Baroque Music", University of California Press, 1998. ISBN 0-520-21414-5. Pages 257–8
* Weaver, Andrew H., "Music in the Service of Counter-Reformation Politics: The Immaculate Conception at the Habsburg Court of Ferdinand III (1637–1657)", Oxford University Press, 2006.
* Rosand, Ellen, "The Descending Tetrachord: An Emblem of Lament", The Musical Quarterly, 1979 LXV(3):346–359; doi:10.1093/mq/LXV3.346, Oxford University Press, 1979

**Specific**

## Recordings

* _Tirsi Morir Volea,_ Sacro & Profano, Marco Mencoboni E lucevan le stelle records （頁面存檔備份，存於網際網路檔案館）
* _Dulcis amor Iesu._ Scherzi Musicali with Nicolas Achten, conductor. 2010, Ricercar RIC 292
* _Stabat Mater & Motets to the virgin Mary - Philippe Jaroussky - Warner Classics - Aout 2009_

## 外部連結

* 公有領域聲樂檔案館上喬瓦尼・費利切・桑切斯的作品
* 喬瓦尼・費利切・桑切斯的樂譜，來自烏托邦計劃