星際迷航 (電影)
Star Trek (film)

context: zh_tw: 在 1968 年的世界科幻大會上，《星際旅行》的創始人吉恩・羅登伯裡宣佈說，他將製作一出電視劇的電影前傳。1980 年代，拉爾夫・溫特與哈維・貝內特在發展第四部與第六部電影時，曾兩度重新提出前傳的概念。再往後，戴維・拉菲裡曾寫出了名為《學院年代》（The Academy Years）的劇本，但由於原有演員與愛好者的強烈反對而告罷。2005 年 2 月，隨著第十部電影《星際旅行 X：復仇女神》（2002 年）的失敗以及電視劇《星際旅行：進取號》的停播，星旅系列的執行製片人賴克・伯曼與劇作家埃裡克・廷德森開始發展一部新的電影《星際旅行》（Star Trek）。他們打算在電影中啟用全新設定的角色，並讓柯克的祖先泰比裡厄斯・蔡斯（Tiberius Chase）主演。電影將發生在《進取號》之後，初代之前，大概處於地球 - 羅慕倫戰爭期間。2005 年，派拉蒙電影公司的擁有者維亞康姆從 CBS 公司中分離了出來，它保留了派拉蒙的電視廣播財產，其中包括 “Star Trek” 商標的所有權。時任派拉蒙公司總裁的蓋爾・伯曼說服了 CBS 的執行長萊斯利・穆維斯，並得到了他的許可：在 CBS 收回權利以開發新一部電視劇前，他們將有 18 個月時間來發展一部新的《星際旅行》電影（作為回報，CBS 將保留商品化權）。伯曼向《諜中諜 3》的編劇羅伯託・奧利奇與亞歷克斯・庫茲曼徵求了對新電影的意見；在《諜中諜 3》拍攝完畢後，伯曼邀請其導演 J・J・艾布拉姆斯來製作新電影。艾布拉姆斯、奧利奇和庫茲曼以及製片人戴蒙・林德洛夫和布賴恩・伯克都覺得，這一系列在此前的電視劇和電影中都已探索得足夠多了；他們還覺得部分《星際旅行》小說具有成為正典的價值，儘管吉恩・羅登伯裡從未考慮過將這些小說提升為正典。在創作小組中，奧利奇和林德洛夫自視為星迷，庫茲曼是一名普通的愛好者，而伯克則不是。艾布拉姆斯的壞機器人制片公司與派拉蒙共同製作了這部電影，這是第一次由另一家公司為《星際旅行》電影的製作提供資金支援。小比爾・託德曼的一級娛樂公司亦曾是電影的合作製片方，但在 2008 年其融資夥伴的位置被望遠鏡娛樂公司取代。艾布拉姆斯沒有看過《星際旅行 X：復仇女神》，因為他認為這一系列和他 “毫無關聯”（disconnected），對他而言，《星際旅行》是關於柯克與斯波克的故事，其他的系列只是 “使用了《星際旅行》之名但並無聯絡的太空探險”。艾布拉姆斯在小時候還很喜歡《星球大戰》。他提到，他對《星際旅行》的常識使他得以製作出一部能將該系列介紹給新觀眾的電影；而且，作為一名樂觀的人，他覺得《星際旅行》的樂觀色彩將與《蝙蝠俠：黑暗騎士》一類電影形成鮮明的對比。他還說到，他喜歡《星際旅行》以探索為主的主題，也喜歡最高指導原則禁止星際艦隊干涉原始世界發展的理念。然而，艾布拉姆斯認為原初系列的預算限制讓他們 “沒有足夠的資源去真正表現探險的主題”。他提到，他當初加入這一計劃的原因，是因為他想要幫助奧利奇、庫茲曼和林德洛夫。2007 年 2 月 23 日，艾布拉姆斯接受了派拉蒙執導此部電影的邀請，但依然只掛有製片人的頭銜。在讀過劇本後，他描述說：“我將對那些插手並執導這部電影的人嫉妒萬分。” 奧利奇與庫茲曼認為，他們故事的目標是給艾布拉姆斯一樣的普通愛好者留下印象。即使在拍攝過程中，艾布拉姆斯依然緊張於 “所有的這些紋臉和尖耳朵，稀奇古怪的武器和羅慕倫的語言，以及關於‘中立區’和‘星際艦隊’的對話［。但］我知道這會成功，因為亞歷克斯［・庫茲曼］和鮑勃［・奧利奇］的劇本是如此富於感情且如此值得一述。剛開始這段旅程時我並不喜歡柯克和斯波克 —— 但我現在深愛著他們。”
en: As early as the 1968 World Science Fiction Convention, Star Trek creator Roddenberry had said he was going to make a film prequel to the television series. But the prequel concept did not resurface until the late 1980s, when Ralph Winter and Harve Bennett submitted a proposal for a prequel during development of the fourth film. Roddenberry rejected Bennett's prequel proposal in 1991, after the completion of Star Trek V: The Final Frontier.  Then David Loughery wrote a script entitled The Academy Years, but it was shelved in light of objections from Roddenberry and the fanbase. The film that was commissioned instead ended up being Star Trek VI: The Undiscovered Country. In February 2005, after the financial failure of the tenth film, Star Trek: Nemesis (2002), and the cancellation of the television series Star Trek: Enterprise, the franchise's executive producer Rick Berman and screenwriter Erik Jendresen began developing a new film entitled Star Trek: The Beginning. It was to revolve around a new set of characters, led by Kirk's ancestor Tiberius Chase, and be set during the Earth-Romulan War—after the events of Enterprise but before the events of the original series.In 2005, Viacom, which owned Paramount Pictures, separated from CBS Corporation, which retained Paramount's television properties, including ownership of the Star Trek brand. Gail Berman, then president of Paramount, convinced CBS' chief executive, Leslie Moonves, to allow them eighteen months to develop a new Star Trek film, otherwise Paramount would lose the film rights. Berman approached Mission: Impossible III writers Orci and Kurtzman for ideas on the new film, and after the film had completed shooting she asked their director, Abrams, to produce it. Abrams, Orci and Kurtzman, plus producers Damon Lindelof and Bryan Burk, felt the franchise had explored enough of what took place after the series, Orci and Lindelof consider themselves trekkies, and feel some of the Star Trek novels have canonical value, although Roddenberry never considered the novels to be canon. Kurtzman is a casual fan, while Burk was not. Abrams' company Bad Robot Productions produced the film with Paramount, marking the first time another company had financed a Star Trek film. Bill Todman, Jr.'s Level 1 Entertainment also co-produced the film, but, during 2008, Spyglass Entertainment replaced them as financial partner.In an interview, Abrams said that he had never seen Star Trek: Nemesis because he felt the franchise had "disconnected" from the original series. For him, he said, Star Trek was about Kirk and Spock, and the other series were like "separate space adventure[s] with the name Star Trek". He also acknowledged that as a child he had actually preferred the Star Wars movies. He noted that his general knowledge of Star Trek made him well suited to introduce the franchise to newcomers, and that, being an optimistic person, he would make Star Trek an optimistic film, which would be a refreshing contrast to the likes of The Dark Knight. He added that he loved the focus on exploration in Star Trek and the idea of the Prime Directive, which forbids Starfleet to interfere in the development of primitive worlds, but that, because of the budgetary limitations of the original series, it had "never had the resources to actually show the adventure". He noted he only became involved with the project as producer initially because he wanted to help Orci, Kurtzman and Lindelof.On February 23, 2007, Abrams accepted Paramount's offer to direct the film, after having initially been attached to it solely as a producer. He explained that he had decided to direct the film because, after reading the script, he realized that he "would be so agonizingly envious of whoever stepped in and directed the movie". Orci and Kurtzman said that their aim had been to impress a casual fan like Abrams with their story. Abrams noted that, during filming, he had been nervous "with all these tattooed faces and pointy ears, bizarre weaponry and Romulan linguists, with dialogue about 'Neutral Zones' and 'Starfleet' [but] I knew this would work, because the script Alex and Bob wrote was so emotional and so relatable. I didn't love Kirk and Spock when I began this journey – but I love them now."
qas: question: zh_tw: 2002 年發行了什麼電影？
en: What movie was released in 2002?
answers: zh_tw: text: 2005 年 2 月，隨著第十部電影《星際旅行 X：復仇女神》（2002 年）的失敗以及電視劇《星際旅行：進取號》的停播，星旅系列的執行製片人賴克・伯曼與劇作家埃裡克・廷德森開始發展一部新的電影《星際旅行》（Star
en: text: Star Trek: Nemesis